The Patient Observer and His Friends by Simeon Strunsky
The Patient Observer and His Friends by Simeon Strunsky
It was Harrington who brought forward the topic that men take up in their most cheerful moments. I mean, of course, the subject of death. Harrington quoted a great scientist as saying that death is the one great fear that, consciously or not, always hovers over us. But the five men who were at table with Harrington that night immediately and sharply disagreed with him.
Harding was the first to protest. He said the belief that all men are afraid of death is just as false as the belief that all women are afraid of mice. It is not the big facts that humanity is afraid of, but the little things. For himself, he could honestly say that he was not afraid of death. He defied it every morning when he ran for his train, although he knew that he thereby weakened his heart. He defied it when he smoked too much and read too late at night, and refused to take exercise or to wear rubbers when it rained. All men, he repeated, are afraid of little things. Personally, what he was most intensely and most enduringly afraid of was a revolving storm-door.
Harding confessed that he approaches a revolving door in a state of absolute terror. To see him falter before the rotating wings, rush forward, halt, and retreat with knees trembling, is to witness a shattering spectacle of complete physical disorganisation. Harding said that he enters a revolving door with no serious hope of coming out alive. By anticipation he feels his face driven through the glass partition in front of him, and the crash of the panel behind him upon his skull. Some day, Harding believed, he would be caught fast in one of those compartments and stick. Axes and crowbars would be requisitioned to retrieve his lifeless form.
Bowman agreed with Harding. His own life, Bowman was inclined to believe, is typical of most civilised men, in that it is passed in constant terror of his inferiors. The people whom he hires to serve him strike fear into Bowman's soul. He is habitually afraid of janitors, train-guards, elevator-boys, barbers, bootblacks, telephone-girls, and saleswomen. But his particular dread is of waiters. There have been times when Bowman thought that to punish poor service and set an example to others, he would omit the customary tip. But such a resolution, embraced with the soup, has never lasted beyond the entrée. And, as a matter of fact, Bowman said, such a resolution always spoils his dinner. As long as he entertains it, he dares not look his man in the eye. He stirs his coffee with shaking fingers. He is cravenly, horribly afraid.
Bowman is afraid even of new waiters and of waiters he never expects to see again. Surely, it must be safe not to tip a waiter one never expected to see again. "But no," said Bowman, "I should feel his contemptuous gaze in the marrow of my backbone as I walked out. I could not keep from shaking, and I should rush from that place in agony, with the man's derisive laughter ringing in my ears."
The only one of the company who was not afraid of something concrete, something tangible, was Williams. Now Williams is notoriously, hopelessly shy; and when he took up the subject where Bowman had left it, he poured out his soul with all the fervour and abandon of which only the shy are capable. Williams was afraid of his own past. It was not a hideously criminal one, for his life had been that of a bookworm and recluse. But out of that past Williams would conjure up the slightest incident-a trifling breach of manners, a mere word out of place, a moment in which he had lost control of his emotions, and the memory of it would put him into a cold sweat of horror and shame.
Years ago, at a small dinner party, Williams had overturned a glass of water on the table-cloth; and whenever he thinks of that glass of water, his heart beats furiously, his palate goes dry, and there is a horribly empty feeling in his stomach. Once, on some similar occasion, Williams fell into animated talk with a beautiful young woman. He spoke so rapidly and so well that the rest of the company dropped their chat and gathered about him. It was five minutes, perhaps, before he was aware of what was going on. That night Williams walked the streets in an agony of remorse. The recollection of the incident comes back to him every now and then, and, whether he is alone at his desk, or in the theatre, or in a Broadway crowd, he groans with pain. Take away such memories of the past, Williams told us, and he knew of nothing in life that he is afraid of.
Gordon's was quite a different case. The group about the table burst out laughing when Gordon assured us that above all things else in this world he is afraid of elephants. He agreed with Bowman that in the latitude of New York City and under the zo?logic conditions prevailing here, it was a preposterous fear to entertain. Gordon lives in Harlem, and he recognises clearly enough that the only elephant-bearing jungle in the neighbourhood is Central Park, whence an animal would be compelled to take a Subway train to One Hundred and Twenty-fifth Street, and lie in wait for him as he came home in the twilight. But irrational or no, there was the fact. To be quashed into pulp under one of those girder-like front legs, Gordon felt must be abominable. To make matters worse, Gordon has a young son who insists on being taken every Sunday morning to see the animals; and of all attractions in the menagerie, the child prefers the elephant house. He loves to feed the biggest of the elephants, and to watch him place pennies in a little wooden box and register the deposits on a bell. What Gordon suffers at such times, he told us, can be neither imagined nor described.
My own story was received with sympathetic attention. I told them that the one great terror of my life is a certain man who owes me a fairly large sum of money, borrowed some years ago. Whenever we meet he insists on recalling the debt and reminding me of how much the favour meant to him at the time, and how he never ceases to think of it. Meeting him has become a torture. I do my best to avoid him, and frequently succeed. But often he will catch sight of me across the street and run over and grasp me by the hand and inquire after my health in so hearty, so honest a fashion that I cannot bear to look him in the face. And as he beams on me and throws his arm over my shoulder, I can only blush and shift from one foot to the other and stammer out some excuse for hurrying away. Passers-by stop and admire the man's affection and concern for one who is evidently some poor devil of a relation from the country. One Sunday he waylaid me on Riverside Drive and introduced me to his wife as one of his dearest friends. I mumbled something about its not having rained the entire week, and his wife, who was a stately person in silks, looked at me out of a cold eye. Then and there I knew she decided that I was a person who had something to conceal and probably took advantage of her husband.
No; the more I think of it, the more convinced am I that very few men pass their time in contemplating death, which is the end of all things. Only those people do it who have nothing else to be afraid of, or who, like undertakers and bacteriologists, make a living out of it.
* * *
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
"I heard you're going to marry Marcelo. Is this perhaps your revenge against me? It's very laughable, Renee. That man can barely function." Her foster family, her cheating ex, everyone thought Renee was going to live in pure hell after getting married to a disabled and cruel man. She didn't know if anything good would ever come out of it after all, she had always thought it would be hard for anyone to love her but this cruel man with dark secrets is never going to grant her a divorce because she makes him forget how to breathe.
For five years, I believed I was living in a perfect marriage, only to discover it was all a sham! I discovered that my husband was coveting my bone marrow for his mistress! Right in front of me, he sent her flirtatious messages. To make matters worse, he even brought her into the company to steal my work! I finally understood, he never loved me. I stopped pretending, collected evidence of his infidelity, and reclaimed the research he had stolen from me. I signed the divorce papers and left without looking back. He thought I was just throwing a tantrum and would eventually return. But when we met again, I was holding the hand of a globally renowned tycoon, draped in a wedding dress and grinning with confidence. My ex-husband's eyes were red with regret. "Come back to me!" But my new groom wrapped his arm around my waist, and chuckled dismissively, "Get the hell out of here! She's mine now."
The silence in St. Patrick's Cathedral wasn't peaceful; it was a physical weight on Stella's shoulders, heavier than her wedding dress. She stood alone at the altar, ready for her perfect life, when her phone vibrated with a text that shattered everything. Her fiancé, Bryce, messaged just moments before the vows: "I can't do this. Monica needs me. I'm sorry." Monica, her maid of honor, was the reason he fled. Bryce's mother then publicly shamed Stella, implying her career ambition drove him away. The betrayal of her sacrifices, her future, and her dignity ignited a white-hot rage. Stella ripped off her veil, grabbed the microphone, and exposed the groom and maid of honor's affair to the stunned guests before storming out. A furious wreck in her ruined gown, she stumbled on the cathedral steps, meeting Julian Sterling, the "Cursed Son" in a wheelchair. He offered no pity, only a detached assessment. In a defiant, adrenaline-fueled moment, Stella crouched and asked, "Are you single?" Julian, needing a strategic alliance against his family, agreed to a cold, transactional marriage of convenience. With the City Clerk's office hours ticking down, Stella tore her dress, determined to forge a new path of vengeance and desperate necessity.
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