Sister Teresa by George Augustus Moore
Sister Teresa by George Augustus Moore
As soon as Mother Philippa came into the parlour Evelyn guessed there must be serious trouble in the convent.
"But what is the matter, Mother Philippa?"
"Well, my dear, to tell you the truth, we have no money at all."
"None at all! You must have some money."
"As a matter of fact we have none, and Mother Prioress won't let us order anything from the tradespeople."
"Why not?"
"She will not run into debt; and she's quite right; so we have to manage with what we've got in the convent. Of course there are some vegetables and some flour in the house; but we can't go on like this for long. We don't mind so much for ourselves, but we are so anxious about Mother Prioress; you know how weak her heart is, and all this anxiety may kill her. Then there are the invalid sisters, who ought to have fresh meat."
"I suppose so," and Evelyn thought of driving to the Wimbledon butcher and bringing back some joints.
"But, Mother, why didn't you let me know before? Of course I'll help you."
"The worst of it is, Evelyn, we want a great deal of help."
"Well, never mind; I'm ready to give you a great deal of help... as much as I can. And here is the Prioress."
The Prioress stood resting, leaning on the door-handle, and Evelyn was by her side in an instant.
"Thank you, my child, thank you," and she took Evelyn's arm.
"I've heard of your trouble, dear Mother, and am determined to help you; so you must sit down and tell me about it."
"Reverend Mother ought not to be about," said Mother Philippa. "On
Monday night she was so ill we had to get up to pray for her."
"I'm better to-day. If it hadn't been for this new trouble-" As the Prioress was about to explain she paused for breath, and Evelyn said:
"Another time. What does it matter to whom you owe the money? You owe it to somebody, and he is pressing you for it-isn't that so? Of course it is, dear Mother. Well, I've come to bring you good news. You remember my promise to arrange a concert tour as soon as I was free? Everything has been arranged; we start next Thursday, and with fair hope of success."
"How good of you!"
"You will succeed, Evelyn; and as Mother Philippa says, it is very good of you."
The Prioress spoke with hesitation, and Evelyn guessed that the nuns were thinking of their present necessities.
"I can let you have a hundred pounds easily, and I could let you have more if it were not-" The pause was sufficiently dramatic to cause the nuns to press her to go on speaking, saying that they must know they were not taking money which she needed for herself. "I wasn't thinking of myself, but of my poor people; they're so dependent upon me, and I am so dependent upon them, even more than they are upon me, for without them there would be no interest in my life, and nothing for me to do except to sit in my drawing-room and look at the wall paper and play the piano."
"We couldn't think of taking money which belongs to others. We shall put our confidence in God. No, Evelyn, pray don't say any more."
But Evelyn insisted, saying she would manage in such a way that her poor people should lack nothing. "Of course they lack a great deal, but what I mean is, they'll lack nothing they've been in the habit of receiving from me," and, speaking of their unfailing patience in adversity, she said: "and their lives are always adversity."
"Your poor people are your occupations since you left the stage?"
"You think me frivolous, or at least changeable, Reverend Mother?"
"No, indeed; no, indeed," both nuns cried together, and Evelyn thought of what her life had been, how the new occupations which had come into it contrasted with the old-singing practice in the morning, rehearsals, performances in the evening, intrigues, jealousies; and the change seemed so wonderful that she would like to have spoken of it to the nuns, only that could not be done without speaking of Owen Asher. But there was no reason for not speaking of her stage life, the life that had drifted by. "You see, my old friends are no longer interested in me." A look of surprise came into the nuns' faces. "Why should they be? They are only interested in me so long as I am available to fill an engagement. And the singers who were my friends-what should I speak to them about? Not of my poor people; though, indeed, many of my friends are very good: they are very kind to each other."
"But we mustn't think of taking the money from you that should go to your poor people."
"No, no; that is out of the question, dear Mother. As I have told you, I can easily let you have a hundred pounds; and as for paying off the debts of the convent-that I look upon as an obligation, as a bonne bouche, I might say. My heart is set on it." "We can never thank you enough."
"I don't want to be thanked; it is all pleasure to me to do this for you. Now goodbye; I'll write to you about the success of the concerts. You will pray that I may be a great success, won't you? Much more depends upon your prayers than on my voice."
Mother Philippa murmured that everything was in God's hands.
The Prioress raised her eyes and looked at Evelyn questioningly. "Mother Philippa is quite right. Our prayers will be entirely pleasing to God; He sent you to us. Without you our convent would be broken up. We shall pray for you, Evelyn."
Hailed by Yeats as a masterpiece, this 1886 novel sheds light on the Anglo-Irish marriage market. Moore offers a satiric yet sympathetic look at five unmarried daughters of the Anglo-Irish gentry and details their desperate antics to locate suitable husbands. Written with vivid and rich attention to period details, the book is a prime example of Moore's innate ability to grasp women's issues.
George Moore was an Irish novelist whose works were best known for their realism. In turn, he helped influence subsequent writers like James Joyce and other naturalists.
COALESCENCE OF THE FIVE SERIES BOOK ONE: THE 5-TIME REJECTED GAMMA & THE LYCAN KING BOOK TWO: THE ROGUES WHO WENT ROGUE BOOK THREE: THE INDOMITABLE HUNTRESS & THE HARDENED DUKE *** BOOK ONE: After being rejected by 5 mates, Gamma Lucianne pleaded with the Moon Goddess to spare her from any further mate-bonds. To her dismay, she is being bonded for the sixth time. What's worse is that her sixth-chance mate is the most powerful creature ruling over all werewolves and Lycans - the Lycan King himself. She is certain, dead certain, that a rejection would come sooner or later, though she hopes for it to be sooner. King Alexandar was ecstatic to meet his bonded mate, and couldn't thank their Goddess enough for gifting him someone so perfect. However, he soon realizes that this gift is reluctant to accept him, and more than willing to sever their bond. He tries to connect with her but she seems so far away. He is desperate to get intimate with her but she seems reluctant to open up to him. He tries to tell her that he is willing to commit to her for the rest of his life but she doesn't seem to believe him. He is pleading for a chance: a chance to get to know her; a chance to show her that he's different; and a chance to love her. But when not-so-subtle crushes, jealous suitors, self-entitled Queen-wannabes, an old flame, a silent protector and a past wedding engagement threaten to jeopardize their relationship, will Lucianne and Xandar still choose to be together? Is their love strong enough to overcome everything and everyone? Or will Lucianne resort to enduring a sixth rejection from the one person she thought she could entrust her heart with?
I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
For four years, I traced the bullet scar on Chace’s chest, believing it was proof he would bleed to keep me safe. On our anniversary, he told me to wear white because "tonight changes everything." I walked into the gala thinking I was getting a ring. Instead, I stood frozen in the center of the ballroom, drowning in silk, watching him slide his mother's sapphire onto another woman's finger. Karyn Warren. The daughter of a rival family. When I begged him with my eyes to claim me, to save me from the public humiliation, he didn't flinch. He just leaned toward his Underboss, his voice amplified by the silence. "Karyn is for power. Ember is for pleasure. Don't confuse the assets." My heart didn't just break; it incinerated. He expected me to stay as his mistress, threatening to dig up my dead mother’s grave if I refused to play the obedient pet. He thought I was trapped. He thought I had nowhere to go because of my father’s massive gambling debts. He was wrong. With shaking hands, I pulled out my phone and texted the one name I was never supposed to use. Keith Mosley. The Don. The monster under Chace's bed. *I am invoking the Blood Oath. My father’s debt. I am ready to pay it.* His reply came three seconds later, buzzing against my palm like a warning. *The price is marriage. You belong to me. Yes or No?* I looked up at Chace, who was laughing with his new fiancée, thinking he owned me. I looked down and typed three letters. *Yes.*
She gave him her innocence. He gave her a mark she could never escape. Five years ago, Elena's world shattered when she was betrayed by everyone she loved. Left homeless and heartbroken, she found fleeting solace in the arms of a devastatingly handsome stranger-a single night of raw, primal passion that became her secret touchstone of strength. Now, she's rebuilt her life from the ashes, fighting to provide for her young son. But every door she tries to open slams shut, sabotaged by a powerful, unseen force. That force is Dax Valiente. Billionaire. Alpha. Obsession. As a human girl, Elena has never expected what awaits her when she walks into the Valiente Group. That ruthless man was not just her new Boss, but the werewolf king who wants her to be his.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
For seventeen years, I was the crown jewel of the Kensington empire, the perfect daughter groomed for a royal future. Then, a cream-colored envelope landed in my lap, bearing a gold crest and a truth that turned my world into ice. The DNA test result was a cold, hard zero percent-I wasn't a Kensington. Before the ink could even dry, my parents invited my replacement, a girl named Alleen, into the drawing room and treated me like a trespasser in my own home. My mother, who once hosted galas in my honor, wouldn't even look me in the eye as she stroked Alleen's arm, whispering that she was finally "safe." My father handed me a one-million-dollar check-a mere tip for a billionaire-and told me to leave immediately to avoid tanking the company's stock price. "You're a thief! You lived my life, you spent my money, and you don't get to keep the loot!" Alleen shrieked, trying to claw the designer jacket off my shoulders while my "parents" watched with clinical detachment. I was dumped on a gritty sidewalk in Queens with nothing but three trunks and the address of a struggling laborer I was now supposed to call "Dad." I traded a marble mansion for a crumbling walk-up where the air smelled of exhaust and my new bedroom was a literal storage closet. My biological family thought I was a broken princess, and the Kensingtons thought they had successfully erased me with a payoff and a non-disclosure agreement. They had no idea that while I was hauling trunks up four flights of stairs, my secret media empire was already preparing to move against them. As I sat on a thin mattress in the dark, I opened my encrypted laptop and sent a single command that would cost my former father ten million dollars by breakfast. They thought they were throwing me to the wolves, but they forgot one thing: I'm the one who leads the pack.
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