Clotelle; Or, The Colored Heroine, a tale of the Southern States; Or, The President's Daughter
William Wells Brown was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States.
William Wells Brown was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States.
FOR many years the South has been noted for its beautiful Quadroon women. Bottles of ink, and reams of paper, have been used to portray the "finely-cut and well-moulded features," the "silken curls," the "dark and brilliant eyes," the "splendid forms," the "fascinating smiles," and "accomplished manners" of these impassioned and voluptuous daughters of the two races,-the unlawful product of the crime of human bondage.
When we take into consideration the fact that no safeguard was ever thrown around virtue, and no inducement held out to slave-women to be pure and chaste, we will not be surprised when told that immorality pervades the domestic circle in the cities and towns of the South to an extent unknown in the Northern States. Many a planter's wife has dragged out a miserable existence, with an aching heart, at seeing her place in the husband's affections usurped by the unadorned beauty and captivating smiles of her waiting-maid. Indeed, the greater portion of the colored women, in the days of slavery, had no greater aspiration than that of becoming the finely-dressed mistress of some white man. At the negro balls and parties, that used to be so frequently given, this class of women generally made the most splendid appearance.
A few years ago, among the many slave-women of Richmond, Va., who hired their time of their masters, was Agnes, a mulatto owned by John Graves, Esq., and who might be heard boasting that she was the daughter of an American Senator. Although nearly forty years of age at the time of which we write, Agnes was still exceedingly handsome. More than half white, with long black hair and deep blue eyes, no one felt like disputing with her when she urged her claim to her relationship with the Anglo-Saxon. In her younger days, Agnes had been a housekeeper for a young slave-holder, and in sustaining this relation had become the mother of two daughters. After being cast aside by this young man, the slave-woman betook herself to the business of a laundress, and was considered to be the most tasteful woman in Richmond at her vocation.
Isabella and Marion, the two daughters of Agnes, resided with their mother, and gave her what aid they could in her business. The mother, however, was very choice of her daughters, and would allow them to perform no labor that would militate against their lady-like appearance. Agnes early resolved to bring up her daughters as ladies, as she termed it.
As the girls grew older, the mother had to pay a stipulated price for them per month. Her notoriety as a laundress of the first class enabled her to put an extra charge upon the linen that passed through her hands; and although she imposed little or no work upon her daughters, she was enabled to live in comparative luxury and have her daughters dressed to attract attention, especially at the negro balls and parties.
Although the term "negro ball" is applied to these gatherings, yet a large portion of the men who attend them are whites. Negro balls and parties in the Southern States, especially in the cities and towns, are usually made up of quadroon women, a few negro men, and any number of white gentlemen. These are gatherings of the most democratic character. Bankers, merchants, lawyers, doctors, and their clerks and students, all take part in these social assemblies upon terms of perfect equality. The father and son not unfrequently meet and dance vis a vis at a negro ball.
It was at one of these parties that Henry Linwood, the son of a wealthy and retired gentleman of Richmond, was first introduced to Isabella, the oldest daughter of Agnes. The young man had just returned from Harvard College, where he had spent the previous five years. Isabella was in her eighteenth year, and was admitted by all who knew her to be the handsomest girl, colored or white, in the city. On this occasion, she was attired in a sky-blue silk dress, with deep black lace flounces, and bertha of the same. On her well-moulded arms she wore massive gold bracelets, while her rich black hair was arranged at the back in broad basket plaits, ornamented with pearls, and the front in the French style (a la Imperatrice), which suited her classic face to perfection.
Marion was scarcely less richly dressed than her sister.
Henry Linwood paid great attention to Isabella, which was looked upon with gratification by her mother, and became a matter of general conversation with all present. Of course, the young man escorted the beautiful quadroon home that evening, and became the favorite visitor at the house of Agnes.
It was on a beautiful moonlight night in the month of August, when all who reside in tropical climates are eagerly gasping for a breath of fresh air, that Henry Linwood was in the garden which surrounded Agnes' cottage, with the young quadroon at his side. He drew from his pocket a newspaper wet from the press, and read the following advertisement:-
NOTICE.-Seventy-nine negroes will be offered for sale
on Monday, September 10, at 12 o'clock, being the entire
stock of the late John Graves. The negroes are in excellent
condition, and all warranted against the common vices.
Among them are several mechanics, able-bodied field-hands,
plough-boys, and women with children, some of them very prolific,
affording a rare opportunity for any one who wishes to raise
a strong and healthy lot of servants for their own use.
Also several mulatto girls of rare personal qualities,-
two of these very superior.
Among the above slaves advertised for sale were Agnes and her two daughters. Ere young Linwood left the quadroon that evening, he promised her that he would become her purchaser, and make her free and her own mistress.
Mr. Graves had long been considered not only an excellent and upright citizen of the first standing among the whites, but even the slaves regarded him as one of the kindest of masters. Having inherited his slaves with the rest of his property, he became possessed of them without any consultation or wish of his own. He would neither buy nor sell slaves, and was exceedingly careful, in letting them out, that they did not find oppressive and tyrannical masters. No slave speculator ever dared to cross the threshold of this planter of the Old Dominion. He was a constant attendant upon religious worship, and was noted for his general benevolence. The American Bible Society, the American Tract Society, and the cause of the Foreign Missions, found in him a liberal friend. He was always anxious that his slaves should appear well on the Sabbath, and have an opportunity of hearing the word of God.
William Wells Brown was a prominent African-American abolitionist lecturer, novelist, playwright, and historian in the United States.
Born a slave and kept functionally illiterate until he escaped at age nineteen, William Wells Brown refashioned himself first as an agent of the Underground Railroad and then as an antislavery activist and self-taught orator and author, eventually becoming a foundational figure of African American literature. His most ambitious work, Clotel; or, the President's Daughter (1853), the first novel written by an African American, purports to be the history of Thomas Jefferson's black daughters and granddaughters. Dramatizing the victimization of black women under slavery, the novel measures the yawning chasm between America's founding ideals and the brutal realities of bondage.
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Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
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The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
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