The Voice of the People by Ellen Anderson Gholson Glasgow
The Voice of the People by Ellen Anderson Gholson Glasgow
The last day of Circuit Court was over at Kingsborough.
The jury had vanished from the semicircle of straight-backed chairs in the old court-house, the clerk had laid aside his pen along with his air of listless attention, and the judge was making his way through the straggling spectators to the sunken stone steps of the platform outside. As the crowd in the doorway parted slightly, a breeze passed into the room, scattering the odours of bad tobacco and farm-stained clothing. The sound of a cow-bell came through one of the small windows, from the green beyond, where a red-and-white cow was browsing among the buttercups.
"A fine day, gentlemen," said the judge, bowing to right and left. "A fine day."
He moved slowly, fanning himself absently with his white straw hat, pausing from time to time to exchange a word of greeting-secure in the affability of one who is not only a judge of man but a Bassett of Virginia. From his classic head to his ill-fitting boots he upheld the traditions of his office and his race.
On the stone platform, just beyond the entrance, he stopped to speak to a lawyer from a neighbouring county. Then, as a clump of men scattered at his approach, he waved them together with a bland, benedictory gesture which descended alike upon the high and the low, upon the rector of the old church up the street, in his rusty black, and upon the red-haired, raw-boned farmer with his streaming brow.
"Glad to see you out, sir," he said to the one, and to the other, "How are you, Burr? Time the crops were in the ground, isn't it?"
Burr mumbled a confused reply, wiping his neck laboriously on his red cotton handkerchief.
"The corn's been planted goin' on six weeks," he said more distinctly, ejecting his words between mouthfuls of tobacco juice as if they were pebbles which obstructed his speech. "I al'ays stick to plantin' yo' corn when the hickory leaf's as big as a squirrel's ear. If you don't, the luck's agin you."
"An' whar thar's growin' corn thar's a sight o' hoein'," put in an alert, nervous-looking countryman. "If I lay my hoe down for a spell, the weeds git so big I can't find the crop."
Amos Burr nodded with slow emphasis: "I never see land take so natural to weeds nohow as mine do," he said. "When you raise peanuts you're raisin' trouble."
He was a lean, overworked man, with knotted hands the colour of the soil he tilled and an inanely honest face, over which the freckles showed like splashes of mud freshly dried. As he spoke he gave his blue jean trousers an abrupt hitch at the belt.
"Dear me! Dear me!" returned the judge with absent-minded, habitual friendliness, smiling his rich, beneficent smile. Then, as he caught sight of a smaller red head beneath Burr's arm, he added: "You've a right-hand man coming on, I see. What's your name, my boy?"
The boy squirmed on his bare, brown feet and wriggled his head from beneath his father's arm. He did not answer, but he turned his bright eyes on the judge and flushed through all the freckles of his ugly little face.
"Nick-that is, Nicholas, sir," replied the elder Burr with an apologetic cough, due to the insignificance of the subject. "Yes, sir, he's leetle, but he's plum full of grit. He can beat any nigger I ever seed at the plough. He'd outplough me if he war a head taller."
"That will mend," remarked the lawyer from the neighbouring county with facetious intention. "A boy and a beanstalk will grow, you know. There's no helping it."
"Oh, he'll be a man soon enough," added the judge, his gaze passing over the large, red head to rest upon the small one, "and a farmer like his father before him, I suppose."
He was turning away when the child's voice checked him, and he paused.
"I-I'd ruther be a judge," said the boy.
He was leaning against the faded bricks of the old court-house, one sunburned hand playing nervously with the crumbling particles. His honest little face was as red as his hair.
The judge started.
"Ah!" he exclaimed, and he looked at the child with his kindly eyes. The boy was ugly, lean, and stunted in growth, browned by hot suns and powdered by the dust of country roads, but his eyes caught the gaze of the judge and held it.
Above his head, on the brick wall, a board was nailed, bearing in black marking the name of the white-sand street which stretched like a chalk-drawn line from the grass-grown battlefields to the pale old buildings of King's College. The street had been called in honour of a duke of Gloucester. It was now "Main" Street, and nothing more, though it was still wide and white and placidly impressed by the slow passage of Kingsborough feet. Beyond the court-house the breeze blew across the green, which was ablaze with buttercups. Beneath the warm wind the yellow heads assumed the effect of a brilliant tangle, spreading over the unploughed common, running astray in the grass-lined ditch that bordered the walk, hiding beneath dusty-leaved plants in unsuspected hollows, and breaking out again under the horses' hoofs in the sandy street.
"Ah!" exclaimed the judge, and a good-natured laugh ran round the group.
"Wall, I never!" ejaculated the elder Burr, but there was no surprise in his tone; it expressed rather the helplessness of paternity.
The boy faced them, pressing more firmly against the bricks.
"There ain't nothin' in peanut-raisin'," he said. "It's jest farmin' fur crows. I'd ruther be a judge."
The judge laughed and turned from him.
"Stick to the soil, my boy," he advised. "Stick to the soil. It is the best thing to do. But if you choose the second best, and I can help you, I will-I will, upon my word-Ah! General," to a jovial-faced, wide-girthed gentleman in a brown linen coat, "I'm glad to see you in town. Fine weather!"
He put on his hat, bowed again, and went on his way.
He passed slowly along in the spring sunshine, his feet crunching upon the gravel, his straight shadow falling upon the white level between coarse fringes of wire-grass. Far up the town, at the street's sudden end, where it was lost in diverging roads, there was visible, as through a film of bluish smoke, the verdigris-green foliage of King's College. Nearer at hand the solemn cruciform of the old church was steeped in shade, the high bell-tower dropping a veil of English ivy as it rose against the sky. Through the rusty iron gate of the graveyard the marble slabs glimmered beneath submerging grasses, long, pale, tremulous like reeds.
The grass-grown walk beside the low brick wall of the churchyard led on to the judge's own garden, a square enclosure, laid out in straight vegetable rows, marked off by variegated borders of flowering plants-heartsease, foxglove, and the red-lidded eyes of scarlet poppies. Beyond the feathery green of the asparagus bed there was a bush of flowering syringa, another at the beginning of the grass-trimmed walk, and yet another brushing the large white pillars of the square front porch-their slender sprays blown from sun to shade like fluttering streamers of cream-coloured ribbons. On the other side there were lilacs, stately and leafy and bare of bloom, save for a few ashen-hued bunches lingering late amid the heavy foliage. At the foot of the garden the wall was hidden in raspberry vines, weighty with ripening fruit.
The judge closed the gate after him and ascended the steps. It was not until he had crossed the wide hall and opened the door of his study that he heard the patter of bare feet, and turned to find that the boy had followed him.
For an instant he regarded the child blankly; then his hospitality asserted itself, and he waved him courteously into the room.
"Walk in, walk in, and take a seat. I am at your service."
He crossed to one of the tall windows, unfastening the heavy inside shutters, from which the white paint was fast peeling away. As they fell back a breeze filled the room, and the ivory faces of microphylla roses stared across the deep window-seat. The place was airy as a summer-house and odorous with the essence of roses distilled in the sunshine beyond. On the high plastered walls, above the book-shelves, rows of bygone Bassetts looked down on their departed possessions-stately and severe in the artificial severity of periwigs and starched ruffles. They looked down with immobile eyes and the placid monotony of past fashions, smiling always the same smile, staring always at the same spot of floor or furniture.
Below them the room was still hallowed by their touch. They asserted themselves in the quaint curves of the rosewood chairs, in the blue patterns upon the willow bowls, and in the choice lavender of the old Wedgwood. Their handiwork was visible in the laborious embroideries of the fire-screen near the empty grate, and the spinet in one unlighted corner still guarded their gay and amiable airs.
"Sit down," said the judge. "I am at your service."
He seated himself before his desk of hand-carved mahogany, pushing aside the papers that littered its baize-covered lid. In the half-gloom of the high-ceiled room his face assumed the look of a portrait in oils, and he seemed to have descended from his allotted square upon the plastered wall, to be but a boldly limned composite likeness of his race, awaiting the last touches and the gilded frame.
"What can I do for you?" he asked again, his tone preserving its unfailing courtesy. He had not made an uncivil remark since the close of the war-a line of conduct resulting less from what he felt to be due to others than from what he believed to be becoming in himself.
The boy shifted on his bare feet. In the old-timed setting of the furniture he was an alien-an anachronism-the intrusion of the hopelessly modern into the helplessly past. His hair made a rich spot in the colourless atmosphere, and it seemed to focus the incoming light from the unshuttered window, leaving the background in denser shadow.
The animation of his features jarred the serenity of the room. His profile showed gnome-like against the nodding heads of the microphylla roses.
"There ain't nothin' in peanut-raisin'," he said suddenly; "I-I'd ruther be a judge."
"My dear boy!" exclaimed the judge, and finished helplessly, "my dear boy-I-well-I-"
They were both silent. The regular droning of the old clock sounded distinctly in the stillness. The perfume of roses, mingling with the musty scent from the furniture, borrowed the quality of musk.
The child was breathing heavily. Suddenly he dug the dirty knuckles of one fist into his eyes.
"Don't cry," began the judge. "Please don't. Perhaps you would like to run out and play with my boy Tom?"
"I warn't cryin'," said the child. "It war a gnat."
His hand left his eyes and returned to his hat-a wide-brimmed harvest hat, with a shoestring tied tightly round the crown.
When the judge spoke again it was with seriousness.
"Nicholas-your name is Nicholas, isn't it?"
"Yes, sir."
"How old are you?"
"Twelve, sir."
"Can you read?"
"Yes, sir."
"Write?"
"Y-e-s, sir."
"Spell?"
The child hesitated. "I-I can spell-some."
"Don't you know it is a serious thing to be a judge?"
"Yes, sir."
"You must be a lawyer first."
"Yes, sir."
"It is hard work."
"Yes, sir."
"And sometimes it's no better than farming for crows."
The boy shook his head. "It's cleaner work, sir."
The judge laughed.
"I'm afraid you are obstinate, Nicholas," he said, and added: "Now, what do you want me to do for you? I can't make you a judge. It took me fifty years to make myself one-a third-rate one at that-"
"I-I'd l-i-k-e to take a bo-b-o-o-k," stammered the boy.
"Dear me!" said the judge irritably, "dear me!"
He frowned, his gaze skimming his well-filled shelves. He regretted suddenly that he had spoken to the child at the court-house. He would never be guilty of such an indiscretion again. Of what could he have been thinking? A book! Why didn't he ask for food-money-his best piece of fluted Royal Worcester?
Then a loud, boyish laugh rang in from the garden, and his face softened suddenly. In the sun-scorched, honest-eyed little figure before him he saw his own boy-the single child of his young wife, who was lying beneath a marble slab in the churchyard. Her face, mild and Madonna-like, glimmered against the pallid rose leaves in the deep window-seat.
He turned hastily away.
"Yes, yes," he answered, "I will lend you one. Read the titles carefully. Don't let the books fall. Never lay them face downwards-and don't turn down the leaves!"
The boy advanced timidly to the shelves between the southern windows. He ran his hands slowly along the lettered backs, his lips moving as he spelled out the names.
"The F-e-d-e-r-a-l-i-s-t," "B-l-a-c-k-s-t-o-n-e-'s C-o-m-m-e-n-t-a-r-i-e-s," "R-e-v-i-s-e-d Sta-tu-tes of the U-ni-ted Sta-tes."
The judge drew up to his desk and looked over his letters. Then he took up his pen and wrote several replies in his fine, flowing handwriting. He had forgotten the boy, when he felt a touch upon his arm.
"What is it?" he asked absently. "Ah, it is you? Yes, let me see. Why! you've got Sir Henry Maine!"
The boy was holding the book in both hands. As the judge laughed he flushed nervously and turned towards the door.
The judge leaned back in his chair, watching the small figure cross the room and disappear into the hall. He saw the tracks of dust which the boy's feet left upon the smooth, bare floor, but he was not thinking of them. Then, as the child went out upon the porch, he started up.
"Nicholas!" he called, "don't turn down the leaves!"
* * *
This novel of Virginians in New York City was hailed by the New York Times as "the first important novel of 1906" and compared favorably to Wharton's House of Mirth. The novel focuses on the struggles of an aspiring young poet, Laura Wilde, but at its true core is Roger Adams, a poignant study in Christ-like self-abnegation.
This widely praised novel marks the beginning of the period in which Virginia-born writer Ellen Glasgow began to fully flourish, producing the finest works of her literary career. Set in southern Virginia, The Miller of Old Church follows two emblems of the rising middle class as they pursue their ambitions and fall in love.
I spent four hours preparing a five-course meal for our fifth anniversary. When Jackson finally walked into the penthouse an hour late, he didn't even look at the table. He just dropped a thick Manila envelope in front of me and told me he was done. He said his stepsister, Davida, was getting worse and needed "stability." I wasn't his wife; I was a placeholder, a temporary fix he used until the woman he actually loved was ready to take my place. Jackson didn't just want a divorce; he wanted to erase me. He called me a "proprietary asset," claiming that every design I had created to save his empire belonged to him. He froze my bank accounts, cut off my phone, and told me I’d be nothing without his name. Davida even called me from her hospital bed to flaunt the family heirloom ring Jackson claimed was lost, mocking me for being "baggage" that was finally being cleared out. I stood in our empty home, realizing I had spent five years being a martyr for a man who saw me as a transaction. I couldn't understand how he could be so blind to the monster he was protecting, or how he could discard me so coldly after I had given him everything. I grabbed my hidden sketchbook, shredded our wedding portrait, and walked out into the rain. I dialed a number I hadn't touched in years—a dangerous man known as The Surgeon who dealt in debts and shadows. I told him I was ready to pay his price. Jackson and Davida wanted to steal my identity, but I was about to show the world the literal scars they had left behind.
I woke up on silk sheets that smelled of expensive cedar and cold sandalwood, a world away from my cramped apartment in Brooklyn. Beside me lay Ezra Gardner—my boss, the billionaire CEO of Gardner Holdings, and the man who could end my career with a snap of his fingers. He didn’t offer an apology for the night before; instead, he looked at me with terrifying clarity and proposed a cold, calculated business arrangement. "Marriage. It stabilizes the board and solves the PR crisis before it begins." He dressed me in archival Chanel and sent me home in his Maybach, but my life was already falling apart. My boyfriend, Irving, claimed he had passed out early, yet his location data placed him at my best friend’s apartment until three in the morning. When I tried to run, I realized Ezra was already ten steps ahead, tracking my movements and uncovering the secret I’d spent twenty years hiding: my connection to the powerful Senator Grimes. I was trapped between a CEO who treated me like a line item on a quarterly report and a boyfriend who had been using me while sleeping with my closest friend. I felt like a pawn in a game I didn't understand, wondering why a man like Ezra would walk up forty flights of stairs on a broken leg just to make sure I was safe. "Showtime, Mrs. Gardner." Standing on the red carpet in a gown that cost more than my life, I watched my cheating ex-boyfriend’s face turn pale as Ezra claimed me in front of the world. I wasn't just an assistant anymore; I was a weapon, and it was time to burn their world down.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I stood at my mother’s open grave in the freezing rain, my heels sinking into the mud. The space beside me was empty. My husband, Hilliard Holloway, had promised to cherish me in bad times, but apparently, burying my mother didn't fit into his busy schedule. While the priest’s voice droned on, a news alert lit up my phone. It was a livestream of the Metropolitan Charity Gala. There was Hilliard, looking impeccable in a custom tuxedo, with his ex-girlfriend Charla English draped over his arm. The headline read: "Holloway & English: A Power Couple Reunited?" When he finally returned to our penthouse at 2 AM, he didn't come alone—he brought Charla with him. He claimed she’d had a "medical emergency" at the gala and couldn't be left alone. I found a Tiffany diamond necklace on our coffee table meant for her birthday, and a smudge of her signature red lipstick on his collar. When I confronted him, he simply told me to stop being "hysterical" and "acting like a child." He had no idea I was seven months pregnant with his child. He thought so little of my grief that he didn't even bother to craft a convincing lie, laughing with his mistress in our home while I sat in the dark with a shattered heart and a secret life growing inside me. "He doesn't deserve us," I whispered to the darkness. I didn't scream or beg. I simply left a folder on his desk containing signed divorce papers and a forged medical report for a terminated pregnancy. I disappeared into the night, letting him believe he had successfully killed his own legacy through his neglect. Five years later, Hilliard walked into "The Vault," the city's most exclusive underground auction, looking for a broker to manage his estate. He didn't recognize me behind my Venetian mask, but he couldn't ignore the neon pink graffiti on his armored Maybach that read "DEADBEAT." He had no clue that the three brilliant triplets currently hacking his security system were the very children he thought had been erased years ago. This time, I wasn't just a wife in the way; I was the one holding all the cards.
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY