/0/5514/coverbig.jpg?v=9ff748b1fbb94c57656407ca4901da2d)
Widdershins by Oliver Onions
Widdershins by Oliver Onions
The three or four "To Let" boards had stood within the low paling as long as the inhabitants of the little triangular "Square" could remember, and if they had ever been vertical it was a very long time ago. They now overhung the palings each at its own angle, and resembled nothing so much as a row of wooden choppers, ever in the act of falling upon some passer-by, yet never cutting off a tenant for the old house from the stream of his fellows.
Not that there was ever any great "stream" through the square; the stream passed a furlong and more away, beyond the intricacy of tenements and alleys and byways that had sprung up since the old house had been built, hemming it in completely; and probably the house itself was only suffered to stand pending the falling-in of a lease or two, when doubtless a clearance would be made of the whole neighbourhood.
It was of bloomy old red brick, and built into its walls were the crowns and clasped hands and other insignia of insurance companies long since defunct. The children of the secluded square had swung upon the low gate at the end of the entrance-alley until little more than the solid top bar of it remained, and the alley itself ran past boarded basement windows on which tramps had chalked their cryptic marks. The path was washed and worn uneven by the spilling of water from the eaves of the encroaching next house, and cats and dogs had made the approach their own. The chances of a tenant did not seem such as to warrant the keeping of the "To Let" boards in a state of legibility and repair, and as a matter of fact they were not so kept.
For six months Oleron had passed the old place twice a day or oftener, on his way from his lodgings to the room, ten minutes' walk away, he had taken to work in; and for six months no hatchet-like notice-board had fallen across his path. This might have been due to the fact that he usually took the other side of the square. But he chanced one morning to take the side that ran past the broken gate and the rain-worn entrance alley, and to pause before one of the inclined boards. The board bore, besides the agent's name, the announcement, written apparently about the time of Oleron's own early youth, that the key was to be had at Number Six.
Now Oleron was already paying, for his separate bedroom and workroom, more than an author who, without private means, habitually disregards his public, can afford; and he was paying in addition a small rent for the storage of the greater part of his grandmother's furniture. Moreover, it invariably happened that the book he wished to read in bed was at his working-quarters half a mile and more away, while the note or letter he had sudden need of during the day was as likely as not to be in the pocket of another coat hanging behind his bedroom door. And there were other inconveniences in having a divided domicile. Therefore Oleron, brought suddenly up by the hatchet-like notice-board, looked first down through some scanty privet-bushes at the boarded basement windows, then up at the blank and grimy windows of the first floor, and so up to the second floor and the flat stone coping of the leads. He stood for a minute thumbing his lean and shaven jaw; then, with another glance at the board, he walked slowly across the square to Number Six.
He knocked, and waited for two or three minutes, but, although the door stood open, received no answer. He was knocking again when a long-nosed man in shirt-sleeves appeared.
"I was arsking a blessing on our food," he said in severe explanation.
Oleron asked if he might have the key of the old house; and the long-nosed man withdrew again.
Oleron waited for another five minutes on the step; then the man, appearing again and masticating some of the food of which he had spoken, announced that the key was lost.
"But you won't want it," he said. "The entrance door isn't closed, and a push'll open any of the others. I'm a agent for it, if you're thinking of taking it-"
Oleron recrossed the square, descended the two steps at the broken gate, passed along the alley, and turned in at the old wide doorway. To the right, immediately within the door, steps descended to the roomy cellars, and the staircase before him had a carved rail, and was broad and handsome and filthy. Oleron ascended it, avoiding contact with the rail and wall, and stopped at the first landing. A door facing him had been boarded up, but he pushed at that on his right hand, and an insecure bolt or staple yielded. He entered the empty first floor.
He spent a quarter of an hour in the place, and then came out again. Without mounting higher, he descended and recrossed the square to the house of the man who had lost the key.
"Can you tell me how much the rent is?" he asked.
The man mentioned a figure, the comparative lowness of which seemed accounted for by the character of the neighbourhood and the abominable state of unrepair of the place.
"Would it be possible to rent a single floor?"
The long-nosed man did not know; they might....
"Who are they?"
The man gave Oleron the name of a firm of lawyers in Lincoln's Inn.
"You might mention my name-Barrett," he added.
Pressure of work prevented Oleron from going down to Lincoln's Inn that afternoon, but he went on the morrow, and was instantly offered the whole house as a purchase for fifty pounds down, the remainder of the purchase-money to remain on mortgage. It took him half an hour to disabuse the lawyer's mind of the idea that he wished anything more of the place than to rent a single floor of it. This made certain hums and haws of a difference, and the lawyer was by no means certain that it lay within his power to do as Oleron suggested; but it was finally extracted from him that, provided the notice-boards were allowed to remain up, and that, provided it was agreed that in the event of the whole house letting, the arrangement should terminate automatically without further notice, something might be done. That the old place should suddenly let over his head seemed to Oleron the slightest of risks to take, and he promised a decision within a week. On the morrow he visited the house again, went through it from top to bottom, and then went home to his lodgings to take a bath.
He was immensely taken with that portion of the house he had already determined should be his own. Scraped clean and repainted, and with that old furniture of Oleron's grandmother's, it ought to be entirely charming. He went to the storage warehouse to refresh his memory of his half-forgotten belongings, and to take measurements; and thence he went to a decorator's. He was very busy with his regular work, and could have wished that the notice-board had caught his attention either a few months earlier or else later in the year; but the quickest way would be to suspend work entirely until after his removal....
A fortnight later his first floor was painted throughout in a tender, elder-flower white, the paint was dry, and Oleron was in the middle of his installation. He was animated, delighted; and he rubbed his hands as he polished and made disposals of his grandmother's effects-the tall lattice-paned china cupboard with its Derby and Mason and Spode, the large folding Sheraton table, the long, low bookshelves (he had had two of them "copied"), the chairs, the Sheffield candlesticks, the riveted rose-bowls. These things he set against his newly painted elder-white walls-walls of wood panelled in the happiest proportions, and moulded and coffered to the low-seated window-recesses in a mood of gaiety and rest that the builders of rooms no longer know. The ceilings were lofty, and faintly painted with an old pattern of stars; even the tapering mouldings of his iron fireplace were as delicately designed as jewellery; and Oleron walked about rubbing his hands, frequently stopping for the mere pleasure of the glimpses from white room to white room....
"Charming, charming!" he said to himself. "I wonder what Elsie Bengough will think of this!"
He bought a bolt and a Yale lock for his door, and shut off his quarters from the rest of the house. If he now wanted to read in bed, his book could be had for stepping into the next room. All the time, he thought how exceedingly lucky he was to get the place. He put up a hat-rack in the little square hall, and hung up his hats and caps and coats; and passers through the small triangular square late at night, looking up over the little serried row of wooden "To Let" hatchets, could see the light within Oleron's red blinds, or else the sudden darkening of one blind and the illumination of another, as Oleron, candlestick in hand, passed from room to room, making final settlings of his furniture, or preparing to resume the work that his removal had interrupted.
Later in his career, the novelist who worked under the pen name Oliver Onions turned his focus to ghost stories and tales of the supernatural. However, his early work spanned a number of genres, including historical fiction, science fiction, and detective fiction. A Case in Camera delves deeply into a puzzling murder, and it's sure to please readers who appreciate well-written mysteries.
English artist and author George Oliver Onions is credited as one of the most important figures in the development of the psychological thriller. In the classic novel Mushroom Town, Onions puts his keen eye for detail to work in a loving portrait of a fictionalized village in Wales.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Noelle was the long-lost daughter everyone had been searched for, yet the family brushed her off and fawned over her stand-in. Tired of scorn, she walked away and married a man whose influence could shake the country. Dance phenom, street-race champ, virtuoso composer, master restorer-each secret triumph hit the headlines, and her family's smug smiles cracked. Father charged back from abroad, mother wept for a hug, and five brothers knelt in the rain begging. Beneath the jeweled night sky, her husband pulled her close, his voice a velvet promise. "They're not worth it. Come on, let's just go home."
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP