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The anesthesia was a thick fog, but the voices cut through it. "Is she going to be okay?" That was Mark, my boyfriend, a rising musician. "She' ll be fine. She gave you a kidney, Mark, she can handle a little post-op pain." That was Jessica, his new manager. My blood ran cold. A kidney. I' d donated a kidney to save his life, worked three jobs, sold my art, used family connections, all for his dream. Then the words that shattered my world. "She was a good stepping stone, Mark. She got you where you needed to be. But you can' t have a sick, tired artist clinging to you when you' re about to become a star. You need... Jessica' s Lullaby." Jessica's Lullaby. Our lullaby, a deeply personal melody from my childhood that I rewrote just for him. He had given her our song. He didn't just take my kidney, he stole my art, my trust, everything. Even when he came back to the hospital, publicly proposing with cheap roses and a camera crew, it was a sham. Jessica staged an illness, and he abandoned me, rushed to her side, his devotion clear for all to see. The man I loved had betrayed me, not just by stealing my art, but by commodifying my sacrifice, casting me aside as a mere stepping stone. My heart was a hollowed-out cavity. But in that emptiness, a cold, hard rage began to burn. He thought I was just a stepping stone. He was about to find out how wrong he was. I reached for my phone, scrolling for David, the head of a rival record label. "David," I said, my voice raspy but firm. "It' s Sarah. I have a proposition for you."