The Highflyers by Clarence Budington Kelland
The Highflyers by Clarence Budington Kelland
Fred la Mothe was speaking. After a certain number of beverages composed of Scotch whisky, imported soda, and a cube of ice, it was a matter of comparative ease for him to exhibit a notable fluency. After two o'clock in the afternoon Fred was generally fluent.
"''Tain't safe,' I says to him. And the wind was blowin' enough to lift the hair out of your head. 'I wouldn't go up in the thing for the price of it,' I says, 'and, besides, you're seein' two of it. Bad enough drivin' a car when you're lit up,' I says, 'but what these flyin' machines want is a still day and a man that's cold sober. You just let it rest on its little perch in the bird-cage.'"
Fred refreshed his parched throat while his four companions waited for the conclusion of the tale. "'You'll bust your neck,' I told him.
"'Ten to one,' says he, 'I round Windmill Point Light and come back without bustin' my neck. Even money I make it without bustin' anything,' says he.
"'Dinner for four at the Tuller to-night that the least you bust is a leg,' I says, and the wind whipped the hat off my head and whirled it into a tree."
Fred stopped, evidently mourning the loss of his hat.
"Well," said Will Kraemer, impatiently, "what happened? Did he go up?"
"Him?... I paid for that dinner, but, b'lieve me, there were times when I thought I'd have to collect from his estate. Ever see a leaf blowing around in a gale? Well, that's how he looked out over the lake. Just boundin' and twirlin' and twistin', but he went the distance and came back and landed safe. Got out of the dingus just like he was gettin' off a Pullman. Patted the thing on the wing like it was a pet chicken. 'Let's drive down to the Pontchartrain,' he says. 'Likely the crowd's there.' Not another darn word. Just that."
"Trouble with Potter Waite," said Tom Watts, "is that he just naturally don't give a damn. If he's going to pull something he'd as lief pull it in the middle of Woodward Avenue at noon by the village clock as to pull it on the Six Mile Road at midnight."
"No pussy-footin' for him," said Jack Eldredge. "My old man was talking about him the other night. Day after he cleaned up those two taxi-drivers out here in front. 'Don't let me hear of you running around with that young Waite,' he says. 'He's a bad actor. You keep off him.'"
"He's a life-saver," Fred La Mothe joined in. "When dad lights into me I just mention Potter, and dad forgets me entirely. You ought to hear dad when he really gets to going on Potter."
"I'm no Sunday-school boy-" said Brick O'Mera.
"Do tell," gibed Eldredge.
"-but I'll say Potter is crowdin' the mourners. I wouldn't follow his trail a week steady."
The others waggled their heads acquiescently. Even to their minds Potter Waite traveled at too high speed and with too little thought of public opinion. About that table sat five young men who were as much a result of a condition as outlying subdivisions are the result of a local boom. Of them all, La Mothe came from a family which had known moderate wealth for generations, but it had grown swiftly, unbelievably, during the past few wonderful years, to a great fortune. Of the rest, Kraemer and O'Mera were the sons of machinists who, a dozen years before, would have considered carefully before giving their sons fifteen cents to sit in the gallery at the old Whitney Opera House to see sawmill and pile-driver and fire-engine drama. The automobile had caught them up and poured millions into their laps. Eldredge was the son of a bookkeeper who, fifteen years ago, had drawn fifty dollars at the end of each month for his services. For every dollar of that monthly salary he could now show a million. Watts was the son of a lawyer whom sheer good luck had lifted from a practice consisting of the collection of small debts, and made a stockholder in and adviser to a gigantic automobile concern. And these boys were the sons of those swiftly gotten millions. They had forgotten the old days, just as Detroit, their home city, had forgotten its old drowsiness, its mid-Western quietness and conservatism.
One might compare Detroit to a demure village girl, pleasing, beautiful, growing up with no other thought than to become a wife and mother, when, by chance, some great impresario hears her singing about her work and it is discovered that she has one of the world's rarest voices. From her the old things and the old thoughts and the old habits of life are gone forever. The world pours wealth and admiration at her feet and her name rings from continent to continent. So with the lovely old city, straggling along the shores of that inland strait. She has become a prima donna among cities. The old identity is gone, replaced by something else, less homely, but mightier, grander. Her population, which, within the memory of boys not out of high-school, numbered less than three hundred thousand souls, was now reported to be thrice that, and, by the optimistic, even more. Her wealth has not doubled or trebled, but multiplied by an unbelievable figure, and she has spent it with unbelievable lavishness.
Where once were cobblestone pavements and horse-cars are countless swarms of automobiles; where once were meadows, pastures, wood-lots, are tremendous plants employing armies of men, covering scores of acres, turning out annual products which bring to the city hundreds of millions of dollars. In the history of the world no city has come into such a fortune as Detroit, nor has there been such universal prosperity, not to employer alone, but to employees, and to the least of employees. It seemed as if the day had arrived when one asked, not where he should get money, but what he should do with his money. So Detroit spent! It built magnificent hotels; it created palaces for its millionaires, and miles upon miles of homes-luxurious, costly homes for those whose handsome salaries passed the dreams of their youth, or whose fortunes, built up by contact with the trade of purveying automobiles to an eager world, had not even been hoped for ten years before. Even the laborer had his home. Why not, when one manufacturer paid to the man who swept his floors the minimum wage of five dollars a day?
That was before the war, before a solemn covenant became a scrap of paper and the world fell sick of its most horrible disease. Then Detroit was rich, was spending lavishly but not insanely. With the coming of war there was a halt, a fright, a retrenchment, a hesitation, for no man knew what the next day might bring. But as the next day brought no disaster, as it became apparent that the coming days were to bring something quite different from disaster, Detroit went ahead gaily.
Then came strangers from abroad, speaking other languages than ours, and men began to whisper that this plant had a ten-million-dollar contract from Russia for shrapnel fuses; this other plant a twenty-million-dollar contract for trucks; this other a fabulous arrangement for manufacturing this or that bit of the devil's prescription for slaughtering men-and the whispers proved true.
The automobile brought amazingly sudden wealth; munition manufacture added to it with a blinding flash-and Detroit came to know what spending was.
These five young men, sitting in mid-afternoon in the Hotel Pontchartrain bar, were a part of all this; their life was the result of it; the thoughts, or lack of thoughts, in their minds, derived from it inevitably, remorselessly. They were castaways thrown up in a barroom by a golden flood.
To four of them a nickel for candy had been an event; now, without mental anguish, each of them could sign a dinner check which stretched to three figures, or buy a runabout or a yacht, or afford the luxury of acquaintance with the young woman who stood fourth from the end in the front row.
Let them not be chided too harshly. The fault was not theirs wholly, but was the inevitable result of their environment. They played at work, drew salaries-but could spend their afternoons in the Pontchartrain, in the Tuller, on the links or at thé dansant. They knew no responsibility to man, felt but a hazy responsibility to God, and as for their country, they had never thought about its existence.
They talked of the war, were pro-Ally with the exception of Kraemer, whom they baited when the fit was on them. Kraemer had been born on Brady Street. His grandfather was a 'forty-eighter. It was natural that he should see eye to eye with the land from which he derived his blood. Of them all, he alone took the war with seriousness, so they baited him at times, and he raged for their amusement.
They began the sport now.
"If the Kaiser only had the grand duke," said La Mothe, "he might stand some show. Look what he's done and what he had to do it with! I don't figure it'll last much longer. Everybody's lickin' Germany."
Kraemer banged the table. "You'll see," he said, passionately. "The war would be over now if it wasn't for the neutrality of the United States. This country's just prolonging the agony. If it wasn't for the munitions the Allies get from here, we'd be in Paris and London and St. Petersburg. Devil of a neutrality, ain't it? Look here...."
"Rats!" said O'Mera. "Where's Potter, anyhow?"
"Haven't seen him to-day. Ought to be driftin' in."
"He's over at police headquarters," said a new voice, and Tom Randall beckoned a waiter and sat down at the table.
"Pinched again?" came in chorus.
"No, but he'll probably get himself pinched before he's through with it. Know the von Essen girl?"
"Hildegarde, you mean? Sassy one? Swiftest flapper that ever flapped?"
"That's the darlin'. Well, she drives that runabout of hers down Jefferson again, doin' nothin' less than forty-five and makin' real time in spots. Seems she's been fined pretty average regular. Well, traffic cop gets her and makes her haul up to the curb and crawls right in beside her. Uh-huh. And off they go to the station, her lookin' like she could bite off the steerin'-wheel. Well, Potter and I are comin' along in his car, and we see the excitement and tag after. You know Potter?"
"We do!"
"'It's that von Essen kid, isn't it?' he says to me, and I agree with him. 'She's been caught too regular,' he says. 'They'll be nasty. Better trail along and see if we can help out.' So we did. Got to the station simultaneous and adjacent to them, and out jumps Potter.
"'Afternoon, Miss von Essen,' says he.
"'Mr. Waite,' she says, cool as a bisque tortoni.
"'Pinched?' says he.
"'Ask him,' she says, and jerks her head toward the cop, who is clambering down.
"'She is,' says the cop, 'and this time she gits what's comin' to her. She been a dam' nuisance,' he says, 'and this here time I'm goin' to put her over the jumps. Git out and git inside,' he says to her.
"Well, Potter sort of edged up to the cop and looks him over and says, 'I don't really see why this young lady has to go inside. You can make your complaint, and that about ends your usefulness.'
"'She stays,' says the cop, 'and if I got anything to say about it, she sleeps on a plank.'
"'You wouldn't care to do that, would you, Miss von Essen?' says Potter, with that grin of his, and I made ready to duck, because when he grins that way-"
"We know," said the boys.
"'Now you listen to reason,' says Potter. 'A police station is no place for a young lady. It doesn't smell pleasantly. So she doesn't go in. If bail's necessary or if anything's necessary, I'm here for that. But omit the stern policeman part of it.'
"'Git out and come in,' says the cop to the girl.
"'You and I are going in, friend,' says Potter, and he took hold of the policeman's arm. 'We'll fix this up-not the young lady. Come on,' says Potter, with his left fist all doubled up and ready.
"The cop knew Potter, so they parleyed, and then they walked under the porch-you know the entrance to the station-and in a couple of minutes out comes Potter, looking sort of sneering and shoving a roll of bills into his pocket.
"'Seems there was some mistake,' he says to Miss von Essen. 'It wasn't you who broke the speed ordinance; it was I. I've arranged the mistake with the officer. Now, for cat's sake, cut it out. You'll be breaking into print good one of these days, and there'll be the devil to pay ... or breaking your neck. You'll get yourself talked about if you don't ease off some.' And," said Randall, "he hardly knows the girl. Some line of talk for Potter to ladle out!"
"What did she say?"
"Her eyes just glittered at him. She's a handsome little cat, but I'll bet she can scratch. 'Coming from you,' she says, 'that advice is thrilling.' Her engine was still running. She slammed into gear, stepped on the gas, and shot over to Randolph Street.
"Potter looked after her and chuckled. 'Promising kid,' he said. 'You chase along, Tom. They want me inside.' So here I am. Guess he can take care of himself."
"Here he comes," said La Mothe. "Didn't get locked up, anyhow."
A tall young man who did not need padding in the shoulders of his coat was making his way between the tables. He wore a plaid cap jauntily on his yellow hair. He was not handsome, but at first glance one was apt to call him handsome-if he were in good humor. You liked his face, except at times when he was alone, or thoughtful. Then it distressed you, for you could not make out the meaning of its expression. Then his blue eyes, which were twinkling now, looked dark and brooding. He had a way of looking dissatisfied-and something worse, more disquieting-something not to be defined. Ordinarily his face was such as to draw men to him, even older men who quite disliked him and used his mode of life as a text for dissertations on what the young man of to-day was coming to.
One thing might be said with safety-he possessed personality. When he was one of a group he dominated it. He was not a boy to leave out of the reckoning.... When one of his "fits," as his friends called them, was dark upon him, even those who knew him best and regarded themselves as closest to him were a bit uneasy in his company. The most hardy and reckless of them was moved at such times to go away from there, for Potter Waite usually set out on some mad enterprise when that mood was on him. He would set a pace few cared to follow.
"You never know what he's thinking about," Kraemer said, frequently. It was true. But you did not know that he was thinking, and that he could think. Also he never followed, he led. For him consequences did not exist. If he set out to do a thing, he did it, and let consequences take care of themselves. And, as the boys complained, he went his reprehensible way with a brass band. The idea of concealing his escapades seemed not to occur to him.
"What'll you have?" called Randall, whose waiter had come to him.
"A stein, a quart of Scotch, and a bottle of soda," said Potter.
"What's that, sir?" said the waiter.
"Deliver it as ordered," said Potter, with a boyish smile that got him quicker and better service than other men's tips.
The waiter obeyed and the boys watched with interest. Potter poured a generous half-pint into the stein upon the ice, and filled the stone mug with soda.
"I'm goin' to git," said Jack Eldredge. "Somethin's goin' to bust loose around here."
Potter sat back comfortably and sipped from his stein. He appeared unconscious that, from other tables, glances were directed toward him, and that men standing at the bar mentioned his name and pointed him out to companions. He began chatting pleasantly.
"Not pinched, eh?" asked Randall.
"Suppose I'll get mine in the morning," Potter said, without interest.
"I'd 'a' let her take her medicine," Randall said. "It wasn't any of your funeral.... Didn't even say thank you."
Potter looked at him musingly. "That was the best part of it," he said, presently. "Sort of proves she's being natural; not four-flushing like some of these girls. They'd have burbled and kissed my hand-stepped out of character, you know. She didn't."
A boy came into the room with an armful of papers. What he called could not be heard distinctly above the din of the place. Potter raised his hand and the boy threw a paper before him. The young man glanced at it, seemed to stiffen. He sat back in his chair while the others watched him, arrested by something in his manner, something portentous.
He stood up and looked from one to the other of them. Then he laid down the paper slowly.
"The Lusitania has been torpedoed," he said, in a quiet voice, "without warning. Hundreds of Americans are lost-women and children." He stopped and repeated the last words. "Women and children." For a moment he stood motionless.... "It means war," he said.
Every eye was on him. He held them. He stopped them as if they had been so many clocks with their hands pointing to this fateful hour. He made them feel the event.
Nobody spoke. Potter turned very slowly and surveyed the room, then, still very slowly, he walked out of the room without a word or a nod. His stein was left, scarcely touched, before his chair.
MYSTERY FANS WILL FALL IN LOVE WITH SCATTERGOOD BAINES! Critics Rave about the Scattergood Baines Mystery Stories: "Baines is an American institution ... the most humorous and fascinating of rustic wits. A man who—in his life and daily acts—personified the shrewd downeasterner, guardian and solver of his neighbors' problems. And when Baines turns detective, our delight knows no bounds." —Leslie Charteris in The Saint Mystery Magazine "That typically American character, that magazine and movie favorite—Scattergood Baines—had his own manhunting method. 'I dunno's I hold much with clues, not the kind ye kin see with your eyes and tetch with your fingers.' He could 'git the true inwardness' of an assault-and-robbery—and that's true detecting. Scattergood Baines acts the part of an authentic detective, in the purest American style." —Ellery Queen in Ellery Queen's Mystery Magazine "The set-up: Deeds of justice tempered by mercy. Scattergood runs the town from his hardware store. He rises early, eats a 'light breakfast of flannel cakes, baked beans, salt pork and two kinds of pie—not to mention porridge and hot biscuits and coffee.' When one of his farmer neighbors is robbed, he figures out who did it by thinking over the characters in the county with dispositions suited to the manner of the crime." —New York Times The Scattergood Baines Method: "He leaned back on the specially reinforced chair on the piazza of his hardware store, removed his shoes and socks and began to twiddle his toes—much to the chagrin of his wife Mandy. His mind worked more freely when his toes were unconfined, so that he might wriggle them as he reasoned." Here are 12 classic mysteries featuring the three-hundred-pound Sage of Coldriver. Match wits with Scattergood as he unravels bank robbery, fraud, impersonation, forgery, smuggling, and many other criminal activities, including murder. Written during the Golden Age of the Detective Story, and printed in the same magazines as Rex Stout, Agatha Christie and Erle Stanley Gardner, most of the Scattergood Baines tales have never been reprinted before. For readers of Wolfe, Marple, and Father Brown, this one-of-a-kind collection, selected from the pages of The Saturday Evening Post and The American Magazine, is an incomparable treat. Follow this most famous detective as he wiggles his toes through such puzzlers as: The Missing Organ Fund Scattergood Becomes a Private Detective Scattergood Sums up the Evidence Scattergood Causes a Snake to Bite Scattergood Takes to His Bed The Touchstone A Piece of String Scattergood Discovers Society Dancing Daughter Angel in the Woods Leopards Don't Change Spots Scattergood Pulls the Strings Scattergood and the Bearded Brothers Leslie Charteris hailed Clarence Budington Kelland as "one of the Old Masters." Few other authors could fit romance, mystery and detection into 5000 words with such adroit effortlessness. Clarence Budington Kelland was author of nearly 100 novels of mystery and romantic suspense, had enough careers for several men: attorney, reporter, manufacturer of clothespins, director of a major newspaper group, and more. Kelland became best known as a fiction writer, penning some 100 novels, and selling them as serials to the biggest and highest paying magazines of the time—like the Saturday Evening Post, The American Magazine, Colliers, and Cosmopolitan. Many were immortalized on film, of which the romantic suspense comedy and Oscar-winner, Mr. Deeds Goes to Town, is undoubtedly the most famous. Kelland appeared alongside...
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
COALESCENCE OF THE FIVE SERIES BOOK ONE: THE 5-TIME REJECTED GAMMA & THE LYCAN KING BOOK TWO: THE ROGUES WHO WENT ROGUE BOOK THREE: THE INDOMITABLE HUNTRESS & THE HARDENED DUKE *** BOOK ONE: After being rejected by 5 mates, Gamma Lucianne pleaded with the Moon Goddess to spare her from any further mate-bonds. To her dismay, she is being bonded for the sixth time. What's worse is that her sixth-chance mate is the most powerful creature ruling over all werewolves and Lycans - the Lycan King himself. She is certain, dead certain, that a rejection would come sooner or later, though she hopes for it to be sooner. King Alexandar was ecstatic to meet his bonded mate, and couldn't thank their Goddess enough for gifting him someone so perfect. However, he soon realizes that this gift is reluctant to accept him, and more than willing to sever their bond. He tries to connect with her but she seems so far away. He is desperate to get intimate with her but she seems reluctant to open up to him. He tries to tell her that he is willing to commit to her for the rest of his life but she doesn't seem to believe him. He is pleading for a chance: a chance to get to know her; a chance to show her that he's different; and a chance to love her. But when not-so-subtle crushes, jealous suitors, self-entitled Queen-wannabes, an old flame, a silent protector and a past wedding engagement threaten to jeopardize their relationship, will Lucianne and Xandar still choose to be together? Is their love strong enough to overcome everything and everyone? Or will Lucianne resort to enduring a sixth rejection from the one person she thought she could entrust her heart with?
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
I stood at the edge of the freezing pond on the Boone estate, my body trembling with a fear that rattled my bones. Across from me, Amanda Olsen looked immaculate in her cashmere coat, a sharp contrast to the jagged reality I was trying to hold together. "Why?" I whispered. Amanda just smiled, admitting she killed Grandpa Boone because he actually liked me. She pulled out a thick envelope-divorce papers Cordero had signed that morning. She told me he called me a parasite and was celebrating with her the night I suffered a miscarriage. Before I could even scream, Amanda lunged and shoved me into the icy water. My heavy wool coat acted like a sponge, dragging me into the artificial abyss. I thrashed and gasped for air, but Amanda just stood on the bank, watching me drown with her hands tucked casually in her pockets. As my lungs burned and the darkness closed in, I realized I had spent my entire marriage taking their abuse. I was the "foster trash" and the "gold digger" who let them win every single time. I was dying alone, hated by the husband I had tried so hard to love, while my murderer stood victorious on the shore. I never fought back. I just let them destroy me. Then, a violent spasm tore through my body. I sat up gasping, sucking in dry, air-conditioned oxygen instead of murky pond water. I wasn't dead. I was back in the opulent master suite, surrounded by red rose petals and wedding decorations. The digital clock glowed: October 14, 2019. I had gone back five years to the very night my nightmare began. The bathroom door clicked open, and Cordero stepped out, looking at me with the same cold disgust I remembered. But as I gripped the silk sheets, a new resolve hardened in my chest. This time, I wasn't going to be the victim. This time, the Boone family was going to find out exactly what happens when you push someone too far.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
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