Arthur Quiller-Couch was one of the 20th century's most famous literary critics, but he also wrote many popular works of his own, including this horror tale.
Arthur Quiller-Couch was one of the 20th century's most famous literary critics, but he also wrote many popular works of his own, including this horror tale.
It was in the dusk of a July evening of the year 1813 (July 27, to be precise) that on my way back from the mail-coach office, Falmouth, to Mr. Stimcoe's Academy for the Sons of Gentlemen, No. 7, Delamere Terrace, I first met Captain Coffin as he came, drunk and cursing, up the Market Strand, with a rabble of children at his heels. I have reason to remember the date and hour of this encounter, not only for its remarkable consequences, but because it befell on the very day and within an hour or two of my matriculation at Stimcoe's.
That afternoon I had arrived at Falmouth by Royal Mail, in charge of Miss Plinlimmon, my father's housekeeper; and now but ten minutes ago I had seen off that excellent lady and waved farewell to her-not without a sinking of the heart-on her return journey to Minden Cottage, which was my home.
My name is Harry Brooks, and my age on this remembered evening was fourteen and something over. My father, Major James Brooks, late of the 4th (King's Own) Regiment, had married twice, and at the time of his retirement from active service was for the second time a widower. Blindness-contracted by exposure and long marches over the snows of Galicia-had put an end to a career by no means undistinguished. In his last fight, at Corunna, he had not only earned a mention in despatches from his brigadier-general, Lord William Bentinck, but by his alertness in handling his half-regiment at a critical moment, and refusing its right to an outflanking line of French, had been privileged to win almost the last word of praise uttered by his idolized commander. My father heard, and faced about, but his eyes were already failing him; they missed the friendly smile with which Sir John Moore turned, and cantered off along the brigade, to encourage the 50th and 42nd regiments, and to receive, a few minutes later, the fatal cannon-shot.
Every one has heard what miseries the returning transports endured in the bitter gale of January, 1809. The Londonderry, in which my father sailed, did indeed escape wreck, but at the cost of a week's beating about the mouth of the Channel. He was, by rights, an invalid, having taken a wound in the kneecap from a spent bullet, one of the last fired in the battle; but in the common peril he bore a hand with the best. For three days and two nights he never shifted his clothing, which the gale alternately soaked and froze. It was frozen stiff as a board when the Londonderry made the entrance of Plymouth Sound; and he was borne ashore in a rheumatic fever. From this, and from his wound, the doctors restored him at length, but meanwhile his eyesight had perished.
His misfortunes did not end here. My step-sister Isabel-a beautiful girl of seventeen, the only child of his first marriage-had met him at Plymouth, nursed him to convalescence, and brought him home to Minden Cottage, to the garden which henceforward he tilled, but saw only through memory. Since then she had married a young officer in the 52nd Regiment, a Lieutenant Archibald Plinlimmon; but, her husband having to depart at once for the Peninsula, she had remained with her father and tended him as before, until death took her-as it had taken her mother-in childbirth. The babe did not survive her; and, to complete the sad story, her husband fell a few weeks later before Badajoz, while assaulting the Picurina Gate with fifty axemen of the Light Division.
Beneath these blows of fate my father did indeed bow his head, yet bravely. From the day Isabel died his shoulders took a sensible stoop; but this was the sole evidence of the mortal wound he carried, unless you count that from the same day he put aside his "Aeneid," and taught me no more from it, but spent his hours for the most part in meditation, often with a Bible open on his knee-although his eyes could not read it. Sally, our cook, told me one day that when the foolish midwife came and laid the child in his arms, not telling him that it was dead, he felt it over and broke forth in a terrible cry- his first and last protest.
In me-the only child of his second marriage, as Isabel had been the only child of his first-he appeared to have lost, and of a sudden, all interest. While Isabel lived there had been reason for this, or excuse at least, for he had loved her mother passionately, whereas from mine he had separated within a day or two after marriage, having married her only because he was obliged-or conceived himself obliged-by honour. Into this story I shall not go. It was a sad one, and, strange to say, sadly creditable to both. I do not remember my mother. She died, having taken some pains to hide even my existence from her husband, who, nevertheless, conscientiously took up the burden. A man more strongly conscientious never lived; and his sudden neglect of me had nothing to do with caprice, but came-as I am now assured-of some lesion of memory under the shock of my sister's death. As an unregenerate youngster I thought little of it at the time, beyond rejoicing to be free of my daily lesson in Virgil.
I can see my father now, seated within the summer-house by the filbert-tree at the end of the orchard-his favourite haunt-or standing in the doorway and drawing himself painfully erect, a giant of a man, to inhale the scent of his flowers or listen to his bees, or the voice of the stream which bounded our small domain. I see him framed there, his head almost touching the lintel, his hands gripping the posts like a blind Samson's, all too strong for the flimsy trelliswork. He wore a brown holland suit in summer, in colder weather a fustian one of like colour, and at first glance you might mistake him for a Quaker. His snow-white hair was gathered close beside the temples, back from a face of ineffable simplicity and goodness-the face of a man at peace with God and all the world, yet marked with scars-scars of bygone passions, cross-hatched and almost effaced by deeper scars of calamity. As Miss Plinlimmon wrote in her album-
"Few men so deep as Major Brooks
Have drained affliction's cup.
Alas! if one may trust his looks,
I fear he's breaking up!"
This Miss Plinlimmon, a maiden aunt of the young officer who had been slain at Badajoz, kept house for us after my sister's death. She was a lady of good Welsh family, who after many years of genteel poverty had come into a legacy of seven thousand pounds from an East Indian uncle; and my father-a simple liver, content with his half-pay-had much ado in his blindness to keep watch and war upon the luxuries she untiringly strove to smuggle upon him. For the rest, Miss Plinlimmon wore corkscrew curls, talked sentimentally, worshipped the manly form (in the abstract) with the manly virtues, and possessed (quite unknown to herself) the heart of a lion.
Upon this unsuspected courage, and upon the strength of her affection for me, she had drawn on the day when she stood up to my father-of whom, by the way, she was desperately afraid-and told him that his neglect of me was a sin and a shame and a scandal. "And a good education," she wound up feebly, "would render Harry so much more of a companion to you."
My father rubbed his head vaguely. "Yes, yes, you are right. I have been neglecting the boy. But pray end as honestly as you began, and do not pretend to be consulting my future when you are really pleading for his. To begin with, I don't want a companion; next, I should not immediately make a companion of Harry by sending him away to school; and, lastly, you know as well as I, that long before he finished his schooling I should be in my grave."
"Well, then, consider what a classical education would do for Harry! I feel sure that had I-pardon the supposition-been born a man, and made conversant with the best thoughts of the ancients-Socrates, for example-"
"What about him?" my father demanded.
"So wise, as I have always been given to understand, yet in his own age misunderstood, by his wife especially! And, to crown all, unless I err, drowned in a butt of hemlock!"
"Dear madam, pardon me; but how many of these accidents to Socrates are you ascribing to his classical education?"
"But it comes out in so many ways," Miss Plinlimmon persisted; "and it does make such a difference! There's a je ne sais quoi. You can tell it even in the way they handle a knife and fork!"
That evening, after supper, Miss Plinlimmon declined her customary game of cards with me, on the pretence that she felt tired, and sat for a long while fumbling with a newspaper, which I recognized for a week-old copy of the "Falmouth Packet." At length she rose abruptly, and, crossing over to the table where I sat playing dominoes (right hand against left), thrust the paper before me, and pointed with a trembling finger.
"There, Harry! What would you say to that?"
I brushed my dominoes aside, and read-
"The Reverend Philip Stimcoe, B.A., (Oxon.), of Copenhagen Academy, 7. Delamere Terrace, begs to inform the Nobility, Clergy, and Gentry of Falmouth and the neighbourhood that he has Vacancies for a limited number of Pupils of good Social Standing. Education classical, on the lines of the best Public Schools, combined with Home Comforts under the personal supervision of Mrs. Stimcoe (niece of the late Hon. Sir Alexander O'Brien, R.N., Admiral of the White, and K.C.B.). Backward and delicate boys a speciality. Separate beds. Commodious playground in a climate unrivalled for pulmonary ailments. Greenwich time kept."
I did not criticise the advertisement. It sufficed me to read my release in it; and in the same instant I knew how lonely the last few months had been, and felt myself an ingrate. I that had longed unspeakably, if but half consciously, for the world beyond Minden Cottage-a world in which I could play the man-welcomed my liberty by laying my head on my arms and breaking into unmanly sobs.
I will pass over a blissful week of preparation, including a journey by van to Torpoint and by ferry across to Plymouth, where Miss Plinlimmon bought me boots, shirts, collars, under-garments, a valise, a low-crowned beaver hat for Sunday wear, and for week-days a cap shaped like a concertina; where I was measured for two suits after a pattern marked "Boy's Clarence, Gentlemanly," and where I expended two-and-sixpence of my pocket-money on a piratical jack-knife and a book of patriotic songs-two articles indispensable, it seemed to me, to full-blooded manhood; and I will come to the day when the Royal Mail pulled up before Minden Cottage with a merry clash of bits and swingle-bars, and, the scarlet-coated guard having received my box from Sally the cook, and hoisted it aboard in a jiffy, Miss Plinlimmon and I climbed up to a seat behind the coachman. My father stood at the door, and shook hands with me at parting.
"Good luck, lad," said he; "and remember our motto: Nil nisi recte! Good luck have thou with thine honour. And, by the way, here's half a sovereign for you."
"Cl'k!" from the coachman, shortening up his enormous bunch of reins; ta-ra-ra! from the guard's horn close behind my ear; and we were off!
Oh, believe me, there never was such a ride! As we swept by the second mile stone I stole a look at Miss Plinlimmon. She sat in an ecstasy, with closed eyes. She was, as she put it, indulging in mental composition.
Verses composed while Riding by the Royal Mail.
"I've sailed at eve o'er Plymouth Sound
(For me it was a rare excursion)
Oblivious of the risk of being drown'd,
Or even of a more temporary immersion.
"I dream'd myself the Lady of the Lake,
Or an Oriental one (within limits) on the Bosphorus;
We left a trail of glory in our wake,
Which the intelligent boatman ascribed to phosphorus.
"Yet agreeable as I found it o'er the ocean
To glide within my bounding shallop,
I incline to think that for the poetry of motion
One may even more confidently recommend the Tantivy Gallop."
Arthur Quiller-Couch was one of the 20th century's most famous literary critics, but he also wrote many popular works of his own, including this horror tale.
Dodo Collections brings you another classic from Arthur Quiller-Couch 'Shining Ferry.'Shining Ferry was first published in 1905.Sir Arthur Thomas Quiller-Couch was a Cornish writer, who published under the pen name of Q. He published his Dead Man's Rock (a romance in the vein of Stevenson's Treasure Island) in 1887, and he followed this up with Troy Town (1888) and The Splendid Spur (1889). After some journalistic experience in London, mainly as a contributor to the Speaker, in 1891 he settled at Fowey in Cornwall. He published in 1896 a series of critical articles, Adventures in Criticism, and in 1898 he completed Robert Louis Stevenson's unfinished novel, St Ives. With the exception of the parodies entitled Green Bays: Verses and Parodies (1893), his poetical work is contained in Poems and Ballads (1896). In 1895 he published an anthology from the sixteenth and seventeenth-century English lyrists, The Golden Pomp, followed in 1900 by an equally successful Oxford Book of English Verse, 1250-1900 (1900). He was made a Bard of Gorseth Kernow in 1928, taking the Bardic name Marghak Cough ('Red Knight').Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.
Dodo Collections brings you another classic from Arthur Quiller-Couch 'Fort Amity.Fort Amity was published in 1904.Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.
Dodo Collections brings you another classic from Arthur Quiller-Couch, 'Brother Copas.'To those who are acquainted with the literary standing of "Q" the lightness and slightness of his novels always come as a surprise. They have, however, a distinctive touch of learning here and there and a fair and elegant style. The setting in the present case is easily identified as the Hospital of St. Cross at Winchester, although Sir Quiller-Couch confusingly calls his town Merchester suggesting Melchester, the name given by Mr. Hardy to the cathedral town of Salisbury. The dissensions and difficulties in this community of noble poverty, the great unsettled question of high church or low church, and the final solution by means of that charity which covers a multitude of sins is the theme of rother Copas. There is a delightful Swinburnian translation of a late Latin poem-the sort of thing that Sir Quiller-Couch does con amore. There is a town pageant which brings peace after dissension and there is a perfectly unreal and perfectly impossible but equally charming American child. But, on the whole, there is enough background and enough setting, enough learning, and enough ease of writing to make the whole book very readable and pleasant for an idle half-hour. If this is the only way in which Sir Quiller-Couch can earn the liberty to do his literary studies we pardon his novels.Quiller-Couch was a noted literary critic, publishing editions of some of Shakespeare's plays (in the New Shakespeare, published by Cambridge University Press, with Dover Wilson) and several critical works, including Studies in Literature (1918) and On the Art of Reading (1920). He edited a successor to his verse anthology: Oxford Book of English Prose, which was published in 1923. He left his autobiography, Memories and Opinions, unfinished; it was nevertheless published in 1945.
Arthur Quiller-Couch was one of the 20th century's most famous literary critics, but he also wrote many popular works of his own, including these paranormal tales.
Three years into marriage, Rachael gave her all to Xander, even secretly using her newfound heiress fortune to save his struggling company. But the truth shattered her—her marriage certificate was fake, and his "childhood friend" was his real wife all along. When she confronted him, he shrugged her off with, "She's just a friend." Enough was enough. Rachael went back to her real family, soared in her career, and married Xander's rival. When Xander begged for another chance, her new husband pulled her close, flashing their marriage certificate. "She's already married—to me."
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
My husband, Ethan Vance, made me his trophy wife. My best friend, Susanna Thorne, helped me pick out my wedding dress. Together, they made me a fool. For three years, I was Mrs. Ethan Vance, a decorative silence in his billion-dollar world, living a quiet routine until a forgotten phone charger led me to his office. The low, feminine laugh from behind his door was a gut-punch; inside, I found Ethan and Susanna, my "best friend" and his CMO, tangled on his sofa, his only reaction irritation. My divorce declaration brought immediate scorn and threats. I was fired, my accounts frozen, and publicly smeared as an unstable gold-digger. Even my own family disowned me for my last cent, only for me to be framed for assault and served a restraining order. Broke, injured, and utterly demonized, they believed I was broken, too ashamed to fight. But their audacious betrayal and relentless cruelty only forged a cold, unyielding resolve. Slumped alone, a restraining order in hand, I remembered my hidden journal: a log of Ethan's insider trading secrets. They wanted a monster? I would show them one.
Nicole had entered marriage with Walter, a man who never returned her feelings, bound to him through an arrangement made by their families rather than by choice. Even so, she had held onto the quiet belief that time might soften his heart and that one day he would learn to love her. However, that day never came. Instead, he treated her with constant contempt, tearing her down with cruel words and dismissing her as fat and manipulative whenever it suited him. After two years of a cold and distant marriage, Walter demanded a divorce, delivering his decision in the most degrading manner he could manage. Stripped of her dignity and exhausted by the humiliation, Nicole agreed to her friend Brenda's plan to make him see what he had lost. The idea was simple but daring. She would use another man to prove that the woman Walter had mocked and insulted could still be desired by someone else. All they had to do was hire a gigolo. Patrick had endured one romantic disappointment after another. Every woman he had been involved with had been drawn not to him, but to his wealth. As one of the heirs to a powerful and influential family, he had long accepted that this pattern was almost unavoidable. What Patrick wanted was far more difficult to find. He longed to fall in love with a woman who cared for him as a person, not for the name he carried or the fortune attached to it. One night, while he was at a bar, an attractive stranger approached him. Because of his appearance and composed demeanor, she mistook him for a gigolo. She made an unconventional proposal, one that immediately caught his interest and proved impossible for him to refuse.
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
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