Us and the Bottle Man by Edith Ballinger Price
Us and the Bottle Man by Edith Ballinger Price
It began with Jerry's finishing off all the olives that were left, "like a pig would do," as Greg said. His finishing the olives left us the bottle, of course, and there is only one natural thing to do with an empty olive-bottle when you're on a water picnic. That is, to write a message as though you were a shipwrecked mariner, and seal it up in the bottle and chuck it as far out as ever you can.
We'd all gone over to Wecanicut on the ferry,-Mother and Aunt Ailsa and Jerry and Greg and I,-and we were picnicking beside the big fallen-over slab that looks just like the entrance to a pirate cave. We had a fire, of course, and a lot of things to eat, including the olives, which were a fancy addition bought by Aunt Ailsa as we were running for the ferry.
When we asked her if she had any paper, she tore a perfectly nice leaf out of her sketch-book, and gave me her 3 B drawing-pencil to write with. It was very soft, and the paper was the roughish kind that comes in sketch-books, so that the writing was smeary and looked quite as if shipwrecked mariners had written it with charred twigs out of the fire. We'd done lots of messages when we were on other water picnics, but we'd never heard from any of them, although one reason for that was that we never put our address on them. We decided we would this time, because Jerry had just been reading about a fisherman in Newfoundland picking up a message that somebody had chucked from a yacht in the Gulf of Mexico months and months before.
I wrote the date at the top, near the raggedy place where the leaf was torn out of Aunt Ailsa's sketch-book, and then I put, "We be Three Poore Mariners," like the song in "Pan-Pipes."
Jerry and Greg kept telling me things to write, till the page was quite full and went something like this:
"We be Three Poore Mariners, cast away upon the lone and desolate shore of Wecanicut, an island in the Atlantic Ocean, lat. and long. unknown. Our position is very perilous, as we have exhausted all our supplies, including large stores of olives, and are now forced to exist on beach-peas, barnacles, and-and-"
"Eiligugs' eggs," said Greg, dreamily.
Jerry pounced on him and said they only grew on the Irish coast, but I said: "All right! Beach-peas, barnacles, and eiligugs' eggs, of which only a small supply is to be had on this bleak and dismal coast. Our ship, the good ferry-boat Wecanicut, left us marooned, and there is no hope of our being picked up for the next two hours. Any person finding this message, please come to our assistance by dropping us a line," (I must honestly say that this was Jerry's, and much better than usual) "as the surf is too heavy for boats to land on this end of the island. Signed:-"
"Don't sign it 'Christine'," Jerry said. "Put 'Chris,' if we're to be real mariners."
So I put "Chris Holford, ?t. 13," which I thought might look more dignified and scholarly than "aged," and Jerry wrote "Gerald M. Holford," and put "?t. 11" after it, but I'm sure he didn't know what it meant until I did it. Then we stuck the paper at Greg, and he stared at it ever so long and finally said:
"Ate eleven! He ate lots more than that; I saw him."
Jerry pounced again,-I was laughing too hard to,-and said:
"It's not olives, silly; it's an abbreviated French way of saying how old we are."
Then I had to pounce on him, and tell him it was Latin, as he might know by the diphthong. By that time Greg had written "Gregory Holford, Ate 8," across the bottom, very large, and Jerry said he might as well have put 88 and had done with it. We folded the paper up in the tinfoil that the chocolate came in and jammed it into the bottle and pounded the cork in tight with a stone. Greg was all for chucking it immediately, but Jerry said it would have a better chance if we dropped it right into the current from the ferry going home. So we cocked the bottle up on a rock and went back to the pirate-cave-entrance place to finish a game of smugglers.
Wecanicut is a nice place to smuggle and do other dark deeds in, and I don't believe we'll ever be too old to think it's fun. This time we cut the rest of the tinfoil into roundish pieces with Jerry's jackknife, and stowed them into a cranny in the cave. They shone rather faintly and looked exactly like double moidores, except that those are gold, I think. We also borrowed Aunt Ailsa's hatpin with the Persian coin on the end. By running the pin down into the sand all the way, you can make it look just like a goldpiece lying on the floor of the cave. She is a very obliging aunt and doesn't mind our doing this sort of thing,-in fact, she plays lots of the games, too, and she can groan more hollowly than any of us, when groans are needed.
This time we didn't ask her to, because she was reading a book by H. G. Wells to Mother, and anyway all our proceedings were supposed to be going on in the most Stealthy and Silent Secrecy. The moidores and the Persian coin were all that was left of an enormous lot of things which the villainous band had buried,-golden chains, and uncut jewels, and pots of louis d'ors, and church chalices (Jerry says chasubles, but I think not). Greg and Jerry had dragged all these things up from the edge of the water in big empty armfuls, and we stamped the sand down over them. It really looked exactly as if the tinfoil moidores were a handful that was left over. Greg was just giving the final stamp, when Jerry crooked his hand over his ear and said:
"Hist, men! What was that?" They were having artillery practice down at the Fort, and just then a terrific volley went sputtering off.
"'Tis a broadside from the English vessel!" Jerry said. "We are pursued!"
We crept out from the cave and made off up the shore as fast as possible. Jerry went ahead and jumped up on a rock to reconnoiter. He did look quite piratical, with my black sailor tie bound tight over his head and two buttons of his shirt undone. Greg had his own necktie wrapped around his head, but several locks of hair had escaped from under it. He always manages to have something not quite right about his costumes. He has very nice hair-curly, and quite amberish colored-but it's not at all like a pirate's. I poked him from behind to make him hurry, for Jerry was pointing at a big schooner that was coming down the harbor. We all lay down flat behind the rock until she had gone slowly around the point. We could see the sun winking on something that might have been a cannon in her waist-that's the place where cannon always are-and of course the captain must have been keeping a sharp lookout landward with his spy-glass.
"Eh, mon," said Jerry, when the schooner had passed, "but yon was a verra close thing!"
That's one of the worst things about Jerry,-the way he mixes up language. We'd been reading "Kidnapped," and I suppose he forgot he wasn't Alan.
"Silence, dog!" I said, to remind him of who we were. "Very like she's but hove to in the offing, and for aught you know she's maybe sending ashore the jolly-boat by now."
"Then let's go to the end of the point and have a look," Greg suggested.
He doesn't often make speeches, because Jerry is apt to pounce on him and tell him he's "too plain American," but I think it isn't fair, because he hasn't read as many books as Jerry and I. So I hurried up and said:
"Bravely spoke, my lad; so we will, my hearty!" And we crawled and clambered along till we came to the end of the point where it's all stones and seaweed and big surf sometimes. The surf was not very high this time,-just waves that went whoosh and then pulled the pebbles back with a nice scrawpy sound. The schooner was half-way down to the Headland, not paying any attention to us.
"Ah ha!" Jerry said, "safe once more from an ignominious death. But, Chris, look at the Sea Monster! What's happened to it?"
The Sea Monster is a bare black rock-island off the end of Wecanicut. We called it that because it looks like one, and it hasn't any other name that we know of. We'd always wanted awfully to go out there and explore it, but the only time we ever asked old Captain Moss, who has boats for hire, he said, "Thunderin' bad landin'. Nothin' to see there but a clutter o' gulls' nests," and went on painting the Jolly Nancy, which is his nicest boat.
But the thing that Jerry was pointing out now was very queer indeed. It was just a little too far away to see clearly what had happened, but it seemed as if a piece of rock had fallen away on the side toward us, leaving a jaggedy opening as black as a hat and high enough for a person to stand upright in.
"The entrance to a subaground tunnel!" Greg shouted, leaping up and down in the edge of a wave.
He will say "subaground," and it really is quite as sensible as some words.
"The entrance to a real pirate cave, you mean!" said Jerry. "Glory, Chris, I really shouldn't wonder if it were. Captain Kidd was up and down the coast here. What if they buried stuff in there and then propped a big chunk of rock up against the hole?"
"I wish we had a telescope," I said, "though I don't suppose we could see into the blackness with it. Mercy, I wish we could get out there! It's more worth exploring than ever."
"Let's tell Mother and Aunt!" said Greg, and started running back down the beach, shouting something all the way.
Mother said, "Nonsense!" and, "Of course it's a natural cave in the rock. You probably only noticed it today."
But she and Aunt Ailsa shut up the H. G. Wells book and came to look. They did think, when they saw it, that it was something new. Aunt Ailsa thought it looked very exciting and mysterious, but she agreed with Mother that it was no sort of place to go to in a boat.
"Just look at the white foam flinging around those rocks," she said; "and there's practically no surf on today."
We had to admit that it wasn't a nice-looking place to land on from a rowboat, but we did wish that we were hardy adventuring men, bold of heart and undeterred by grown-ups. We knew, too, that Captain Moss would say, "Pshaw!" if we told him there might be treasure on the Sea Monster, and he certainly wouldn't risk the Jolly Nancy on those rocks in her nice new green paint.
We were so much excited about the Sea Monster suddenly having a big black hole in it that we almost forgot to take the bottle when we went home. We did forget Aunt Ailsa's hatpin, and Greg had to run back for it, because he can run faster than any of the rest of us, and Captain Lewis held the ferry for him. Everybody leaned out from the rail and peered up the landing, because they thought it must be a fire or the President or something. They all looked awfully disappointed when it was only Greg, with the black necktie still around his head and Aunt's hatpin held very far away from him so that it wouldn't hurt him if he fell down. He tumbled on board just as the nice brown Portuguese man who works the rattley chain thing at the landings was pushing the collapsible gate shut, and Greg gasped:
"I brought-the moidores-too!"
But Jerry collared him and pulled the necktie off his head. Jerry hates to have his relatives look silly in public, but I thought Greg looked very nice.
We chucked the bottle overboard from the upper deck, just when the Wecanicut was halfway over. The nice Portuguese man shouted up, "Hey! You drop something?" but we told him it was just an old bottle we didn't want, and not to mind. We watched it go bob-bobbing along beside an old barrel-head that was floating by, and we wondered how far it would go, and if it would leak and sink. The tide was exactly right to carry it outside, if all went well.
"Perhaps," said Greg, when we were halfway up Luke Street, going home, and had almost forgotten the bottle, "perhaps it will land on the Sea Monster, and the pirates will find it."
"Glory!" said Jerry, "perhaps it will."
* * *
Noelle was the long-lost daughter everyone had been searched for, yet the family brushed her off and fawned over her stand-in. Tired of scorn, she walked away and married a man whose influence could shake the country. Dance phenom, street-race champ, virtuoso composer, master restorer-each secret triumph hit the headlines, and her family's smug smiles cracked. Father charged back from abroad, mother wept for a hug, and five brothers knelt in the rain begging. Beneath the jeweled night sky, her husband pulled her close, his voice a velvet promise. "They're not worth it. Come on, let's just go home."
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
The thunder cracked over the Hamptons, but it was nothing compared to Elena Sharp's scream. She lay twisted on the marble foyer, accusing me of trying to kill her baby. My husband, Julian, walked in, saw the scene, and his eyes froze me out of his life forever. He didn't listen, shoving a separation agreement across the desk, accusing me of murder. Stripped of my name and home, I was thrown out, left with nothing but my clothes and a terrifying secret growing inside me. My accounts frozen, I ended up in a crumbling Philadelphia row house, forced to pawn heirlooms. During a fire, my water broke, and I delivered our premature daughter, June, whose lungs were damaged. I stole formula to feed her, facing massive medical bills. Accused of destroying an heir, I was exiled while carrying his true legacy, fighting for every breath. The injustice burned, but June's life was my only fight. Three years later, June needed life-saving surgery. Julian's dying grandmother called me back with the funds, forcing a cruel charade with the man who hated me, a man still oblivious to his daughter.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
Serena Vance, an unloved wife, clutched a custom-made red velvet cake to her chest, enduring the cold rain outside an exclusive Upper East Side club. She hoped this small gesture for her husband, Julian, would bridge the growing chasm between them on their third anniversary. But as she neared the VIP suite, her world shattered. Julian's cold, detached voice sliced through the laughter, revealing he considered her nothing more than a "signature on a piece of paper" for a trust fund, mocking her changed appearance and respecting only another woman, Elena. The indifference in his tone was a physical blow, a brutal severance, not heartbreak. She gently placed the forgotten cake on the floor, leaving her wedding ring and a diamond necklace as she prepared to abandon a marriage built on lies. Her old life, once a prison of quiet suffering and constant humiliation, now lay in ruins around her. Three years of trying to be seen, to be loved, were erased by a few cruel words. Why had she clung to a man who saw her as a clause in a will, a "creature," not a wife? The shame and rage hardened her heart, freezing her tears. Returning to an empty penthouse, she packed a single battered suitcase, leaving behind every symbol of her failed marriage. With a burner phone, she dialed a number she hadn't touched in a decade, whispering, "Godfather, I'm ready to come home."
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
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