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The Black Creek Stopping-House, and Other Stories by Nellie L. McClung
When John Corbett strolled leisurely into the Salvation Army meeting in old Victoria Hall in Winnipeg that night, so many years ago now, there may have been some who thought he came to disturb the meeting.
There did not seem to be any atmospheric reason why Mr. Corbett or anyone else should be abroad, for it was a drizzling cold November night, and the streets were muddy, as only Winnipeg streets in the old days could be-none of your light-minded, fickle-hearted, changeable mud that is mud to-day and dust to-morrow, but the genuine, original, brush-defying, soap-and-water-proof, north star, burr mud, blacker than lampblack, stickier than glue!
Mr. Corbett did not come to disturb the meeting. His reason for attending lay in a perfectly legitimate desire to see for himself what it was all about, he being happily possessed of an open mind.
Mr. Corbett would do anything once, and if he liked it he would do it again. In the case of the Salvation Army meeting, he liked it. He liked the music, and the good fellowship, and the swing and the zip of it all. More still, he liked the blue-eyed Irish girl who sold War Crys at the door. When he went in he bought one; when he came out he bought all she had left.
The next night Mr. Corbett was again at the meeting. On his way in he bought all the War Crys the blue-eyed Irish girl had. Every minute he liked her better, and when the meeting was over and an invitation was given to the anxious ones to "tarry awhile," Mr. Corbett tarried. When the other cases had been dismissed Mr. Corbett had a long talk with the captain in charge.
Mr. Corbett was a gentleman of private means, though he was accustomed to explain his manner of making a livelihood, when questioned by magistrates and other interested persons, by saying he was employed in a livery stable. When further pressed by these insatiably curious people as to what his duties in the livery stable were, he always described his position as that of "chamber maid." Here the magistrates and other questioners thought that Mr. Corbett was disposed to be facetious, but he was perfectly sincere, and he had described his work more accurately than they gave him credit for. It might have been more illuminative if he had said that in the livery stable of Pacer and Kelly he did the "upstairs" work.
It was a small but well appointed room in which Mr. Corbett worked. It had an unobtrusive narrow stairway leading up to it. The only furniture it contained was several chairs and a round table with a well-concealed drawer, which opened with a spring, and held four packs and an assorted variety of chips! Its one window was well provided with a heavy blind. Here Mr. Corbett was able to accommodate any or all who felt that they would like to give Fortune a chance to be kind to them.
The night after Mr. Corbett had attended the Salvation Army meeting, his "upstairs" room was as dark inside as it always appeared to be on the outside. Two anxious ones, whose money was troubling them, had to be turned away disappointed. Mr. Corbett had left word downstairs that he was going out.
After Mr. Corbett had explained the situation to the Salvation Army captain, the captain took a day to consider. Then Mrs. Murphy, mother of Maggie Murphy who sold War Crys, was consulted. Mrs. Murphy had long been a soldier in the Army, and she had seen so many brands plucked from the burning that she was not disposed to discourage Mr. Corbett in his new desire to "do diff'rent."
Soon after this Mr. Corbett, in his own words, "pulled his freight" from the Brunswick Hotel, where he had been a long, steady boarder, and installed himself in the only vacant room in the Murphy house, having read the black and white card in the parlor window, which proclaimed "Furnished Rooms and Table Board," and regarding it as a providential opportunity for him to see Maggie Murphy in action!
Having watched Maggie Murphy wait on table in the daytime and sell War Crys at night for a week or more, Mr. Corbett decided he liked her methods. The way she poised a tray of teacups on her head proclaimed her a true artist.
At the end of two weeks Mr. Corbett stated his case to Mrs. Murphy and
Maggie.
"I've a poor hand," he declared; "but I am willing to play it out if Maggie will sit opposite me and be my partner. I have only one gift- I'm handy with cards and I can deal myself three out of the four aces- but that's not much good to a man who tries to earn an honest living. I am willing to try work-it may be all right for anything I know. If Maggie will take me I'll promise to leave cards alone, and I'll do whatever she thinks I ought to do."
Maggie and her mother took a few days to consider. On one point their minds were very clear. If Maggie "took" him, he could not keep any of the money he had won gambling-he would have to start honest. Mr. Corbett had, fortunately, arrived at the same conclusion himself, so that point was easily disposed of.
"It ain't for us to be hard on anyone that's tryin' to do better," said Maggie's mother, as she rolled out the crust for the dried-apple pies. "He's wasted his substance, and wasted his days, but who knows but the Lord can use him yet to His honor and glory. The Lord ain't like us, havin' to wait until He gets everything to His own likin', but He can go ahead with whatever comes to His hand. He can do His work with poor tools, and it's well for Him He can, and well for us, too."
Maggie Murphy and John Corbett were married.
John Corbett got a job at once as teamster for a transfer company, and Maggie followed her mother's example and put a sign of "Table Board" in the window. They lived in this way for ten years, and in spite of the dismal prognostications of friends, John Corbett worked industriously, and did not show any desire to return to his old ways! When he said he would do what Maggie told him it was not the rash promise of an eager lover, for Mr. Corbett was never rash, and the subsequent years showed that his purpose was honest to fulfil it to the letter.
Maggie, being many years his junior, could not think of addressing him by his first name, and she felt that it was not seemly to use the prefix, so again she followed her mother's example, and addressed him as her mother did Murphy, senior, as "Da."
It was in the early eighties that Maggie and John Corbett decided to come farther west. The cry of free land for the asking was coming to many ears, and at Maggie's table it was daily discussed. They sold out the contents of their house, and, purchasing oxen and a covered wagon, they made the long overland journey. On the bank of Black Creek they pitched their tent, and before a week had gone by Maggie Corbett was giving meals to hungry men, cooking bannocks, frying pork, and making coffee on her little sheet-iron camp-stove, no bigger than a biscuit- box.
The next year, when the railroad came to Brandon, and the wheat was drawn in from as far south as Lloyd's Lake, the Black Creek Stopping- House became a far-famed and popular establishment.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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