The Witness by Grace Livingston Hill
Like a sudden cloudburst the dormitory had gone into a frenzy of sound. Doors slammed, feet trampled, hoarse voices reverberated, heavy bodies flung themselves along the corridor, the very electrics trembled with the cataclysm. One moment all was quiet with a contented after-dinner-peace-before-study hours; the next it was as if all the forces of the earth had broken forth.
Paul Courtland stepped to his door and threw it back.
"Come on, Court, see the fun!" called the football half-back, who was slopping along with two dripping fire-buckets of water.
"What's doing?"
"Swearing-match! Going to make Little Stevie cuss! Better get in on it. Some fight! Tennelly sent 'Whisk' for a whole basket of superannuated cackle-berries"-he motioned back to a freshman bearing a basket of ancient eggs-"we're going to blindfold Steve and put oysters down his back, and then finish up with the fire-hose. Oh, the seven plagues of Egypt aren't in it with what we're going to do; and when we get done if Little Stevie don't let out a string of good, honest cuss-words like a man then I'll eat my hat. Little Stevie's got good stuff in him if it can only be brought out. We're a-going to bring it out. Then we're going to celebrate by taking him over to the theater and making him see 'The Scarlet Woman.' It'll be a little old miracle, all right, if he has any of his whining Puritanical ideas left in him after we get through with him. Come on! Get on the job!"
Drifting along with the surging tide of students, Courtland sauntered down the corridor to the door at the extreme end where roomed the victim.
He rather liked Stephen Marshall. There was good stuff in him; all the fellows recognized that. Only he was woefully unsophisticated, abnormally innocent, frankly religious, and a little too openly white in his life. It seemed a rebuke to the other fellows, unconscious though it might be. He felt with the rest that the fellow needed a lesson. Especially since the bald way in which he had dared to stand up for the old-fashioned view of miracles in biblical-lit. class that morning. Of course an ignorance like that wouldn't go down, and it was best he should learn it at once and get to be a good fellow without loss of time. A little gentle rubbing off of the "mamma's-good-little-boy" veneering would do him good. He wasn't sure but with such a course Marshall might even be eligible for the frat. that year. He sauntered along with his hands in his pockets; a handsome, capable, powerful figure; not taking any part in the preparations, but mildly interested in the plans. His presence lent enthusiasm to the gathering. He was high in authority. A star athlete, an A student, president of his fraternity, having made the Phi Beta Kappa in his junior year, and now in his senior year being chairman of the student exec. There would be no trouble with the authorities of the college if Court was along to give countenance.
Courtland stood opposite the end door when it was unceremoniously thrust open and the hilarious mob rushed in. From his position with his back against the wall he could see Stephen lift his fine head from his book and rise to greet them. There was surprise and a smile of welcome on his face. Courtland thought it almost a pity to reward such open-heartedness as they were about to do; but such things were necessary in the making of men. He watched developments with interest.
A couple of belated participants in the fray arrived breathlessly, shedding their mackinaws as they ran, and casting them down at Courtland's feet.
"Look after those, will you, Court? We've got to get in on this," shouted one as he thrust a noisy bit of flannel head-gear at Courtland.
Courtland gave the garments a kick behind him and stood watching.
There was a moment's tense silence while they told the victim what they had come for, and while the light of welcome in Stephen Marshall's eyes melted and changed into lightning. A dart of it went with a searching gleam out into the hall, and seemed to recognize Courtland as he stood idly smiling, watching the proceedings. Then the lightning was withheld in the gray eyes, and Marshall seemed to conclude that, after all, the affair must be a huge kind of joke, seeing Courtland was out there. Courtland had been friendly. He must not let his temper rise. The kindly light came into the eyes again, and for an instant Marshall almost disarmed the boldest of them with his brilliant smile. He would be game as far as he understood. That was plain. It was equally plain that he did not understand yet what was expected of him.
Pat McCluny, thick of neck, brutal of jaw, low-browed, red of face, blunt of speech, the finest, most unmerciful tackler on the football team, stepped up to Stephen and said a few words in a low tone. Courtland could not hear what they were save that they ended with an oath, the choicest of Pat McCluny's choice collection.
Instantly Stephen Marshall drew himself back, and up to his great height, lightning and thunder-clouds in his gray eyes, his powerful arms folded, his fine head crowned with its wealth of beautiful gold hair thrown a trifle back and up, his lips shut in a thin, firm line, his whole attitude that of the fighter; but he did not speak. He only looked from one to another of the wild young mob, searching for a friend; and, finding none, he stood firm, defying them all. There was something splendid in his bearing that sent a thrill of admiration down Courtland's spine as he watched, his habitual half-cynical smile of amusement still lying unconsciously about his lips, while a new respect for the country student was being born in his heart.
Pat, with a half-lowering of his bullet head, and a twisting of his ugly jaw, came a step nearer and spoke again, a low word with a rumble like the menace of a bull or a storm about to break.
With a sudden unexpected movement Stephen's arm shot forth and struck the fellow in the jaw, reeling him half across the room into the crowd.
With a snarl like a stung animal Pat recovered himself and rushed at Stephen, hurling himself with a stream of oaths, and calling curses down upon himself if he did not make Stephen utter worse before he was done with him. Pat was the "man" who was in college for football. It took the united efforts of his classmates, his frat., and the faculty to keep his studies within decent hailing distance of eligibility for playing. He came from a race of bullies whose culture was all in their fists.
Pat went straight for the throat of his victim. His fighting blood was up and he was mad clear down to the bone. Nobody could give him a blow like that in the presence of others and not suffer for it. What had started as a joke had now become real with Pat; and the frenzy of his own madness quickly spread to those daring spirits who were about him and who disliked Stephen for his strength of character.
They clinched, and Stephen, fresh from his father's remote Western farm, matched his mighty, untaught strength against the trained bully of a city street.
For a moment there was dead silence while the crowd in breathless astonishment watched and held in check their own eagerness. Then the mob spirit broke forth as some one called out:
"Pray for a miracle, Stevie! Pray for a miracle! You'll need it, old boy!"
The mad spirit which had incited them to the reckless fray broke forth anew and a medley of shouts arose.
"Jump in, boys! Now's the time!"
"Give him a cowardly egg or two-the kind that hits and runs!"
"Teach him that we will be obeyed!"
The latter came as a sort of chant, and was reiterated at intervals through the pandemonium of sound.
The fight raged on for minutes more, and still Stephen stood with his back against the wall, fighting, gasping, struggling, but bravely facing them all; a disheveled object with rotten eggs streaming from his face and hair, his clothes plastered with offensive yolks. Pat had him by the throat, but still he stood and fought as best he could.
Some one seized the bucket of water and deluged both. Some one else shouted, "Get the hose!" and more fellows tore off their coats and threw them down at Courtland's feet; some one tore Pat away, and the great fire-hose was turned upon the victim.
Gasping at last, and all but unconscious, he was set upon his feet, and harried back to life again. Over-powered by numbers, he could do nothing, and the petty torments that were applied amid a round of ringing laughter seemed unlimited; but still he stood, a man among them, his lips closed, a firm set about his jaw that showed their labor was in vain so far as making him obey their command was concerned. Not one word had he uttered since they entered his room.
"You can lead a horse to water, but you can't make him drink," shouted one onlooker. "Cut it out, fellows! It's no use! You can't set him cussing. He never learned how. He could easier lead in prayer. You have to teach him how. Better cut it out!"
More tortures were applied, but still the victim was silent. The hose had washed him clean again, and his face shone white from the drenching. Some one suggested it was getting late and the show would begin. Some one else suggested they must dress up Little Stevie for his first play. There was a mad rush for garments. Any garments, no matter whose. A pair of sporty trousers, socks of brilliant colors-not mates, an old football shoe on one foot, a dancing-pump on the other, a white vest and a swallow-tail put on backward, collar and tie also backward, a large pair of white-cotton gloves commonly used by workmen for rough work-Johnson, who earned his way in college by tending furnaces, furnished these. Stephen bore it all, grim, unflinching, until they set him up before his mirror and let him see himself, completing the costume by a high silk hat crammed down upon his wet curls. He looked at the guy he was and suddenly he turned upon them and smiled, his broad, merry smile! After all that he could see the joke and smile! He never opened his lips nor spoke-just smiled.
"He's a pretty good guy! He's game, all right!" murmured some one in Courtland's ear. And then, half shamedly, they caught him high upon their shoulders and bore him down the stairs and out the door.
The theater was some distance off. They bore down upon a trolley-car and took a wild possession. They sang their songs and yelled themselves hoarse. People turned and watched and smiled, setting this down as one more prank of those university fellows.
They swarmed into the theater, with Stephen in their midst, and took noisy occupancy. Opera-glasses were turned their way, and the girls nudged one another and talked about the man in the middle with the queer garments.
The persecutions had by no means ceased because they had landed their victim in a public place. They made him ridiculous at every breath. They took off his hat, arranged his collar, and smoothed his hair as if he were a baby. They wiped his nose with many a flourishing handkerchief, and pointed out objects of interest about the theater in open derision of his supposed ignorance, to the growing amusement of those of the audience who were their neighbors. And when the curtain rose on the most notoriously flagrant play the city boasted, they added to its flagrance by their whispered explanations and remarks.
Stephen, in his ridiculous garb, sat in their midst, a prisoner, and watched the play he would not have chosen to see; watched it with a face of growing indignation; a face so speaking in its righteous wrath that those about who saw him turned to look again, and somehow felt condemned for being there.
Sometimes a wave of anger would sweep over the young man, and he would turn to look about him with an impulse to suddenly break away and attempt to defy them all. But his every movement was anticipated, and he had the whole football team about him! There was no chance to move. He must stay it through, much as he disliked it. He must stand it in spite of the tumult of rage in his heart. He was not smiling now. His face had that set, grim look of the faithful soldier taken prisoner and tortured to give information about his army's plans. Stephen's eyes shone true, and his lips were set firmly together.
"Just one nice little cuss-word and we'll take you home," whispered a tormentor. "A single little word will do, just to show you are a man."
Stephen's face was gray with determination. His yellow hair shone like a halo about his head. They had taken off his hat and he sat with his arms folded fiercely across the back of "Andy" Roberts's nifty evening coat.
"Just one little real cuss to show you are a man," sneered the freshman.
But suddenly a smothered cry arose. A breath of fear stirred through the house. The smell of smoke swept in from a sudden open door. The actors paused, grew white, and swerved in their places; then one by one fled out of the scene. The audience arose and turned to panic, even as a flame swept up and licked the very curtain while it fell.
All was confusion!
The football team, trained to meet emergencies, forgot their cruel play and scattered, over seats and railing, everywhere, to fire-escapes and doorways, taking command of wild, stampeding people, showing their training and their courage.
Stephen, thus suddenly set free, glanced about him, and saw a few feet away an open door, felt the fresh breeze of evening upon his hot forehead, and knew the upper back fire-escape was close at hand. By some strange whim of a panic-maddened crowd but few had discovered this exit, high above the seats in the balcony; for all had rushed below and were struggling in a wild, frantic mass, trampling one another underfoot in a mad struggle to reach the doorways. The flames were sweeping over the platform now, licking out into the very pit of the theater, and people were terrified. Stephen saw in an instant that the upper door, being farthest away from the center of the fire, was the place of greatest safety. With one frantic leap he gained the aisle, strode up to the doorway, glanced out into the night to take in the situation; cool, calm, quiet, with the still stars overhead, down below the open iron stairway of the fire-escape, and a darkened street with people like tiny puppets moving on their way. Then turning back, he tore off the grotesque coat and vest, the confining collar, and threw them from him. He plunged down the steps of the aisle to the railing of the gallery, and, leaning there in his shirt-sleeves and the queer striped trousers, he put his hands like a megaphone about his lips and shouted:
"Look up! Look up! There is a way to escape up here! Look up!"
Some poor struggling ones heard him and looked up. A little girl was held up by her father to the strong arms reached out from the low front of the balcony. Stephen caught her and swung her up beside him, pointing her up to the door, and shouting to her to go quickly down the fire-escape, even while he reached out his other hand to catch a woman, whom willing hands below were lifting up. Men climbed upon the seats and vaulted up when they heard the cry and saw the way of safety; and some stayed and worked bravely beside Stephen, wrenching up the seats and piling them for a ladder to help the women up. More just clambered up and fled to the fire-escape, out into the night and safety.
But Stephen had no thought of flight. He stayed where he was, with aching back, cracking muscles, sweat-grimed brow, and worked, his breath coming in quick, sharp gasps as he frantically helped man, woman, child, one after another, like sheep huddling over a flood.
Courtland was there.
He had lingered a moment behind the rest in the corner of the dormitory corridor, glancing into the disfigured room; water, egg-shells, ruin, disorder everywhere! A little object on the floor, a picture in a cheap oval metal frame, caught his eye. Something told him it was the picture of Stephen Marshall's mother that he had seen upon the student's desk a few days before, when he had sauntered in to look the new man over. Something unexplained made him step in across the water and debris and pick it up. It was the picture, still unscarred, but with a great streak of rotten egg across the plain, placid features. He recalled the tone in which the son had pointed out the picture and said, "That's my mother!" and again he followed an impulse and wiped off the smear, setting the picture high on the shelf, where it looked down upon the depredation like some hallowed saint above a carnage.
Then Courtland sauntered on to his room, completed his toilet, and followed to the theater. He had not wanted to get mixed up too much in the affair. He thought the fellows were going a little too far with a good thing, perhaps. He wanted to see it through, but still he would not quite mix with it. He found a seat where he could watch what was going on without being actually a part of it. If anything should come to the ears of the faculty he wanted to be on the side of conservatism always. That Pat McCluny was not just his sort, though he was good fun. But he always put things on a lower level than college fellows should go. Besides, if things went too far a word from himself would check them.
Courtland was rather bored with the play, and was almost on the point of going back to study when the cry arose and panic followed.
Courtland was no coward. He tore off his handsome overcoat and rushed to meet the emergency. On the opposite side of the gallery, high up by another fire-escape he rendered efficient assistance to many.
The fire was gaining in the pit; and still there were people down there, swarms of them, struggling, crying, lifting piteous hands for assistance. Still Stephen Marshall reached from the gallery and pulled up, one after another, poor creatures, and still the helpless thronged and cried for aid.
Dizzy, blinded, his eyes filled with smoke, his muscles trembling with the terrible strain, he stood at his post. The minutes seemed interminable hours, and still he worked, with heart pumping painfully, and mind that seemed to have no thought save to reach down for another and another, and point up to safety.
Then, into the midst of the confusion there arose an instant of great and awful silence. One of those silences that come even into great sound and claim attention from the most absorbed.
Paul Courtland, high in his chosen station, working eagerly, successfully, calmly, looked down to see the cause of this sudden arresting of the universe; and there, below, was the pit full of flame, with people struggling and disappearing into fiery depths below. Just above the pit stood Stephen, lifting aloft a little child with frightened eyes and long streaming curls. He swung him high and turned to stoop again; then with his stooping came the crash; the rending, grinding, groaning, twisting of all that held those great galleries in place, as the fire licked hold of their supports and wrenched them out of position.
One instant Stephen was standing by that crimson-velvet railing, with his lifted hand pointing the way to safety for the child, the flaming fire lighting his face with glory, his hair a halo about his head, and in the next instant, even as his hand was held out to save another, the gallery fell, crashing into the fiery, burning furnace! And Stephen, with his face shining like an angel's, went down and disappeared with the rest, while the consuming fire swept up and covered them.
Paul Courtland closed his eyes on the scene, and caught hold of the door by which he stood. He did not realize that he was standing on a tiny ledge, all that was left him of footing, high, alone, above that burning pit where his fellow-student had gone down; nor that he had escaped as by a miracle. There he stood and turned away his face, sick and dizzy with the sight, blinded by the dazzling flames, shut in to that tiny spot by a sudden wall of smoke that swept in about him. Yet in all the danger and the horror the only thought that came was, "God! That was a man!"
* * *
What would you do if you were duped into marrying your own stepbrother? That's the conundrum facing Betty, the beautiful heroine of this charming romance novel from Grace Livingston Hill. Initially fragile and meek, Betty uses the horrifying situation she's placed in as a way to develop independence. Fans of classic romance will enjoy this uplifting tale.
Grace Livingston Hill was a prolific American author who wrote over 100 novels which often featured young Christian women. Hill's writing features the themes of redemption and good vs. evil. This edition of The Mystery of Mary includes a table of contents.
Chios Classics brings literature's greatest works back to life for new generations. All our books contain a linked table of contents.The Girl from Montana, written by Grace Livingston Hill, tells the story of a young woman fending for herself in the Montana wilderness as she flees from a man who has threatened her.
Lindsey's fiancé was the devil's first son. Not only did he lie to her but he also slept with her stepmother, conspired to take away her family fortune, and then set her up to have sex with a total stranger. To get her lick back, Lindsey decided to find a man to disrupt her engagement party and humiliate the cheating bastard. Never did she imagine that she would bump into a strikingly handsome stranger who was all that she was currently looking for. At the engagement party, he boldly declared that she was his woman. Lindsey thought he was just a broke man who wanted to leech off her. But once they began their fake relationship, she realized that good luck kept coming her way. She thought they would part ways after the engagement party, but this man kept to her side. "We gotta stick together, Lindsey. Remember, I'm now your fiancé. " "Domenic, you're with me because of my money, aren't you?" Lindsey asked, narrowing her eyes at him. Domenic was taken aback by that accusation. How could he, the heir of the Walsh family and CEO of Vitality Group, be with her for money? He controlled more than half of the city's economy. Money wasn't a problem for him! The two got closer and closer. One day, Lindsey finally realized that Domenic was actually the stranger she had slept with months ago. Would this realization change things between them? For the better or worse?
After Martina Martinez and Benjamin Walker's breakup, paparazzi captured photos of the business tycoon entering the Walker family mansion with a mysterious woman late at night. This caused a stir, and this wealthy family was bombarded by various media outlets. During a phone interview, the gossip reporter asked, "Miss Martinez, how do you feel now that Mr. Walker has a new girlfriend?" Martina held her painful forehead and looked towards Benjamin, who was adjusting his suit by the floor-to-ceiling window. He gestured for her to come over and help him with his tie. Holding her phone, Martina responded, "It's... complicated!" The reporter's heart leaped with joy and asked, "Is it heartbroken?!" Martina was about to nod, but Benjamin raised his eyebrows and took her phone away. His deep and alluring voice was heard on the other end of the line, "New girlfriend? Whose?"
After a passionate night, Verena left some money and wanted to leave, but was held by her companion. "Isn't it your turn to make me happy?" Verena, always disguising herself as ugly, slept with her fiance's uncle, Darren, in order to escape her engagement with her unfaithful fiance. Darren had respect and admiration. Word of his romantic escapades circulated, some saying they saw him kissing a lady against a wall and others calling it gossip. Who could ever tame Darren's heart? Then, shockingly, Darren was caught bending down to help Verena with her shoes, all to score a kiss from her!
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.
Katie was forced to marry Dillan, a notorious ruffian. Her younger sister mocked her, "You're just an adopted daughter. Count your blessings for marrying him!" The world anticipated Katie's tribulations, but her married life unfurled with unexpected serenity. She even snagged a lavish mansion in a raffle! Katie jumped into Dillan's arms, credited him as her lucky charm. "No, Katie, it's you who brings me all this luck," Dillan replied. Then, one fateful day, Dillan's childhood friend came to her. "You're not worthy of him. Take this 50 million and leave him!" Katie finally grasped Dillan's true stature—the wealthiest man on the planet. That night, trembling with trepidation, she broached the subject of divorce with Dillan. However, with a domineering embrace, he told her, "I'd give you everything I have. Divorce is off the table!"
Three years ago, the Moore family opposed Charles Moore's choice to marry his beloved woman and selected Scarlett Riley as his bride. Charles didn't love her. In fact, he hated her. Not long after they got married, Scarlett received an offer from her dream university and jumped on it. Three years later, Charles's beloved woman fell terribly ill. In order to fulfill her last wish, he called Scarlett back and presented her with a divorce agreement. Scarlett was deeply hurt by Charles's abrupt decision, but she chose to let him go and agreed to sign the divorce papers. However, Charles seemed to delay the process deliberately, leaving Scarlett confused and frustrated. Now, Scarlett was trapped between the consequences of Charles's indecision. Would she be able to break free from him? Would Charles eventually come to his senses and face his true feelings?