William Patterson White was an early 20th century American author who was acclaimed for his Western novels and short stories. This was one of his most popular works.
William Patterson White was an early 20th century American author who was acclaimed for his Western novels and short stories. This was one of his most popular works.
It was a warm summer morning in the town of Farewell. Save a dozen horses tied to the hitching-rail in front of various saloons and the Blue Pigeon Store and Bill Lainey, the fat landlord of the hotel, who sat snoring in a reinforced telegraph chair on the sidewalk in the shade of his wooden awning, Main Street was a howling wilderness.
Dust overlay everything. It had not rained in weeks. In the blacksmith shop, diagonally across the street from the hotel, Piney Jackson was shoeing a mule. The mule was invisible, but one knew it was a mule because Piney Jackson has just come out and taken a two-by-four from the woodpile behind the shop. And it was a well-known fact that Piney never used a two-by-four on any animal other than a mule. But this by the way.
In the barroom of the Happy Heart Saloon there were only two customers and the bartender. One of the former, a brown-haired, sunburnt young man with ingenuous blue eyes, was singing:
"Jog on, jog on, the footpath way,
An' merrily jump the stile O!
Yore cheerful heart goes all the day,
Yore sad tires in a mile O!"
Mr. Racey Dawson, having successfully sung the first verse, rested both elbows on the bar and grinned at the bartender. That worthy grinned back, and, knowing Mr. Dawson, slid the bottle along the bar.
"Have one yoreself, Bill," Mr. Dawson nodded to the bartender.
"Whu-where's Swing? Oh, yeah."
Mr. Dawson, head up, chest out, stepping high, and walking very stiffly as befitted a gentleman somewhat over-served with liquor, crossed the barroom to where bristle-haired Swing Tunstall sat on a chair and slumbered, his head on his arms and his arms on a table.
Mr. Dawson stooped and blew into Mr. Tunstall's right ear. Mr. Tunstall began to snore gently. Growing irritated by this continued indifference on the part of Mr. Tunstall, Mr. Dawson seized the chair by rung and back and incontinently dumped Mr. Tunstall all abroad on the saloon floor.
Mr. Tunstall promptly hitched himself into a corner and drifted deeper into slumber.
Mr. Dawson turned a perplexed face on the bartender.
"Now what you gonna do with a feller like that?" Mr. Dawson asked, plaintively.
Mr. Jack Richie, manager of the Cross-in-a-box ranch, entering at the moment, temporarily diverted Mr. Dawson's attention. For Mr. Dawson had once ridden for the Cross-in-a-box outfit. Hence he was moved literally to fall upon the neck of Mr. Richie.
"Lean on yore own breakfast," urged Mr. Richie, studiously dissembling his joy at sight of his old friend, and carefully steering Mr. Dawson against the bar. "Here, I know what you need. Drink hearty, Racey."
"'S'on me," declared Mr. Dawson. "Everythin's on me. I gug-got money, I have, and I aim to spend it free an' plenty, 'cause there's more where I'm goin'. An' I ain't gonna earn it punchin' cows, neither."
"Don't do anything rash," Mr. Richie advised, and took advantage of a friend's privilege to be insulting. "I helped lynch a road-agent only last month."
"Which the huh-holdup business is too easy for a live man," opined Mr. Dawson. "We want somethin' mum-more diff-diff-diff'cult, me an' Swing do, so we're goin' to Arizona where the gold grows. No more wrastlin' cows. No more hard work for us. We're gonna get rich quick, we are. What you laughin' at?"
"I never laugh," denied Mr. Richie. "When yo're stakin' out claims don't forget me."
"We won't," averred Mr. Dawson, solemnly. "Le's have another."
They had another-several others.
The upshot was that when Mr. Richie (who was the lucky possessor of a head that liquor did not easily affect) departed homeward at four P.M., he left behind him a sadly plastered Mr. Dawson.
Mr. Tunstall, of course, was still sleeping deeply and noisily. But Mr. Dawson had long since lost interest in Mr. Tunstall. It is doubtful whether he remembered that Mr. Tunstall existed. The two had begun their party immediately after breakfast. Mr. Tunstall had succumbed early, but Mr. Dawson had not once halted his efforts to make the celebration a huge success. So it is not a subject for surprise that Mr. Dawson, some thirty minutes after bidding Mr. Richie an affectionate farewell, should stagger out into the street and ride away on the horse of someone else.
The ensuing hours of the evening and the night were a merciful blank to Mr. Dawson. His first conscious thought was when he awoke at dawn on a side-hill, a sharp rock prodding him in the small of the back and the bridle-reins of his dozing horse wound round one arm. Only it was not his horse. His horse was a red roan. This horse was a bay. It wasn't his saddle, either.
"Where's my hoss?" he demanded of the world at large and sat up suddenly.
The sharp movement wrung a groan from the depths of his being. The loss of his horse was drowned in the pains of his aching head. Never was such all-pervading ache. He knew the top was coming off. He knew it. He could feel it, and then did-with his fingers. He groaned again.
His tongue was dry as cotton, and it hurt him to swallow. He stood up, but as promptly sat down. In a whisper-for speech was torture-he began to revile himself for a fool.
"I might have known it," was his plaint. "I had a feelin' when I took that last glass it was one too many. I never did know when to stop. I'd like to know how I got here, and where my hoss is, and who belongs to this one?"
He eyed the mount with disfavour. He had never cared for bays.
"An' that ain't much of a saddle, either," he went on with his soliloquy. "Cheap saddle-looks like a boy's saddle-an' a old saddle-bet Noah used one just like it-try to rope with that saddle an' you'd pull the horn to hellen gone. Wonder what's in that saddle-pocket."
He pulled himself erect slowly and tenderly. His knees were very shaky. His head throbbed like a squeezed boil, but-he wanted to learn what was in that saddle-pocket. Possibly he might obtain therein a clue to the horse's owner.
He slipped the strap of the pocket-flap, flipped it open, inserted his fingers, and drew forth a small package wrapped in newspaper and tied with the blue string affected by the Blue Pigeon Store in Farewell.
Mr. Dawson balanced the package on two fingers for a reflective instant, then he snapped the string and opened the package.
"Socks an' a undershirt," he said, disgustedly, and started to say more, but paused, for there was something queer about that undershirt. His head was still spinning, and his eyes were sandy, but he perceived quite plainly that there were narrow blue ribbons running round the neck of that undershirt. He unrolled the socks and found them much longer in the leg than the kind habitually worn by men. Mr. Dawson agitatedly dived his hand once more into the saddle-pocket. And this time he pulled out a tortoise-shell shuttle round which was wrapped several inches of lingerie edging. But Mr. Dawson did not call it lingerie edging. He called it tatting and swore again.
"That settles it," he said, cheerlessly. "I've stole some woman's cayuse."
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
The day Lilah found out that she was pregnant, she caught her fiancé cheating on her. Her remorseless fiancé and his mistress almost killed her. Lilah fled for her dear life. When she returned to her hometown five years later, she happened to save a little boy's life. The boy's father turned out to be the world's richest man. Everything changed for Lilah from that moment. The man didn't let her experience any inconvenience. When her ex-fiancé bullied her, he crushed the scumbag's family and also rented out an entire island just to give Lilah a break from all the drama. He also taught Lilah's hateful father a lesson. He crushed all her enemies before she even asked. When Lilah's vile sister threw herself at him, he showed her a marriage certificate and said, "I'm happily married and my wife is much more beautiful than you are!" Lilah was shocked. "When did we ever get married? Last I checked, I was still single." With a wicked smile, he said, "Honey, we've been married for five years. Isn't it about time we had another child together?" Lilah's jaw dropped to the floor. What the hell was he talking about?
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
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