Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The origin of the name of "Shakespeare" is hidden in the mists of antiquity. Writers in Notes and Queries have formed it from Sigisbert, or from Jacques Pierre,[1] or from "Haste-vibrans." Whatever it was at its initiation, it may safely be held to have been an intentionally significant appellation in later years. That it referred to feats of arms may be argued from analogy. Italian heraldry[2] illustrates a name with an exactly similar meaning and use in the Italian language, that of Crollalanza.
English authors use it as an example of their theories. Verstegan says[3]: "Breakspear, Shakespeare, and the like, have bin surnames imposed upon the first bearers of them for valour and feates of armes;" and Camden[4] also notes: "Some are named from that they carried, as Palmer ... Long-sword, Broadspear, and in some respects Shakespear."
In "The Polydoron"[5] it is stated that "Names were first questionlesse given for distinction, facultie, consanguinity, desert, quality ... as Armestrong, Shakespeare, of high quality."
That it was so understood by his contemporaries we may learn from Spenser's allusion, evidently intended for him, seeing no other poet of his time had an "heroic name"[6]:
"And there, though last, not least is A?tión;
A gentler shepherd[7] may nowhere be found,
Whose Muse, full of high thought's invention,
Doth like himself heroically sound."
If the parts of the name be significant, I take it that the correct spelling at any period is that of the contemporary spelling of the parts. Therefore, when spear was spelt "spere," the cognomen should be spelt "Shakespere"; when spear was spelt "speare," as it was in the sixteenth century, the name should be spelt "Shakespeare." Other methods of spelling depended upon the taste or education of the writers, during transition periods, when they seemed actually to prefer varieties, as one sometimes finds a proper name spelt in three different ways by the same writer on the same page. "Shakespeare" was the contemporary form of the name that the author himself passed in correcting the proofs of the "first heirs of his invention" in 1593 and 1594; and "Shakespeare" was the Court spelling of the period, as may be seen by the first official record of the name. When Mary, Countess of Southampton, made out the accounts of the Treasurer of the Chamber after the death of her second husband, Sir Thomas Heneage, in 1594, she wrote: "To William Kempe, William Shakespeare,[8] and Richard Burbage," etc.
I know that Dr. Furnivall[9] wrote anathemas against those who dared to spell the name thus, while the poet wrote it otherwise. But a man's spelling of his own name counted very little then. He might have held romantically to the quainter spelling of the olden time as many others did, such as "Duddeley," "Crumwell," "Elmer."
FOOTNOTES:
[1] Notes and Queries, 2nd Series, ix. 459, x. 15, 86, 122; 7th Series, iv. 66; 8th Series, vii. 295; 5th Series, ii. 2.
[2] See Works of Goffredo di Crollalanza, Segretario-Archivista dell' Accademia Araldica Italiana, which were brought to my notice by Dr. Richard Garnett.
[3] Verstegan's "Restitution of Decayed Intelligence," ed. 1605, p. 254.
[4] Camden's "Remains," ed. 1605, p. 111.
[5] Undated, but contemporary. Notes and Queries, 3rd Series, i. 266.
[6] Spenser's "Colin Clout's Come Home Again," 1595.
[7] It was a fashion of the day to call all poets "shepherds."
[8] "Declared Accounts of the Treasurer of the Chamber," Pipe Office, 542 (1594). See my English article, "The Earliest Official Record of Shakespeare's Name."-"Shakespeare Jahrbuch," Berlin, 1896, reprinted in pamphlet form.
[9] "On Shakespere's Signatures," by Dr. F.J. Furnivall, in the Journal of the Society of Archivists and Autograph Collectors, No. I., June, 1895.
* * *
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
"Love is blind!" Lucinda abandoned her beautiful and comfortable life because of a man. She married him and slaved off for him for three long years. One day, the scales finally fell off her eyes. She realized that all her efforts were in vain. Her husband, Nathaniel still treated her like shit. All he cared about was his lover. "Enough is enough! I quit wasting my years with an ungrateful man!" Lucinda's heart was shattered into many pieces, but she summoned up the courage to ask for a divorce. The news caused a stir online! A filthy rich young woman recently got divorced? She was a good catch! Countless CEOs and handsome young men immediately swarmed to her like bees to honey! Nathaniel couldn't take it anymore. He held a press conference and begged with teary eyes, "I love you, Lucinda. I can't live without you. Please come back to me." Would Lucinda give him a second chance? Read to find out!
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
"Sign the divorce papers and get out!" Leanna got married to pay a debt, but she was betrayed by her husband and shunned by her in-laws. Seeing that her efforts were in vain, she agreed to divorce and claimed her half of the properties. With her purse plump from the settlement, Leanna enjoyed her newfound freedom. The constant harassment from her ex's mistress never fazed her. She took back her identities as top hacker, champion racer, medical professor, and renowned jewelry designer. Then someone discovered her secret. Matthew smiled. "Will you have me as your next husband?"
My name is Katia, and I am just trying to survive until my fated mate arrives. Which may be easier said than done. Rejectection is the last straw. Whispering my acceptance of his rejection. I run through the pack house, out across the manicured lawn into the forest. "I'm sorry, my sweet girl," I say to my wolf. I'm sorry you have been stuck with me and have had to suffer everything I have. She whispers," it's not your fault, Katia. We came to a cliff with a waterfall. The hurt keeps pounding at me. I need it to stop. My sweet girl, and I just want peace, I keep running and leap off the cliff. Spreading my arms wide, with tears streaming down my face, I fall, not making a sound, waiting for sweet oblivion where we feel nothing ever again. "I love you, my sweet girl! Until we meet again, "My wolf replied just before we hit the water, "I love you too, Katia. I have never regretted a moment with you." The Snow Moon pack is having their last barbecue of the summer next to the waterfall on their land. The adults are laughing and joking while watching the pups play. The alpha, beta, and gamma are swimming with some of the older children and playing a game of Marco Polo. Someone yells, "Oh my goddess, someone just jumped over the waterfall!" Everyone is frozen as they watch what looks to be a child falling arms spread wide, no one makes a sound. The small body hits the water like a plane crashing into the side of a mountain. The alpha, beta, and gamma, spring into action, swimming towards the area the person went under. The alpha is screaming his wolf is going crazy repeating, "Find her. Find her...find her!" They dive and the beta surfaces with a small person in his arms. Alpha takes the girl from his beta, laying her on the ground. The men are shocked by what they see. She is covered in scars and injuries. Her body is twisted and broken. The Beta asks, "Who could have done this to someone so defenseless?" Alpha drops to his knees, repeating, "MATE...MATE...MATE!"