Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
A distinguished Positivist friend of mine, who is in most matters a practical man of the world, astonished me greatly the other day at Venice, by the grave remark that Italian was destined to be the language of the future. I found on inquiry he had inherited the notion direct from Auguste Comte, who justified it on the purely sentimental and unpractical ground that the tongue of Dante had never yet been associated with any great national defeat or disgrace. The idea surprised me not a little; because it displays such a profound misconception of what language is, and why people use it.
The speech of the world will not be decided on mere grounds of sentiment: the tongue that survives will not survive because it is so admirably adapted for the manufacture of rhymes or epigrams. Stern need compels. Frenchmen and Germans, in congress assembled, and looking about them for a means of intercommunication, might indeed agree to accept Italian then and there as an international compromise. But congresses don't make or unmake the habits of everyday life; and the growth or spread of a language is a thing as much beyond our deliberate human control as the rise or fall of the barometer.
My friend's remark, however, set me thinking and watching what are really the languages now gaining and spreading over the civilised world; it set me speculating what will be the outcome of this gain and spread in another half century. And the results are these: Vastly the most growing and absorbing of all languages at the present moment is the English, which is almost everywhere swallowing up the overflow of German, Scandinavian, Dutch, and Russian. Next to it, probably, in point of vitality, comes Spanish, which is swallowing up the overflow of French, Italian, and the other Latin races. Third, perhaps, ranks Russian, destined to become in time the spoken tongue of a vast tract in Northern and Central Asia. Among non-European languages, three seem to be gaining fast: Chinese, Malay, Arabic. Of the doomed tongues, on the other hand, the most hopeless is French, which is losing all round; while Italian, German, and Dutch are either quite at a standstill or slightly retrograding. The world is now round. By the middle of the twentieth century, in all probability, English will be its dominant speech; and the English-speaking peoples, a heterogeneous conglomerate of all nationalities, will control between them the destinies of mankind. Spanish will be the language of half the populous southern hemisphere. Russian will spread over a moiety of Asia. Chinese, Malay, Arabic, will divide among themselves the less civilised parts of Africa and the East. But French, German, and Italian will be insignificant and dwindling European dialects, as numerically unimportant as Flemish or Danish in our own day.
And why? Not because Shakespeare wrote in English, but because the English language has already got a firm hold of all those portions of the earth's surface which are most absorbing the overflow of European populations. Germans and Scandinavians and Russians emigrate by the thousand now to all parts of the United States and the north-west of Canada. In the first generation they may still retain their ancestral speech; but their children have all to learn English. In Australia and New Zealand the same thing is happening. In South Africa Dutch had got a footing, it is true; but it is fast losing it. The newcomers learn English, and though the elder Boers stick with Boer conservatism to their native tongue, young Piet and young Paul find it pays them better to know and speak the language of commerce-the language of Cape Town, of Kimberley, of the future. The reason is the same throughout. Whenever two tongues come to be spoken in the same area one of them is sure to be more useful in business than the other. Every French-Canadian who wishes to do things on a large scale is obliged to speak English. So is the Creole in Louisiana; so earlier were the Knickerbocker Dutch in New York. Once let English get in, and it beats all competing languages fairly out of the field in a couple of generations.
Like influences favour Spanish in South America and elsewhere. English has annexed most of North America, Australia, South Africa, the Pacific; Spanish has annexed South America, Central America, the Philippines, Cuba, and a few other places. For the most part these areas are less suited than the English-speaking districts for colonisation by North Europeans; but they absorb a large number of Italians and other Mediterranean races, who all learn Spanish in the second generation. As to the other dominant languages, the points in their favour are different. Conquest and administrative needs are spreading Russian over the steppes of Asia; the Arab merchant and the growth of Mahommedanism are importing Arabic far into the heart of Africa; the Chinaman is carrying his own monosyllables with him to California, Australia, Singapore. These tongues in future will divide the world between them.
The German who leaves Germany becomes an Anglo-American. The Italian who leaves Italy becomes a Spanish-American.
There is another and still more striking way of looking at the rapid increase of English. No other language will carry you through so many ports in the world. It suffices for London, Liverpool, Glasgow, Belfast, Southampton, Cardiff; for New York, Boston, Montreal, Charleston, New Orleans, San Francisco; for Sydney, Melbourne, Auckland, Hong Kong, Yokohama, Honolulu; for Calcutta, Bombay, Madras, Kurrachi, Singapore, Colombo, Cape Town, Mauritius. Spanish with Cadiz, Barcelona, Havana, Callao, Valparaiso, cannot touch that record; nor can French with Marseilles, Bordeaux, Havre, Algiers, Antwerp, Tahiti. The most commercially useful language in the world, thus widely diffused in so many great mercantile and shipping centres, is certain to win in the struggle for existence among the tongues of the future.
The old Mediterranean civilisation teaches us a useful lesson in this respect. Two languages dominated the Mediterranean basin. The East spoke Greek, not because Plato and ?schylus spoke Greek, but because Greek was the tongue of the great commercial centres-of Athens, Syracuse, Alexandria, Antioch, Byzantium. The West spoke Latin, not because Catullus and Virgil spoke Latin, but because Latin was the administrative tongue, the tongue of Rome, of Italy, and later of Gaul, of Spain, of the great towns in Dacia, Pannonia, Britain. Whoever wanted to do anything on the big scale then, had to speak Greek or Latin; so much so that the native languages of Gaul and Spain died utterly out, and Latin dialects are now the spoken tongue in all southern Europe. In our own time, again, educated Hindoos from different parts of India have to use English as a means of intercommunication; and native merchants must write their business correspondence with distant houses in English. To put an extreme contrast: in the last century French was spoken by far more people than English; at the present day French is only just keeping up its numbers in France, is losing in Canada and the United States, is not advancing to any extent in Africa. English is spoken by a hundred million people in Europe and America; is over-running Africa; has annexed Australasia and the Pacific Isles; has ousted, or is ousting, Dutch at the Cape, French in Louisiana, even Spanish itself in Florida, California, New Mexico. In Egyptian mud villages, the aspiring Copt, who once learnt French, now learns English. In Scandinavia, our tongue gains ground daily. Everywhere in the world it takes the lead among the European languages, and by the middle of the next century will no doubt be spoken over half the globe by a cosmopolitan mass of five hundred million people.
And all on purely Darwinian principles! It is the best adapted tongue, and therefore it survives in the struggle for existence. It is the easiest to learn, at least orally. It has got rid of the effete rubbish of genders; simplified immensely its declensions and conjugations; thrown overboard most of the nonsensical ballast we know as grammar. It is only weighted now by its grotesque and ridiculous spelling-one of the absurdest among all the absurd English attempts at compromise. The pressure of the newer speakers will compel it to make jetsam of that lumber also; and then the tongue of Shelley and Newton will march onward unopposed to the conquest of humanity.
I pen these remarks, I hope, "without prejudice." Patriotism is a vulgar vice of which I have never been guilty.
* * *
Charles Grant Blairfindie Allen was born on February 24th, 1848 at Alwington, near Kingston, Canada West (now part of Ontario). Home schooled until 13 when his family moved to England, Grant was to become a highly regarded science writer who branched out to a fiction career and became enormously popular. His work helped propel several genres of fiction and whilst his career was short it was enormously productive. Grant's scientific background enabled him to root much of his work in a plausibility that was denied to others. He had little fear in challenging a society that treated women as second class citizens and creating best sellers from such works. On October 25th 1899 Grant Allen died at his home in Hindhead, Haslemere, Surrey, England. He died just before finishing Hilda Wade. The novel's final episode, which he dictated to his friend, doctor and neighbour Sir Arthur Conan Doyle from his bed appeared under the appropriate title The Episode of the Dead Man Who Spoke in 1900.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
This was the top-prize-winning novel from 20,000 entries in one of the richest literary awards ever offered in Britain. Its convoluted and colorful plot turns on questions of heredity and atavism: the ancestry of the Waring twin brothers and of Elma Clifford. Elma comes on her mother's side from a line of gypsy snake dancers, and she displays a periodic urge to dance wildly with a feather boa in her bedroom. A murderous judge, multiple mistaken identities and scenes of tribal life in South Africa decorate this extraordinary novel, which is certainly a testament to Grant Allen's versatility and grasp of the popular market.Excerpt: "Elma felt sure she was mad that night. And, if so, oh, how could she poison Cyril Waring's life with so unspeakable an inheritance for himself and his children? She didn't know, what any psychologist might at once have told her, that no one with the fatal taint of madness in her blood could ever even have thought of that righteous self-denial. Such scruples have no place in the selfish insane temperament; they belong only to the highest and purest types of moral nature."In his biography of Allen, Professor Peter Morton says about this book: "Twice in his career Allen finds he has a great popular success on his hands. What's Bred in the Bone (1891), a sensational thriller written to order at top speed, secures him one of the largest literary prizes ever awarded in Britain: a thousand pounds from George Newnes, the publishers of the magazine Tit-Bits. What's Bred in the Bone comes first in a field of 20,000 entrants to take the prize. It sells hugely in its first year, goes into seventeen impressions, appears in the form of a silent film in 1916, and is translated into several languages, including Icelandic. Nothing demonstrates better Allen's cold-blooded judgment in analysing and meeting the popular taste." The novel was published serially in 1890 and 1891.(Reference: Peter Morton's website about Grant Allen https://sites.google.com/site/petermortonswebsite/.)
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
Nadine reunited with her family, convinced she'd been discarded, rage simmering-only to find collapse: her mother unstable, her father poisoned; a pianist brother trapped in a sham marriage, a detective brother framed and jailed, the youngest dragged into a gang. While the fake daughter mocked and colluded, Nadine moved in secret-healing her mother, curing her father, ending the union, clearing charges, and lifting the youngest to leader. Rumors said she rode coattails, unworthy of Rhys, the unmatched magnate. Few knew she was a renowned healer, legendary assassin, mysterious tycoon... Rhys knelt. "Marry me! The entire empire is yours for the taking!"
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY