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"Mrs. Jackson!"
Mrs. Jackson was feeding her ducks at the beck behind the house. But the kitchen door stood open, and she not only heard her name, but recognised the voice which shouted it.
"It's Mr. Gordon," she said to the servant who was with her, and she bustled through the kitchen into the parlour, drying her hands with her apron as she went.
David Gordon stood by the window, looking dreamily out across the fields. He turned as she entered the room, and shook hands with her.
"I have given you a surprise," he laughed.
"You have, indeed, Mr. Gordon. I never expected to see you again at Wastdale Head. You should have written you were coming."
And she proceeded to light the fire.
"I didn't know myself that I was coming until yesterday."
"It is three years since you were here."
"Three years," Gordon repeated slowly. "Yes! I did not realise it until I caught sight of the farm-house again."
"You will be wanting breakfast?"
"The sooner, the better. I have walked from Boot."
"Already?"
"It didn't seem really far;" and a smile broke over his face as he added--
"I heard my marriage bells ringing all the way across Burnmoor."
Mrs. Jackson retired to the kitchen to prepare breakfast and to ponder over his remark. The result of her reflections was shown in the unusual strength of the tea and in an extra thickness of butter on the toast. She decked the table with an assortment of jams, and carefully closed the door which opened into the lane, although the April sunlight was pouring through it in a warm flood. It seemed as if Gordon had gained an additional value and herself an additional responsibility. She even took a cushion from the sofa and placed it on his chair, and then waited on him while he breakfasted, nodding and smiling a discreet but inquisitive sympathy.
On Gordon, however, her pantomime was lost. His thoughts no longer chimed to marriage bells. For Wastdale, and this farmhouse in particular, were associated in his mind with the recollection of two friends, of whom one was dead in reality, the other dead to him; and always vividly responsive to the impression of the moment, he had stepped back across the interval of the past three years, and now dwelled with a strange sense of loneliness amidst a throng of quickening memories.
The woman, however, got the upper hand in Mrs. Jackson, and she suggested, tentatively--
"Then maybe, Mr. Gordon, you are going to be married?"
"You can omit the 'maybe,'" he laughed.
"Well, I should never have thought it!" she exclaimed.
"Time brings in his revenges," said he.
"The way you three gentlemen used to rail at women! Well, there!"
"But, then, they weren't women. They were Aunt Sallies of our own contriving--mere pasteboard. We were young and we didn't know."
Mrs. Jackson inquired the date and place of the ceremony. At Keswick, she was told, and in a week's time. She floated out garrulous on a tide of sentiment. She hoped that Mr. Gordon's two friends would follow his example and find out their mistake, not noticing the shadow which her words brought to her lodger's face. She dropped the name of Hawke and the shadow deepened.
"I rather fancy," he said abruptly, "that Mr. Hawke found out the mistake at exactly the same time as I did myself."
Mrs. Jackson was a quick woman, and she took his meaning from the inflection of his voice.
"He was your rival!"
"I have not seen much of him lately."
She thought for a moment and said, "Then it's just as well he's staying at the Inn."
Gordon sprang to his feet.
"At the Inn?" he exclaimed.
"Yes," she answered. "He still comes to climb at Wastdale every Easter. But he has always stayed at the Inn, since you and Mr. Arkwright have stopped away."
Gordon stood drumming with his fingers on the table-cloth. A sudden impulse of a sentimental kind had persuaded him to spend his last week of bachelorhood alone in the familiar privacy of this spot, and he had obeyed it on the instant, thoughtlessly it now appeared to him. He might have foreseen the likelihood of Hawke's presence. After all, however, it could not matter. It would be, perhaps, a little awkward if they met, though, indeed, it need not be even that. Their actual rivalry had ended with the announcement of his engagement two years ago. Hawke could gain no end by sustaining the feud. There was, in truth, no reason why they should not shake hands over the matter. So he argued to himself, desire pointing the argument and stifling certain uneasy reflections as to the tenacity of Hawke's nature.
He sat down to resume his breakfast. The third member of the trio which for years had made the farmhouse the resort during Easter vacations claimed Mrs. Jackson's attention.
"And Mr. Arkwright?" she asked.
"He's dead," Gordon replied after a pause. "He died last year in Switzerland. It was an accident. I was with him at the time."
He spoke with spasmodic jerks and ended with something like a sigh of relief. But if Mrs. Jackson loved marriages, she hankered after violent deaths, and so, while she expressed unbounded pity, she insisted upon details. Gordon submitted reluctantly.
"It happened in the Oberland," he said, and Mrs. Jackson took a chair. "We were coming down a mountain towards the evening--Arkwright, myself, and a guide. We chanced to be late. The descent was new to us, and knowing that we should not get off the snow before dark we looked out for a spot to camp on. We came to a little plateau of rock just as the night was falling, and determined to remain there. The guide had a bottle of wine left out of our provisions. We had kept it back purposely."
Gordon paused for a moment and then went on again with a certain deliberateness of speech as though the episode fascinated him in the telling of it.
"Arkwright volunteered to draw the cork. The neck of the bottle burst and cut into his arm. It severed the main artery just above the wrist. I sent the guide down to the valley, but, of course, no help came until the morning. He was dead then."
"And you stayed with him all the time?"
"Yes!" said Gordon, and he rose from the table.
Mrs. Jackson, however, failed to take the hint. She wanted a description of his feelings during that night of watching, and she persisted until she had obtained it.
"I wonder you can bear to speak about it at all!" she said almost reproachfully when he had finished.
Left to himself, Gordon became the prey of a singular depression. The sensation of horror which the recital of the incident revived in him was intensified, not merely by its sombre contrast with the former liveliness of his thoughts, but by the actual surroundings amongst which he stood. The room itself was so suggestive of reminiscences that it seemed instinct with the presence of his dead friend. For the fact that he had but lately entered it after a lapse of years gave a fresh vividness to his memories. It was as if the dust had been suddenly swept from them by a rough hand.
He walked over to the oak chest which stood against the wall by the fireplace. A book in a red cover lay upon it and he took it up. It was a novel which Arkwright had written at the farmhouse, and it contained an inscription to that effect from the author's hand.
"I seem likely to pass a pleasant week," he said to himself, and taking his hat, stepped out into the clear sunshine.
But his thoughts ran ever in the same channel. Each familiar object that he passed recalled his friend, and the remembrance of that night in the Alps hung like a black cloud about his heart. He tried to thrust it aside, but the more earnestly he tried, the more persistently it chained his attention, until in the end it seemed to shadow forth something sinister, something almost of menace. For some distance he followed the bed of the valley and then struck upwards to the right, on to the slopes of Scafell Pike. After a while he stopped to light his pipe, and, turning, saw over against him the track mounting in sharp zigzags towards the summit of the Styhead Pass. It was as clearly defined on the hill-side as a pencilled line on paper, and his eyes followed its direction mechanically until it bent over the edge of the Pass and disappeared from view. Then equally mechanically he began to picture in his mind its subsequent course. He had traced it past the tarn and half the way to Borrowdale, when of a sudden a smile dawned through the gloom on his face, "The path to Keswick!" he thought. He traced it consciously after that; he saw it broaden out into a road, and his imagination set a dainty figure in a white dress and a sailor hat at the end of it.
Gordon had met Kate Nugent for the first time some three years before at Hawke's home in London, and from the outset of their acquaintance she had commenced to dominate his thoughts, not so much on account of her beauty as from a certain distinctness of personality which appealed to him at that time with a very peculiar force. For she came to him at a somewhat critical period in his life.
Left an orphan while yet a child, David had spent his boyhood alone in the north of Scotland. His guardian--an uncle with a seat in Parliament and an estate near Ravenglass--he never saw; his tutor--an unpractical scholar of the old-fashioned type--he neglected, in order to follow the marsh-lamps of his own dreamy and somewhat morbid imagination. And so dividing his time between the study of the more exuberant poets and solitary rides along the bleak sea-coast, he mapped out the world for himself upon a purely fanciful plan. He first came into contact with actual life on his migration to Oxford. He was brought face to face with new facts and new experiences, which, strive as he might, he could not fit in with his theories. And, besides, he seemed to see all around him men actuated by the interests of truth toiling noisily at the overthrow of creeds and erecting nothing in their place. As a consequence, his false idealism crumbled beneath him, he lost his self-reliance, and felt hemmed in by a confused tangle of truth and falsehood which there was no clue to help him to unravel. The step between an intellectual scepticism and personal cynicism is an easy one for most men to take. Gordon strode over the intervening gaps unconsciously the moment he ceased to trust himself, since his own sensations had, of necessity, been the one standard by which he judged.
His meeting with Kate Nugent, however, changed the whole tenor of his mind. She appeared to him the one real thing that he had found in his journey through a world of shadows. He pictured her standing out white and clear from a background of shifting haze, and his very self-distrust diminished since he referred his thoughts and actions to his conception of her as to a touchstone for the testing of them.
After their engagement, she became almost his religion. He re-fashioned a second world in her image, faith coming to him like a child born from the joining of their hearts. His ambitions, so long dulled to inaction, sprang into new vigour and he followed their lead with a confident patience. There was, in fact, an element of quaint extravagance in his devotion, such as one finds mirrored in the love-poems of the seventeenth century.
Hence it came about that as he walked home in the fall of the afternoon, matching the sunset with the colour of his thoughts, the sight of the white Inn walls, prominent in a dark clump of firs, recalled to him not only the fact of Hawke's proximity, but his desire to put an end to their estrangement. The desire grew as he dwelled upon it, until he began to feel an absolute repulsion from the prospect of starting along this new stage of his life at enmity with an old comrade.
He determined to make the overture, and continuing his way onwards to the Inn, inquired for Mr. Hawke. He was out, they told him. He had waited until the postman came at twelve, and had then set out for the fells. Gordon rummaged in his pockets and unearthed a card. He scribbled on it a request that Hawke would visit him during the evening, and turned back to the farm-house in a glow of satisfaction. A wild fancy shot through him that Hawke and himself had been designedly brought together into the seclusion of the valley. He laughed it aside for the moment.
But it returned to him afterwards with overwhelming conviction.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Alfred Edward Woodley Mason (7 May 1865 Dulwich, London – 22 November 1948 London) was an eng author and politician. He is best remembered for his 1902 novel "The Four Feathers". The novel has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army, which friends perceive as cowardice, symbolised by the four white feathers they give him. He redeems himself, feather by feather, with acts of physical courage to save his friends. He also wins back the heart of the woman he loves. (Excerpt from Wikipedia)
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
If desire were a blade, their first encounter left him bleeding in silence. He'd built a life on peril and pleasure, armor forged from recklessness, never imagining a woman could make him lower his guard. But even with the truth veiled in lies, he was already in too deep-entangled in the game, and captivated by the player.
Charlee was left at the altar and became a laughingstock. She tried to keep her head high, but ultimately lost it when she received a sex tape of her fiance and her half-sister. Devastated, she ended up spending a wild night with a hot stranger. It was supposed to be one-time thing, but he kept popping up, helping her with projects and revenge, all while flirting with her constantly. Charlee soon realized that it was nice having him around, until her ex suddenly appeared at her door, begging for another chance. Her tycoon lover asked, “Who will you choose? Think carefully before you answer.”
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
Season 1: Esther Davenier has spent her life proving she belongs-first to the elite family who raised her, then to a society that values bloodlines over loyalty. But when a long-lost "real" daughter is found, Esther is discarded like yesterday's scandal-her name erased, her face mocked, her engagement stolen. They thought they could bury her. But Esther doesn't go quietly. Armed with multiple powerful hidden identities and a dangerous new ally-CEO Evander Westvale, the man they said she could never have-Esther steps back into the limelight not to reclaim what was stolen, but to take what was never offered. Now she's more than ready to turn the game upside down. Season 2: When the powerful Davenier family reunites, Victor Davenier moves the Victory Group back to their homeland to spend more time with his daughter-Esther Davenier. Because of this, Roger Davenier, Esther's twin brother, finds himself buried in responsibilities, leaving no time for love-until a beautiful secretary, Alexandra, walks into his life uninvited and slowly pulls him closer. But Alexandra is caught between a protective mother hiding a dark past, a jealous rival determined to humiliate her, and a powerful client who sees her as more than just a secretary. Drawn into a dangerous game of power, desire, and betrayal, she must find her strength to survive. And Roger? He's no longer sure if he's protecting his secretary... or falling hopelessly in love with her.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
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