Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
A distinguished Positivist friend of mine, who is in most matters a practical man of the world, astonished me greatly the other day at Venice, by the grave remark that Italian was destined to be the language of the future. I found on inquiry he had inherited the notion direct from Auguste Comte, who justified it on the purely sentimental and unpractical ground that the tongue of Dante had never yet been associated with any great national defeat or disgrace. The idea surprised me not a little; because it displays such a profound misconception of what language is, and why people use it.
The speech of the world will not be decided on mere grounds of sentiment: the tongue that survives will not survive because it is so admirably adapted for the manufacture of rhymes or epigrams. Stern need compels. Frenchmen and Germans, in congress assembled, and looking about them for a means of intercommunication, might indeed agree to accept Italian then and there as an international compromise. But congresses don't make or unmake the habits of everyday life; and the growth or spread of a language is a thing as much beyond our deliberate human control as the rise or fall of the barometer.
My friend's remark, however, set me thinking and watching what are really the languages now gaining and spreading over the civilised world; it set me speculating what will be the outcome of this gain and spread in another half century. And the results are these: Vastly the most growing and absorbing of all languages at the present moment is the English, which is almost everywhere swallowing up the overflow of German, Scandinavian, Dutch, and Russian. Next to it, probably, in point of vitality, comes Spanish, which is swallowing up the overflow of French, Italian, and the other Latin races. Third, perhaps, ranks Russian, destined to become in time the spoken tongue of a vast tract in Northern and Central Asia. Among non-European languages, three seem to be gaining fast: Chinese, Malay, Arabic. Of the doomed tongues, on the other hand, the most hopeless is French, which is losing all round; while Italian, German, and Dutch are either quite at a standstill or slightly retrograding. The world is now round. By the middle of the twentieth century, in all probability, English will be its dominant speech; and the English-speaking peoples, a heterogeneous conglomerate of all nationalities, will control between them the destinies of mankind. Spanish will be the language of half the populous southern hemisphere. Russian will spread over a moiety of Asia. Chinese, Malay, Arabic, will divide among themselves the less civilised parts of Africa and the East. But French, German, and Italian will be insignificant and dwindling European dialects, as numerically unimportant as Flemish or Danish in our own day.
And why? Not because Shakespeare wrote in English, but because the English language has already got a firm hold of all those portions of the earth's surface which are most absorbing the overflow of European populations. Germans and Scandinavians and Russians emigrate by the thousand now to all parts of the United States and the north-west of Canada. In the first generation they may still retain their ancestral speech; but their children have all to learn English. In Australia and New Zealand the same thing is happening. In South Africa Dutch had got a footing, it is true; but it is fast losing it. The newcomers learn English, and though the elder Boers stick with Boer conservatism to their native tongue, young Piet and young Paul find it pays them better to know and speak the language of commerce-the language of Cape Town, of Kimberley, of the future. The reason is the same throughout. Whenever two tongues come to be spoken in the same area one of them is sure to be more useful in business than the other. Every French-Canadian who wishes to do things on a large scale is obliged to speak English. So is the Creole in Louisiana; so earlier were the Knickerbocker Dutch in New York. Once let English get in, and it beats all competing languages fairly out of the field in a couple of generations.
Like influences favour Spanish in South America and elsewhere. English has annexed most of North America, Australia, South Africa, the Pacific; Spanish has annexed South America, Central America, the Philippines, Cuba, and a few other places. For the most part these areas are less suited than the English-speaking districts for colonisation by North Europeans; but they absorb a large number of Italians and other Mediterranean races, who all learn Spanish in the second generation. As to the other dominant languages, the points in their favour are different. Conquest and administrative needs are spreading Russian over the steppes of Asia; the Arab merchant and the growth of Mahommedanism are importing Arabic far into the heart of Africa; the Chinaman is carrying his own monosyllables with him to California, Australia, Singapore. These tongues in future will divide the world between them.
The German who leaves Germany becomes an Anglo-American. The Italian who leaves Italy becomes a Spanish-American.
There is another and still more striking way of looking at the rapid increase of English. No other language will carry you through so many ports in the world. It suffices for London, Liverpool, Glasgow, Belfast, Southampton, Cardiff; for New York, Boston, Montreal, Charleston, New Orleans, San Francisco; for Sydney, Melbourne, Auckland, Hong Kong, Yokohama, Honolulu; for Calcutta, Bombay, Madras, Kurrachi, Singapore, Colombo, Cape Town, Mauritius. Spanish with Cadiz, Barcelona, Havana, Callao, Valparaiso, cannot touch that record; nor can French with Marseilles, Bordeaux, Havre, Algiers, Antwerp, Tahiti. The most commercially useful language in the world, thus widely diffused in so many great mercantile and shipping centres, is certain to win in the struggle for existence among the tongues of the future.
The old Mediterranean civilisation teaches us a useful lesson in this respect. Two languages dominated the Mediterranean basin. The East spoke Greek, not because Plato and ?schylus spoke Greek, but because Greek was the tongue of the great commercial centres-of Athens, Syracuse, Alexandria, Antioch, Byzantium. The West spoke Latin, not because Catullus and Virgil spoke Latin, but because Latin was the administrative tongue, the tongue of Rome, of Italy, and later of Gaul, of Spain, of the great towns in Dacia, Pannonia, Britain. Whoever wanted to do anything on the big scale then, had to speak Greek or Latin; so much so that the native languages of Gaul and Spain died utterly out, and Latin dialects are now the spoken tongue in all southern Europe. In our own time, again, educated Hindoos from different parts of India have to use English as a means of intercommunication; and native merchants must write their business correspondence with distant houses in English. To put an extreme contrast: in the last century French was spoken by far more people than English; at the present day French is only just keeping up its numbers in France, is losing in Canada and the United States, is not advancing to any extent in Africa. English is spoken by a hundred million people in Europe and America; is over-running Africa; has annexed Australasia and the Pacific Isles; has ousted, or is ousting, Dutch at the Cape, French in Louisiana, even Spanish itself in Florida, California, New Mexico. In Egyptian mud villages, the aspiring Copt, who once learnt French, now learns English. In Scandinavia, our tongue gains ground daily. Everywhere in the world it takes the lead among the European languages, and by the middle of the next century will no doubt be spoken over half the globe by a cosmopolitan mass of five hundred million people.
And all on purely Darwinian principles! It is the best adapted tongue, and therefore it survives in the struggle for existence. It is the easiest to learn, at least orally. It has got rid of the effete rubbish of genders; simplified immensely its declensions and conjugations; thrown overboard most of the nonsensical ballast we know as grammar. It is only weighted now by its grotesque and ridiculous spelling-one of the absurdest among all the absurd English attempts at compromise. The pressure of the newer speakers will compel it to make jetsam of that lumber also; and then the tongue of Shelley and Newton will march onward unopposed to the conquest of humanity.
I pen these remarks, I hope, "without prejudice." Patriotism is a vulgar vice of which I have never been guilty.
* * *
Charles Grant Blairfindie Allen was born on February 24th, 1848 at Alwington, near Kingston, Canada West (now part of Ontario). Home schooled until 13 when his family moved to England, Grant was to become a highly regarded science writer who branched out to a fiction career and became enormously popular. His work helped propel several genres of fiction and whilst his career was short it was enormously productive. Grant's scientific background enabled him to root much of his work in a plausibility that was denied to others. He had little fear in challenging a society that treated women as second class citizens and creating best sellers from such works. On October 25th 1899 Grant Allen died at his home in Hindhead, Haslemere, Surrey, England. He died just before finishing Hilda Wade. The novel's final episode, which he dictated to his friend, doctor and neighbour Sir Arthur Conan Doyle from his bed appeared under the appropriate title The Episode of the Dead Man Who Spoke in 1900.
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Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
This was the top-prize-winning novel from 20,000 entries in one of the richest literary awards ever offered in Britain. Its convoluted and colorful plot turns on questions of heredity and atavism: the ancestry of the Waring twin brothers and of Elma Clifford. Elma comes on her mother's side from a line of gypsy snake dancers, and she displays a periodic urge to dance wildly with a feather boa in her bedroom. A murderous judge, multiple mistaken identities and scenes of tribal life in South Africa decorate this extraordinary novel, which is certainly a testament to Grant Allen's versatility and grasp of the popular market.Excerpt: "Elma felt sure she was mad that night. And, if so, oh, how could she poison Cyril Waring's life with so unspeakable an inheritance for himself and his children? She didn't know, what any psychologist might at once have told her, that no one with the fatal taint of madness in her blood could ever even have thought of that righteous self-denial. Such scruples have no place in the selfish insane temperament; they belong only to the highest and purest types of moral nature."In his biography of Allen, Professor Peter Morton says about this book: "Twice in his career Allen finds he has a great popular success on his hands. What's Bred in the Bone (1891), a sensational thriller written to order at top speed, secures him one of the largest literary prizes ever awarded in Britain: a thousand pounds from George Newnes, the publishers of the magazine Tit-Bits. What's Bred in the Bone comes first in a field of 20,000 entrants to take the prize. It sells hugely in its first year, goes into seventeen impressions, appears in the form of a silent film in 1916, and is translated into several languages, including Icelandic. Nothing demonstrates better Allen's cold-blooded judgment in analysing and meeting the popular taste." The novel was published serially in 1890 and 1891.(Reference: Peter Morton's website about Grant Allen https://sites.google.com/site/petermortonswebsite/.)
After the divorce, she became the dream woman everyone longed for. James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world. Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? " But Zelda did run away and never looked back, receiving marriage proposals every day. James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
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