The Lessways household, consisting of Hilda and her widowed mother, was temporarily without a servant. Hilda hated domestic work, and because she hated it she often did it passionately and thoroughly. That afternoon, as she emerged from the kitchen, her dark, defiant face was full of grim satisfaction in the fact that she had left a kitchen polished and irreproachable, a kitchen without the slightest indication that it ever had been or ever would be used for preparing human nature’s daily food; a show kitchen.
An Event in Mr. Skellorn's Life
i
The Lessways household, consisting of Hilda and her widowed mother, was temporarily without a servant. Hilda hated domestic work, and because she hated it she often did it passionately and thoroughly. That afternoon, as she emerged from the kitchen, her dark, defiant face was full of grim satisfaction in the fact that she had left a kitchen polished and irreproachable, a kitchen without the slightest indication that it ever had been or ever would be used for preparing human nature's daily food; a show kitchen. Even the apron which she had worn was hung in concealment behind the scullery door. The lobby clock, which stood over six feet high and had to be wound up every night by hauling on a rope, was noisily getting ready to strike two. But for Mrs. Lessways' disorderly and undesired assistance, Hilda's task might have been finished a quarter of an hour earlier. She passed quietly up the stairs. When she was near the top, her mother's voice, at once querulous and amiable, came from the sitting-room:
"Where are you going to?"
There was a pause, dramatic for both of them, and in that minute pause the very life of the house seemed for an instant to be suspended, and then the waves of the hostile love that united these two women resumed their beating, and Hilda's lips hardened.
"Upstairs," she answered callously.
No reply from the sitting-room!
At two o'clock on the last Wednesday of every month, old Mr. Skellorn, employed by Mrs. Lessways to collect her cottage-rents, called with a statement of account, and cash in a linen bag. He was now due. During his previous visit Hilda had sought to instil some common sense into her mother on the subject of repairs, and there had ensued an altercation which had never been settled.
"If I stayed down, she wouldn't like it," Hilda complained fiercely within herself, "and if I keep away she doesn't like that either! That's mother all over!"
She went to her bedroom. And into the soft, controlled shutting of the door she put more exasperated vehemence than would have sufficed to bang it off its hinges.
ii
At this date, late October in 1878, Hilda was within a few weeks of twenty-one. She was a woman, but she could not realize that she was a woman. She remembered that when she first went to school, at the age of eight, an assistant teacher aged nineteen had seemed to her to be unquestionably and absolutely a woman, had seemed to belong definitely to a previous generation. The years had passed, and Hilda was now older than that mature woman was then; and yet she could not feel adult, though her childhood gleamed dimly afar off, and though the intervening expanse of ten years stretched out like a hundred years, like eternity. She was in trouble; the trouble grew daily more and more tragic; and the trouble was that she wanted she knew not what. If her mother had said to her squarely, "Tell me what it is will make you a bit more contented, and you shall have it even if it kills me!" Hilda could only have answered with the fervour of despair, "I don't know! I don't know!"
Her mother was a creature contented enough. And why not-with a sufficient income, a comfortable home, and fair health? At the end of a day devoted partly to sheer vacuous idleness and partly to the monotonous simple machinery of physical existence-everlasting cookery, everlasting cleanliness, everlasting stitchery-her mother did not with a yearning sigh demand, "Must this sort of thing continue for ever, or will a new era dawn?" Not a bit! Mrs. Lessways went to bed in the placid expectancy of a very similar day on the morrow, and of an interminable succession of such days. The which was incomprehensible and offensive to Hilda.
She was in a prison with her mother, and saw no method of escape, saw not so much as a locked door, saw nothing but blank walls. Even could she by a miracle break prison, where should she look for the unknown object of her desire, and for what should she look? Enigmas! It is true that she read, occasionally with feverish enjoyment, especially verse. But she did not and could not read enough. Of the shelf-ful of books which in thirty years had drifted by one accident or another into the Lessways household, she had read every volume, except Cruden's Concordance. A heterogeneous and forlorn assemblage! Lavater's Physiognomy, in a translation and in full calf! Thomson's Seasons, which had thrilled her by its romantic beauty! Mrs. Henry Wood's Danesbury House, and one or two novels by Charlotte M. Yonge and Dinah Maria Craik, which she had gulped eagerly down for the mere interest of their stories. Disraeli's Ixion, which she had admired without understanding it. A History of the North American Indians! These were the more exciting items of the set. The most exciting of all was a green volume of Tennyson's containing Maud. She knew Maud by heart. By simple unpleasant obstinacy she had forced her mother to give her this volume for a birthday present, having seen a quotation from it in a ladies' magazine. At that date in Turnhill, as in many other towns of England, the poem had not yet lived down a reputation for immorality; but fortunately Mrs. Lessways had only the vaguest notion of its dangerousness, and was indeed a negligent kind of woman. Dangerous the book was! Once in reciting it aloud in her room, Hilda had come so near to fainting that she had had to stop and lie down on the bed, until she could convince herself that she was not the male lover crying to his beloved. An astounding and fearful experience, and not to be too lightly renewed! For Hilda, Maud was a source of lovely and exquisite pain.
Why had she not used her force of character to obtain more books? One reason lay in the excessive difficulty to be faced. Birthdays are infrequent; and besides, the enterprise of purchasing Maud had proved so complicated and tedious that Mrs. Lessways, with that curious stiffness which marked her sometimes, had sworn never to attempt to buy another book. Turnhill, a town of fifteen thousand persons, had no bookseller; the only bookseller that Mrs. Lessways had ever heard of did business at Oldcastle. Mrs. Lessways had journeyed twice over the Hillport ridge to Oldcastle, in the odd quest of a book called Maud by "Tennyson-the poet laureate"; the book had had to be sent from London; and on her second excursion to Oldcastle Mrs. Lessways had been caught by the rain in the middle of Hillport Marsh. No! Hilda could not easily demand the gift of another book, when all sorts of nice, really useful presents could be bought in the High Street. Nor was there in Turnhill a Municipal Library, nor any public lending-library.
Yet possibly Hilda's terrific egoism might have got fresh books somehow from somewhere, had she really believed in the virtue of books. Thus far, however, books had not furnished her with what she wanted, and her faith in their promise was insecure.
Books failing, might she not have escaped into some vocation? The sole vocation conceivable for her was that of teaching, and she knew, without having tried it, that she abhorred teaching. Further, there was no economical reason why she should work. In 1878, unless pushed by necessity, no girl might dream of a vocation: the idea was monstrous; it was almost unmentionable. Still further, she had no wish to work for work's sake. Marriage remained. But she felt herself a child, ages short of marriage. And she never met a man. It was literally a fact that, except Mr. Skellorn, a few tradesmen, the vicar, the curate, and a sidesman or so, she never even spoke to a man from one month's end to the next. The Church choir had its annual dance, to which she was invited; but the perverse creature cared not for dancing. Her mother did not seek society, did not appear to require it. Nor did Hilda acutely feel the lack of it. She could not define her need. All she knew was that youth, moment by moment, was dropping down inexorably behind her. And, still a child in heart and soul, she saw herself ageing, and then aged, and then withered. Her twenty-first birthday was well above the horizon. Soon, soon, she would be 'over twenty-one'! And she was not yet born! That was it! She was not yet born! If the passionate strength of desire could have done the miracle time would have stood still in the heavens while Hilda sought the way of life.
And withal she was not wholly unhappy. Just as her attitude to her mother was self-contradictory, so was her attitude towards existence. Sometimes this profound infelicity of hers changed its hues for an instant, and lo! it was bliss that she was bathed in. A phenomenon which disconcerted her! She did not know that she had the most precious of all faculties, the power to feel intensely.
iii
Mr. Skellorn did not come; he was most definitely late.
From the window of her bedroom, at the front of the house, Hilda looked westwards up toward the slopes of Chatterley Wood, where as a child she used to go with other children to pick the sparse bluebells that thrived on smoke. The bailiwick of Turnhill lay behind her; and all the murky district of the Five Towns, of which Turnhill is the northern outpost, lay to the south. At the foot of Chatterley Wood the canal wound in large curves on its way towards the undefiled plains of Cheshire and the sea. On the canal-side, exactly opposite to Hilda's window, was a flour-mill, that sometimes made nearly as much smoke as the kilns and chimneys closing the prospect on either hand. From the flour-mill a bricked path, which separated a considerable row of new cottages from their appurtenant gardens, led straight into Lessways Street, in front of Mrs. Lessways' house. By this path Mr. Skellorn should have arrived, for he inhabited the farthest of the cottages.
Hilda held Mr. Skellorn in disdain, as she held the row of cottages in disdain. It seemed to her that Mr. Skellorn and the cottages mysteriously resembled each other in their primness, their smugness, their detestable self-complacency. Yet those cottages, perhaps thirty in all, had stood for a great deal until Hilda, glancing at them, shattered them with her scorn. The row was called Freehold Villas: a consciously proud name in a district where much of the land was copyhold and could only change owners subject to the payment of 'fines' and to the feudal consent of a 'court' presided over by the agent of a lord of the manor. Most of the dwellings were owned by their occupiers, who, each an absolute monarch of the soil, niggled in his sooty garden of an evening amid the flutter of drying shirts and towels. Freehold Villas symbolized the final triumph of Victorian economics, the apotheosis of the prudent and industrious artisan. It corresponded with a Building Society Secretary's dream of paradise. And indeed it was a very real achievement. Nevertheless Hilda's irrational contempt would not admit this. She saw in Freehold Villas nothing but narrowness (what long narrow strips of gardens, and what narrow homes all flattened together!), and uniformity, and brickiness, and polished brassiness, and righteousness, and an eternal laundry.
From the upper floor of her own home she gazed destructively down upon all that, and into the chill, crimson eye of the descending sun. Her own home was not ideal, but it was better than all that. It was one of the two middle houses of a detached terrace of four houses built by her grandfather Lessways, the teapot manufacturer; it was the chief of the four, obviously the habitation of the proprietor of the terrace. One of the corner houses comprised a grocer's shop, and this house had been robbed of its just proportion of garden so that the seigneurial garden-plot might be triflingly larger than the others. The terrace was not a terrace of cottages, but of houses rated at from twenty-six to thirty-six pounds a year; beyond the means of artisans and petty insurance agents and rent-collectors. And further, it was well built, generously built; and its architecture, though debased, showed some faint traces of Georgian amenity. It was admittedly the best row of houses in that newly settled quarter of the town. In coming to it out of Freehold Villas Mr. Skellorn obviously came to something superior, wider, more liberal.
Suddenly Hilda heard her mother's voice, in a rather startled conversational tone, and then another woman speaking; then the voices died away. Mrs. Lessways had evidently opened the back door to somebody, and taken her at once into the sitting-room. The occurrence was unusual. Hilda went softly out on to the landing and listened, but she could catch nothing more than a faint, irregular murmur. Scarcely had she stationed herself on the landing when her mother burst out of the sitting-room, and called loudly:
"Hilda!" And again in an instant, very impatiently and excitedly, long before Hilda could possibly have appeared in response, had she been in her bedroom, as her mother supposed her to be: "Hilda!"
Hilda could see without being seen. Mrs. Lessways' thin, wrinkled face, bordered by her untidy but still black and glossy hair, was upturned from below in an expression of tragic fretfulness. It was the uncontrolled face, shamelessly expressive, of one who thinks himself unwatched. Hilda moved silently to descend, and then demanded in a low tone whose harsh self-possession was a reproof to that volatile creature, her mother:
"What's the matter?"
Mrs. Lessways gave a surprised "Oh!" and like a flash her features changed in the attempt to appear calm and collected.
"I was just coming downstairs," said Hilda. And to herself: "She's always trying to pretend I'm nobody, but when the least thing happens out of the way, she runs to me for all the world like a child." And as Mrs. Lessways offered no reply, but simply stood at the foot of the stairs, she asked again: "What is it?"
"Well," said her mother lamentably. "It's Mr. Skellorn. Here's Mrs. Grant-"
"Who's Mrs. Grant?" Hilda inquired, with a touch of scorn, although she knew perfectly well that Mr. Skellorn had a married daughter of that name.
"Hsh! Hsh!" Mrs. Lessways protested, indicating the open door of the sitting-room. "You know Mrs. Grant! It seems Mr. Skellorn has had a paralytic stroke. Isn't it terrible?"
Hilda continued smoothly to descend the stairs, and followed her mother into the sitting-room.
A Great Man (1904), which Bennett subtitled "A Frolic," gives his humorous talent full rein. The novel is a hilarious character study of Henry Shakespeare Knight from his humble beginnings to his assent to the pinnacle of fame as a popular writer.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Old Adam: A Story of Adventure includes a table of contents.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Ghost: A Modern Fantasy includes a table of contents.
Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Dodo Collections brings you another classic from Arnold Bennett, '"Denry the Audacious."' Like many of Arnold Bennett's works of fiction, the comic novel Denry the Audacious is set among the quaint village lanes of the Potteries District of Staffordshire. It is amidst this humble environment that the one-of-a-kind character Edward Henry Machin emerges from poverty and, largely through the force of his own indomitable will, achieves a measure of power and influence. Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.
Anna Tellwright, daughter of a wealthy but miserly and dictatorial father, lives in the Potteries area of Staffordshire, England. Her activities are strictly controlled by the Methodist church. Anna struggles for freedom and independence against her father's restraints, and her inward battle between wanting to please her father and wanting to help Willie Price whose father, Titus Price, committed suicide after falling into bankruptcy and debt.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
P-please, I beg you. Come let's go tell Christian I had no hand in whatever happened, p-please." I clutched the lapel of his jacket desperately. "Let's go. You need to tell my husband you were paid." "Young lady, you're harassing me." His tone was cold and his stare granite. But I could care less. "You harassed me first! You had sex with me without my consent, my husband knows and now I'm pregnant with this child he doesn't want. You ruined my marriage! I-I hate you!" ************************************ Caught by her husband with another man on their matrimonial bed the morning after her birthday, Hailey Codza could not defend herself. As though it's not enough, she gets pregnant. Her enraged husband decides to pay her back for her infidelity by having an affair with his ex-girlfriend - Denise Kellers, the family Hailey never knew she had. Losing her family's wealth and company to her husband and his ex (now girlfriend), she is devastated, homeless and penniless as all her credit cards are blocked by her husband. She sees the man who is responsible for her pregnancy. The man she has no idea how he'd found his way to her matrimonial bed - Jared Johnson. Jared is annoyed when this strange woman disrupts his meeting and accuses him of ruining her life, marriage and impregnating her. It affects his business deals and having no choice, he marries her to calm the public whilst engaged to someone else. But he loathes her and allows his family treats her badly. Hailey who has fallen in love with Jared is broken when she can no longer take the humiliation. She signs the divorce papers and leaves, only to arrive six years later to the country as a self-made, secret billionaire and a mother of twins. Now her two ex-husbands are begging to have her back...
"Never let anyone treat you like shit!" I learned that the hard way. For three years, I lived with my in-laws. They didn't treat me as their son-in-law but as a slave. I put up with everything because of my wife, Yolanda Lambert. She was the light of my life. Unfortunately, my whole world came crashing down the day I caught my wife cheating on me. I have never been so heartbroken. To have my revenge, I revealed my true identity. I was none other than Liam Hoffman—the heir of a family with trillions of dollars in assets! The Lamberts were utterly shocked after the big reveal. They realized what fools they had been for treating me like trash. My wife even knelt down and begged for my forgiveness. What do you think I did? Did I take her back or made her suffer? Find out!
My family was on the poverty line and had no way to support me in college. I had to work part-time every day just to make ends meet and afford to get into the university. That was when I met her—the pretty girl in my class that every boy dreamt of asking out. I was well aware she was out of my league. Nevertheless, I mustered all my courage and bravely told her that I had fallen for her. To my surprise, she agreed to be my girlfriend. With the sweetest smile I had ever seen, she told me that she wanted my first gift for her to be the latest and top-of-the-line iPhone. I worked like a dog and even did my classmates’ laundry to save up. My hard work eventually paid off after a month. I finally got to buy what she wanted. But as I was wrapping my gift, I saw her in the dressing room, making out with the captain of the basketball team. She then heartlessly made fun of my inadequacy and made a fool out of me. To make things worse, the guy whom she cheated on me with even punched me in the face. Desperation washed over me, but there was nothing I could do but lie on the floor as they trampled on my feelings. But then, my father called me out of the blue, and my life turned upside down. It turned out that I was a billionaire's son.
Lindsey's fiancé was the devil's first son. Not only did he lie to her but he also slept with her stepmother, conspired to take away her family fortune, and then set her up to have sex with a total stranger. To get her lick back, Lindsey decided to find a man to disrupt her engagement party and humiliate the cheating bastard. Never did she imagine that she would bump into a strikingly handsome stranger who was all that she was currently looking for. At the engagement party, he boldly declared that she was his woman. Lindsey thought he was just a broke man who wanted to leech off her. But once they began their fake relationship, she realized that good luck kept coming her way. She thought they would part ways after the engagement party, but this man kept to her side. "We gotta stick together, Lindsey. Remember, I'm now your fiancé. " "Domenic, you're with me because of my money, aren't you?" Lindsey asked, narrowing her eyes at him. Domenic was taken aback by that accusation. How could he, the heir of the Walsh family and CEO of Vitality Group, be with her for money? He controlled more than half of the city's economy. Money wasn't a problem for him! The two got closer and closer. One day, Lindsey finally realized that Domenic was actually the stranger she had slept with months ago. Would this realization change things between them? For the better or worse?
It was supposed to be a marriage of convenience, but Carrie made the mistake of falling in love with Kristopher. When the time came that she needed him the most, her husband was in the company of another woman. Enough was enough. Carrie chose to divorce Kristopher and move on with her life. Only when she left did Kristopher realize how important she was to him. In the face of his ex-wife’s countless admirers, Kristopher offered her 20 million dollars and proposed a new deal. “Let’s get married again.”