A Modern Cinderella by Amanda M. Douglas
A Modern Cinderella by Amanda M. Douglas
"You may stay down here until nine o'clock if you like," said Bridget. "It's awful cold upstairs. Be sure to wrap yourself good in the old blanket. And put a little coal on the range. If you let my fire go out, I'll skin you alive."
When Marilla first heard that threat she shuddered all over. If you scratched a little bit of skin off it hurt dreadfully. But Bridget never did it. Sometimes she hit her a slap on the shoulder. She couldn't even bear to skin a rabbit. "What do you mean by it?" Marilla gained courage to ask once, when she came to feel at home.
"Oh, I don't know. My mother used to say it. Sometimes she took a strap to us, but she wasn't ever real hard." 2
Marilla knew about the strap in Bethany Home though she didn't often get it.
"I'll remember about the fire."
"Good night!" Bridget was off.
She always took two or three evenings out in the week and had Sunday afternoon instead of Thursday because they had late dinners during the week. She was very excellent help, so Mrs. Borden let her have her own way.
It was nice and warm in the kitchen; clean, too. Bridget couldn't abide a dirty kitchen. Marilla had wiped the dishes, scoured out the sink and set the chairs straight around. It was a basement kitchen with a dining room above. The front was the furnace cellar, the middle for vegetables and what Bridget called truck.
Marilla sat in the little old rocking chair and put her feet on the oven hearth. It was very nice to rock to and fro and no babies to tend nor Jack to bother with. She sang a few hymns she knew, she said over several, little poems she had learned and spelled a few words. Bridget had turned the gas low, and she couldn't reach it without getting on 3 a chair or she could have read. So she told herself a story that she had read.
It was very comfortable. She was getting a bit sleepy. Suppose she took a teeny nap as she did sometimes when she was waiting for Bridget. So she shook up the old cushion, brought up the stool, sat on that and laid her head in the chair. And now she wasn't a bit sleepy. She thought of the stove and put on some coal, lest she might fall asleep.
She hoped it would be warmer tomorrow when she took out the twins. Then she would venture to stop at the book store window and look at the pictures on the magazine covers. There was a baby that looked so like the twins it made her laugh. She didn't think the twins pretty at all. They had round chubby faces and almost round eyes, and mouths that looked as if they were just ready to whistle, and brown fuzzy hair without a bit of curl in it. But they were good, "as good as kittens," their mother said. She did so wish she had a kitten. She had brought such a pretty one from the store one day, a real maltese with black whiskers, but Bridget 4 said she couldn't have a cat forever round under her feet and made her take it back.
Jack was past five and very pretty, but bad as he could be. Bridget said he was a "holy terror," but she thought holiness was goodness and didn't see the connection. He was a terror, that any one could see.
There was a queer shady look in the corners. She wasn't a bit afraid. The children at Bethany Home weren't allowed to be. She liked this a great deal better. She wasn't compelled to eat her whole breakfast off of oatmeal, and always had such lovely desserts for dinner. And sometimes Mrs. Borden gave her and Jack a banana or a bit of candy. Oh, yes, she would much rather live here even if Jack was bad and pinched her occasionally though his mother slapped him for it, or pinched him back real hard.
What made this lovely, rosy, golden light in the room? It was like a soft sunset. She had been saying over a lot of Mother Goose rhymes; of course she was too old for such nonsense and Jack didn't like them. And in "One, two, buckle my shoe," she wondered which she liked best: "Nineteen, twenty, 5 my stomach's empty," or "nineteen, twenty, I've got a plenty." That was Bethany Home where you only had so much for supper and one little cracker. And here there was plenty. It made her laugh.
And then suddenly there was a pretty little woman in the room dressed in something soft and shining and in her hand she held a stick with a bunch of gay bows at the end. She was so sweet and smiling that Marilla couldn't feel afraid.
"You don't know me, Cinderella?" she began, looking at the child.
"Oh, that isn't my name."
"You don't sit in the ashes any more but I dare say you brush up and carry them out in the morning. But I don't find Cinderellas often at this time of night."
"I wish I was Cinderella. I have a little foot though, only it don't look so in these big brogans. I put some soles inside of them, bits of velvet carpet and they keep my feet nice and warm. I do think if the glass slipper wasn't too teeny weeny I could wear it."
"You're a cute one. About the soles, now. Most children haven't any useful ideas," and 6 she laughed. "I knew who you were; now can you guess who I am?"
"Why if I was Cinderella you'd be a fairy godmother. But there ain't any such things; nor Santa Claus. I like the stories about 'em and I'm awful sorry. I'm only Mrs. Borden's bound-out girl, but I like it here."
"You think so?" She gave the most curious, delightful laugh. "You are Cinderella and I am the fairy godmother."
Marilla sprang up and studied her. She was so pretty and her gown looked as if it was sprinkled with diamond dust. She had never seen any one like her, but at twelve her range of observation had been rather limited.
"Well, what do you think of me?"
Marilla stood wide eyed and speechless.
"Why-you are very beautiful. Oh, I wish you were a fairy godmother! I'd like to go to fairy land. I don't think any one would mind much, but I do believe the twins would care. Bridget says there isn't any such thing and then she tells about a little girl who was toted away and had to stay seven years."
"You couldn't stay that long, and times 7 have changed, and you have no envious sisters. You're a rather lonely little body with no father or mother."
"Oh, how did you know that?"
She laughed, the softest, merriest laugh.
Marilla looked and looked, the little body was so sweet and mysterious.
"Oh, fairy godmothers know a great many things. They keep watch over the Cinderellas and then when they find one to their liking they appear to her, and then strange things happen."
"Yes they are strange," said the little girl.
"Would you like to go to the ball?"
"Oh! Why I'm afraid I wouldn't know what to do," hesitatingly, "I've never seen a ball."
"You can dance. I saw you dancing with an organ grinder."
"Oh, yes, I can dance that way, but––"
"Would you like to go?"
"Oh, wouldn't I!" Marilla's eyes shone with delight. "If you were a fairy godmother you could put me in some clothes." 8
Marilla didn't believe in it at all, but it was very funny.
"Then just step out here."
She did with the strangest sort of feeling. The fairy touched her with the wand. Her clothes fell in a heap. The big shoes dropped off. There was a shimmery pink silk frock with lace and ribbons and the daintiest pink kid slippers with diamond buckles and pink silk stockings with lovely clocks. She went dancing around the kitchen light as a feather, her eyes shining, her cheeks like roses, her lips full of smiles. She was fairly bewitched.
"You'll do," exclaimed godmother, and she threw a beautiful white cloak about her.
"But we haven't a pumpkin in the house and Bridget catches all the mice and burns them up. So you can't make a carriage––"
"There's one at the door." The hall seemed all alight and they went out. Yes, there was a coach with lamps on both sides, two horses and a driver, besides a footman who helped them in with a fine air, and drove off as gay as if it was Christmas night, though it were really March.
The streets were alight, the windows shining 9 in splendor. Marilla had never seen anything like it. Presently they stopped at what seemed to the little girl a great palace with broad white marble steps and tall carved columns lighted by myriads of colored lights and the vestibule was hung with vines. There were statues standing round that looked like real people only they were so white from top to toe. Then they went up another beautiful stairway that led to a gallery where there were numbers of inviting little rooms, and throngs of elegantly dressed people, not any larger than boys and girls. A maid took off their wraps, and brushed Marilla's hair and it fell in golden rings all over her head.
"What beautiful hair," she exclaimed, "just like threads of silk. You must let it grow long. And such lovely eyes; but she's thin."
"Yes, rather," said godmother, "But she has dancing feet. She's a real Cinderella."
"There's so many of them and only one Prince. What a pity!"
"But each has her turn, and they are very happy."
Then Marilla glanced around the gallery. That was well lighted and had a cushioned 10 seat against the wall. Groups were sitting together or rambling about. And a great circular room, down stairs lighted by a magnificent chandelier whose prisms seemed in constant motion and rayed off every imaginable color with a faint musical sound.
"Oh! oh! oh!" and her eyes were full of tears though her lips smiled.
"Now we will go down," said godmother.
That was by another way. But this place was a perfect land of delight. She had never read of anything like it, but the Arabian Nights had not come in her way. Some were dancing about informally, some talking and laughing. There were the most elegantly attired boys in silks and velvets made in all pretty fashions. Silk stockings and light colored pumps, jackets trimmed with frills of lace, some with satin trousers wide enough for petticoats at the bottom and blue velvet sailor collars. There was no end of fancy attire.
"This is to be your knight, Sir Aldred. And this is the new Cinderella. Take good care of her until the Prince comes."
He bowed with most enchanting grace. 11
"There are so many of them!" he said, as he took her hand, "But she is the prettiest of them all."
The knight gave her hand a little squeeze and she turned rosy red.
"Come this way," and he led her along. It was odd to be introduced as Cinderella, but everybody was so sweet and cordial that she kept smiling and bowing.
Presently a cluster of bells sounded and everybody fell into line along the outer edge of the beautiful building. It was a grand march and the tapping of the feet seemed like an encore to the music. Then the first couple stepped out on the floor. Everybody dances in fairy land that is presided over by godmothers. Oh, it was just enchanting!
"Are you tired?" Sir Aldred asked presently.
"Oh, no, I never imagined anything so utterly delightful. And the splendid dressing. Are there many Cinderellas here?" a little timidly.
"Oh, yes. They love to come, but the new one always dances with the Prince. He will come in presently for you." 12
"Oh, I shall feel afraid." She really felt tears rushing to her eyes.
"No, you will not, for he is truly most delightful, a regular Prince Charming. You see, it is different in fairy land. You forget for awhile who you have been. That's the charm of it. And you're such a lovely dancer."
"And-and-is there any glass slipper?"
She seemed to remember something about that.
"That's in the story. The Prince isn't looking for a wife now. And you couldn't dance in a stiff glass slipper. It might shiver to pieces. What pretty little feet you have! And such a lovely curly head."
It seemed quite delightful to be praised and she was glad she pleased him.
Then there was a curious quivering about the place as if every one was drawing a long breath, and the lights were mysterious, while all the little bells twinkled. And there stood the Prince.
He was taller than any of the others and very handsome. As for his attire, I couldn't begin to describe it, it was so resplendent with silk and velvet and jewels. 13
Sir Aldred led the little lady up to him and said: "This is Cinderella."
The Prince bowed and pressed a kiss upon her hand and she was glad it was lily white and not rough and red.
"I am very glad you are here Cinderella, I hope you will have a happy time. You look so."
"Oh I know I shall." She blushed and cast her eyes down in such a sweet fashion that he really longed to kiss the lids.
Then the music commenced and they stepped out as if they had danced together all their lives. The others formed a circle and went round them, bowing as they passed. There were such fascinating figures, changing frequently, each one prettier than the last. She wondered how they could remember; how she could do it. They all looked so lovely. It certainly was fairy land.
Now and then the Prince bent over and said something charming to her as if she had been a fine lady and the odd thing was that she could answer him readily. The music began to go slower and died in softest melody. Then he turned and said- 14
"Now we will go out and have some refreshments. You must be tired after all this dancing, but you don't look it at all."
"Oh, I feel as if I could dance all night. I believe I am bewitched."
He gave her the sweetest smile that any Cinderella ever had.
"I am very glad. Sometimes they think of the ashes and cinders and wonder whether the pleasure will last. Then the lightness goes out of their feet and the smiles from their rosy lips. The thing is to enjoy it while you are here. You are a very delightful Cinderella; I must ask godmother to keep a watch over you. I hope to meet you again."
The banquet room was beautiful as well; there was a great oval table with a chandelier shedding a thousand lights from the gorgeous prisms. Underneath was a tiny lake full of blooming water lilies. There were mounds of fruit and flowers, nuts from all over the world, piles of cake, candied fruit, ices made in all kinds of shape. The most beautiful plates and dishes, glass and crystal and servants piling up dainties and pouring out fragrant drinks. 15
At the head sat the Prince and Cinderella. He rose and drank to her health and good fortune with the most exquisite verse and Sir Aldred returned with a charming reply. Certainly there were no envious or jealous sisters. Every one was so merry and talked with his or her neighbor, and every girl had a knight who was devoted to her. Were they all Cinderellas, and had the Prince been as delightful to them? Every face beamed with wondrous satisfaction.
"But I don't understand it at all," and she glanced up wonderingly.
"Oh, you don't have to in fairy land. You just take all the pleasure that comes. You are not thinking of all the tomorrows. There will be something nice and pleasant if you look for it in the right place. For little Cinderella, we must not be looking for tomorrow's joy. You cannot find them tonight. There are flowers that fold their leaves but will open again tomorrow. You would be short sighted to sit down and cry tonight about it."
Marilla was a good deal puzzled.
"You must be a happy little Cinderella when you have been to fairy land. You must 16 not lose faith in fairy godmothers. They come at unexpected times and in different guise. And that is what keeps the world bright and the heart young, and sometime the real Prince comes."
Her heart beat with a mysterious joy. She was full of gladness.
Then they walked around and all the other Cinderellas seemed so happy when he smiled and spoke to them. The beautiful music went on. Here and there groups were dancing again.
And then it seemed as if a giant caught her and almost shook her to pieces, and the beautiful lights wavered and vanished. She was brought upon her feet with a force that would have shivered any glass slipper.
"You little huzzy! What are you doing up this time of night, instead of asleep in bed? Rouse up! rouse up! Lucky you didn't let my fire go out this cold night! Come, hustle!"
There seemed a sort of crash. Marilla glanced around with half-opened eyes. Yes, this was the old kitchen. There was Bridget with the lighted end of a candle in the tin candlestick. 17
"Come! get along, sleepy head." She gave her a push up the stairs and through the halls, half scolding her but not cross. "It's a wonder the gobble sirs didn't come after you. If you'd been carried off now! It's awful cold. I'd sleep in my stockings and they'll be good and warm in the morning."
Marilla hustled off her clothes, wrapped herself in an old blanket and tumbled into bed in a little heap. But there was some mysterious music floating through her brain and a fragrance in the air. The Prince smiled down into her eyes, and the fairy godmother she should always believe in. For she had been to real fairy land; that was the truth.
* * *
Orphaned and abandoned, young Renee de Longueville has been passed between relatives and family friends. Traveling from France to the new world, she meets her grouchy grandfather, who gives her a less than pleasant welcome. But even though it grew out of tragic circumstances, Renee cherishes her trip to the American city of St. Louis and drinks in the bustling burg's many charms.
After falling victim to a series of tragedies at a tender age, a little French-English girl named Doris makes her way to America to settle in with a new adoptive family. It's quite an adjustment, but Doris is fascinated by the sights and sounds of Boston, one of the oldest cities in the American colonies. Younger readers will relish this unique glimpse into early American history.
Amanda Minnie Douglas was an American writer of adult and juvenile fiction. She was probably best remembered by young readers of her day for the Little Girl and Helen Grant series published over the decades flanking the turn of the twentieth century.
Amanda Minnie Douglas was an American writer of adult and juvenile fiction. She was probably best remembered by young readers of her day for the Little Girl and Helen Grant series published over the decades flanking the turn of the twentieth century.
Amanda Minnie Douglas was an American writer of adult and juvenile fiction. She was probably best remembered by young readers of her day for the Little Girl and Helen Grant series published over the decades flanking the turn of the twentieth century.
I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."
Vivian clutched her Hermès bag, her doctor's words echoing: "Extremely high-risk pregnancy." She hoped the baby would save her cold marriage, but Julian wasn't in London as his schedule claimed. Instead, a paparazzi photo revealed his early return-with a blonde woman, not his wife, at the private airport exit. The next morning, Julian served divorce papers, callously ending their "duty" marriage for his ex, Serena. A horrifying contract clause gave him the right to terminate her pregnancy or seize their child. Humiliated, demoted, and forced to fake an ulcer, Vivian watched him parade his affair, openly discarding her while celebrating Serena. This was a calculated erasure, not heartbreak. He cared only for his image, confirming he would "handle" the baby himself. A primal rage ignited her. "Just us," she whispered to her stomach, vowing to sign the divorce on her terms, keep her secret safe, and walk away from Sterling Corp for good, ready to protect her child alone.
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My wealthy husband, Nathaniel, stormed in, demanding a divorce to be with his "dying" first love, Julia. He expected tears, pleas, even hysteria. Instead, I calmly reached for a pen, ready to sign away our life for a fortune. For two years, I played the devoted wife in our sterile penthouse. That night, Nathaniel shattered the facade, tossing divorce papers. "Julia's back," he stated, "she needs me." He expected me to crumble. But my calm "Okay" shocked him. I coolly demanded his penthouse, shares, and a doubled stipend, letting him believe I was a greedy gold digger. He watched, disgusted, convinced I was a monster. He couldn't fathom my indifference or ruthless demands. He saw avarice, not a carefully constructed facade. His betrayal had awakened something far more dangerous. The second the door closed, the dutiful wife vanished. I retrieved a burner phone and a Glock, ready to expose the elaborate lie he and Julia had built.
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
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