All-Hallow Eve; or, The Test of Futurity. by Robert Curtis
All-Hallow Eve; or, The Test of Futurity. by Robert Curtis
I could have wished that the incidents which I am about to describe in the following tale had taken place in some locality with a less Celtic, and to English tongues a more pronounceable, name than Boher-na-Milthiogue. I had at first commenced the tale with the word itself, thus: "Boher-na-Milthiogue, though in a wild and remote part of Ireland," etc.
But I was afraid that, should an English reader take up and open the book, he would at the very first word slap it together again between the palms of his hands, saying, "Oh, that is quite enough for me!" Now, as my English readers have done me vastly good service on former occasions, I should be sorry to frighten them at the outset of this new tale; and I have therefore endeavored to lead them quietly into it. With my Irish friends no such circumlocution would have been necessary. Perhaps, if I dissever and explain the word, it may enable even my English readers in some degree to approach a successful attempt at its pronunciation. I am aware, however, of the difficulty they experience in this respect, and that their attempts at some of our easiest names of Irish places are really laughable-laughable, at least, to our Celtic familiarity with the correct sound.
Boher is the Irish for "bridge," and milthiogue for a "midge;" Boher-na-Milthiogue, "the midge's bridge."
There now, if my English friends cannot yet pronounce the word properly, which I still doubt, they can at least understand what it means. It were idle, I fear to hope, that they can see any beauty in it; and yet that it is beautiful there can be no Celtic doubt whatever.
Perhaps it might have been well to have written thus far in the shape of a preface; but as nobody nowadays reads prefaces, the matter would have been as bad as ever. I shall therefore continue now as I had intended to have commenced at first.
Boher-na-Milthiogue, though in a wild and remote part of Ireland, is not without a certain degree of natural and romantic beauty, suiting well the features of the scene in which it lies.
Towering above a fertile and well-cultivated plain frown and smile the brother and sister mountains of Slieve-dhu and Slieve-bawn, the solid masonry of whose massive and perpendicular precipices was built by no human architect. The ponderous and scowling rocks of Slieve-dhu, the brother, are dark and indistinct; while, separated from it by a narrow and abrupt ravine, those of Slieve-bawn, the sister, are of a whitish spotted gray, contrasting cheerfully with those of her gloomy brother.
There is generally a story in Ireland about mountains or rivers or old ruins which present any peculiarity of shape or feature. Now it is an undoubted fact, which any tourist can satisfy himself of, that although from sixty to a hundred yards asunder, there are huge bumps upon the side of Slieve-bawn, corresponding to which in every respect as to size and shape are cavities precisely opposite them in the side of Slieve-dhu. The story in this case is, that although formerly the mountains were, like a loving brother and sister, clasped in each other's arms, they quarrelled one dark night (I believe about the cause of thunder), when Slieve-dhu in a passion struck his sister a blow in the face, and staggered her back to where she now stands, too far for the possibility of reconciliation; and that she, knowing the superiority of her personal appearance, stands her ground, as a proud contrast to her savage and unfeeling relative.
Deep straight gullies, worn by the winter floods, mark the sides of both mountains into compartments, the proportion and regularity of which might almost be a matter of surprise, looking like huge stripes down the white dress of Slieve-bawn, while down that of Slieve-dhu they might be compared to black and purple plaid.
"Far to the north," in the bosom of the minor hills, lies a glittering lake-glittering when the sun shines; dark, sombre, and almost imperceptible when the clouds prevail.
The origin of the beautiful name in which the spot itself rejoices I believe to be this; but why do I say "believe?" It is a self-evident and well-known fact.
Along the base of Slieve-bawn there runs a narrow roadeen, turning almost at right angles through the ravine already mentioned, and leading to the flat and populous portion of the country on the other side of the mountains, and cutting the journey, for any person requiring to go there, into the sixteenth of the distance by the main road. In this instance the proverb would not be fulfilled, that "the longest way round was the shortest way home." Across one of the winter-torrent beds which runs down the mountain side, almost at the entrance of the ravine, is a rough-built rustic bridge, at a considerable elevation from the road below. To those approaching it from the lower level, it forms a conspicuous and exceedingly picturesque object, looking not unlike a sort of castellated defence to the mouth of the narrow pass between the mountains.
This bridge, toward sunset upon a summer's evening, presents a very curious and (except in that spot) an unusual sight. Whether it arises from any peculiarity of the herbage in the vicinity, or the fissures in the mountains, or the crevices in the bridge itself, as calculated to engender them, it would be hard to say; but it would be impossible for any arithmetician to compute at the roughest guess the millions, the billions of small midges which dance in the sunbeams immediately above and around the bridge, but in no other spot for miles within view. The singularity of their movements, and the peculiarity of their distribution in the air, cannot fail to attract the observation of the most careless beholder. In separate and distinct batches of some hundreds of millions each, they rise in almost solid masses until they are lost sight of, as they attain the level of the heathered brow of the mountain behind them, becoming visible again as they descend into the bright sunshine that lies upon the white rocks of Slieve-bawn. In no instance can you perceive individual or scattered midges; each batch is connected and distinct in itself, sometimes oval, sometimes almost square, but most frequently in a perfectly round ball. No two of these batches rise or fall at the same moment. I was fortunate enough to see them myself upon more than one occasion in high perfection. They reminded me of large balls thrown up and caught successively by some distinguished acrobat. During the performance, a tiny little sharp whir of music fills the atmosphere, which would almost set you to sleep as you sit on the battlement of the bridge watching and wondering.
By what law of creation, or what instinct of nature, or, if by neither, by what union of sympathy the movements of these milthiogues are governed-for I am certain there are millions of them at the same work in the same spot this fine summer's evening-would be a curious and proper study for an entomologist; but I have no time here to do more than describe the facts, were I even competent to enter into the inquiry. Fancy say fifty millions of midges in a round ball, so arranged that, under no suddenness or intricacy of movement, any one touches another. There is no saying amongst them, "Keep out of my way, and don't be pushin' me," as Larry Doolan says.
So far, the thing in itself appears miraculous; but when we come to consider that their motions, upward to a certain point, and downward to another, are simultaneous, that the slightest turn of their wings is collectively instantaneous, rendering them at one moment like a black target, and another turn rendering them almost invisible, all their movements being as if guided by a single will-we are not only lost in wonder, but we are perfectly unable to account for or comprehend it. I have often been surprised, and so, no doubt, may many of my readers have been, at the regularity of the evolutions of a flock of stares in the air, where every twist and turn of a few thousand pairs of wings seemed as if moved by some connecting wire; but even this fact, surprising as it is, sinks into insignificance when compared with the movements of these milthiogues.
But putting all these inquiries and considerations aside, the simple facts recorded have been the origin of the name with which this tale commences.
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
I had just survived a private jet crash, my body a map of violet bruises and my lungs still burning from the smoke. I woke up in a sterile hospital room, gasping for my husband's name, only to realize I was completely alone. While I was bleeding in a ditch, my husband, Adam, was on the news smiling at a ribbon-cutting ceremony. When I tracked him down at the hospital's VIP wing, I didn't find a grieving husband. I found him tenderly cradling his ex-girlfriend, Casie, in his arms, his face lit with a protective warmth he had never shown me as he carried her into the maternity ward. The betrayal went deeper than I could have imagined. Adam admitted the affair started on our third anniversary-the night he claimed he was stuck in London for a merger. Back at the manor, his mother had already filled our planned nursery with pink boutique bags for Casie's "little princess." When I demanded a divorce, Adam didn't flinch. He sneered that I was "gutter trash" from a foster home and that I'd be begging on the streets within a week. To trap me, he froze my bank accounts, cancelled my flight, and even called the police to report me for "theft" of company property. I realized then that I wasn't his partner; I was a charity case he had plucked from obscurity to manage his life. To the Hortons, I was just a servant who happened to sleep in the master bedroom, a "resilient" woman meant to endure his abuse in silence while the whole world laughed at the joke that was my marriage. Adam thought stripping me of his money would make me crawl back to him. He was wrong. I walked into his executive suite during his biggest deal of the year and poured a mug of sludge over his original ten-million-dollar contracts. Then, right in front of his board and his mistress, I stripped off every designer thread he had ever paid for until I was standing in nothing but my own silk camisole. "You can keep the clothes, Adam. They're as hollow as you are." I grabbed my passport, turned my back on his billions, and walked out of that glass tower barefoot, bleeding, and finally free.
"You'll be my wife on paper only. You'll have everything-except my heart. You'll never be Marina." For five years, Lily lived as David's secret wife-his poised secretary by day, his invisible stand-in by night. Every cold touch reminded her she was just a replacement. Every whispered "Marina" cut deeper than the last. Their marriage was born from an accidental night-a mistake he turned into a contract. He wanted nothing but an image and a convenience, yet she foolishly gave him her whole heart. So when the real Marina returns, Lily knows her time as the placeholder is up. David's actions make it clear: she was only ever a convenient replacement. Without a fight, she signs the divorce papers and walks away, surrendering the position he always wanted to give to another. But why is it that the man who once swore he'd never love her... now refuses to let her go? David doesn't understand why Lily's absence haunts him. Why her quiet strength burns him in ways Marina never did. All he knows is that he's determined to get her back. By any means necessary. Even if it meant breaking her all over again. She paid the price for loving him once. Now, he'd pay for losing her forever.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
For four years, I traced the bullet scar on Chace’s chest, believing it was proof he would bleed to keep me safe. On our anniversary, he told me to wear white because "tonight changes everything." I walked into the gala thinking I was getting a ring. Instead, I stood frozen in the center of the ballroom, drowning in silk, watching him slide his mother's sapphire onto another woman's finger. Karyn Warren. The daughter of a rival family. When I begged him with my eyes to claim me, to save me from the public humiliation, he didn't flinch. He just leaned toward his Underboss, his voice amplified by the silence. "Karyn is for power. Ember is for pleasure. Don't confuse the assets." My heart didn't just break; it incinerated. He expected me to stay as his mistress, threatening to dig up my dead mother’s grave if I refused to play the obedient pet. He thought I was trapped. He thought I had nowhere to go because of my father’s massive gambling debts. He was wrong. With shaking hands, I pulled out my phone and texted the one name I was never supposed to use. Keith Mosley. The Don. The monster under Chace's bed. *I am invoking the Blood Oath. My father’s debt. I am ready to pay it.* His reply came three seconds later, buzzing against my palm like a warning. *The price is marriage. You belong to me. Yes or No?* I looked up at Chace, who was laughing with his new fiancée, thinking he owned me. I looked down and typed three letters. *Yes.*
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