Among the manifold operations of living creatures few have more strongly impressed the casual observer or more deeply interested the thoughtful student than the transformations of insects. The schoolboy watches the tiny green caterpillars hatched from eggs laid on a cabbage leaf by the common white butterfly, or maybe rears successfully a batch of silkworms through the changes and chances of their lives, while the naturalist questions yet again the 'how' and 'why' of these common though wondrous life-stories, as he seeks to trace their course more fully than his predecessors knew.Everyone is familiar with the main facts of such a life-story as that of a moth or butterfly. The form of the adult insect (fig. 1 a) is dominated by the wings—two pairs of scaly wings, carried respectively on the middle and hindmost of the three segments that make up the thorax or central region of the insect's body. Each of these three segments carries a pair of legs. In front of the thorax is the head on which the pair of long jointed feelers and the pair of large, sub-globular, compound eyes are the most prominent features. Below the head, however, may be seen, now coiled up like a watch-spring, now stretched out to draw the nectar from some scented blossom, the butterfly's sucking trunk or proboscis, situated between a pair of short hairy limbs or palps (fig. 2). These palps belong to the appendages of the hindmost segment of the head, appendages which in insects are modified to form a hind-lip or labium, bounding the mouth cavity below or behind. The proboscis is made up of the pair of jaw-appendages in front of the labium, the maxillae, as they are called. Behind the thorax is situated the abdomen, made up of nine or ten recognisable segments, none of which carry limbs comparable to the walking legs, or to the jaws which are the modified limbs of the head-segments. The whole cuticle or outer covering of the body, formed (as is usual in the group of animals to which insects belong) of a horny (chitinous) secretion of the skin, is firm and hard, and densely covered with hairy or scaly outgrowths. Along the sides of the insect are a series of paired openings or spiracles, leading to a set of air-tubes which ramify throughout the body and carry oxygen directly to the tissues.Such a butterfly as we have briefly sketched lays an egg on the leaf of some suitable food-plant, and there is hatched from it the well-known crawling larva[1] (fig. 1 b, c, d) called a caterpillar, offering in many superficial features a marked contrast to its parent. Except on the head, whose surface is hard and firm, the caterpillar's cuticle is as a rule thin and flexible, though it may carry a protective armature of closely set hairs, or strong sharp spines. The feelers (fig. 3 At) are very short and the eyes are small and simple. In connection with the mouth, there are present in front of the maxillae a pair of mandibles (fig. 3 Mn), strong jaws, adapted for biting solid food, which are absent from the adult butterfly, though well developed in cockroaches, dragon-flies, beetles, and many other insects. The three pairs of legs on the segments of the thorax are relatively short, and as many as five segments of the abdomen may carry short cylindrical limbs or pro-legs, which assist the clinging habits and worm-like locomotion of the caterpillar. No trace of wings is visible externally. The caterpillar, therefore, differs markedly from its parent in its outward structure, in its mode of progression, and in its manner of feeding; for while the butterfly sucks nectar or other liquid food, the caterpillar bites up and devours solid vegetable substances, such as the leaves of herbs or trees.
Among the manifold operations of living creatures few have more strongly impressed the casual observer or more deeply interested the thoughtful student than the transformations of insects. The schoolboy watches the tiny green caterpillars hatched from eggs laid on a cabbage leaf by the common white butterfly, or maybe rears successfully a batch of silkworms through the changes and chances of their lives, while the naturalist questions yet again the 'how' and 'why' of these common though wondrous life-stories, as he seeks to trace their course more fully than his predecessors knew.
Fig. 1. a, Diamond-back Moth (Plutella cruciferarum); b, young caterpillar, dorsal view; c, full-grown caterpillar, dorsal view; d, side view; e, pupa, ventral view. Magnified 6 times. From Journ. Dept. Agric. Ireland, vol. I.
Everyone is familiar with the main facts of such a life-story as that of a moth or butterfly. The form of the adult insect (fig. 1 a) is dominated by the wings-two pairs of scaly wings, carried respectively on the middle and hindmost of the three segments that make up the thorax or central region of the insect's body. Each of these three segments carries a pair of legs. In front of the thorax is the head on which the pair of long jointed feelers and the pair of large, sub-globular, compound eyes are the most prominent features. Below the head, however, may be seen, now coiled up like a watch-spring, now stretched out to draw the nectar from some scented blossom, the butterfly's sucking trunk or proboscis, situated between a pair of short hairy limbs or palps (fig. 2). These palps belong to the appendages of the hindmost segment of the head, appendages which in insects are modified to form a hind-lip or labium, bounding the mouth cavity below or behind. The proboscis is made up of the pair of jaw-appendages in front of the labium, the maxillae, as they are called. Behind the thorax is situated the abdomen, made up of nine or ten recognisable segments, none of which carry limbs comparable to the walking legs, or to the jaws which are the modified limbs of the head-segments. The whole cuticle or outer covering of the body, formed (as is usual in the group of animals to which insects belong) of a horny (chitinous) secretion of the skin, is firm and hard, and densely covered with hairy or scaly outgrowths. Along the sides of the insect are a series of paired openings or spiracles, leading to a set of air-tubes which ramify throughout the body and carry oxygen directly to the tissues.
Fig. 2. A. Head of a typical Moth, showing proboscis formed by flexible maxillae (g) between the labial palps (p); c, face; e, eye; the structure m has been regarded as the vestige of a mandible. B. Basal part (b) of maxilla removed from head, with vestigial palp (p). Magnified.
Such a butterfly as we have briefly sketched lays an egg on the leaf of some suitable food-plant, and there is hatched from it the well-known crawling larva[1] (fig. 1 b, c, d) called a caterpillar, offering in many superficial features a marked contrast to its parent. Except on the head, whose surface is hard and firm, the caterpillar's cuticle is as a rule thin and flexible, though it may carry a protective armature of closely set hairs, or strong sharp spines. The feelers (fig. 3 At) are very short and the eyes are small and simple. In connection with the mouth, there are present in front of the maxillae a pair of mandibles (fig. 3 Mn), strong jaws, adapted for biting solid food, which are absent from the adult butterfly, though well developed in cockroaches, dragon-flies, beetles, and many other insects. The three pairs of legs on the segments of the thorax are relatively short, and as many as five segments of the abdomen may carry short cylindrical limbs or pro-legs, which assist the clinging habits and worm-like locomotion of the caterpillar. No trace of wings is visible externally. The caterpillar, therefore, differs markedly from its parent in its outward structure, in its mode of progression, and in its manner of feeding; for while the butterfly sucks nectar or other liquid food, the caterpillar bites up and devours solid vegetable substances, such as the leaves of herbs or trees. It is well-known that between the close of its larval life and its attainment of perfection as a butterfly, the insect spends a period as a pupa (fig. 1 e) unable to move from place to place, and taking no food.
[1] The term larva is applied to any young animal which differs markedly from its parent.
Fig. 3. Head of Caterpillar of Goat-moth (Cossus) seen from behind. At, feeler; Mn, mandible; Mx, maxilla; Lm, labium, spinneret projecting beyond it. Magnified. After Lyonet from Miall and Denny's Cockroach.
Such, in brief, is the course of the most familiar of insect life-stories. For the student of the animal world as a whole, this familiar transformation raises some startling problems, which have been suggestively treated by F. Brauer (1869), L. C. Miall (1895), J. Lubbock (1874), R. Heymons (1907), P. Deegener (1909) and other writers[2]. To appreciate these problems is the first step towards learning the true meaning of the transformation.
[2] The dates in brackets after authors' names will facilitate reference to the Bibliography (pp. 124-8).
The butterfly's egg is absolutely and relatively of large size, and contains a considerable amount of yolk. As a rule we find that young animals hatched from such eggs resemble their parents rather closely and pass through no marked changes during their lives. A chicken, a crocodile, a dogfish, a cuttlefish, and a spider afford well-known examples of this rule. Land-animals, generally, produce young which are miniature copies of themselves, for example horses, dogs, and other mammals, snails and slugs, scorpions and earthworms. On the other hand, metamorphosis among animals is associated with eggs of small size, with aquatic habit, and with relatively low zoological rank. The young of a starfish, for example, has hardly a character in common with its parent, while a marine segmented worm and an oyster, unlike enough when adult, develop from closely similar larval forms. If we take a class of animals, the Crustacea, nearly allied to insects, we find that its more lowly members, such as 'water-fleas' and barnacles, pass through far more striking changes than its higher groups, such as lobsters and woodlice. But among the Insects, a class of predominantly terrestrial and aerial creatures producing large eggs, the highest groups undergo, as we shall see, the most profound changes. The life-story of the butterfly, then, well-known as it may be, furnishes a puzzling exception to some wide-reaching generalisations concerning animal development. And the student of science often finds that an exception to some rule is the key to a problem of the highest interest.
During many centuries naturalists have bent their energies to explain the difficulties presented by insect transformations. Aristotle, the first serious student of organised beings whose writings have been preserved for us, and William Harvey, the famous demonstrator of the mammalian blood circulation two thousand years later, agreed in regarding the pupa as a second egg. The egg laid by a butterfly had not, according to Harvey, enough store of food to provide for the building-up of a complex organism like the parent; only the imperfect larva could be produced from it. The larva was regarded as feeding voraciously for the purpose of acquiring a large store of nutritive material, after which it was believed to revert to the state of a second but far larger egg, the pupa, from which the winged insect could take origin. Others again, following de Réaumur (1734), have speculated whether the development of pupa within larva, and of winged insect within pupa might not be explained as abnormal births. But a comparison of the transformation of butterflies with simpler insect life-stories will convince the enquirer that no such heroic theories as these are necessary. It will be realised that even the most profound transformation among insects can be explained as a special case of growth.
Kallie, a mute who had been ignored by her husband for five years since their wedding, also suffered the loss of her pregnancy due to her cruel mother-in-law. After the divorce, she learned that her ex-husband had quickly gotten engaged to the woman he truly loved. Holding her slightly rounded belly, she realized that he had never really cared for her. Determined, she left him behind, treating him as a stranger. Yet, after she left, he scoured the globe in search of her. When their paths crossed once more, Kallie had already found new happiness. For the first time, he pleaded humbly, "Please don't leave me..." But Kallie's response was firm and dismissive, cutting through any lingering ties. "Get lost!"
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.
Katie was forced to marry Dillan, a notorious ruffian. Her younger sister mocked her, "You're just an adopted daughter. Count your blessings for marrying him!" The world anticipated Katie's tribulations, but her married life unfurled with unexpected serenity. She even snagged a lavish mansion in a raffle! Katie jumped into Dillan's arms, credited him as her lucky charm. "No, Katie, it's you who brings me all this luck," Dillan replied. Then, one fateful day, Dillan's childhood friend came to her. "You're not worthy of him. Take this 50 million and leave him!" Katie finally grasped Dillan's true stature—the wealthiest man on the planet. That night, trembling with trepidation, she broached the subject of divorce with Dillan. However, with a domineering embrace, he told her, "I'd give you everything I have. Divorce is off the table!"
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Sandra Hill, the long-lost real heiress of the Hill family, was shunned by her own kin. Instead of embracing her, they bestowed their affection upon an impostor. They even arranged her to marry a vegetative man in place of her so-called “sister”. Sandra sneered, refusing to put up with this humiliation, cut off ties with the Hill family immediately and ran into the flash marriage with Wesley Cooper, her unconscious billionaire husband. With her incredible medical skills, she defied the odds and revived him. Little did she expect that her husband spoiled her with all his love... A medical genius, a computer prodigy, a national treasure in painting, and a racing legend... Her husband revealed her various identities, leaving the Hill family regretful. Her father came pleading, "It's Dad's fault. Please come back." Her mother wept, "Mom will protect you from now on. Please come back." Even her five brothers knelt before he, begging for forgiveness. Yet, Sandra's smile held a hint of mockery as she vowed, “Never!”
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”