The Daughter Pays by Mrs. Baillie Reynolds
The Daughter Pays by Mrs. Baillie Reynolds
"Yes, I have felt like some deserted world
That God hath done with, and had cast aside
Untilled, no use, no pleasure, not desired ...
Could such a world have hope that, some blest day,
God would remember her, and fashion her
Anew?"-Jean Ingelow.
The full sunshine of late June, tempered by the medium of London atmosphere, illumined the long extent of Gallery Number Sixteen at Hertford House.
It was a pay-day, and there were, in consequence, but few visitors. The expanse of polished floor glimmered with a suggestion of coolness, a hint of ice; and the summer light touched with brilliance the rich colour on the walls, the mellow harmonies of the bits of old furniture ranged below.
The space and solitude, the silence and sunlight, emphasised and threw into strong relief the figures of two girls, deep in contemplation before the portrait of Isabella, wife of Paul de Vos.
Though these were modern, even ultra-modern, Nattier and Boucher, great interpreters of an artificial age, might have hailed them as kindred spirits. They seemed eloquent of all that luxury could produce in the way of exotic perfection. But for the absence of rouge and powder, they were as far removed from the dingy, the commonplace, or the underbred, as any pre-Revolution marquise, smiling from the windows of her chateau upon a world dark with misery, convulsed with pain, and all unconscious of its very existence.
Far indeed from these hot-house blooms seemed the seamy side. They were of those who feed on the roses and lie in the lilies of life. They belonged to the class which a novelist of our own day has so happily described as expensive. They were the fine flower of our epoch, and unconscious of their own supreme selfishness.
One was of the petite type, gipsy brown and captivating, from the tip of her plumes to the shoes and stockings which matched her gown, and upon whose buckles the light winked. The other was taller and more willowy. She was not big, but formed with the lithe grace of the modern Atalanta. Something in the veiled loveliness of her soft eye suggested a dove. Her hair was fair, and her face, wide across the brows, and tapering at the chin, seemed designed to make an involuntary appeal to the heartstrings of any man who looked at her. Every movement of this girl was graceful. Yet one would have felt certain that her grace was unstudied; she was not self-conscious; her attentions seemed entirely absorbed by the beauty of the paintings at which she gazed.
Thus she stood, her chin uplifted; and a man who entered, with halting step, from Gallery Fifteen, shot a keen glance and stopped short.
He was not a young man, and his dress, for London, was negligent; whilst his long black moustache gave him a slightly out-of-date, or provincial, aspect. His black hair showed some grey at the temples, but he appeared to be in vigorous health.
For some long moments he stood in absorbed contemplation of the girlish figure isolated against the dim, dignified background of the gallery: and as he gazed there crept into his face an expression which made it almost devilish. Every feature hardened-the mouth took on a sneer, the eyes glowed with some concentration of feeling which altered his whole face for the worse.
As yet unconscious of his presence, the girl gazed on; and after a minute her smaller, darker friend strolled up and joined her. She said something that made the other laugh. The chime of their mirth sounded sweetly through the empty space, but brought to the lips of the watcher a curl of contempt. He began to move forward slowly, seemingly intent upon the pictures, but always coming nearer, until he stood where he could hear the girls' light, careless talk.
"My dear," said the smaller girl, "I am thinking all the time what a fancy dress this would make, for anybody that could wear it." They were standing before Mierevelt's lovely portrait of the young nameless lady in the ruff.
As her companion did not immediately reply, she added insistently: "Virginia! Did you hear?"
The lame man started, or, as it were, winced at the sound of the name; yet a certain satisfaction crept into his eyes, as of one who only reflects: "I thought so! I was not mistaken."
Virginia, thus appealed to, brought her dreamy gaze from the portrait of the burgomaster who sits with his small son. "What? A fancy dress? Oh, Mims, yes! That little bit of stiffened lace round the back of her hair is an inspiration. I could make it, too-I see just how it's done."
The two proceeded to examine the head-dress in detail, with girlish talk about the way to copy it. "Gold embroidery all down the front of her gown. How sweet!" sighed Virginia admiringly. "But that ruff-would it do?"
"For you? Of course! You could wear it, for you have a throat. But what did little people like me do, when they had all that between their chin and their chest?"
Virginia was much amused. "No, Mims, you were not made for a ruff! But then, en revanche, you can wear all those lovely Venetian reds and ambers that I can't touch!"
Childish talk, but with no suspicion of a critical listener! The lame man heard every word. As the eager girl turned to point across the gallery to a picture exemplifying the colours she meant, she slightly brushed against him, for he was standing within a few feet of her. He stepped back, raising his hat in acknowledgment of her gentle apology; and his eyes, full of something between hostility and contempt, met hers hardly, as if in a challenge, for a puzzling instant before he turned away and limped to another place.
Virginia's colour rose and her lips set, as if an unspoken insult had reached her. She was not used to read hostility in the eyes of men. She recovered, however, in a moment, and continued her study of the pictures, moving round for some minutes longer, until Miriam, leaning near her, murmured:
"Shall we go into the next room? There is a custodian there, and that man keeps on staring odiously."
"Yes; let us go and look at the Greuzes," replied Virginia.
It was not long before the unknown man followed them. He was now more careful, however, and kept his eyes for the beauties of the catalogue instead of allowing them to roam towards the beauties of his own day.
"I don't think he meant to be rude," presently said Virginia doubtfully. "He looked at me almost as though he thought he knew me-as if he expected me to speak to him."
"My dear, it is evident that you must never be allowed to go about London alone," laughed Mims. "As if he knew you, indeed! That's the commonest dodge of all. I am sure he is trying to be rude-he is edging round here now--"
"Oh, nonsense! Let us think about the pictures and take no notice. He could not be rude in a public place like this-he cannot think we are girls of that sort."
"There's the portrait of you," said Mims mischievously, pausing before Greuze's picture entitled "Innocence"-the picture with the lamb.
It was true, the likeness was striking. Virginia even coloured slightly as she gazed. "Chocolate box!" said she disdainfully. "Greuze is only pretty-pretty! I would far rather be like Isabella de Vos!"
As she spoke she moved away with her undulating grace, the lame man having again approached nearer than was quite consistent with good manners.
"That's the worst of you, Virginia-you can't go about without dragging backwards the heads of all the men that pass," said Mims in injured tones.
"Talk about glass-houses!" was her friend's sarcastic response, adding with a little sigh: "Well, you won't long be troubled. Cinderella's clock strikes to-morrow, and I go back to Wayhurst and my native obscurity."
Miriam's soft, dark eyes clouded.
"Native obscurity! No, my dear, that's the tragedy! You were not born to it, and you will never thrive in it! Oh, the pity! I could cry when I think of you, mewed up in that wee brick-box of a villa, and when I remember that it's not much more than two years ago since we were staying with you at Lissendean-riding, hunting, motoring!"
"Don't talk of it, Mimsie, for pity's sake! It can't be helped, you know; and, of course, it isn't half as bad for me as for poor mother."
Mims made a grumpy sound. She was depressed, not only by her friend's impending departure, but by the thought of that friend's destiny.
Virginia Mynors, in the days when she and Miriam Rosenberg were at school together, had been queen of everything. She was the elder daughter of a county gentleman, her clothes came from the best places, she took all the extras, rode, swam, hunted-with no more thought of ways and means than her present appearance led one to suppose.
During the weary days of her father's long illness-a kind of creeping paralysis which lasted for two years-Virginia had known that he had money troubles. But though she had been his devoted nurse and trusted secretary, she was no more prepared than was her butterfly mother for the state of financial catastrophe revealed at his death. The solid ground had failed beneath her feet. Everything was gone. Even Lissendean, the home in which she had been born, was mortgaged. They all moved out, the house was let, and upon the few hundreds a year received as rent her mother, herself, her brother Antony, and her little sister Pansy, were to live.
Virginia had to be the moving spirit in it all. She elected to settle at Wayhurst, because there is an excellent public school there, and, as a day boy, Antony, who was nearly fourteen, might obtain the education of a gentleman. For nearly two years now such had been the girl's life. Yet even Miriam did not guess the truth-did not guess the drudgery and devotion of Virginia's daily round.
Mr. Rosenberg was what is described as rolling in money. He had social ambitions, and was very well pleased when his daughter made friends at school with the daughter of Bernard Mynors. The Rosenbergs, brother and sister, had more than once accepted the whole-hearted hospitality of Lissendean. Their father could not, therefore, with any good grace, make objections to Miriam's pleading when she begged to have Virginia to stay with her.
Miriam had a great deal too much pocket-money. She sent a substantial cheque to Virginia, that she might provide herself with an outfit and railway fares for the projected visit. Virginia was able to devote part of this cheque to the providing of what was locally known as a "supply" to do the housework while she herself was away. She belonged, indeed, to that wonderful type of woman who can make a pound, expended upon clothes, go as far as another woman makes five, or even ten. She arrived in Bryanston Square for her visit with exactly the right frocks, with her spirits high, and her bloom unimpaired, in spite of the hard life she led. Youth and high spirit will carry all before them. Mr. Rosenberg, when his astute eye rested upon the charming creature, became suddenly aware of her as an incarnate temptation to his son Gerald, upon whom all his hopes were concentrated.
Mr. Rosenberg was not without good impulses. He desired to befriend this beautiful girl to whom Fate had shown herself so cruel. It was, however, more than could be demanded of human nature that he should be ready to console her for her misfortunes with the gift of all his wealth and all his social ambition. As a man of business, he divined her mother to have been the ruin of the family. He knew Mrs. Mynors as a lovely, vain, shallow and selfish person, who all her life had lived for her own amusement. Such a mother-in-law would be a burden that Gerald could never carry. Moreover, there were two younger children, of whom one, the little girl, was badly crippled-a permanent invalid.
Had Virginia, being her father's daughter, stood alone, it is just possible that her extreme beauty would have brought Mr. Rosenberg to the point of allowing the match. With her encumbrances he felt it to be impossible. He did not know that it was at Gerald's instigation that Mims had gone to the length of actually financing the scheme of the visit. Yet his shrewdness rather suspected something of the sort. During the whole fortnight of Virginia's sojourn he had been on tenter-hooks-man?uvring to keep his son out of the way without seeming to do so.
They had-thanks, he felt sure, to his policy-arrived safely at the last day of Miss Mynors' stay. Last moments, however, are fraught with particular danger. Mr. Rosenberg could not feel that he was as yet "out of the wood," and would probably have undergone even worse apprehensions had he known of Gerald's appointment to meet the two girls at Hertford House and give them tea.
"If we hadn't arranged to meet Gerald here, I would just walk right away, out of the place," muttered Mims presently. "I wish that man would not dog us like this."
"Let us leave off looking at the pictures," suggested Virginia, "and go and sit at the top of the staircase, in that recess. Then we shall see Mr. Rosenberg as he comes up-and the man could hardly pursue us there without being openly offensive."
"Good!" replied Mims with satisfaction. They left the Boucher room, in which the stranger seemed to be absorbed in contemplation, and seated themselves in the alcove, behind the statue of "Triumphant Love."
They made a dainty picture in the fuller light which fell upon them there; and they sat on undisturbed until they saw the head of their escort appearing above the edge of the staircase.
Mims stood up and called to him, and in a moment he had joined them.
"Tired of the pictures already?" he asked, glancing at his watch. "I am not late, am I?"
"Oh, no, not a bit. We have only been here a very few minutes," replied his sister, noting that the lame man was now standing in the doorway, and that his eyes were fixed on Gerald.
"Read what is written round the pedestal of this statue, boy," she went on mischievously. "Is it true, or is it not?"
Gerald stooped over the words cut upon the circular base of the figure. He was not actually a handsome man, but he was, without doubt, distinguished-looking. Mr. Rosenberg senior prided himself upon the fact that his son's face showed no racial characteristics. His features were clean-cut, he was well-shaved and well-groomed, carried himself with dignity, and was usually self-possessed. He stood before the marble cupid, conscious in every nerve of the close proximity of his sister's beautiful friend, and read aloud the couplet:
Qui que tu sois, voici ton ma?tre!
Il l'est, le fut, ou le doit être.
"Is it true, Gerald?" asked Mims naughtily. He looked at Virginia.
"Is it true, Miss Mynors?"
Virginia hesitated. "Well, I think it is, but not in the sense in which this inscription means it," she ventured timidly. "I mean-there is a love which is stronger than anything or anybody-but not that love-not that silly winged boy." She blushed a little as she spoke, and looked so divinely pretty, her small teeth just showing between the parted lips, her shadowy, Greuze eyes uplifted, that Gerald felt his head swim.
"I think you are right," he said, speaking with extra gravity to hide his emotion.
"Virgie is simply ridiculous about love," grumbled Mims. "She would give away her head, her heart, her hand, anything she had, for those she loves-her mother and her little sister--"
"And Tony," reprovingly put in Virginia.
"And Tony," teased her friend. "Isn't she a baby, Gerald?"
The young man considered her. "Or an angel?" he suggested. There was, to him, something awe-inspiring in the simplicity of this girl. With a face that might have brought the world to her feet, she was absorbed in the domestic affections, untouched, as it would seem, by the admiration she excited.
"Well, as the car is down there waiting, we had better be off," remarked Mims, after a short interval in which she had left the two to talk together. "Are you going to take us to Fuller's, Gerald? If so, we ought to move on. You know we must dine early; we are going to the theatre for Virgie's last night."
The eyes of the man and the girl met, upon that, with mutual regret. Her last night! Cinderella must put off her dainty raiment and return to her saucepan-scouring, bed-making, account-keeping, making-ends-meet existence. The pang that shot through Gerald's heart was so like physical pain that he had a fanciful idea of the marble boy-the "Triumphant Love" who looked smiling down upon them-having shot his dart and reached the mark of his innermost feeling.
Could he let her go?
Like his father, he was a man of the world. Like his father, he had planned the alliance with birth and money which was to establish his position among English gentry. There was a sharp struggle in his mind. Had Virginia had one ounce of the coquette in her, she could have clinched the matter in five minutes.
The lame man, who had watched the whole colloquy, descended the stairs behind them in time to see the perfectly appointed motor in waiting, with its two men in livery. As he turned about and reascended to enter the galleries once more, there was a bitter sneer on his mouth, a look of active malevolence, as of one who deliberately turns his back upon his better feelings.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
Emma had agreed to pretend to be her boss's girlfriend at an event where his ex-wife planned to show up with the guy she had cheated with. "We'll see how this turns out."
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
I'm a moaning mess as Antonio slams into me from behind. His hips hit me hard, and each deep thrust sends shockwaves through my body. My breasts bounce with every movement, my eyes roll back, and I moan his name without control. The pleasure he gives me is overwhelming-I can't hold it in. I feel my walls tighten around his thick length. The pressure builds fast, and then- I explode around him, my orgasm tearing through me. He groans loud and deep as he releases inside me, his hot seed spilling into me in thick pulses. Just when I think he's done, his grip shifts. He turns me over and lays me flat on the bed. His dark eyes stare into mine for a moment, filled with raw hunger. I glance down- He's still hard. Before I can react, he grabs my wrists, pins me down, and pushes himself inside me again. He fills me completely. My hips rise on instinct, meeting his rhythm. Our bodies move together, locked in a wild, uncontrollable dance. "You're fucking sweet," he groans, his voice rough and breathless. "I can't get enough of you... not after that night, Sol," he growls, slamming into me harder. The force of his words and his thrusts make my body shake. "Come for me," he commands, his voice low and full of heat. And just like that, my body trembles. Waves of pleasure crash over me. I cry out, shaking with the force of my orgasm. "Mine," he growls again, louder this time. His voice is feral, wild, like a beast claiming what belongs to him. The sound sends a shiver down my spine. *** Solene was betrayed, humiliated, and erased by Rowan Brook, the man she once called husband, Solene is left with nothing but her name and a burning hunger for revenge. She turns to the one man powerful enough to destroy the Brooks family from within: Rowan's estranged and dangerous uncle, Antonio Rodriguez. He's ruthless. A playboy who never sleeps with the same woman twice. But when Solene walks into his world, he doesn't just break the rules, he creates new ones just for her. What begins as a calculated game quickly spirals into obsession, power plays, and secrets too deadly to stay buried. Because Solene isn't just anyone's ex... she's the woman they should've never underestimated. Can she survive the price of revenge? Or will her heart become the next casualty? And when the truth comes out, will Antonio still choose her... or destroy her?
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