Mary's Meadow, and Other Tales of Fields and Flowers by Juliana Horatia Gatty Ewing
Mother is always trying to make us love our neighbours as ourselves.
She does so despise us for greediness, or grudging, or snatching, or not sharing what we have got, or taking the best and leaving the rest, or helping ourselves first, or pushing forward, or praising Number One, or being Dogs in the Manger, or anything selfish. And we cannot bear her to despise us!
We despise being selfish, too; but very often we forget. Besides, it is sometimes rather difficult to love your neighbour as yourself when you want a thing very much; and Arthur says he believes it is particularly difficult if it is your next-door-neighbour, and that that is why Father and the Old Squire quarrelled about the footpath through Mary's Meadow.
The Old Squire is not really his name, but that is what people call him. He is very rich. His place comes next to ours, and it is much bigger, and he has quantities of fields, and Father has only got a few; but there are two fields beyond Mary's Meadow which belong to Father, though the Old Squire wanted to buy them. Father would not sell them, and he says he has a right of way through Mary's Meadow to go to his fields, but the Old Squire says he has nothing of the kind, and that is what they quarrelled about.
Arthur says if you quarrel, and are too grown-up to punch each other's heads, you go to law; and if going to law doesn't make it up, you appeal. They went to law, I know, for Mother cried about it; and I suppose it did not make it up, for the Old Squire appealed.
After that he used to ride about all day on his grey horse, with Saxon, his yellow bull-dog, following him, to see that we did not trespass on Mary's Meadow. I think he thought that if we children were there, Saxon would frighten us, for I do not suppose he knew that we knew him. But Saxon used often to come with the Old Squire's Scotch Gardener to see our gardener, and when they were looking at the wall-fruit, Saxon used to come snuffing after us.
He is the nicest dog I know. He looks very savage, but he is only very funny. His lower jaw sticks out, which makes him grin, and some people think he is gnashing his teeth with rage. We think it looks as if he were laughing-like Mother Hubbard's dog, when she brought home his coffin, and he wasn't dead-but it really is only the shape of his jaw. I loved Saxon the first day I saw him, and he likes me, and licks my face. But what he likes best of all are Bath Oliver Biscuits.
One day the Scotch Gardener saw me feeding him, and he pulled his red beard, and said, "Ye do weel to mak' hay while the sun shines, Saxon, my man. There's sma' sight o' young leddies and sweet cakes at hame for ye!" And Saxon grinned, and wagged his tail, and the Scotch Gardener touched his hat to me, and took him away.
The Old Squire's Weeding Woman is our nursery-maid's aunt. She is not very old, but she looks so, because she has lost her teeth, and is bent nearly double. She wears a large hood, and carries a big basket, which she puts down outside the nursery door when she comes to tea with Bessy. If it is a fine afternoon, and we are gardening, she lets us borrow the basket, and then we play at being weeding women in each other's gardens.
She tells Bessy about the Old Squire. She says-"He do be a real old skinflint, the Old Zquire a be!" But she thinks it-"zim as if 'twas having ne'er a wife nor child for to keep the natur' in 'un, so his heart do zim to shrivel, like they walnuts Butler tells us of as a zets down for desart. The Old Zquire he mostly eats ne'er a one now's teeth be so bad. But a counts them every night when's desart's done. And a keeps 'em till the karnels be mowldy, and a keeps 'em till they be dry, and a keeps 'em till they be dust; and when the karnels is dust, a cracks aal the lot of 'em when desart's done, zo's no one mayn't have no good of they walnuts, since they be no good to be."
Arthur can imitate the Weeding Woman exactly, and he can imitate the Scotch Gardener too. Chris (that is Christopher, our youngest brother) is very fond of "The Zquire and the Walnuts." He gets nuts, or anything, like shells or bits of flower-pots, that will break, and something to hit with, and when Arthur comes to "The karnels is dust," Chris smashes everything before him, shouting, "A cracks aal the lot of em," and then he throws the bits all over the place, with "They be no good to he."
Father laughed very much when he heard Arthur do the Weeding Woman, and Mother could not help laughing too; but she did not like it, because she does not like us to repeat servants' gossip.
The Weeding Woman is a great gossip. She gossips all the time she is having her tea, and it is generally about the Old Squire. She used to tell Bessy that his flowers bloomed themselves to death, and the fruit rotted on the walls, because he would let nothing be picked, and gave nothing away, except now and then a grand present of fruit to Lady Catherine, for which the old lady returned no thanks, but only a rude message to say that his peaches were over-ripe, and he had better have sent the grapes to the Infirmary. Adela asked-"Why is the Old Squire so kind to Lady Catherine?" and Father said-"Because we are so fond of Lords and Ladies in this part of the country." I thought he meant the lords and ladies in the hedges, for we are very fond of them. But he didn't. He meant real lords and ladies.
There are splendid lords and ladies in the hedges of Mary's Meadow. I never can make up my mind when I like them best. In April and May, when they have smooth plum-coloured coats and pale green cowls, and push up out of last year's dry leaves, or in August and September, when their hoods have fallen away, and their red berries shine through the dusty grass and nettles that have been growing up round them all the summer out of the ditch.
Flowers were one reason for our wanting to go to Mary's Meadow. Another reason was the nightingale. There was one that used always to sing there, and Mother had made us a story about it.
We are very fond of fairy books, and one of our greatest favourites is Bechstein's As Pretty as Seven. It has very nice pictures, and we particularly like "The Man in the Moon, and How He Came There;" but the story doesn't end well, for he came there by gathering sticks on Sunday, and then scoffing about it, and he has been there ever since. But Mother made us a new fairy tale about the nightingale in Mary's Meadow being the naughty woodcutter's only child, who was turned into a little brown bird that lives on in the woods, and sits on a tree on summer nights, and sings to its father up in the moon.
But after our Father and the Old Squire went to law, Mother told us we must be content with hearing the nightingale from a distance. We did not really know about the lawsuit then, we only understood that the Old Squire was rather crosser than usual; and we rather resented being warned not to go into Mary's Meadow, especially as Father kept saying we had a perfect right so to do. I thought that Mother was probably afraid of Saxon being set at us, and of course I had no fears about him. Indeed, I used to wish that it could happen that the Old Squire, riding after me as full of fury as King Padella in the Rose and the Ring, might set Saxon on me, as the lions were let loose to eat the Princess Rosalba. "Instead of devouring her with their great teeth, it was with kisses they gobbled her up. They licked her pretty feet, they nuzzled their noses in her lap," and she put her arms "round their tawny necks and kissed them." Saxon gobbles us with kisses, and nuzzles his nose, and we put our arms round his tawny neck. What a surprise it would be to the Old Squire to see him! And then I wondered if my feet were as pretty as Rosalba's, and I thought they were, and I wondered if Saxon would lick them, supposing that by any possibility it could ever happen that I should be barefoot in Mary's Meadow at the mercy of the Old Squire and his bull-dog.
One does not, as a rule, begin to go to bed by letting down one's hair, and taking off one's shoes and stockings. But one night I was silly enough to do this, just to see if I looked (in the mirror) at all like the picture of Rosalba in the Rose and the Ring. I was trying to see my feet as well as my hair, when I heard Arthur jumping the three steps in the middle of the passage between his room and mine. I had only just time to spring into the window-seat, and tuck my feet under me, when he gave a hasty knock, and bounced in with his telescope in his hand.
"Oh, Mary," he cried, "I want you to see the Old Squire, with a great-coat over his evening clothes, and a squash hat, marching up and down Mary's Meadow."
And he pulled up my blind, and threw open the window, and arranged the telescope for me.
It was a glorious night. The moon was rising round and large out of the mist, and dark against its brightness I could see the figure of the Old Squire pacing the pathway over Mary's Meadow.
Saxon was not there; but on a slender branch of a tree in the hedgerow sat the nightingale, singing to comfort the poor, lonely old Man in the Moon.
* * *
We and the World: A Book for Boys. Part I by Juliana Horatia Gatty Ewing
Although Juliana Horatia Ewing certainly was not the first writer to pen tales specifically for younger audiences, critics regard her as one of the first to set aside the strong emphasis on morals and lessons that had long characterized the genre and focus more on developing realistic portraits of children that might ring true to her readers. This delightful collection of tales was her first published work.
Brothers of Pity and Other Tales of Beasts and Men by Juliana Horatia Gatty Ewing
Though this collection of novellas and short stories from English writer Juliana Horatia Ewing centers around younger protagonists, it will appeal to readers of any age. In the titular story, hero Charlie leads his family through the process of preparing to survive through the most calamitous of circumstances.
For seven years, Jillian pursued Bryan with unyielding passion, but he remained distant, his emotions tightly sealed. Disheartened, she left for overseas after graduating from college. Three years later, Jillian, now a successful attorney, sat provocatively on the lap of Bryan's competitor. She flashed Bryan a playful smile and taunted, "What's wrong, Bryan? Are you impotent?" Bryan's restraint shattered in an instant. In a swift motion, he scooped her up and tossed her onto the bed. The next morning, as Bryan woke up, Jillian flashed a mischievous smile. "Let's keep things casual, okay?"
P-please, I beg you. Come let's go tell Christian I had no hand in whatever happened, p-please." I clutched the lapel of his jacket desperately. "Let's go. You need to tell my husband you were paid." "Young lady, you're harassing me." His tone was cold and his stare granite. But I could care less. "You harassed me first! You had sex with me without my consent, my husband knows and now I'm pregnant with this child he doesn't want. You ruined my marriage! I-I hate you!" ************************************ Caught by her husband with another man on their matrimonial bed the morning after her birthday, Hailey Codza could not defend herself. As though it's not enough, she gets pregnant. Her enraged husband decides to pay her back for her infidelity by having an affair with his ex-girlfriend - Denise Kellers, the family Hailey never knew she had. Losing her family's wealth and company to her husband and his ex (now girlfriend), she is devastated, homeless and penniless as all her credit cards are blocked by her husband. She sees the man who is responsible for her pregnancy. The man she has no idea how he'd found his way to her matrimonial bed - Jared Johnson. Jared is annoyed when this strange woman disrupts his meeting and accuses him of ruining her life, marriage and impregnating her. It affects his business deals and having no choice, he marries her to calm the public whilst engaged to someone else. But he loathes her and allows his family treats her badly. Hailey who has fallen in love with Jared is broken when she can no longer take the humiliation. She signs the divorce papers and leaves, only to arrive six years later to the country as a self-made, secret billionaire and a mother of twins. Now her two ex-husbands are begging to have her back...
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
"Then let's get a divorce!" With courage, Leora left her husband's house, after being accused of poisoning his mistress. Her in-laws and sister-in-law had planned various ways to kick her out of Peter's house and in the end Leora gave in. However, no one expected that things would turn 180 degrees after the divorce. When everyone who had hurt her was happy with each other's lies, Leora returned. This time, she was no longer the poor orphan girl from the orphanage. She has changed and not only that, she also carries a big secret that will make everyone turn to worship her feet.
In their three years of marriage, Chelsea had been a dutiful wife to Edmund. She used to think that her love and care would someday melt Edmund's cold heart, but she was wrong. Finally, she couldn't take the disappointment any longer and chose to end the marriage. Edmund had always thought that his wife was just boring and dull. So it was shocking when Chelsea suddenly threw divorce papers at his face in front of everyone at the Nelson Group's anniversary party. How humiliating! After that, everyone thought that the formerly-married couple would never see each other again, even Chelsea. Once again, she thought wrong. Sometime later, at an award ceremony, Chelsea went onstage to accept the award for best screenplay. Her ex-husband, Edmund, was the one presenting the award to her. As he handed her the trophy, he suddenly reached for her hand and pleaded humbly in front of the audience, "Chelsea, I'm sorry I didn't cherish you before. Could you please give me another chance?" Chelsea looked at him indifferently. "I'm sorry, Mr. Nelson. My only concern now is my business." Edmund's heart was shattered into a million pieces. "Chelsea, I really can't live without you." But his ex-wife just walked away. Wasn't it better for her to just concentrate on her career? Men would only distract her—especially her ex-husband.
"You're mine, little puppy," Kylan growled against my neck. A soft gasp escaped my lips as his lips brushed my skin. My mind screamed at me to push him away-the Lycan Prince who had humiliated me again and again, but my body betrayed me, leaning into him before I could stop myself. He pressed his lips against mine, and his kiss grew more aggressive, more possessive as I felt my legs weaken. What was I doing? In a split-second, I pulled away and slapped him hard across the face. Kylan's eyes darkened, but the smirk on his lips exposed his amusement. "You and I both know we can't fight this, Violet," he said, gripping my wrist. "You're my mate." "And yet you don't want me," I replied. "You told me you were ashamed of me, that l'd never be your queen, that you'd never love me. So please, accept my rejection and let me go." "Never," he whispered, his grip tightening as he pulled me closer. "Soon enough, you'll be begging for me. and when you do-I'll use you as I see fit and then I'll reject you."