William MacLeod Raine was an American author who wrote classic adventure novels about the Wild West.
William MacLeod Raine was an American author who wrote classic adventure novels about the Wild West.
Day was breaking in the Panhandle. The line-rider finished his breakfast of buffalo-hump, coffee, and biscuits. He had eaten heartily, for it would be long after sunset before he touched food again.
Cheerfully and tunelessly he warbled a cowboy ditty as he packed his supplies and prepared to go.
"Oh, it's bacon and beans most every day,
I'd as lief be eatin' prairie hay."
While he washed his dishes in the fine sand and rinsed them in the current of the creek he announced jocundly to a young world glad with spring:
"I'll sell my outfit soon as I can,
Won't punch cattle for no damn' man."
The tin cup beat time against the tin plate to accompany a kind of shuffling dance. Jack Roberts was fifty miles from nowhere, alone on the desert, but the warm blood of youth set his feet to moving. Why should he not dance? He was one and twenty, stood five feet eleven in his socks, and weighed one hundred and seventy pounds of bone, sinew, and well-packed muscle. A son of blue skies and wide, wind-swept spaces, he had never been ill in his life. Wherefore the sun-kissed world looked good to him.
He mounted a horse picketed near the camp and rode out to a remuda of seven cow-ponies grazing in a draw. Of these he roped one and brought it back to camp, where he saddled it with deft swiftness.
The line-rider swung to the saddle and put his pony at a jog-trot. He topped a hill and looked across the sunlit mesas which rolled in long swells far as the eye could see. The desert flowered gayly with the purple, pink, and scarlet blossoms of the cacti and with the white, lilylike buds of the Spanish bayonet. The yucca and the prickly pear were abloom. He swept the panorama with trained eyes. In the distance a little bunch of antelope was moving down to water in single file. On a slope two miles away grazed a small herd of buffalo. No sign of human habitation was written on that vast solitude of space.
The cowboy swung to the south and held a steady road gait. With an almost uncanny accuracy he recognized all signs that had to do with cattle. Though cows, half hidden in the brush, melted into the color of the hillside, he picked them out unerringly. Brands, at a distance so great that a tenderfoot could have made of them only a blur, were plain as a primer to him.
Cows that carried on their flanks the A T O, he turned and started northward. As he returned, he would gather up these strays and drive them back to their own range. For in those days, before the barbed wire had reached Texas and crisscrossed it with boundary lines, the cowboy was a fence more mobile than the wandering stock.
It was past noon when Roberts dropped into a draw where an immense man was lying sprawled under a bush. The recumbent man was a mountain of flesh; how he ever climbed to a saddle was a miracle; how a little cow-pony carried him was another. Yet there was no better line-rider in the Panhandle than Jumbo Wilkins.
"'Lo, Texas," the fat man greeted.
The young line-rider had won the nickname of "Texas" in New Mexico a year or two before by his aggressive championship of his native State. Somehow the sobriquet had clung to him even after his return to the Panhandle.
"'Lo, Jumbo," returned the other. "How?"
"Fat like a match. I'm sure losin' flesh. Took up another notch in my belt yestiddy."
Roberts shifted in the saddle, resting his weight on the horn and the ball of one foot for ease. He was a slim, brown youth, hard as nails and tough as whipcord. His eyes were quick and wary. In spite of the imps of mischief that just now lighted them, one got an impression of strength. He might or might not be, in the phrase of the country, a "bad hombre," but it was safe to say he was an efficient one.
"Quick consumption, sure," pronounced the younger man promptly. "You don't look to me like you weigh an ounce over three hundred an' fifty pounds. Appetite kind o' gone?"
"You're damn whistlin'. I got an ailment, I tell you, Tex. This mo'nin' I didn't eat but a few slices of bacon an' some lil' steaks an' a pan or two o' flapjacks an' mebbe nine or ten biscuits. Afterward I felt kind o' bloated like. I need some sa'saparilla. Now, if I could make out to get off for a few days-"
"You could get that sarsaparilla across the bar at the Bird Cage, couldn't you, Jumbo?" the boy grinned.
The whale of a man looked at him reproachfully. "You never seen me shootin' up no towns or raisin' hell when I was lit up. I can take a drink or leave it alone."
"That's right too. Nobody lets it alone more than you do when it can't be got. I've noticed that."
"You cayn't devil me, boy. I was punchin' longhorns when yore mammy was paddlin' you for stealin' the sugar. Say, that reminds me. I'm plumb out o' sugar. Can you loan me some till Pedro gits around? I got to have sugar or I begin to fall off right away," the big man whined.
The line-riders chatted casually of the topics that interest men in the land of wide, empty frontiers. Of Indians they had something to say, of their diminishing grub supply more. Jumbo mentioned that he had found an A T O cow dead by a water-hole. They spoke incidentally of the Dinsmore gang, a band of rustlers operating in No Man's Land. They had little news of people, since neither of them had for three weeks seen another human being except Quint Sullivan, the line-rider who fenced the A T O cattle to the east of Roberts.
Presently Roberts nodded a good-bye and passed again into the solitude of empty spaces. The land-waves swallowed him. Once more he followed draws, crossed washes, climbed cow-backed hills, picking up drift-cattle as he rode.
It was late afternoon when he saw a thin spiral of smoke from a rise of ground. Smoke meant that some human being was abroad in the land, and every man on the range called for investigation. The rider moved forward to reconnoiter.
He saw a man, a horse, a cow, a calf, and a fire. When these five things came together, it meant that somebody was branding. The present business of Roberts was to find out what brand was on the cow and what one was being run on the flank of the calf. He rode forward at a slow canter.
The man beside the fire straightened. He took off his hat and swept it in front of him in a semicircle from left to right. The line-rider understood the sign language of the plains. He was being "waved around." The man was serving notice upon him to pass in a wide circle. It meant that the dismounted man did not intend to let himself be recognized. The easy deduction was that he was a rustler.
The cowboy rode steadily forward. The man beside the fire picked up a rifle lying at his feet and dropped a bullet a few yards in front of the advancing man.
Roberts drew to a halt. He was armed with a six-shooter, but a revolver was of no use at this distance. For a moment he hesitated. Another bullet lifted a spurt of dust almost at his horse's feet.
The line-rider waited for no more definite warning. He waved a hand toward the rustler and shouted down the wind: "Some other day." Quickly he swung his horse to the left and vanished into an arroyo. Then, without an instant's loss of time, he put his pony swiftly up the draw toward a "rim-rock" edging a mesa. Over to the right was Box Ca?on, which led to the rough lands of a terrain unknown to Roberts. It was a three-to-one chance that the rustler would disappear into the ca?on.
The young man rode fast, putting his bronco at the hills with a rush. He was in a treeless country, covered with polecat brush. Through this he plunged recklessly, taking breaks in the ground without slackening speed in the least.
Near the summit of the rise Roberts swung from the saddle and ran forward through the brush, crouching as he moved. With a minimum of noise and a maximum of speed he negotiated the thick shrubbery and reached the gorge.
He crept forward cautiously and looked down. Through the shin-oak which grew thick on the edge of the bluff he made out a man on horseback driving a calf. The mount was a sorrel with white stockings and a splash of white on the nose. The distance was too great for Roberts to make out the features of the rider clearly, though he could see the fellow was dark and slender.
The line-rider watched him out of sight, then slithered down the face of the bluff to the sandy wash. He knelt down and studied intently the hoofprints written in the soil. They told him that the left hind hoof of the animal was broken in an odd way.
Jack Roberts clambered up the steep edge of the gulch and returned to the cow-pony waiting for him with drooping hip and sleepy eyes.
"Oh, you Two Bits, we'll amble along and see where our friend is headin' for."
He picked a way down into the ca?on and followed the rustler. At the head of the gulch the man on the sorrel had turned to the left. The cowboy turned also in that direction. A sign by the side of the trail confronted him.
THIS IS PETE DINSMORE'S ROAD-
TAKE ANOTHER
"The plot sure thickens," grinned Jack. "Reckon I won't take Pete's advice to-day. It don't listen good."
He spoke aloud, to himself or to his horse or to the empty world at large, as lonely riders often do on the plains or in the hills, but from the heavens above an answer dropped down to him in a heavy, masterful voice:
"Git back along that trail pronto!"
Roberts looked up. A flat rock topped the bluff above. From the edge of it the barrel of a rifle projected. Behind it was a face masked by a bandana handkerchief. The combination was a sinister one.
If the line-rider was dismayed or even surprised, he gave no evidence of it.
"Just as you say, stranger. I reckon you're callin' this dance," he admitted.
"You'll be lucky if you don't die of lead-poisonin' inside o' five minutes. No funny business! Git!"
The cowboy got. He whirled his pony in its tracks and sent it jogging down the back trail. A tenderfoot would have taken the gulch at breakneck speed. Most old-timers would have found a canter none too fast. But Jack Roberts held to a steady road gait. Not once did he look back-but every foot of the way till he had turned a bend in the ca?on there was an ache in the small of his back. It was a purely sympathetic sensation, for at any moment a bullet might come crashing between the shoulders.
Once safely out of range the rider mopped a perspiring face.
"Wow! This is your lucky day, Jack. Ain't you got better sense than to trail rustlers with no weapon but a Sunday-School text? Well, here's hopin'! Maybe we'll meet again in the sweet by an' by. You never can always tell."
* * *
Tangled Trails A Western Detective Story by William MacLeod Raine
William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of A Daughter of Raasay includes a table of contents.
William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of The Highgrader includes a table of contents.
William MacLeod Raine was an American author who wrote classic adventure novels about the Wild West.
William Macleod Raine was a British-born American writer of Wild West fiction. Raine's stories of adventure during the famous, action-packed era of American history are still popular today. This edition of Crooked Trails and Straight includes a table of contents.
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Chelsey loved Brett for seven years and tried everything for a baby-doctors, IVF, surgeries. Then she found out he'd been dosing her food with contraceptives. She woke back at the fire years earlier and watched Brett carry another woman out, leaving Chelsey to choke in smoke. She realized he'd been reborn too-and picked his "true love." Chelsey walked away and married Julian, her friend's cousin and the hot firefighter who saved her; he gave her all his money the day they married. Brett scoffed... until Chelsey shone at an AI summit and Julian's real identity shocked him. Seeing her with twins and another baby coming, Brett begged, "Come back to me! Please!"
I stood at the edge of the freezing pond on the Boone estate, my body trembling with a fear that rattled my bones. Across from me, Amanda Olsen looked immaculate in her cashmere coat, a sharp contrast to the jagged reality I was trying to hold together. "Why?" I whispered. Amanda just smiled, admitting she killed Grandpa Boone because he actually liked me. She pulled out a thick envelope-divorce papers Cordero had signed that morning. She told me he called me a parasite and was celebrating with her the night I suffered a miscarriage. Before I could even scream, Amanda lunged and shoved me into the icy water. My heavy wool coat acted like a sponge, dragging me into the artificial abyss. I thrashed and gasped for air, but Amanda just stood on the bank, watching me drown with her hands tucked casually in her pockets. As my lungs burned and the darkness closed in, I realized I had spent my entire marriage taking their abuse. I was the "foster trash" and the "gold digger" who let them win every single time. I was dying alone, hated by the husband I had tried so hard to love, while my murderer stood victorious on the shore. I never fought back. I just let them destroy me. Then, a violent spasm tore through my body. I sat up gasping, sucking in dry, air-conditioned oxygen instead of murky pond water. I wasn't dead. I was back in the opulent master suite, surrounded by red rose petals and wedding decorations. The digital clock glowed: October 14, 2019. I had gone back five years to the very night my nightmare began. The bathroom door clicked open, and Cordero stepped out, looking at me with the same cold disgust I remembered. But as I gripped the silk sheets, a new resolve hardened in my chest. This time, I wasn't going to be the victim. This time, the Boone family was going to find out exactly what happens when you push someone too far.
I was finally brought back to the billionaire Vance estate after years in the grimy foster system, but the luxury Lincoln felt more like a funeral procession. My biological family didn't welcome me with open arms; they looked at me like a stain on a silk shirt. They thought I was a "defective" mute with cognitive delays, a spare part to be traded away. Within hours of my arrival, my father decided to sell me to Julian Thorne, a bitter, paralyzed heir, just to secure a corporate merger. My sister Tiffany treated me like trash, whispering for me to "go back to the gutter" before pouring red wine over my dress in front of Manhattan's elite. When a drunk cousin tried to lay hands on me at the engagement gala, my grandmother didn't protect me-she raised her silver-topped cane to strike my face for "embarrassing the family." They called me a sacrificial lamb, laughing as they signed the prenuptial agreement that stripped me of my freedom. They had no idea I was E-11, the underground hacker-artist the world was obsessed with, or that I had already breached their private servers. I found the hidden medical records-blood types A, A, and B-a biological impossibility that proved my "parents" were harboring a scandal that could ruin them. Why bring me back just to discard me again? And why was Julian Thorne, the man supposedly bound to a wheelchair, secretly running miles at dawn on his private estate? Standing in the middle of the ballroom, I didn't plead for mercy. I used a text-to-speech app to broadcast a cold, synthetic threat: "I have the records, Richard. Do you want me to explain genetics to the press, or should we leave quietly?" With the "paralyzed" billionaire as my unexpected accomplice, I walked out of the Vance house and into a much more dangerous game.
Kathryn was the true daughter, but Jolene stole her life and set her up for ruin. After a brutal kidnapping scheme, Kathryn's loyalty to her brothers and fiancé was met with cruel betrayal. Narrowly escaping, she chose to cut all ties and never forgive them. Then she shocked the world: the miracle doctor for the elite, a top-tier hacker, a financial mastermind, and now the untouchable star her family could only watch from afar. Her brothers begged, her parents pleaded, her ex wanted her back-Kathryn exposed them all. The world gasped as the richest man confessed his love for her.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY