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Shakespeare's Family

Shakespeare's Family

C. C. Stopes
5.0
Literature
18 Chapters
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.

Chapter 1 THE NAME OF SHAKESPEARE

The origin of the name of "Shakespeare" is hidden in the mists of antiquity. Writers in Notes and Queries have formed it from Sigisbert, or from Jacques Pierre,[1] or from "Haste-vibrans." Whatever it was at its initiation, it may safely be held to have been an intentionally significant appellation in later years. That it referred to feats of arms may be argued from analogy. Italian heraldry[2] illustrates a name with an exactly similar meaning and use in the Italian language, that of Crollalanza.

English authors use it as an example of their theories. Verstegan says[3]: "Breakspear, Shakespeare, and the like, have bin surnames imposed upon the first bearers of them for valour and feates of armes;" and Camden[4] also notes: "Some are named from that they carried, as Palmer ... Long-sword, Broadspear, and in some respects Shakespear."

In "The Polydoron"[5] it is stated that "Names were first questionlesse given for distinction, facultie, consanguinity, desert, quality ... as Armestrong, Shakespeare, of high quality."

That it was so understood by his contemporaries we may learn from Spenser's allusion, evidently intended for him, seeing no other poet of his time had an "heroic name"[6]:

"And there, though last, not least is A?tión;

A gentler shepherd[7] may nowhere be found,

Whose Muse, full of high thought's invention,

Doth like himself heroically sound."

If the parts of the name be significant, I take it that the correct spelling at any period is that of the contemporary spelling of the parts. Therefore, when spear was spelt "spere," the cognomen should be spelt "Shakespere"; when spear was spelt "speare," as it was in the sixteenth century, the name should be spelt "Shakespeare." Other methods of spelling depended upon the taste or education of the writers, during transition periods, when they seemed actually to prefer varieties, as one sometimes finds a proper name spelt in three different ways by the same writer on the same page. "Shakespeare" was the contemporary form of the name that the author himself passed in correcting the proofs of the "first heirs of his invention" in 1593 and 1594; and "Shakespeare" was the Court spelling of the period, as may be seen by the first official record of the name. When Mary, Countess of Southampton, made out the accounts of the Treasurer of the Chamber after the death of her second husband, Sir Thomas Heneage, in 1594, she wrote: "To William Kempe, William Shakespeare,[8] and Richard Burbage," etc.

I know that Dr. Furnivall[9] wrote anathemas against those who dared to spell the name thus, while the poet wrote it otherwise. But a man's spelling of his own name counted very little then. He might have held romantically to the quainter spelling of the olden time as many others did, such as "Duddeley," "Crumwell," "Elmer."

FOOTNOTES:

[1] Notes and Queries, 2nd Series, ix. 459, x. 15, 86, 122; 7th Series, iv. 66; 8th Series, vii. 295; 5th Series, ii. 2.

[2] See Works of Goffredo di Crollalanza, Segretario-Archivista dell' Accademia Araldica Italiana, which were brought to my notice by Dr. Richard Garnett.

[3] Verstegan's "Restitution of Decayed Intelligence," ed. 1605, p. 254.

[4] Camden's "Remains," ed. 1605, p. 111.

[5] Undated, but contemporary. Notes and Queries, 3rd Series, i. 266.

[6] Spenser's "Colin Clout's Come Home Again," 1595.

[7] It was a fashion of the day to call all poets "shepherds."

[8] "Declared Accounts of the Treasurer of the Chamber," Pipe Office, 542 (1594). See my English article, "The Earliest Official Record of Shakespeare's Name."-"Shakespeare Jahrbuch," Berlin, 1896, reprinted in pamphlet form.

[9] "On Shakespere's Signatures," by Dr. F.J. Furnivall, in the Journal of the Society of Archivists and Autograph Collectors, No. I., June, 1895.

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Latest Release: Chapter 18 BRANCHES IN OTHER COUNTIES   01-08 10:58
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1 Chapter 1 THE NAME OF SHAKESPEARE
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2 Chapter 2 THE LOCALITIES OF EARLY SHAKESPEARES
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3 Chapter 3 LATER SHAKESPEARES BEFORE THE POET'S TIME
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4 Chapter 4 THE SHAKESPEARE COAT OF ARMS
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5 Chapter 5 THE IMPALEMENT OF THE ARDEN ARMS
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6 Chapter 6 THE ARDENS OF WILMECOTE
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7 Chapter 7 JOHN SHAKESPEARE
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8 Chapter 8 WILLIAM SHAKESPEARE
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9 Chapter 9 SHAKESPEARE'S DESCENDANTS
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10 Chapter 10 COLLATERALS
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11 Chapter 11 COUSINS AND CONNECTIONS
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12 Chapter 12 CONTEMPORARY WARWICKSHIRE SHAKESPEARES
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13 Chapter 13 SHAKESPEARES IN OTHER COUNTIES
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14 Chapter 14 THE PARK HALL ARDENS
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15 Chapter 15 THE ARDENS OF LONGCROFT
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16 Chapter 16 OTHER WARWICKSHIRE ARDENS
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17 Chapter 17 THE ARDENS OF CHESHIRE
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18 Chapter 18 BRANCHES IN OTHER COUNTIES
01/12/2017
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