TO DR. JOHN ELLIOTSON My Dear Doctor, Thirteen months ago, when it seemed likely that this story had come to a close, a kind friend brought you to my bedside, whence, in all probability, I never should have risen but for your constant watchfulness and skill. I like to recall your great goodness and kindness (as well as many acts of others, showing quite a surprising friendship and sympathy) at that time, when kindness and friendship were most needed and welcome. And as you would take no other fee but thanks, let me record them here in behalf of me and mine, and subscribe myself, Yours most sincerely and gratefully, W. M. THACKERAY.
If this kind of composition, of which the two years' product is now laid before the public, fail in art, as it constantly does and must, it at least has the advantage of a certain truth and honesty, which a work more elaborate might lose. In his constant communication with the reader, the writer is forced into frankness of expression, and to speak out his own mind and feelings as they urge him. Many a slip of the pen and the printer, many a word spoken in haste, he sees and would recall as he looks over his volume.
It is a sort of confidential talk between writer and reader, which must often be dull, must often flag. In the course of his volubility, the perpetual speaker must of necessity lay bare his own weaknesses, vanities, peculiarities. And as we judge of a man's character, after long frequenting his society, not by one speech, or by one mood or opinion, or by one day's talk, but by the tenor of his general bearing and conversation; so of a writer, who delivers himself up to you perforce unreservedly, you say, Is he honest? Does he tell the truth in the main? Does he seem actuated by a desire to find out and speak it? Is he a quack, who shams sentiment, or mouths for effect? Does he seek popularity by claptraps or other arts? I can no more ignore good fortune than any other chance which has befallen me. I have found many thousands more readers than I ever looked for. I have no right to say to these, You shall not find fault with my art, or fall asleep over my pages; but I ask you to believe that this person writing strives to tell the truth. If there is not that, there is nothing.
Perhaps the lovers of 'excitement' may care to know, that this book began with a very precise plan, which was entirely put aside. Ladies and gentlemen, you were to have been treated, and the writer's and the publisher's pocket benefited, by the recital of the most active horrors. What more exciting than a ruffian (with many admirable virtues) in St. Giles's, visited constantly by a young lady from Belgravia? What more stirring than the contrasts of society? the mixture of slang and fashionable language? the escapes, the battles, the murders? Nay, up to nine o'clock this very morning, my poor friend, Colonel Altamont, was doomed to execution, and the author only relented when his victim was actually at the window.
The 'exciting' plan was laid aside (with a very honourable forbearance on the part of the publishers), because, on attempting it, I found that I failed from want of experience of my subject; and never having been intimate with any convict in my life, and the manners of ruffians and gaol-birds being quite unfamiliar to me, the idea of entering into competition with M. Eugene Sue was abandoned. To describe a real rascal, you must make him so horrible that he would be too hideous to show; and unless the painter paints him fairly, I hold he has no right to show him at all.
Even the gentlemen of our age - this is an attempt to describe one of them, no better nor worse than most educated men - even these we cannot show as they are, with the notorious foibles and selfishness of their lives and their education. Since the author of Tom Jones was buried, no writer of fiction among us has been permitted to depict to his utmost power a MAN. We must drape him, and give him a certain conventional simper. Society will not tolerate the Natural in our Art. Many ladies have remonstrated and subscribers left me, because, in the course of the story, I described a young man resisting and affected by temptation.
My object was to say, that he had the passions to feel, and the manliness and generosity to overcome them. You will not hear - it is best to know it - what moves in the real world, what passes in society, in the clubs, colleges, mess-rooms,- what is the life and talk of your sons. A little more frankness than is customary has been attempted in this story; with no bad desire on the writer's part, it is hoped, and with no ill consequence to any reader. If truth is not always pleasant, at any rate truth is best, from whatever chair - from those whence graver writers or thinkers argue, as from that at which the story-teller sits as he concludes his labour, and bids his kind reader farewell.
Kensington, Nov. 26th, 1850.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
Two years after her marriage, Ximena lost consciousness in a pool of her own blood during a difficult childbirth. She forgot that her ex-husband was actually getting married to someone else that day. "Let's get a divorce, but the baby stays with me." His words before their divorce was finalized still lingered in her head. He wasn't there for her, but he wanted full custody of their child. Ximena would rather die than see her child call someone else mother. As a result, she gave up the ghost on the operating table with two babies left in her belly. But that wasn't the end for her... Years later, fate caused them to meet again. Ramon was a changed man this time. He wanted to keep her to himself even though she was already a mother of two children. When he found out about her wedding, he stormed into the venue and created a scene. "Ramon, I died once before, so I don't mind dying again. But this time, I want us to die together," she yelled, glaring at him with hurt in her eyes. Ximena thought he didn't love her and was happy that she was finally out of his life. But what she didn't know was that the news of her unexpected death had shattered his heart. For a long time, he cried alone due to the pain and agony. He always wished he could turn back the hands of time or see her beautiful face once again. The drama that came later became too much for Ximena. Her life was filled with twists and turns. Soon, she was torn between getting back with her ex-husband or moving on with her life. What would she choose?
It took only a second for a person's world to come crashing down. This was what happened in Hannah's case. For four years, she gave her husband her all, but one day, he said emotionlessly, "Let's get divorced." Hannah's heart broke into a million pieces as she signed the divorce papers, marking the end of her role as a devoted wife. Within Hannah, a strong woman awakened, vowing never to be beholden to any man again. Embracing her new life, she embarked on a journey to find herself and command her own destiny. By the time she returned, she had experienced so much growth and was now completely different from the docile wife everyone once knew. "Is this your latest trick to get my attention?" Hannah's ever-so-arrogant husband asked. Before she could retort, a handsome and domineering CEO pulled her into his embrace. He smiled down at her and said boldly to her ex, "Just a little heads-up, mister. This is my beloved wife. Keep off!"
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?
Nancy replaced her sister to marry Charlie. She originally thought it would be a widow-like marriage. But Charlie who had disappeared for three years suddenly came back. She was so scared that she turned around and ran, but was cornered by him. ”What, are you so excited to see me?” Nancy forced a smile, “Yeah, I've been looking forward to your return every day.” ”Hmm...” Charlie raised her chin with his slender fingers, “If so, then let me satisfy your need.” After saying that, he was about to forcefully kiss her. But Nancy blocked her face, “Don’t forget you’re my brother-in-law. I shouldn’t have said that...” Charlie gently interrupted her, “The one who married me, who got the marriage certificate with me, is you. I’m not your brother-in-law. I’m your husband. Call me darling, I can die for you.”
Broken, damaged beyond repair; that's how Katherine Isobelle would describe her marriage with Nikolai. She shouldn't have married a man who was still in the process of moving on from his first love. What's done is done. The wife returns with the divorce papers, ready to walk away from that chapter of her life, but as soon as Nikolai discovers their child's existence, he is prepared to step up and stop her from leaving.
"On the way to escape, a stranger took away her virginity. She didn’t expect that the stranger was Jasper Milton, who was rich and powerful, as well as ruthless and cold. It was said that he didn’t love woman. However, it was not true. She was suffering from a sore back after having sex with him every day, and finally she couldn’t stand it, “You don’t need to be responsible for me anymore, and you are free now.” He sat by her bed, pulled her into his arms, and said gently: “Stella, are you mistaken, shouldn’t it be you who is responsible? "" Stella Grace:”…"" "