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Miss Elliot's Girls / Stories of Beasts, Birds, and Butterflies
Miss Elliot's Girls / Stories of Beasts, Birds, and Butterflies by Mary Spring Corning
Miss Elliot's Girls / Stories of Beasts, Birds, and Butterflies by Mary Spring Corning
Sammy Ray was running by the parsonage one day when Miss Ruth called to him. She was sitting in the vine-shaded porch, and there was a crutch leaning against her chair.
"Sammy," she said, "isn't there a field of tobacco near where you live?"
"Yes'm; two of 'em."
"To-morrow morning look among the tobacco plants and find me a large green worm. Have you ever seen a tobacco worm?"
Sammy grinned.
"I've killed more'n a hundred of 'em this summer," he said. "Pat Heeley hires me to smash all I can find, 'cause they eat the tobacco."
"Well, bring one carefully to me on the leaf where he is feeding; the largest one you can find."
Before breakfast the next morning Ruth Elliot had her first sight of a tobacco worm.
"Take care!" said Sammy, "or he'll spit tobacco juice on you. See that horn on his tail? When you want to kill him, you jest catch hold this way, and"-
"But I don't want to kill him," she said. "I want to keep him in this nice little house I have got ready for him, and give him all the tobacco he can eat. Will you bring me a fresh leaf every, morning?"
While she was speaking she had put the worm in a box with a cover of pink netting. On his way home Sammy met Roy Tyler, and told him (as a secret) that the lame lady at the minister's house kept worms, and would pay two cents a head for tobacco worms. "Anyway," said Sammy, "that's what she paid me."
If there was money to be got in the tobacco-worm business, Roy wanted a share in it; and before night he brought to Miss Ruth, in an old tin basin, eight worms of various sizes, from a tiny baby worm just hatched, to a great, ugly creature, jet black, and spotted and barred with yellow. The black worm Miss Ruth consented to keep, and Roy, lifting him by his horn, dropped him on the green worm's back.
"Now you have a Blacky and a Greeny," the boy said; and by these names they were called.
Roy and Sammy came together the next morning, and watched the worms at their breakfast.
"How they eat!" said Sammy; "they make their great jaws go like a couple of old tobacco-chewers."
"Yes; and if they lived on bread and butter 't would cost a lot to feed 'em, wouldn't it?" said Roy.
"Look at my woodbine worm, boys," Miss Ruth said, as she lifted the cover of another box. "Isn't he a beauty? See the delicate green, shaded to white, on his back, and that row of spots down his sides looking like buttons! I call him Sly-boots, because he has a trick of hiding under the leaves. He used to have a horn on his tail like the tobacco worms."
"Where that spot is, that looks like an eye?"
"Yes; and one day he ate nothing and hid himself away, and looked so strangely that I thought he was going to die; but the next morning he appeared in this beautiful new coat."
"How funny! Say, what is he going to turn into?"
But Miss Ruth was busy house-cleaning. First she turned out her tenants. They were at breakfast; but they took their food with them, and did not mind. Then she tipped their house upside down, and brushed out every stick and stem and bit of leaf, spread thick brown paper on the floor, and put back Greeny and Blacky snug and comfortable.
The next time Sammy and Roy met at the parsonage, three flower-pots of moist sand stood in a row under the bench.
"Winter quarters," Miss Ruth explained when she saw the boys looking at them; "and it's about time for my tenants to move in. Greeny and Blacky have stopped eating, and Sly-boots is turning pale."
"A worm turn pale!"
"Yes, indeed; look at him."
It was quite true; the green on his back had changed to gray-white, and his pretty spots were fading.
"He looks awfully; is he going to die?"
"Yes-and no. Come this afternoon and see what will happen."
But when they came, Blacky and Sly-boots were not to be seen. Their summer residence, empty and uncovered, stood out in the sun, and two of the flower-pots were covered with netting.
"I couldn't keep them, boys," Miss Ruth said; "they were in such haste to be gone. Only Greeny is above ground."
Greeny was in his flower-pot. He was creeping slowly round and round, now and then stretching his long neck over the edge, but not trying to get out. Soon he began to burrow. Straight down, head first, he went into the ground. Now he was half under, now three quarters, now only the end of his tail and the tip of his horn could be seen. When he was quite gone, Sammy drew a long breath and Roy said, "I swanny!"
"How long will he have to stay down there?"
"All winter, Roy."
"Poor fellow!"
"Happy fellow! I say. Why, he has done being a worm. His creeping days are over. He has only to lie snug and quiet under the ground a while; then wake and come up to the sunshine some bright morning with a new body and a pair of lovely wings to spread and fly away with."
"Why, it's like-it's like"-
"What is it like, Sammy?"
"Ain't it like folks, Miss Ruth?" Grandma sings:-
'I'll take my wings and fly away
In the morning,'
"Yes," she said; "it is like folks." Then glancing at her crutch, repeated, smiling: "In the morning."
When the woodbine in the porch had turned red, and the maples in the door-yard yellow, the flower-pots were removed to the warm cellar, and one winter evening Sammy Ray wrote Greeny's epitaph:-
"A poor green worm, here I lie;
But by-and-by
I shall fly,
Ever so high,
Into the sky."
He came often in the spring to ask if any thing had happened, and one day Miss Ruth took from a box and laid in his hand a shining brown chrysalis, with a curved handle.
"What a funny little brown jug!" said Sammy.
"Greeny is inside; close your hand gently and see if you feel him."
"How cold!" said the boy; and then: "Oh! oh! he is alive, for he kicks!"
In June Greeny and Blacky came out of their shells, but no one saw them do it, for it was in the night; but Sly-boots was more obliging. One morning Miss Ruth heard a rustling, and lo! what looked like a great bug, with long, slender legs, was climbing to the top of the box. Soon he hung by his feet to the netting, rested motionless a while, and then slowly, slowly unfolded his wings to the sun. They were brown and white and pink, beautifully shaded, and his body was covered with rings of brown satin. Blacky and Greeny were not so handsome. They had orange-spotted bodies, great wings of sober gray, and carried long flexible tubes curled like a watch-spring, that could be stretched out to suck honey from the flowers.
At sunset Miss Ruth sent for the boys. She placed the uncovered box where the moths waited with folded wings, in the open window. Up from the garden came a soft breeze sweet with the breath of the roses and petunias. There was a stir, a rustle, a waving of dusky wings, and the box was empty.
So Greeny and Blacky and Sly-boots "took their wings and flew away," and the boys saw them no more.
* * *
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
To most, Verena passed for a small-town clinic doctor; in truth, she worked quiet miracles. Three years after Isaac fell hopelessly for her and kept vigil through lonely nights, a crash left him in a wheelchair and stripped his memory. To keep him alive, Verena married him, only to hear, "I will never love you." She just smiled. "That works out-I'm not in love with you, either." Entangled in doubt, he recoiled from hope, yet her patience held him fast-kneeling to meet his eyes, palm warm on his hair, steadying him-until her glowing smile rekindled feelings he believed gone forever.
She was set up by her family and married to a disabled man who was seriously ill as a wedding bride. On their wedding night, they were so tit for tat that they wanted to kill each other. But unexpectedly, the forced marriage became more and more fragrant. The couple worked together to abuse the scum and sweep the world. "Honey, I want a gift." That night, a man booked the auction house and spent 50 billion to surprise her, which shocked the whole world. "Honey, I like a villa." The next day, a man bought everything within a few thousand miles. "Good girl, it's all yours." "Honey, I want to..." "Let me guess." The man interrupted her and threw her down. "You want a baby."
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