TO DR. JOHN ELLIOTSON My Dear Doctor, Thirteen months ago, when it seemed likely that this story had come to a close, a kind friend brought you to my bedside, whence, in all probability, I never should have risen but for your constant watchfulness and skill. I like to recall your great goodness and kindness (as well as many acts of others, showing quite a surprising friendship and sympathy) at that time, when kindness and friendship were most needed and welcome. And as you would take no other fee but thanks, let me record them here in behalf of me and mine, and subscribe myself, Yours most sincerely and gratefully, W. M. THACKERAY.
If this kind of composition, of which the two years' product is now laid before the public, fail in art, as it constantly does and must, it at least has the advantage of a certain truth and honesty, which a work more elaborate might lose. In his constant communication with the reader, the writer is forced into frankness of expression, and to speak out his own mind and feelings as they urge him. Many a slip of the pen and the printer, many a word spoken in haste, he sees and would recall as he looks over his volume.
It is a sort of confidential talk between writer and reader, which must often be dull, must often flag. In the course of his volubility, the perpetual speaker must of necessity lay bare his own weaknesses, vanities, peculiarities. And as we judge of a man's character, after long frequenting his society, not by one speech, or by one mood or opinion, or by one day's talk, but by the tenor of his general bearing and conversation; so of a writer, who delivers himself up to you perforce unreservedly, you say, Is he honest? Does he tell the truth in the main? Does he seem actuated by a desire to find out and speak it? Is he a quack, who shams sentiment, or mouths for effect? Does he seek popularity by claptraps or other arts? I can no more ignore good fortune than any other chance which has befallen me. I have found many thousands more readers than I ever looked for. I have no right to say to these, You shall not find fault with my art, or fall asleep over my pages; but I ask you to believe that this person writing strives to tell the truth. If there is not that, there is nothing.
Perhaps the lovers of 'excitement' may care to know, that this book began with a very precise plan, which was entirely put aside. Ladies and gentlemen, you were to have been treated, and the writer's and the publisher's pocket benefited, by the recital of the most active horrors. What more exciting than a ruffian (with many admirable virtues) in St. Giles's, visited constantly by a young lady from Belgravia? What more stirring than the contrasts of society? the mixture of slang and fashionable language? the escapes, the battles, the murders? Nay, up to nine o'clock this very morning, my poor friend, Colonel Altamont, was doomed to execution, and the author only relented when his victim was actually at the window.
The 'exciting' plan was laid aside (with a very honourable forbearance on the part of the publishers), because, on attempting it, I found that I failed from want of experience of my subject; and never having been intimate with any convict in my life, and the manners of ruffians and gaol-birds being quite unfamiliar to me, the idea of entering into competition with M. Eugene Sue was abandoned. To describe a real rascal, you must make him so horrible that he would be too hideous to show; and unless the painter paints him fairly, I hold he has no right to show him at all.
Even the gentlemen of our age - this is an attempt to describe one of them, no better nor worse than most educated men - even these we cannot show as they are, with the notorious foibles and selfishness of their lives and their education. Since the author of Tom Jones was buried, no writer of fiction among us has been permitted to depict to his utmost power a MAN. We must drape him, and give him a certain conventional simper. Society will not tolerate the Natural in our Art. Many ladies have remonstrated and subscribers left me, because, in the course of the story, I described a young man resisting and affected by temptation.
My object was to say, that he had the passions to feel, and the manliness and generosity to overcome them. You will not hear - it is best to know it - what moves in the real world, what passes in society, in the clubs, colleges, mess-rooms,- what is the life and talk of your sons. A little more frankness than is customary has been attempted in this story; with no bad desire on the writer's part, it is hoped, and with no ill consequence to any reader. If truth is not always pleasant, at any rate truth is best, from whatever chair - from those whence graver writers or thinkers argue, as from that at which the story-teller sits as he concludes his labour, and bids his kind reader farewell.
Kensington, Nov. 26th, 1850.
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
Kara Martin was known as Miss Perfect. She was a beauty with good personality and successful career. Unfortunately, her life changed at one night. She was accused of adultery, losing her job, and abandoned by her fiance. The arrogant man who slept with her did not want to take responsibility. He even threatened to kill her if they met again. What's worse, Kara was pregnant with twins and she chose to give birth to them. Four and a half years later, Kara returned to work at a large company. As the secretary, she would frequently face their notorious CEO. Kara thought it wouldn't be a problem, but as it turned out ... the CEO was the father of the twins!
As a simple assistant, messaging the CEO in the dead of night to request shares of adult films was a bold move. Bethany, unsurprisingly, didn't receive any films. However, the CEO responded that, while he had no films to share, he could offer a live demonstration. After a night filled with passion, Bethany was certain she'd lose her job. But instead, her boss proposed, "Marry me. Please consider it." "Mr. Bates, you're kidding me, right?"
Belinda thought after divorce, they would part ways for good - he could live his life on his own terms, while she could indulge in the rest of hers. However, fate had other plans in store. "My darling, I was wrong. Would you please come back to me?" The man, whom she once loved deeply, lowered his once proud head humbly. "I beg you to return to me." Belinda coldly pushed away the bouquet of flowers he had offered her and coolly replied, "It's too late. The bridge has been burned, and the ashes have long since scattered to the wind!"
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."
Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town’s richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. “Way to go, honey!”
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."