Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
The gray dust, spurting from beneath the treads of the rapidly turning wheels, drifted across the country road to settle on the wayside hedges. The purring of the engine of Helen Cameron's car betrayed the fact that it was tuned to perfection. If there were any rough spots in the road being traveled, the shock absorbers took care of them.
"Dear me! I always do love to ride in Nell's car," said the plump and pretty girl who occupied more than her share of the rear seat. "Even if Tom isn't here to take care of it, it always is so comfy."
"Only one thing would suit you better, Heavy," declared the sharp-featured and sharp-tongued girl sitting next to Jennie Stone. "If only a motor could be connected to a rocking-chair-"
"Right-o!" agreed the cheerful plump girl. "And have it on a nice shady porch. I'd like to travel that way just as well. After our experience in France we ought to be allowed to travel in comfort for the rest of our lives. Isn't that so, Nell? And you agree, Ruthie?"
The girl at the wheel of the flying automobile nodded only, for she needed to keep her gaze fixed ahead. But the brown-haired, brown-eyed girl, whose quiet face seemed rather wistful, turned to smile upon the volatile-and voluble-Heavy Stone, so nicknamed during their early school days at Briarwood Hall.
"Don't let's talk about it, honey," she said. "I try not to think of what we all went through."
"And the soup I tasted!" groaned the plump one. "That diet kitchen in Paris! I'll never get over it-never!"
"I guess that's right," agreed Mercy Curtis, the sharp-featured girl. "How that really nice Frenchman can stand for such a fat girl-"
"Why," explained Heavy calmly, "the more there is of me the more there is for him to like." Then she giggled. "There were so few fat people left in Europe after four years of war that everybody liked to look at me."
"You certainly are a sight for sore eyes," Helen Cameron shot over her shoulder, but without losing sight of the road ahead. She was a careful, if rapid, driver. "And for any other eyes! One couldn't very well miss you, Heavy."
"Let's not talk any more about France-or the war-or anything like that," proposed Ruth Fielding, the shadow on her face deepening. "Both your Henri and Helen's Tom have had to go back-"
"Helen's Tom?" repeated Mercy Curtis softly. But Jennie Stone pinched her. She would not allow anybody to tease Ruth, although they all knew well enough that the absence of Helen's twin brother meant as much to Ruth Fielding as it did to his sister.
This was strictly a girl's party, this ride in Helen Cameron's automobile. Aside from Mercy, who was the daughter of the Cheslow railroad station agent, and therefore lived in Cheslow all the year around, the girls were not native to the place. They had just left that pretty town behind them. It appeared that Ruth, Helen, and surely Jennie Stone, knew very few of the young men of Cheslow. So this jaunt was, as Jennie saucily said, entirely "poulette".
"Which she thinks is French for 'old hen,'" scoffed the tart Mercy.
"I do not know which is worse," Ruth Fielding said with a sigh, as Helen slowed down for a railroad crossing at which stood a flagman. "Heavy's French or her slang."
"Slang! Never!" cried the plump girl, tossing her head "Far be it from me and et cetera. I never use slang. I am quite as much of a purist as that professor at Ardmore-what was his name?-that they tell the story about. The dear dean told him that some of the undergrads complained that his language was 'too pedantic and unintelligible.'"
"'Never, Madam! Impossible! Why,' said the prof, 'to employ a vulgarism, perspicuity is my penultimate appellative.'"
"Ow! Ow!" groaned Helen at the wheel "I bet that hurt your vocal cords, Heavy."
She let in the clutch again as the party broke into laughter, and they darted across the tracks behind the passing train.
"Just the same," added Helen, "I wish some of the boys we used to play around with were with us. Those fellows Tom went to Seven Oaks with were all nice boys. Dear me!"
"Most of them went into the war," Ruth reminded her. "Nothing is as it used to be. Oh, dear!"
"I must say you are all very cheerful-not!" exclaimed Jennie. "Ruth is a regular Grandmother Grimalkin, and the rest of you are little better. I for one just won't think of my dear Henri as being food for cannon. I just won't! Why! before he and Tom can get into the nasty business again the war may be over. Just see the reports in the papers of what our boys are doing. They really have the Heinies on the run."
"Ye-as," murmured Mercy. "Running which way?"
"Treason!" cried Jennie. "The only way the Germans have ever run forward is by crawling."
"Oh! Oh! Listen to the Irish bull!" cried Helen.
"Oh, is it?" exclaimed Jennie. "Maybe there is a bit of Irish in the McStones, or O'Stones. I don't know."
She certainly was the life of the party. Helen and Ruth had too recently bidden Tom Cameron good-bye to feel like joining with Jennie in repartee. Though it might have been that even the fat girl's repartee was more a matter of repertoire. She was expected to be funny, and so forced herself to make good her reputation.
This trip by automobile in fact was a forced attempt to cheer each other up on the part of the chums. At the Outlook, the Cameron's handsome country home, matters had become quite too awful to contemplate with calm, now that Tom had gone back to France. At least, so Helen stated. At the Red Mill Ruth had been (she admitted it) ready to "fly to pieces." For naturally poor Aunt Alvirah and Jabez Potter, the miller, were pot cheerful companions. And the two chums had Jennie Stone as their guest, for she had returned from New York with them, where they had all gone to bid Tom and Henri Marchand farewell.
The three college friends had picked Mercy Curtis up (she had been with them at boarding-school "years and years before," to quote Jennie) and started on this trip from Cheslow to Longhaven. On the outskirts of Longhaven a Wild West Show was advertised as having pitched its tents.
"And, of course, if there is anything about the Wild West close at hand our movie writer must see it," said Jennie. "Give you local color, Ruth, for another western screen masterpiece."
"I suppose it is one of these little fly-by-night shows!" scoffed Mercy. "Let's see that bill. Dakota Joe's Wild West and Frontier Round-Up' Mm! Sounds big. But the bigger they sound the smaller they are, as a rule."
"I am glad I am not a pessimist," sighed Jennie Stone. "It must be an awfully uncomfortable feeling inside one to wear such a cloak."
"Ow! Ow!" cried Helen again. "Another Hibernianism, without a doubt."
She turned the car into a much-traveled road just then. Not a mile ahead loomed the "big top." A band was playing, and what it lacked in sweetness it certainly made up in noise.
"Look at the cars!" exclaimed Ruth, becoming interested. "We shall have to park before long, Helen, and walk to the show lot."
"Right here!" returned Helen, with vigor, and turned her car into a field where already a dozen automobiles were parked. A man with a whisp of whisker on his chin, and actually chewing a straw, motioned the young girl where to run her car. He was evidently the farmer who owned the field, and he was surely "making hay while the sun shone," for he was collecting a quarter from every automobile owner who wished to get his car off the public road.
"Your car'll be all right here, young ladies," he said, reaching for the quarter Ruth offered him. "I'm going to stay here myself and watch 'em until the show's over. Cal'late to stay here anyway till them wild Injuns and wilder cowboys air off Peleg Swift's land yonder. No knowing what they'll do if they ain't watched."
"Listen to the opinion our friend has of your old Wild West Show," hissed Jennie, as Ruth hopped out of the seat beside Helen.
Ruth laughed. The other girls, getting out of the car on the other side, were startled by hearing her laugh change to a sudden ejaculation.
"Dear me! has that thing broken loose from the show?"
Jennie was the first to speak, and she stepped behind the high car in order to catch sight of what had caused Ruth's exclamation. Instantly the plump girl emitted a most unseemly shout:
"Oh! Oh! Look at the bull!"
"What is the matter with you, Heavy?" demanded Mercy snappishly.
But when she and Helen followed the plump girl behind the automobile, they were stricken dumb with amazement, if not with fear. Tearing down the field toward the row of automobiles was a big black bull-head down, strings of foam flying from his mouth, and with every other indication of extreme wrath.
"Run!" shrieked Jennie, and turned to do so.
She bumped into Mercy and Helen, who clung to her and really retarded the plump girl's escape. But plowing right on to the shelter of the automobile, Jennie actually swept her two friends with her.
Their cries and evident fright attracted the notice of the farmer before he really knew what was happening. Then he saw the bull and gave tongue to his own immediate excitement:
"Look at that critter! He's broke out of the barnyard-drat him! Don't let him see you, gals, for he's as vicious as sin!"
He started forward with a stick in his hand to attack the enraged bull. But the animal paid no attention to him. It had set its eyes upon something which excited its rage-Ruth Fielding's red sweater!
"Oh, Ruth! Ruth!" shrieked Helen, suddenly seeing her chum cornered on the other side of the car.
Ruth tried to open the car door again. But it stuck. Nor was there time for the girl of the Red Mill to vault the door and so escape the charge of the maddened bull. The brute was upon her.
* * *
Ruth Fielding in the Great Northwest by Alice B. Emerson
Alice B. Emerson was a pseudonym used by a number of writers hired by the conglomerate Stratemeyer Syndicat to make popular kids books, especially for young girls. These include the Beth Gordon and Ruth Fielding series.
Ruth, Helen, and Tom watch a moving picture company film scenes near the Red Mill. As they watch, the starring actress, Hazel Gray, falls into the river and is swept downstream. Ruth and her friends rescue Miss Gray and take her to the Red Mill to recover. The next day, Ruth meets the producer, Mr. Hammond, who promises to read Ruth's scenario when she impulsively confides that she is planning to write one. Soon after the friends return to school, the East Dormitory burns and is a complete loss. All of the girls housed in that building, including Ruth and her friends, lose all of their possessions. It is soon learned that Dr. Tellingham allowed the insurance to lapse, and there is no money to rebuild the dormitory. In the meantime, Ruth submits her scenario to Mr. Hammond and is thrilled when he accepts it. After her scenario is accepted, Ruth gets a wonderful idea about how she can help the school raise money to rebuild the dormitory. In the Italian garden scenes, the seniors and juniors were used. Ruth calls a meeting of all of the students and suggests her idea of writing a moving picture scenario that will be filmed on the campus. The proceeds from the film would go towards rebuilding the dormitory. In this way, all of the girls would contribute to the fund, since they would be the extras in the film. This idea is met with enthusiasm, and Ruth soon gains Mr. Hammond's approval.
Ruth and Helen eagerly await the arrival of Jane Ann Hicks, who is to attend Briarwood Hall this year. The girls experience a great deal of worry when they learn that Jane's train has been wrecked. Jane is fine, but a boy named Jerry Sheming has been hurt. Jerry is taken to the Red Mill where Aunt Alvirah and Ruth care for him. Jerry reveals that he used to live on Cliff Island, but his uncle was cheated out of his land. His uncle lost his treasure box in a landslide, and with it, the papers needed to prove his claim to the island. Uncle Pete lost his mind and entered an insane asylum, and Jerry was forced to leave. Jerry hopes to someday find the treasure box and prove his uncle's claim. Ruth and her friends leave for Briarwood Hall, and Jerry stays behind at the Red Mill. The girls do their best to make Jane Ann fit in and try to keep her from being hazed as a new girl. Unfortunately, Jane Ann has much trouble fitting in with the other girls until she uses her lassoing technique in a rescue. Things gradually get better for Jane. She shot over the yawning edge of the chasm and disappeared. After a time, the girls are invited to Cliff Island for Christmas by Belle Tingley, whose father has purchased the island. Ruth is certain that Mr. Tingley did nothing to cheat Jerry's Uncle Pete, but the man who sold him the island must have cheated Jerry's uncle. Ruth sends word to Jerry to travel to the island and arranges for Mr. Tingley to give him a job. Later, Jerry is ordered arrested by the real estate man and is forced to hide in a cave. Ruth and her friends search the island for some sign of Uncle Pete's treasure chest. In time, the truth is discovered, Jerry is reunited with his uncle, and Ruth and her friends return home after a happy vacation.
They don't know I'm a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land-their ruthless beast king-took an interest in the "pretty little prince." How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance-dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: "The Alpha King's Hated Slave."
Sophia Drake braced herself for the worst when she was forced to move across the country in the middle of her junior year. Desperate to escape her shattered home as soon as she turns eighteen, her plans are disrupted by the enigmatic and captivating Ashford twins. Sophia can't fathom the intense attraction she feels for the twins and tries to avoid them at every turn. As she's thrust into an unfamiliar world, her past demons resurface, making her question her true identity. Will Sophia flee from her past's secrets, or will she embrace her destiny and take control of her future?
Kallie, a mute who had been ignored by her husband for five years since their wedding, also suffered the loss of her pregnancy due to her cruel mother-in-law. After the divorce, she learned that her ex-husband had quickly gotten engaged to the woman he truly loved. Holding her slightly rounded belly, she realized that he had never really cared for her. Determined, she left him behind, treating him as a stranger. Yet, after she left, he scoured the globe in search of her. When their paths crossed once more, Kallie had already found new happiness. For the first time, he pleaded humbly, "Please don't leave me..." But Kallie's response was firm and dismissive, cutting through any lingering ties. "Get lost!"
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
Cathryn, an orphan with no family ties to Grayson, regarded him only as family. He, however, valued her as a precious jewel. From their very first encounter, Cathryn's destiny was intertwined with his. Once lonely and desiring affection, she was ensnared by his love, unable to break free. Eventually, she managed to escape his emotional clutches. Shockingly, she had fallen for someone else. Grayson confronted her sharply. "How could you feel for another?" Unable to meet his eyes, she whispered, "You're family. I can't..." Looking down, he pressed further. "You can't, or you wouldn’t dare?"
RIEKA She was a naive, chubby, wolfless werewolf, maltreated by her mate to the point where she loses her sanity and womb, her crime was being chubby and less attractive than her peers. GABRIEL He was a handsome, strong willed womanizer, who happens to a hybrid ALPHA prince, the person he loves the most is his kid brother RALPH. He has searched high and low for a mate he could never find. What will happen when he finds out that his beloved brother's ex wife, happens to be his long awaited mate, who was maltreated and is currently mentally unstable? Will he forgive his brother for hurting his mate? or will blood flow?