William Hope Hodgson was born in Essex, England on November 15th, 1877. Over his short career he produced a large body of work which explored and covered many genres. From horror, to science fiction, to stories on the sea, where he had spent much of his early life. In 1899, at the age of 22, he opened W. H. Hodgson's School of Physical Culture, in Blackburn, England, offering tailored exercise regimes for personal training. Eventually the business shut down and he immersed himself in writing. An article in 1903 "Physical Culture versus Recreative Exercises" seems to be one of the first and the following year came his first short story "The Goddess of Death". It was the beginning of an intensely creative period in his life. When war drew its shadow over Europe Hodgson received a commission as a Lieutenant in the Royal Artillery. In 1916, he was thrown from a horse and suffered a serious head injury; he received a mandatory discharge, and returned to writing. Hodgson recovered sufficiently to re-enlist but at the Battle of Ypres in April 1918 he was killed by an artillery shell.
The Figure Out of the Sea
He began without any circumlocution.
I joined the Mortzestus in 'Frisco. I heard before I signed on, that there were some funny yarns floating round about her; but I was pretty nearly on the beach, and too jolly anxious to get away, to worry about trifles. Besides, by all accounts, she was right enough so far as grub and treatment went. When I asked fellows to give it a name, they generally could not. All they could tell me, was that she was unlucky, and made thundering long passages, and had no more than a fair share of dirty weather. Also, that she had twice had the sticks blown out of her, and her cargo shifted. Besides all these, a heap of other things that might happen to any packet, and would not be comfortable to run into. Still, they were the ordinary things, and I was willing enough to risk them, to get home. All the same, if I had been given the chance, I should have shipped in some other vessel as a matter of preference.
When I took my bag down, I found that they had signed on the rest of the crowd. You see, the "home lot" cleared out when they got into 'Frisco, that is, all except one young fellow, a cockney, who had stuck by the ship in port. He told me afterwards, when I got to know him, that he intended to draw a pay-day out of her, whether any one else did, or not.
The first night I was in her, I found that it was common talk among the other fellows, that there was something queer about the ship. They spoke of her as if it were an accepted fact that she was haunted; yet they all treated the matter as a joke; all, that is, except the young cockney- Williams-who, instead of laughing at their jests on the subject, seemed to take the whole matter seriously.
This made me rather curious. I began to wonder whether there was, after all, some truth underlying the vague stories I had heard; and I took the first opportunity to ask him whether he had any reasons for believing that there was anything in the yarns about the ship.
At first he was inclined to be a bit offish; but, presently, he came round, and told me that he did not know of any particular incident which could be called unusual in the sense in which I meant. Yet that, at the same time, there were lots of little things which, if you put them together, made you think a bit. For instance, she always made such long passages and had so much dirty weather-nothing but that and calms and head winds. Then, other things happened; sails that he knew, himself, had been properly stowed, were always blowing adrift at night. And then he said a thing that surprised me.
"There's too many bloomin' shadders about this 'ere packet; they gets onter yer nerves like nothin' as ever I seen before in me nat'ral."
He blurted it all out in a heap, and I turned round and looked at him.
"Too many shadows!" I said. "What on earth do you mean?" But he refused to explain himself or tell me anything further-just shook his head, stupidly, when I questioned him. He seemed to have taken a sudden, sulky fit. I felt certain that he was acting dense, purposely. I believe the truth of the matter is that he was, in a way, ashamed of having let himself go like he had, in speaking out his thoughts about "shadders." That type of man may think things at times; but he doesn't often put them into words. Anyhow, I saw it was no use asking any further questions; so I let the matter drop there. Yet, for several days afterwards, I caught myself wondering, at times, what the fellow had meant by "shadders."
We left 'Frisco next day, with a fine, fair wind, that seemed a bit like putting the stopper on the yarns I had heard about the ship's ill luck. And yet-
He hesitated a moment, and then went on again.
For the first couple of weeks out, nothing unusual happened, and the wind still held fair. I began to feel that I had been rather lucky, after all, in the packet into which I had been shunted. Most of the other fellows gave her a good name, and there was a pretty general opinion growing among the crowd, that it was all a silly yarn about her being haunted. And then, just when I was settling down to things, something happened that opened my eyes no end.
It was in the eight to twelve watch, and I was sitting on the steps, on the starboard side, leading up to the fo'cas'le head. The night was fine and there was a splendid moon. Away aft, I heard the timekeeper strike four bells, and the look-out, an old fellow named Jaskett, answered him. As he let go the bell lanyard, he caught sight of me, where I sat quietly, smoking. He leant over the rail, and looked down at me.
"That you, Jessop?" he asked.
"I believe it is," I replied.
"We'd 'ave our gran'mothers an' all the rest of our petticoated relash'ns comin' to sea, if 'twere always like this," he remarked, reflectively-indicating, with a sweep of his pipe and hand, the calmness of the sea and sky.
I saw no reason for denying that, and he continued:
"If this ole packet is 'aunted, as some on 'em seems to think, well all as I can say is, let me 'ave the luck to tumble across another of the same sort. Good grub, an' duff fer Sundays, an' a decent crowd of 'em aft, an' everythin' comfertable like, so as yer can feel yer knows where yer are. As fer 'er bein' 'aunted, that's all 'ellish nonsense. I've comed 'cross lots of 'em before as was said to be 'aunted, an' so some on 'em was; but 'twasn't with ghostesses. One packet I was in, they was that bad yer couldn't sleep a wink in yer watch below, until yer'd 'ad every stitch out yer bunk an' 'ad a reg'lar 'unt. Sometimes-" At that moment, the relief, one of the ordinary seamen, went up the other ladder on to the fo'cas'le head, and the old chap turned to ask him "Why the 'ell" he'd not relieved him a bit smarter. The ordinary made some reply; but what it was, I did not catch; for, abruptly, away aft, my rather sleepy gaze had lighted on something altogether extraordinary and outrageous. It was nothing less than the form of a man stepping inboard over the starboard rail, a little abaft the main rigging. I stood up, and caught at the handrail, and stared.
Behind me, someone spoke. It was the look-out, who had come down off the fo'cas'le head, on his way aft to report the name of his relief to the second mate.
"What is it, mate?" he asked, curiously, seeing my intent attitude.
The thing, whatever it was, had disappeared into the shadows on the lee side of the deck.
"Nothing!" I replied, shortly; for I was too bewildered then, at what my eyes had just shown me, to say any more. I wanted to think.
The old shellback glanced at me; but only muttered something, and went on his way aft.
For a minute, perhaps, I stood there, watching; but could see nothing. Then I walked slowly aft, as far as the after end of the deck house. From there, I could see most of the main deck; but nothing showed, except, of course, the moving shadows of the ropes and spars and sails, as they swung to and fro in the moonlight.
The old chap who had just come off the look-out, had returned forrard again, and I was alone on that part of the deck. And then, all at once, as I stood peering into the shadows to leeward, I remembered what Williams had said about there being too many "shadders." I had been puzzled to understand his real meaning, then. I had no difficulty now. There were too many shadows. Yet, shadows or no shadows, I realised that for my own peace of mind, I must settle, once and for all, whether the thing I had seemed to see stepping aboard out of the ocean, had been a reality, or simply a phantom, as you might say, of my imagination. My reason said it was nothing more than imagination, a rapid dream-I must have dozed; but something deeper than reason told me that this was not so. I put it to the test, and went straight in amongst the shadows- There was nothing.
I grew bolder. My common sense told me I must have fancied it all. I walked over to the mainmast, and looked behind the pinrail that partly surrounded it, and down into the shadow of the pumps; but here again was nothing. Then I went in under the break of the poop. It was darker under there than out on deck. I looked up both sides of the deck, and saw that they were bare of anything such as I looked for. The assurance was comforting. I glanced at the poop ladders, and remembered that nothing could have gone up there, without the Second Mate or the Time-keeper seeing it. Then I leant my back up against the bulkshead, and thought the whole matter over, rapidly, sucking at my pipe, and keeping my glance about the deck. I concluded my think, and said "No!" out loud. Then something occurred to me, and I said "Unless-" and went over to the starboard bulwarks, and looked over and down into the sea; but there was nothing but sea; and so I turned and made my way forrard. My common sense had triumphed, and I was convinced that my imagination had been playing tricks with me.
I reached the door on the portside, leading into the fo'cas'le, and was about to enter, when something made me look behind. As I did so, I had a shaker. Away aft, a dim, shadowy form stood in the wake of a swaying belt of moonlight, that swept the deck a bit abaft the main-mast.
It was the same figure that I had just been attributing to my fancy. I will admit that I felt more than startled; I was quite a bit frightened. I was convinced now that it was no mere imaginary thing. It was a human figure. And yet, with the flicker of the moonlight and the shadows chasing over it, I was unable to say more than that. Then, as I stood there, irresolute and funky, I got the thought that someone was acting the goat; though for what reason or purpose, I never stopped to consider. I was glad of any suggestion that my common sense assured me was not impossible; and, for the moment, I felt quite relieved. That side to the question had not presented itself to me before. I began to pluck up courage. I accused myself of getting fanciful; otherwise I should have tumbled to it earlier. And then, funnily enough, in spite of all my reasoning, I was still afraid of going aft to discover who that was, standing on the lee side of the maindeck. Yet I felt that if I shirked it, I was only fit to be dumped overboard; and so I went, though not with any great speed, as you can imagine.
I had gone half the distance, and still the figure remained there, motionless and silent-the moonlight and the shadows playing over it with each roll of the ship. I think I tried to be surprised. If it were one of the fellows playing the fool, he must have heard me coming, and why didn't he scoot while he had the chance? And where could he have hidden himself, before? All these things, I asked myself, in a rush, with a queer mixture of doubt and belief; and, you know, in the meantime, I was drawing nearer. I had passed the house, and was not twelve paces distant; when, abruptly, the silent figure made three quick strides to the port rail, and climbed over it into the sea.
I rushed to the side, and stared over; but nothing met my gaze, except the shadow of the ship, sweeping over the moonlit sea.
How long I stared down blankly into the water, it would be impossible to say; certainly for a good minute. I felt blank-just horribly blank. It was such a beastly confirmation of the unnaturalness of the thing I had concluded to be only a sort of brain fancy. I seemed, for that little time, deprived, you know, of the power of coherent thought. I suppose I was dazed-mentally stunned, in a way.
As I have said, a minute or so must have gone, while I had been staring into the dark of the water under the ship's side. Then, I came suddenly to my ordinary self. The Second Mate was singing out: "Lee fore brace."
I went to the braces, like a chap in a dream.
Hodgson wrote a trilogy consisting of Date 1965 Modern Warfare, The House on the Borderland, and The Ghost Pirates. The setting for The House on the Borderland is an ancient house in a lonely part of Ireland, where an old man lives alone with his sister and his pets. His diary is found and it tells the story of a huge cavern below the house filled with white pig like monsters. The old man has had to flight these creatures. He then sees his house in an alternate space-time plain that is isolated from the rest of his world. This haunting tale conveys intense isolations and loneliness.
RIGHT AWAY in the west of Ireland lies a tiny hamlet called Kraighten. It is situated, alone, at the base of a low hill. Far around there spreads a waste of bleak and totally inhospitable country; where, here and there at great intervals, one may come upon the ruins of some long desolate cottage — unthatched and stark. The whole land is bare and unpeopled, the very earth scarcely covering the rock that lies beneath it, and with which the country abounds, in places rising out of the soil in wave-shaped ridges.
In a little, we crept both of us so close to the door as the chests would allow, and there we crouched, listening; but could not tell what manner of thing it might be which produced so strange a noise. For it was neither shuffling, nor treading of any kind, nor yet was it the whirr of a bat's wings, the which had first occurred to me, knowing how vampires are said to inhabit the nights in dismal places.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Ava Adler was a nerdy omega. People bullied her because they thought she was ugly and unattractive. But Ava secretly loved the bad boy, Ian Dawson. He was the future Alpha of the Mystic Shadow Pack. However, he never gave a damn about rules and laws, as he only liked to play around with girls. Ava was unaware of Ian's arrogance until her fate intertwined with his. He neglected her and hurt her deeply. What would happen when Ava turned out to be a beautiful girl who could win over any boy, and Ian looked back and regretted his decisions? What if she had a secret identity that she had yet to discover? What if the tables turned and lan begged her not to leave him?
Cathryn, an orphan with no family ties to Grayson, regarded him only as family. He, however, valued her as a precious jewel. From their very first encounter, Cathryn's destiny was intertwined with his. Once lonely and desiring affection, she was ensnared by his love, unable to break free. Eventually, she managed to escape his emotional clutches. Shockingly, she had fallen for someone else. Grayson confronted her sharply. "How could you feel for another?" Unable to meet his eyes, she whispered, "You're family. I can't..." Looking down, he pressed further. "You can't, or you wouldn’t dare?"
"Never let anyone treat you like shit!" I learned that the hard way. For three years, I lived with my in-laws. They didn't treat me as their son-in-law but as a slave. I put up with everything because of my wife, Yolanda Lambert. She was the light of my life. Unfortunately, my whole world came crashing down the day I caught my wife cheating on me. I have never been so heartbroken. To have my revenge, I revealed my true identity. I was none other than Liam Hoffman—the heir of a family with trillions of dollars in assets! The Lamberts were utterly shocked after the big reveal. They realized what fools they had been for treating me like trash. My wife even knelt down and begged for my forgiveness. What do you think I did? Did I take her back or made her suffer? Find out!
Leah Orbert is trapped in a loveless marriage with an arrogant, indifferent man who never touched her in the year they were together. Devoid of intimacy and happiness, her life was marked by hardship and sorrow. Her husband, eager to divorce her, orchestrated a cruel plan that left her devastated. She was drugged and ended up in another man's bed, providing her husband the excuse to accuse her of infidelity and divorce her swiftly. Leah found herself destitute, alone, and begging on the streets. Just weeks later, she discovered she was pregnant by the stranger. Despairing and wishing for death, she struggled to survive, hoping for a miracle. Richard Leo, a billionaire, had a fleeting encounter with Leah during a drunken night, unaware of her identity but haunted by her memory. Seven years later, he encounters twin boys bearing a striking resemblance to him, complete with his family's birthmark. Determined to find their mother, he exclaims, "Take me to your mother, this instant!" Join me as we unravel Leah's journey from misfortune to redemption, and witness the unfolding drama and romance.
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."