Tommy Atkins at War: As Told in His Own Letters by James Alexander Kilpatrick
Tommy Atkins at War: As Told in His Own Letters by James Alexander Kilpatrick
"It is my Royal and Imperial Command that you concentrate your energies, for the immediate present upon one single purpose, and that is that you address all your skill and all the valor of my soldiers to exterminate first the treacherous English and walk over General French's contemptible little army."[A]
While this Imperial Command of the Kaiser was being written, Atkins, innocent of the fate decreed for him, was well on his way to the front, full of exuberant spirits, and singing as he went, "It's a long way to Tipperary." In his pocket was the message from Lord Kitchener which Atkins believes to be the whole duty of a soldier: "Be brave, be kind, courteous (but nothing more than courteous) to women, and look upon looting as a disgraceful act."
Troopship after troopship had crossed the Channel carrying Sir John French's little army to the Continent, while the boasted German fleet, impotent to menace the safety of our transports, lay helpless-bottled up, to quote Mr. Asquith's phrase, "in the inglorious seclusion of their own ports."
Never before had a British Expeditionary Force been organized, equipped and despatched so swiftly for service in the field. The energies of the War Office had long been applied to the creation of a small but highly efficient striking force ready for instant action. And now the time for action had come. The force was ready. From the harbors the troopships steamed away, their decks crowded with cheery soldiers, their flags waving a proud challenge to any disputant of Britain's command of the sea.
The expedition was carried out as if by magic. For a few brief days the nation endured with patience its self-imposed silence. In the newspapers were no brave columns of farewell scenes, no exultant send-off greetings, no stirring pictures of troopships passing out into the night. All was silence, the silence of a nation preparing for the "iron sacrifice," as Kipling calls it, of a devastating war. Then suddenly the silence was broken, and across the Channel was flashed the news that the troops had been safely landed, and were only waiting orders to throw themselves upon the German brigands who had broken the sacred peace of Europe.
And so the scene changes to France and Belgium. Tommy Atkins is on his way to the Front. He has already begun to send home some of those gallant letters that throb throughout the pages of this book. If he felt the absence of the stimulating send-off, necessitated by official caution and the exigencies of a European war, he at least had the new joy of a welcome on foreign soil. It is difficult to find words with the right quality in them to express the feelings aroused in our men by their reception, or the exquisite gratitude felt by the Franco-Belgian people. They welcomed the British troops as their deliverers.
"The first person to meet us in France," writes a British officer, "was the pilot, and the first intimation of his presence was a huge voice in the darkness, which roared out 'A bas Guillaume. Eep, eep, 'ooray!'" As transport after transport sailed into Boulogne, and regiment after regiment landed, the population went into ecstasies of delight. Through the narrow streets of the old town the soldiers marched, singing, whistling, and cheering, with a wave of their caps to the women and a kiss wafted to the children (but not only to the children!) on the route. As they swept along, their happy faces and gallant bearing struck deep into the emotions of the spectators. "What brave fellows, to go into battle laughing!" exclaimed one old woman, whose own sons had been called to the army of the Republic.
It was strange to hear the pipes of the Highlanders skirl shrilly through old Boulogne, and to catch the sound of English voices in the clarion notes of the "Marseillaise," but, strangest of all to French ears, to listen to that new battle-cry, "Are we down-hearted?" followed by the unanswerable "No-o-o!" of every regiment. And then the lilt of that new marching song to which Tommy Atkins has given immortality:-
"IT'S A LONG, LONG WAY TO TIPPERARY"[B]
Up to mighty London came an Irishman one day;
As the streets are paved with gold, sure ev'ry one was gay,
Singing songs of Piccadilly, Strand and Leicester Square,
Till Paddy got excited, then he shouted to them there:
CHORUS
It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
To the sweetest girl I know!
Good-by Piccadilly,
Farewell Leicester Square.
It's a long, long way to Tipperary,
But my heart's right there!
It's a' there!
Paddy wrote a letter to his Irish Molly O',
Saying, "Should you not receive it, write and let me know!
If I make mistakes in spelling, Molly dear," said he,
"Remember it's the pen that's bad, don't lay the blame on me."
(Chorus)
Molly wrote a neat reply to Irish Paddy O',
Saying, "Mike Maloney wants to marry me, and so
Leave the Strand and Piccadilly, or you'll be to blame,
For love has fairly drove me silly-hoping you're the same!"
(Chorus)
It may seem odd that the soldier should care so little for martial songs, or the songs that are ostensibly written for him; but that is not the fault of Tommy Atkins. Lyric poets don't give him what he calls "the stuff." He doesn't get it even from Kipling; Thomas Hardy's "Song of the Soldiers" leaves him cold. He wants no epic stanzas, no heroic periods. What he asks for is something simple and romantic, something about a girl, and home, and the lights of London-that goes with a swing in the march and awakens tender memories when the lilt of it is wafted at night along the trenches.
And so "Tipperary" has gone with the troops into the great European battlefields, and has echoed along the white roads and over the green fields of France and Belgium.
On the way to the front the progress of our soldiers was made one long fête: it was "roses, roses, all the way." In a letter published in The Times, an artillery officer thus describes it:
"As to the reception we have met with moving across country it has been simply wonderful and most affecting. We travel entirely by motor transport, and it has been flowers all the way. One long procession of acclamation. By the wayside and through the villages, men, women, and children cheer us on with the greatest enthusiasm, and every one wants to give us something. They strip the flower gardens, and the cars look like carnival carriages. They pelt us with fruit, cigarettes, chocolate, bread-anything and everything. It is simply impossible to convey an impression of it all. Yesterday my own car had to stop in a town for petrol. In a moment there must have been a couple of hundred people round clamoring; autograph albums were thrust in front of me; a perfect delirium. In another town I had to stop for an hour, and took the opportunity to do some shopping. I wanted some motor goggles, an eye-bath, some boracic, provisions, etc. They would not let me pay for a single thing-and there was lunch and drinks as well. The further we go the more enthusiastic is the greeting. What it will be like at the end of the war one cannot attempt to guess."
Similar tributes to the kindness of the French and Belgians are given by the men. A private in the Yorkshire Light Infantry-the first British regiment to go into action in this war-tells of the joy of the French people. "You ought to have seen them," he writes. "They were overcome with delight, and didn't half cheer us! The worst of it was we could not understand their talking. When we crossed the Franco-Belgian frontier, there was a vast crowd of Belgians waiting for us. Our first greeting was the big Union Jack, and on the other side was a huge canvas with the words 'Welcome to our British Comrades.' The Belgians would have given us anything; they even tore the sheets off their beds for us to wipe our faces with." Another Tommy tells of the eager crowds turning out to give our troops "cigars, cigarettes, sweets, fruits, wines, anything we want," and the girls "linking their arms in ours, and stripping us of our badges and buttons as souvenirs."
Then there is the other side of the picture, when the first battles had been fought and the strategic retreat had begun. No praise could be too high for the chivalry and humanity of our soldiers in these dark days. They were almost worshiped by the people wherever they went.
Some of the earliest letters from the soldiers present distressing pictures of the poor, driven refugees, fleeing from their homes at the approach of the Germans, who carry ruin and desolation wherever they go. "It is pitiful, pitiful," says one writer; "you simply can't hold back your tears." Others disclose our sympathetic soldier-men sharing their rations with the starving fugitives and carrying the children on their shoulders so that the weary mothers may not fall by the way. "Be invariably courteous, considerate, and kind" were Lord Kitchener's words to the Army, and these qualities no less than valor will always be linked with Tommy Atkins' name in the memories of the French and Belgian people.
They will never forget the happy spick-and-span soldiers who sang as they stepped ashore from the troopships at Boulogne and Havre, eager to reach the fighting line. These men have fought valiantly, desperately, since then, but their spirits are as high as ever, and their songs still ring down the depleted ranks as the war-stained regiments swing along from battle to battle on the dusty road to Victory.
* * *
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Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.
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