Tenterhooks by Ada Leverson
A Verbal Invitation
Because Edith had not been feeling very well, that seemed no reason why she should be the centre of interest; and Bruce, with that jealousy of the privileges of the invalid and in that curious spirit of rivalry which his wife had so often observed, had started, with enterprise, an indisposition of his own, as if to divert public attention. While he was at Carlsbad he heard the news. Then he received a letter from Edith, speaking with deference and solicitude of Bruce's rheumatism, entreating him to do the cure thoroughly, and suggesting that they should call the little girl Matilda, after a rich and sainted-though still living-aunt of Edith's. It might be an advantage to the child's future (in every sense) to have a godmother so wealthy and so religious. It appeared from the detailed description that the new daughter had, as a matter of course (and at two days old), long golden hair, far below her waist, sweeping lashes and pencilled brows, a rosebud mouth, an intellectual forehead, chiselled features and a tall, elegant figure. She was a magnificent, regal-looking creature and was a superb beauty of the classic type, and yet with it she was dainty and winsome. She had great talent for music. This, it appeared, was shown by the breadth between the eyes and the timbre of her voice.
Overwhelmed with joy at the advent of such a paragon, and horrified at Edith's choice of a name, Bruce had replied at once by wire, impulsively:
'Certainly not Matilda I would rather she were called Aspasia.'
Edith read this expression of feeling on a colourless telegraph form, and as she was, at Knightsbridge, unable to hear the ironical tone of the message she took it literally.
She criticised the name, but was easily persuaded by her mother-in-law to make no objection. The elder Mrs Ottley pointed out that it might have been very much worse.
'But it's not a pretty name,' objected Edith. 'If it wasn't to be
Matilda, I should rather have called her something out of
Maeterlinck-Ygraine, or Ysolyn-something like that.'
'Yes, dear, Mygraine's a nice name, too,' said Mrs Ottley, in her humouring way, 'and so is Vaselyn. But what does it really matter? I shouldn't hold out on a point like this. One gets used to a name. Let the poor child be called Asparagus if he wishes it, and let him feel he has got his own way.'
So the young girl was named Aspasia Matilda Ottley. It was characteristic of Edith that she kept to her own point, though not aggressively. When Bruce returned after his after-cure, it was too late to do anything but pretend he had meant it seriously.
Archie called his sister Dilly.
Archie had been rather hurt at the-as it seemed to him-unnecessary excitement about Dilly. Not that he was jealous in any way. It was rather that he was afraid it would spoil her to be made so much of at her age; make her, perhaps, egotistical and vain. But it was not Archie's way to show these fears openly. He did not weep loudly or throw things about as many boys might have done. His methods were more roundabout, more subtle. He gave hints and suggestions of his views that should have been understood by the intelligent. He said one morning with some indirectness:
'I had such a lovely dream last night, Mother.'
'Did you, pet? How sweet of you. What was it?'
'Oh, nothing much. It was all right. Very nice. It was a lovely dream.
I dreamt I was in heaven.'
'Really! How delightful. Who was there?'
This is always a woman's first question.
'Oh, you were there, of course. And father. Nurse, too. It was a lovely dream. Such a nice place.'
'Was Dilly there?'
'Dilly? Er-no-no-she wasn't. She was in the night nursery, with
Satan.'
Sometimes Edith thought that her daughter's names were decidedly a failure-Aspasia by mistake, Matilda through obstinacy, and Dilly by accident. However the child herself was a success. She was four years old when the incident occurred about the Mitchells. The whole of this story turns eventually on the Mitchells.
The Ottleys lived in a concise white flat at Knightsbridge. Bruce's father had some time ago left him a good income on certain conditions; one was that he was not to leave the Foreign Office before he was fifty. One afternoon Edith was talking to the telephone in a voice of agonised entreaty that would have melted the hardest of hearts, but did not seem to have much effect on the Exchange, which, evidently, was not responsive to pathos that day.
'Oh! Exchange, why are you ringing off? Please try again.... Do I want any number? Yes, I do want any number, of course, or why should I ring up?... I want 6375 Gerrard.'
Here Archie interposed.
'Mother, can I have your long buttonhook?'
'No, Archie, you can't just now, dear.... Go away Archie.... Yes, I said 6375 Gerrard. Only 6375 Gerrard!... Are you there? Oh, don't keep on asking me if I've got them!... No, they haven't answered.... Are you 6375?... Oh-wrong number-sorry.... 6375 Gerrard? Only six-are you there?... Not 6375 Gerrard?... Are you anyone else?... Oh, is it you, Vincy?... I want to tell you-'
'Mother, can I have your long buttonhook?'
Here Bruce came in. Edith rang off. Archie disappeared.
'It's really rather wonderful, Edith, what that Sandow exerciser has done for me! You laughed at me at first, but I've improved marvellously.'
Bruce was walking about doing very mild gymnastics, and occasionally hitting himself on the left arm with the right fist.' Look at my muscle-look at it-and all in such a short time!'
'Wonderful!' said Edith.
'The reason I know what an extraordinary effect these few days have had on me is something I have just done which I couldn't have done before. Of course I'm naturally a very powerful man, and only need a little-'
'What have you done?'
'Why-you know that great ridiculous old wooden chest that your awful Aunt Matilda sent you for your birthday-absurd present I call it-mere lumber.'
'Yes?'
'When it came I could barely push it from one side of the room to the other. Now I've lifted it from your room to the box-room. Quite easily. Pretty good, isn't it?'
'Yes, of course it's very good for you to do all these exercises; no doubt it's capital.... Er-you know I've had all the things taken out of the chest since you tried it before, don't you?'
'Things-what things? I didn't know there was anything in it.'
'Only a silver tea-service, and a couple of salvers,' said Edith, in a low voice....
...He calmed down fairly soon and said: 'Edith, I have some news for you. You know the Mitchells?'
'Do I know the Mitchells? Mitchell, your hero in your office, that you're always being offended with-at least I know the Mitchells by name. I ought to.'
'Well, what do you think they've done? They've asked us to dinner.'
'Have they? Fancy!'
'Yes, and what I thought was so particularly jolly of him was that it was a verbal invitation. Mitchell said to me, just like this, 'Ottley, old chap, are you doing anything on Sunday evening?''
Here Archie came to the door and said, 'Mother, can I have your long buttonhook?'
Edith shook her head and frowned.
''Ottley, old chap,'' continued Bruce, ''are you and your wife doing anything on Sunday? If not, I do wish you would waive ceremony and come and dine with us. Would Mrs Ottley excuse a verbal invitation, do you think?' I said, 'Well, Mitchell, as a matter of fact I don't believe we have got anything on. Yes, old boy, we shall be delighted.' I accepted, you see. I accepted straight out. When you're treated in a friendly way, I always say why be unfriendly? And Mrs Mitchell is a charming little woman-I'm sure you'd like her. It seems she's been dying to know you.'
'Fancy! I wonder she's still alive, then, because you and Mitchell have known each other for eight years, and I've never met her yet.'
'Well, you will now. Let bygones be bygones. They live in Hamilton
Place.'
'Oh yes....Park Lane?'
'I told you he was doing very well, and his wife has private means.'
'Mother,' Archie began again, like a litany, 'can I have your long buttonhook? I know where it is.'
'No, Archie, certainly not; you can't fasten laced boots with a buttonhook.... Well, that will be fun, Bruce.'
'I believe they're going to have games after dinner,' said Bruce. 'All very jolly-musical crambo-that sort of thing.... What shall you wear, Edith?'
'Mother, do let me have your long buttonhook. I want it. It isn't for my boots.'
'Certainly not. What a nuisance you are! Do go away.... I think I shall wear my salmon-coloured dress with the sort of mayonnaise- coloured sash.... (No, you're not to have it, Archie).'
'But, Mother, I've got it.... I can soon mend it, Mother.'
On Sunday evening Bruce's high spirits seemed to flag; he had one of his sudden reactions. He looked at everything on its dark side.
'What on earth's that thing in your hair, Edith?'
'It's a bandeau.'
'I don't like it. Your hair looks very nice without it. What on earth did you get it for?'
'For about six-and-eleven, I think.'
'Don't be trivial, Edith. We shall be late. Ah! It really does seem rather a pity, the very first time one dines with people like the Mitchells.'
'We sha'n't be late, Bruce. It's eight o'clock, and eight o'clock I suppose means-well, eight. Sure you've got the number right?'
'Really. Edith!... My memory is unerring, dear. I never make a mistake.
Haven't you ever noticed it?'
'A-oh yes-I think I have.'
'Well, it's 168 Hamilton Place. Look sharp, dear.'
On their way in the taxi he gave her a good many instructions and advised her to be perfectly at her ease and absolutely natural; there was nothing to make one otherwise, in either Mr or Mrs Mitchell. Also, he said, it didn't matter a bit what she wore, as long as she had put on her best dress. It seemed a pity she had not got a new one, but this couldn't be helped, as there was now no time. Edith agreed that she knew of no really suitable place where she could buy a new evening dress at eight-thirty on Sunday evening. And, anyhow, he said, she looked quite nice, really very smart; besides, Mrs Mitchell was not the sort of person who would think any the less of a pretty woman for being a little dowdy and out of fashion.
When they drove up to what house agents call in their emotional way a superb, desirable, magnificent town mansion, they saw that a large dinner-party was evidently going on. A hall porter and four powdered footmen were in evidence.
'By Jove!' said Bruce, as he got out, 'I'd no idea old Mitchell did himself so well as this.'... The butler had never heard of the Mitchells. The house belonged to Lord Rosenberg.
'Confound it! 'said Bruce, as he flung himself into the taxi. 'Well! I've made a mistake for once in my life. I admit it. Of course, it's really Hamilton Gardens. Sorry. Yet somehow I'm rather glad Mitchell doesn't live in that house.'
'You are perfectly right,' said Edith: 'the bankruptcy of an old friend and colleague could be no satisfaction to any man.'
Hamilton Gardens was a gloomy little place, like a tenement building out of Marylebone Road. Bruce, in trying to ring the bell, unfortunately turned out all the electric light in the house, and was standing alone in despair in the dark when, fortunately the porter, who had been out to post a letter, ran back, and turned up the light again.... 'I shouldn't have thought they could play musical crambo here, 'he called out to Edith while he was waiting. 'And now isn't it odd? I have a funny kind of feeling that the right address is Hamilton House.'
'I suppose you're perfectly certain they don't live at a private idiot asylum?' Edith suggested doubtfully.
On inquiry it appeared the Mitchells did not live at Hamilton Gardens.
An idea occurred to Edith, and she asked for a directory.
The Winthrop Mitchells lived at Hamilton Terrace, St John's Wood.
'At last!' said Bruce. 'Now we shall be too disgracefully late for the first time. But be perfectly at your ease, dear. Promise me that. Go in quite naturally.'
'How else can I go in?'
'I mean as if nothing had happened.'
'I think we'd better tell them what has happened,' said Edith; 'it will make them laugh. I hope they will have begun their dinner.'
'Surely they will have finished it.'
'Perhaps we may find them at their games!'
'Now, now, don't be bitter, Edith dear-never be bitter-life has its ups and downs.... Well! I'm rather glad, after all, that Mitchell doesn't live in that horrid little hole.'
'I'm sure you are,' said Edith; 'it could be no possible satisfaction to you to know that a friend and colleague of yours is either distressingly hard up or painfully penurious.'
They arrived at the house, but there were no lights, and no sign of life. The Mitchells lived here all right, but they were out. The parlourmaid explained. The dinner-party had been Saturday, the night before....
'Strange,' said Bruce, as he got in again. 'I had a curious presentiment that something was going wrong about this dinner at the Mitchells'.'
'What dinner at the Mitchells'? There doesn't seem to be any.'
'Do you know,' Bruce continued his train of thought, 'I felt certain somehow that it would be a failure. Wasn't it odd? I often think I'm a pessimist, and yet look how well I'm taking it. I'm more like a fatalist-sometimes I hardly know what I am.'
'I could tell you what you are,' said Edith, 'but I won't, because now you must take me to the Carlton. We shall get there before it's closed.'
Ada Leverson (1862-1933), nee Beddington was a British author who sometimes wrote under the pen name Elaine. She began writing during the 1890s, as a contributor to Black and White, Punch, and The Yellow Book. She was a loyal friend to Oscar Wilde, who called her Sphinx; in the 1997 film Wilde she is played by Zoe Wanamaker. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki. She was also a friend of George Moore; Osbert Sitwell in Great Morning has an anecdote in which she tries, unsuccessfully, to get Moore to see the young William Walton. She was a part of the Sitwells' circle - Sacheverall Sitwell dedicated a poetry collection to her. She wrote The Twelfth Hour (1907), Love's Shadow (1908), The Limit (1911), Tenterhooks (1912), Bird of Paradise (1914), Love at Second Sight (1916) and Letters to the Sphinx from Oscar Wilde (1930).
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"You're mine, little puppy," Kylan growled against my neck. A soft gasp escaped my lips as his lips brushed my skin. My mind screamed at me to push him away-the Lycan Prince who had humiliated me again and again, but my body betrayed me, leaning into him before I could stop myself. He pressed his lips against mine, and his kiss grew more aggressive, more possessive as I felt my legs weaken. What was I doing? In a split-second, I pulled away and slapped him hard across the face. Kylan's eyes darkened, but the smirk on his lips exposed his amusement. "You and I both know we can't fight this, Violet," he said, gripping my wrist. "You're my mate." "And yet you don't want me," I replied. "You told me you were ashamed of me, that l'd never be your queen, that you'd never love me. So please, accept my rejection and let me go." "Never," he whispered, his grip tightening as he pulled me closer. "Soon enough, you'll be begging for me. and when you do-I'll use you as I see fit and then I'll reject you."
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
“Gabriel Bryce, how can you stand being so shameless?” Leonica asked, staring daggers at her atrocious husband and his mistress. “This is the house gifted to my by grandmother, yet you dare bring another woman into it? Aren’t you afraid that grandmother would be disappointed with you actions…?” Leonica’s words remained unfinished as an enraged Gabriel swung his hand through the air, smacking his palm clean on her left cheek. Leonica held her throbbing cheek, eyes wide and teary as she stared at her husband who glared down at her ferociously. “The nerves of you to mention my grandmother. You have no right to do so!” He spat, taking a step forward and jabbing his index finger painfully into her shoulder, making her take several steps back. “Bare this in mind, Leonica Romero, if not for the wishes of my late grandmother, I’d much rather be dead than associate myself with somebody like you.” *~*~* *~*~* Leonica Romero has always had a long time crush on Gabriel Bryce, CEO of Bryce Empire and Norway’s Business tyrant. Fortunately, at the request of his Ill grandmother, her family’s long time friend, Leonica gets the chance to marry her beloved. Feeling elated, she abandoned her position and dream job in the Romero household and becomes a humble housewife for Gabriel. However, Three years later, on the day of Gabriel’s grandmother’s funeral, Leonica is stunned speechless when he demands for a divorce, as his ex girlfriend Angelina Fernandez had suddenly returned, proclaiming her undying love for him. But that wasn’t the only shock Leonica received that day. Hours after Gabriel’s declaration for a divorce, Leonica wakes up in the hospital to a shocking news. She was two months pregnant. And Gabriel knew nothing about this!
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
Drugged and deceived, she bore a child amidst tragedy-her son, falsely declared dead at birth. Fueled by the agony, she disappeared, only to return years later with both her daughter and an adopted son, driven by an unyielding desire for revenge against those who had wronged her and her late mother. The plot takes an unexpected twist when the haunting truth surfaces: her son is alive, and his father is a powerful CEO.