A Philadelphia Lawyer in the London Courts by Thomas Leaming
A Philadelphia Lawyer in the London Courts by Thomas Leaming
THE LAW COURTS BUILDING ON THE STRAND-A COURT ROOM-PARTICIPANTS IN A TRIAL-WIGS AND GOWNS-COLLOQUIAL METHODS-AGREEABLE VOICES-SIMILARITY TO AMERICAN TRIALS.
Leaving the busy Strand at Temple Bar and entering the Law Courts Building, one plunges into that teeming hive where the disputes of millions of British subjects are settled by law. Here the whole kingdom begins and ends its legal battles-except the cases on circuit, those minor matters which go to the County Courts, and the very few which reach the House of Lords.
The visitor, strolling through the lofty Gothic hall and ascending one of the stair-cases to the second floor, finds himself in a long, vaulted corridor, sombre and quiet, which runs around the building. There are no idle crowds and there is no smoking, but, curiously enough, frequent refreshment bars occupy corners, where drink as well as food is dispensed by vivacious bar-maids.[A] Here and there, a uniformed officer guards a curtained door through which may be had a glimpse of a court room; but no sound escapes, because of a second door of glass, also draped with curtains. Groups of litigants and witnesses await their turns or emerge with flushed faces and discuss their recent experiences before returning to the roar of London. Barristers pace up and down in wig and gown, or retire to a window-seat for conference with their respective solicitors.
A mere sight-seer, having thus visited the courts, passes on his way, but as the administration of law, from the Lord Chancellor to the "bobby," is the thing best done in England and commands the admiration and imitation of the world, the courts deserve more than a casual visit.
Passing the officer and the double-curtained doors, one enters the court-room, which is usually small and lofty, with gray stone walls panelled in oak, subdued in color and well lighted from above. The admirable arrangement of seats sloping steeply upward on all sides, instead of resting upon a level floor, brings the heads of speakers and auditors near together; and the bright colors of the judges' robes-scarlet with a blue sash over the shoulder in the case of the Lord Chief Justice, and blue with a scarlet sash in the case of most of the others, together with various modifications of broad yellow cuffs-first strike the eye.
The judge's bewigged head, as he sits behind his desk, is about twelve feet above the floor. On his left, at the same level, stands the witness, who has reached the box by a small stairway. At the judge's right are the jury, seated in a box of either two rows of six or three rows of four, the back row being nearly on a level with the judge. In front of the judge, but so much lower as to oblige him to stand on his chair when whispering to his lordship, sits his "associate," a barrister in wig and gown, whom we should designate as the clerk of the court.
Facing the associate is the "solicitors' well," at the floor level, where, on the front row of benches, sit the solicitors in ordinary street dress. Then come the barristers-all in wig and gown-seated on wooden benches, each row with a narrow desk which forms the back of the seat in front. The desks are supplied with ink wells, and with the inevitable quill pen. The barristers keep their places until their cases are reached and then try them from the same seats, so that there is always a considerable professional audience. For the public there is little accommodation-usually only a few benches back of the barristers and a meagre gallery above.
The solicitor, whose client may be the plaintiff or the defendant, has prepared the case and knows its ins and outs as well as the personal peculiarities of the parties and witnesses who will be called, but he is unable to take any part in the trial and can only whisper an occasional suggestion to the barristers he has retained, by craning his neck backward to the leader behind him. This leader is a newcomer into the case. He is a K. C. (King's Counsel) who has been "retained" by the solicitor upon payment of a guinea followed by a large "agreed fee," and he leaves the "opening of the pleadings" to the junior immediately back of him, while the latter, in turn, has handed over the preparation to his "devil" who is seated behind him.
Thus, the four men engaged on a side, instead of being grouped around a counsel table, as in America, are seated one in front of the other at different levels, rendering a general consultation difficult when questions suddenly arise. The two men on each side of the case who know most about it have no voice in court, for the devil is necessarily as mum as the solicitor, and the name of the former does not even appear in the subsequent report of the trial. How this comes about requires some acquaintance with the different fields of activity of barristers and solicitors, which will be referred to later.
In thus glancing at an English court, an American's attention is sure to be arrested by the wig. The barrister's wig, for his ordinary practice in the High Court, has a mass of white hair standing straight up from the forehead, as a German brushes his; above the ears are three horizontal, stiff curls, and, back of the ears, four more, while behind there are five, finished by the queue which is divided into tails, reaching below the collar of the gown. There are bright, shiny, well-curled wigs; wigs old, musty, tangled and out of curl; some are worn jauntily, producing a smart and sporty effect, others look like extinguishers. So grotesque is the effect that it is difficult to realize that these men are not mummers in some pageant of modern London, but that they are serious participants in grave proceedings.
Not only the eye, but the ear will convey novel and favorable impressions to the observer. He will be struck by the cheerful alacrity and promptness of the witnesses, by the quickness and fulness of their responses, by a certain atmosphere of complete understanding between court, counsel, witnesses and jury, and more than all, by the marked courtesy, combined with an absence of all restraint, and a perfectly colloquial and good-humored interchange of thought. It is hard to define this, but it certainly differs from the air of an American tribunal where the participants seem almost sulky by comparison. The Englishman in his court is evidently in his native element and appears at his best.
The voices, too, are most agreeable, although many barristers acquire the high-pitched, thin tone usually associated with literary and ecclesiastical surroundings. Besides superior modulation, the chief merit is in the admirable distribution of emphasis. In this respect both the dialogue and monologue in an English court room are far less monotonous than in an American.
Passing the superficial impression and coming to the underlying substance, there is extraordinarily little difference between law courts on both sides of the Atlantic. Not only is the common law the same, and the legislation of the two countries largely parallel, but the method of law-thought-the manner of approaching the consideration of questions-is precisely identical, so that, upon the whole, the diversity is no greater than that which may exist between any two of the forty-six states. Indeed, so complete is the similarity that an American lawyer feels that he might step into the barristers' benches and conduct a current case without causing the slightest hitch in the proceedings, provided he could manage the wig and that the difference of accent-not very marked in men of the profession-should not attract too much attention.
That the law emanating from the little Island, which could be tucked away in a corner of some of our States, should have spread over the vast territory of America and control such an enormous population with its many foreign strains, and that, as the decades roll on, it should thrive, improve, and successfully grapple with problems never dreamed of in its origin, indicates its surprising vitality and stimulates interest in the methods now in vogue in its native land.
FOOTNOTE:
[A] Very recently these bars have been moved to restaurants on the lower floor.
* * *
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
From childhood, Stephanie knew she was not her parents' real daughter, but out of gratitude, she turned their business into a powerhouse. Once the true daughter came back, Stephanie was cast out-only to be embraced by an even more powerful birth family, adored by three influential brothers. The second ruled the battlefield. "Stephanie's sweet and innocent; she would never commit such crimes. That name on the wanted list is just a coincidence." And the youngest controlled the markets. "Anyone who dares bully my sister will lose my investment." Her former family begged for forgiveness-even on TV. Stephanie stood firm. When the richest man proposed, she became the woman everyone envied. The eldest ran the boardroom. "Cancel the meeting. I need to set up the art exhibition for my sister!" The town was turned upside down.
I was four months pregnant, weighing over two hundred pounds, and my heart was failing from experimental treatments forced on me as a child. My doctor looked at me with clinical detachment and told me I was in a death sentence: if I kept the baby, I would die, and if I tried to remove it, I would die. Desperate for a lifeline, I called my father, Francis Acosta, to tell him I was sick and pregnant. I expected a father's love, but all I got was a cold, sharp blade of a voice. "Then do it quietly," he said. "Don't embarrass Candi. Her debutante ball is coming up." He didn't just reject me; he erased me. My trust fund was frozen, and I was told I was no longer an Acosta. My fiancé, Auston, had already discarded me, calling me a "bloated whale" while he looked for a thinner, wealthier replacement. I left New York on a Greyhound bus, weeping into a bag of chips, a broken woman the world considered a mistake. I couldn't understand how my own father could tell me to die "quietly" just to save face for a party. I didn't know why I had been a lab rat for my family’s pharmaceutical ambitions, or how they could sleep at night while I was left to rot in the gray drizzle of the city. Five years later, the doors of JFK International Airport slid open. I stepped onto the marble floor in red-soled stilettos, my body lean, lethal, and carved from years of blood and sweat. I wasn't the "whale" anymore; I was a ghost coming back to haunt them. With my daughter by my side and a medical reputation that terrified the global elite, I was ready to dismantle the Acosta empire piece by piece. "Tell Francis to wash his neck," I whispered to the skyline. "I'm home."
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
The heavy thud of the release stamp was the only goodbye I got from the warden after five years in federal prison. I stepped out into the blinding sun, expecting the same flash of paparazzi bulbs that had seen me dragged away in handcuffs, but there was only a single black limousine idling on the shoulder of the road. Inside sat my mother and sister, clutching champagne and looking at my frayed coat with pure disgust. They didn't offer a welcome home; instead, they tossed a thick legal document onto the table and told me I was dead to the city. "Gavin and I are getting engaged," my sister Mia sneered, flicking a credit card at me like I was a stray dog. "He doesn't need a convict ex-fiancée hanging around." Even after I saved their lives from an armed kidnapping attempt by ramming the attackers off the road, they rewarded me by leaving me stranded in the dirt. When I finally ran into Gavin, the man who had framed me, he pinned me against a wall and threatened to send me back to a cell if I ever dared to show my face at their wedding. They had stolen my biotech research, ruined my name, and let me rot for half a decade while they lived off my brilliance. They thought they had broken me, leaving me with nothing but an expired chapstick and a few old photos in a plastic bag. What they didn't know was that I had spent those five years becoming "Dr. X," a shadow consultant with five hundred million dollars in crypto and a secret that would bring the city to its knees. I wasn't just a victim anymore; I was a weapon, and I was pregnant with the heir they thought they had erased. I walked into the Melton estate and made an offer to the most powerful man in New York. "I'll save your grandfather's life," I told Horatio Melton, staring him down. "But the price is your last name. I'm taking back what's mine, and I'm starting with the man who thinks he's marrying my sister."
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
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