Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Excited shouts, mingled with laughter, floated on the sunlit and dust-laden air to the ranch house of Diamond X. Now and then, above the yells, could be heard the thudding of the feet of running horses on the dry ground.
"What do you reckon those boys are doing, Ma?" asked Nell Merkel as she paused in the act of laying the top crust on a raisin pie.
"Land knows," answered the girl's mother with half a sigh and half a chuckle. "They're always up to something. And, now that your Pa is away--"
Mrs. Merkel's remarks were interrupted by louder shouts from the corral, and Nell heard cries of:
"Try it again, Bud!"
"You missed him clean, that time!"
"How'd you like that mouthful of dust?"
"Git up an' ride 'im, cowboy!"
Like an echo to these sarcastic exclamations, Nell heard the voice of her brother Burton, commonly known as Bud, answer:
"I'll do it yet! Just you wait!"
"I wonder what Bud's trying to do?" murmured Nell.
"Oh, run along and look if you want to," suggested Mrs. Merkel, with a kind regard for Nell's curiosity. "I'll finish the pie."
"Thanks!" And Nell, not even pausing to clap a hat over her curls, hastened out into the yard, across the stretch of grass that separated the main house from the other buildings of Diamond X and was soon approaching the corral where were kept the cow ponies needed for immediate use by the owner, his family or the various hands on the big estate.
Nell saw several cowboys perched on the corral fence, some with their legs picturesquely wound around the posts, others astraddle of the rails. Among them she sighted Dick and Nort Shannon, her two "city" cousins, who had come west to learn to be cowboys. And in passing it may be said that their education was almost completed now.
"Why, I wonder where Bud is?" asked Nell, as she made her way to the fenced-in place.
A moment later she received an answer to her question, for her brother arose from the dust of the corral and started for the fence. He seemed to have been rolling in the dirt.
"That's a queer way to have fun!" mused Nell.
Without making her presence known, she stood off a little way and watched what was going on. She saw Bud mount the fence near where the two Shannon boys were sitting, though hardly able to maintain their seats because of their laughter.
"Going to try it again, Bud?" asked Dick.
"Surest thing you know!" snapped back the boy rancher.
"Wait till I go in and get you a bit of fly paper!" suggested Nort.
"Fly paper! What for?" demanded Bud.
"So you can stick on!"
"Ho! Ho! That's pretty good!" shouted such a loud voice that Nell would have covered her ears only she knew, from past experience, that Yellin' Kid did not keep up his strident tones long. But this time he went on, like an announcer at a hog-calling contest, with: "Fly paper! Ho! Ho! So Bud can stick! That's pretty good!"
"Go ahead! Be nasty!" commented Bud good-naturedly as he climbed up the top rail and perched himself there in standing position while he looked over the dusty corral that was now a conglomeration of restless cow ponies. "But I'll do it yet!"
"I wonder what in the world Bud is trying to do?" asked Nell of herself.
She learned a moment later. For Bud, after balancing himself on the top rail, looked across the corral to where Old Billee Dobb was holding a restless pony, and the lad called:
"Turn him loose, Billee!"
"Here he comes! All a-lather!" shouted the veteran cow puncher, as he slapped his hat on the flank of the pony and sent it galloping around the inside fence toward the waiting youth. "It's now or never, Bud!"
"It's going to be now!" shouted Nell's brother.
Fascinated, as any true girl of the west would be, by the spirited scene, Nell saw Bud poise himself for a leap. Then she understood what was about to take place.
"He's going to jump from the top rail of the fence and try to land on the back of the pony when it gallops past him!" murmured Nell. "Regular circus trick that is! I wonder if he can do it? But from the looks of him I should say he'd already fallen two or three times. Billee gave him a fast one this round."
Nell referred to the horse. And it was characteristic of her that she was not in the least afraid of what might be the consequences of her brother attempting the aforesaid "circus trick." Nell was as eager to see what would happen, as were any of the cowboys perched on the corral fence, and in furtherance of her desire she drew nearer.
By this time the pony, started on its way by the slapping from Billee Dobb's hat, was running fast. And its speed was further increased by what Dick, Nort and their companions, perched up there like rail birds, did and said. For the punchers, old and young, yelled and yipped at the steed.
"Come on there, you boneyard bait!" shouted Snake Purdee.
"Faster there, you spavin-eyed son of a Chinaman!" roared Yellin' Kid.
Nort gave vent to a shrill whistle, while Dick, drawing his big revolver, fired several shots in the air.
All this had the effect of further alarming the already startled pony and when it neared the place where Bud was perched on the top rail, ready to make a flying leap, the animal was, as Old Billee had said, "all a-lather."
"Bud is crazy to try anything like that!" exclaimed Nell in a low voice. Nevertheless she did not call out to stop him, and her cheeks showed rosy pink and her eyes were sparkling in the excitement of the moment.
"Go on, now! Ride 'im, cowboy!" came in stentorian tones from Yellin'
Kid.
"Oh, I hope he makes it!" voiced Nell, clenching her hands so tightly that the nails bit into her palms.
A moment later, as the pony rushed around the confused bunch of its fellows in the center of the corral, Bud leaped for its back, for the animal was now opposite him. The pony carried only a blanket strapped around its middle. And there was nothing for the venturesome rider, or would-be rider, to cling to but this strap or blanket.
"If there was a saddle, Bud could make it!" whispered Nell in her excitement. "I guess that's why he must have fallen the other times."
For upon his clothes and person Bud Merkel bore unmistakable signs and evidences of having fallen not once but several times in the corral dust.
"Wow!" yelled Dick Shannon.
"He's on!" cried his brother Nort.
"And off ag'in!" roared Yellin' Kid.
Bud had made the leap from the fence, his hands, for a moment, had grasped the strap around the pony and then his fingers had slipped off. Likewise the one leg he managed to throw over the steed's back seemed to be about to slide off.
But just when it seemed that Bud would fall to the ground, his fingers, in a last, despairing grip, caught a fold of the blanket. By a supreme effort he pulled himself up, managed to get one leg over the ridge-like backbone of the pony and, a moment later, he was sitting upright on the saddle blanket, both hands under the strap, while his heels played a tattoo on the sides of the steed, urging him forward at even faster speed.
"By golly, he done it!" cried Old Billee.
"He sure enough did!" echoed Yellin' Kid, reaching for his cigarette papers and muslin bag of tobacco.
"That ought to get him something at Palmo," commented Snake Purdee, referring to a coming rodeo in a nearby town close to the Mexican border. "Can't do a much more hair-raisin' trick than that!"
"I didn't think he could do it!" commented Old Billee coming around from the far side of the corral to join his friends.
"Well, he tried hard enough before he managed to stick," exclaimed Nort.
In the excess of her enthusiasm Nell clapped her hands. And Dick, turning to ascertain the source of the noise, chuckled:
"Look who's here!"
"Got a ticket, little girl?" asked Bud, who, having demonstrated that he could do what he had said he could-leap from the corral fence to the back of a passing pony-was now slowing down his steed and riding him back to where the other punchers were perched.
"I'm a reporter," responded Nell with a smile. "I'm writing this rodeo up for the papers."
"Then we'll have to make a press box for you," said Nort.
He and his brother, with the half score of cowboys, and Nell were offering their congratulations to the daring boy rancher when a new voice, floating toward the corral from the direction of the house, called to ask:
"What's all the excitement about?"
"Oh, hello, Dad!" cried Bud, waving his hat toward a well set-up, bronzed specimen of a western ranchman who was walking slowly toward the fence. "Did you see me?"
"I saw you risk your neck, if that's what you mean," answered Mr.
Merkel with a half smile.
"You should have seen him when he missed!" chuckled Old Billee.
"Anything the matter, Dad?" asked Bud as he swung himself down off the saddle blanket and approached his father who was now leaning over the top rail of the corral fence. Something in Mr. Merkel's face showed that he had news to impart.
"You see," went on Bud, "we're all going to do stunts over at the Palmo rodeo, and I made up this one, of fence jumping, so Dick and Nort and I could horn in on some of the prizes. But if you don't want me to-" He paused suggestively.
"You seemed to make out all right this last time, which is the only time I saw you," chuckled Mr. Merkel. "But--"
"You needn't worry about the ranch work, Dad!" interrupted Bud, eagerly. "It's all been 'tended to. Herd riding, looking after fences, cattle all shipped off just as you left word when you went away and all that. We got everything cleaned up and I thought we could take a little time off to practice for the rodeo."
"Oh, sure! That's all right!" Mr. Merkel hastened to say. "I wasn't finding any fault with your bare-back riding. But what I wanted to say was that I've got a new job for you boys and if you take it on, which I hope you'll do, you won't have any time for a rodeo."
"A new job!" cried Nort, eagerly.
"Anything to do with Chinese smuggling?" asked Dick.
"No, I'm glad to say it hasn't," went on the owner of Diamond X. "This is right in the line of your regular work."
"Then you bought the new ranch; did you, Dad?" asked Bud, for his father had been away about a week on a mission known only to the immediate family, but which was now stated by his son.
"Yes," Mr. Merkel slowly replied, "I took over Dot and Dash, and if everything here at Diamond X and in Happy Valley is in as good shape as you boys seem to think, why, I'm going to send you there."
"Send us where?" Bud wanted to know.
"To the new ranch-Dot and Dash is its cattle brand-to get it in shape before winter sets in. You don't mind; do you?"
"Mind!" joyously cried Bud. "Sure not!"
"That's good news!" commented Nort.
"Right-o!" sang out his brother. "Things were getting slow around here, and if we didn't have the coming rodeo to think about--"
"Well, then if you're willing to take charge of Dot and Dash for a while you can pass up the rodeo," chuckled Mr. Merkel. "Not but what you won't have more excitement, maybe, than if you did try bulldogging and bare-back riding," he added to his son. "Only it will be sort of different, and your stunts will be doing some good instead of just endangering your necks."
"Aw, there wasn't any danger," murmured Bud.
"No!" chuckled Snake Purdee. "The dust is pretty soft to fall on," and his point was illustrated as Bud began whipping some of the accumulated soil from his chaps.
"Well, that's what I came out to tell you, the news about buying Dot and Dash," concluded Mr. Merkel.
"That's good news for us!" declared Nort. "It will give Dick and me a chance to show how much we have learned about cow punching since we came here."
"Sure, it's good news all right," echoed Dick.
And then Old Billee Dobb struck in with a few remarks which, most distinctly, were in the category of bad news. For the veteran puncher said:
"Excuse me, Boss," and he looked at Mr. Merkel to ask: "Did I understand you to say you'd taken over the old Dot and Dash ranch?"
"That's right, Billee."
"Is that the outfit not far from Los Pompan, near the Mexican border?"
"That's the place, Billee."
"Hum!" The old man seemed lost in thought for a moment. Then he went on with: "It's in a valley; ain't it, Boss?"
"Yes, Billee, in the prettiest valley, outside of Happy, that I ever laid eyes on. It's an ideal place for a cattle ranch. I'm lucky to get hold of it at the price I did. But Jed Barter was anxious to sell out and--"
"'Scuse me once more, Boss," and Old Billee seemed very anxious and much in earnest now, "but did you hear any rumors or talk about Dot and Dash before you bought it?"
"No, Billee, I didn't. What do you mean?"
"Didn't anybody tell you the local name of the place 'fore you took it over?"
"The local name! Why, no. What's the name got to do with it?"
"Nothin' much, maybe," slowly answered Billee while the boy ranchers regarded him curiously. "Only Dot and Dash ranch is located in what has always been called Death Valley, and nobody has ever been able to make a success of it as long as I can remember. I wish, Boss," he went on earnestly, "that you'd 'a' told me 'fore you bought this ranch. I'd 'a' put you wise to what it really is-Death Valley!"
"Death Valley?" echoed Bud Merkel. "What do you mean? Who died there, and how come?"
An ominous hush fell over the assemblage of cowboys on the corral fence and they looked from Billee Dobb to the owner of Diamond X. The bad news, clearly, had startled him from his usual calm.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
The Boy Ranchers in Camp; Or, The Water Fight at Diamond X by Willard F. Baker
The Boy Ranchers on the Trail; Or, The Diamond X After Cattle Rustlers by Willard F. Baker
6 years ago, Lydia suffered a brutal betrayal orchestrated by her own husband and step-sister, who drugged her and framed her. In a twist of fate, she ended up having a one-night stand with a stranger. Don't even remember what he looked like. Later, in the throes of death, she discovered the truth about her mother's death all those years ago. In the blink of an eye, she lost everything. 6 years later, Lydia returned with her genius son, vowing to exact revenge on all her enemies! Little did she know, she encountered an incredibly familiar man at the airport! *** The man was briskly pushing open the door to the restroom, heading to the urinal. Even with such a mundane action, he did it with unparalleled elegance and grace. Lydia, following him in a daze, saw his fierce lower body and suddenly snapped back to reality. She let out a high-pitched scream, instinctively covering her eyes with her hands, her cheeks flushed, and stood there stiffly, unsure of what to do. Lambert furrowed his brows slightly but remained calm as he continued to relieve himself. The sound of water hitting the urinal made Lydia's face even redder. She angrily shouted, "You pervert!" Little did Lydia know that Lambert, seeing her in this state, had a flicker of recognition in his eyes. Memories from many years ago flashed through his mind, and his heart couldn't help but stir. It was her!
"I, Sophia Addison, of the Crescent Moon Pack, deny your rejection, Jacob Carter." I smiled triumphantly at him and he just glared at me. I can hear loud gasps and whispers throughout the place. They cannot believe that their goody-two-shoes of a senior year president is rejecting me in front of everybody. What goody-two-shoes? More like a two faced jerk! That is why, here I am, denying his rejection. Oh well, I refuse to suffer alone. So...let us both suffer together my dear mate.
Three years ago, Cecilia was left battered and alone by the man she loved most, Alston, yet she bravely completed the wedding ceremony while pregnant. Three years later, although they were married, they grew apart over time. Cecilia focused on her career, no longer foolishly believing in love. But her transformation instantly threw Alston into a panic... And what is the secret from 11 years ago that Cecilia has always been reluctant to reveal? *** "She went to a law firm, met with a lawyer..." A lawyer? Is Cecilia suing someone? Who? Is there any recent litigation against the company? Alston suddenly chuckled coldly, "Who could she sue? I'm the CEO of this company. How come such a matter doesn't come to me first?" The assistant swallowed nervously, speaking softly, "Sir, there's no litigation against the company. She met with... a divorce lawyer."
My name is Katia, and I am just trying to survive until my fated mate arrives. Which may be easier said than done. Rejectection is the last straw. Whispering my acceptance of his rejection. I run through the pack house, out across the manicured lawn into the forest. "I'm sorry, my sweet girl," I say to my wolf. I'm sorry you have been stuck with me and have had to suffer everything I have. She whispers," it's not your fault, Katia. We came to a cliff with a waterfall. The hurt keeps pounding at me. I need it to stop. My sweet girl, and I just want peace, I keep running and leap off the cliff. Spreading my arms wide, with tears streaming down my face, I fall, not making a sound, waiting for sweet oblivion where we feel nothing ever again. "I love you, my sweet girl! Until we meet again, "My wolf replied just before we hit the water, "I love you too, Katia. I have never regretted a moment with you." The Snow Moon pack is having their last barbecue of the summer next to the waterfall on their land. The adults are laughing and joking while watching the pups play. The alpha, beta, and gamma are swimming with some of the older children and playing a game of Marco Polo. Someone yells, "Oh my goddess, someone just jumped over the waterfall!" Everyone is frozen as they watch what looks to be a child falling arms spread wide, no one makes a sound. The small body hits the water like a plane crashing into the side of a mountain. The alpha, beta, and gamma, spring into action, swimming towards the area the person went under. The alpha is screaming his wolf is going crazy repeating, "Find her. Find her...find her!" They dive and the beta surfaces with a small person in his arms. Alpha takes the girl from his beta, laying her on the ground. The men are shocked by what they see. She is covered in scars and injuries. Her body is twisted and broken. The Beta asks, "Who could have done this to someone so defenseless?" Alpha drops to his knees, repeating, "MATE...MATE...MATE!"
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
For seven years, Jillian pursued Bryan with unyielding passion, but he remained distant, his emotions tightly sealed. Disheartened, she left for overseas after graduating from college. Three years later, Jillian, now a successful attorney, sat provocatively on the lap of Bryan's competitor. She flashed Bryan a playful smile and taunted, "What's wrong, Bryan? Are you impotent?" Bryan's restraint shattered in an instant. In a swift motion, he scooped her up and tossed her onto the bed. The next morning, as Bryan woke up, Jillian flashed a mischievous smile. "Let's keep things casual, okay?"