Across the Plains, with Other Memories and Essays by Robert Louis Stevenson
Certain scenes, certain pictures of his very early years of childhood, stood out for Archie like clear sunlit peaks above the dim clouds that shrouded the time when the power of memory was only beginning to germinate. He had no doubt (and was probably right about it) as to which the earliest of those was: it was the face of his nurse Blessington, leaning over his crib. She held a candle in her hand which a little dazzled him, but the sight of her face, tender and anxious, and divinely reassuring, was the point of that memory.
He had been asleep, and had awoke with a start, and, finding himself alone in the midst of the immense desolation of the dark that pressed on him like an invader from all sides, he had lifted up his voice and yelled. Then, as by a conjuring-trick, Blessington had appeared with her comforting presence that quite robbed the dark of its terrors. It must still have been early in the night, for she had not yet gone to bed, and had on above her smooth grey hair her cap with its adorable blue ribands in it. At her throat was the brooch made of the same stuff as the shining shillings with which a year or two later she bought the buns and sponge-cakes for tea. He remembered no more than that; he knew nothing of what she had said: the whole of that memory consisted in the fact of the secure comfort and relief which her face brought. It was just a vignette of memory, the earliest of all; there was nothing whatever before it, and nothing for some time after.
Gradually the horizon widened; scenes and situations in which Archie was still a detached observer, as if looking through a telescope, made themselves visible. He remembered gazing through the bars of the high nursery fire-guard at the joyful glow of the fuel. At the corner of the grate (he remembered this with extreme distinctness), there was a black coal, the edge of which was soft and bubbly. A thin streamer of smoke blew out of it, and from time to time this smoke caught light and flared very satisfactorily. But all that, the joyfulness and the satisfaction, was external to him; it was the coals and the streams of burning gas that were in themselves joyful and satisfactory. That must have been in the winter, and it was in the same winter perhaps that he came home with Blessington and two other children-girls, and larger than himself-whom he grew to believe were his sisters, through a wood of fir-trees between the trunks of which shone a round red ball that resembled the coals in the nursery-grate. He knew-perhaps Blessington, perhaps a sister, perhaps his mother had told him-that it was Christmas Eve, and he saw that when Blessington spoke to him she steamed delightfully at the mouth, as if there had been a hot bath just inside her lips. At her suggestion he found he could do it, too, and his sisters also; whereafter they played hot-baths all the way home. But of the Christmas Day that followed he had no recollection whatever.
His observation became a little less detached; he began to form in his mind an explorer's map of the places where these phenomena occurred, to be dimly aware that he was taking some sort of part in them, and was not a mere spectator, and one summer evening he definitely knew that the day-nursery and the night-nursery and the room beyond where his sisters slept were all part of the red-brick house which he and others inhabited, just as, according to Blessington, the rabbit which he had seen pop into its hole in the wood beyond the lawn, had a home within it. He had already had his bath, on a patch of sunlight that lay across the nursery-floor, and escaping, slippery as a trout, from Blessington's towelling hands, had run with a squeal of delight across to the window. Outside was the lawn, which hitherto he had thought of as a thing apart, a picture by itself, and beyond was the wood where the rabbit had a house. On the lawn was his mother, playing croquet with his two sisters, and of a sudden it flashed upon him that the wood and the rabbit, the lawn and the croquet-players, the night-nursery, Blessington, the shine of the sun low in the west, and his own wet self were all in some queer manner part of the same thing, and made up that to which he and Blessington went back when, at the limit of their walk, she said it was time to go home.
"Oh, there's mummy," he cried. "Mummy!" And he danced naked at the window.
Blessington caught him in the towel again.
"Well, I never!" she said. "That's not the way for a young gentleman to behave. There, let me dry you, dear, and put your night-shirt on, and you shall say good-night to your mamma out of the window."
This was duly done, and it struck Archie as a very novel and delightful discovery that he could say good-night to his mother when she was on the croquet-lawn and he up in the night-nursery. It shed a new light on existence generally, and coloured with a new interest the few drowsy moments which intervened between his being put into bed and falling asleep. Blessington still moved quietly about the room, emptying his bath, and putting his clothes tidy, and he just remembered her kissing him when she had finished. He was already too suffused with drowsiness to make any response, and he slid softly out over the tides of sleep.
That night he became acquainted with a new sort of experience, something hitherto quite foreign to him. Once again he woke in the night and found himself surrounded by the vast dark, save where, in a corner of the nursery, there burned the shaded night-light. But now there was no sense of terror; he did not want to call for Blessington, but lay open-eyed and absorbed in the amazing thing that was happening. The night-nursery (where he knew he was), and he with it, were expanding and extending, till they comprised the lawn and the wood beyond the lawn, and all else that he had ever known. His sisters and his mother and father were all there, though he could not see them; Blessington was there, and Graves the butler, and Walter and William, the two footmen. He could not see them, any more than he could see the moon and the sun, which were there also, but they were there as part of an unusual presence that filled the place. He could not see that unusual presence either, but it was tremendously real and filled him not in the least with awe, but with the feeling with which Blessington's face and his mother's face inspired him... And the next thing that he was aware of was the rattle of the blind, and Blessington's voice saying, "Eh, what a time of morning to have slept to. I know a sleepy-head!"
He recounted this remarkable experience to Blessington at breakfast, who was quite sure that it was all a dream; a nice dream, but a dream.
"Wasn't a dream," said Archie firmly.
"And where did Mr. Contradiction go?" asked Blessington.
Archie knew where Mr. Contradiction went, for Mr. Contradiction lived in a very dull corner of the nursery with his face to the wall for five minutes.
"Well, it didn't seem like a dream," he said. "May I get down?"
"Yes, and say your grace."
"Thank God for my good dinner," said Archie, who was not attending.
"Say it again, dear," said Blessington; "and think."
"I meant breakfast," said Archie. "Amen."
The discovery of the connection, made last night, between himself in the night-nursery and his mother on the lawn, which proved that the lawn and the house were part of the same thing, produced further results that day. Instead of memory consisting of different and severed pictures, it began to flow into one coherent whole. He knew, of course, already that at the end of the nursery passage was a wooden wicket-gate, and that outside that was the long gallery that skirted round three sides of the hall, while on the fourth ran a broad staircase each step of which had to be surmounted and descended either by a series of jumps, or, if the feet were tired, by the extension of one foot on to the next stair where it was joined by the other; but he began now to put these isolated facts together, and form them into the conception of a house. When the staircase was negotiated you found yourself in a large oak-floored hall, where you were not allowed to slide on purpose, though both Blessington and his mother had the sense to distinguish between deliberate and unintentional slidings. There were bright rugs spread here and there over the hall, forming islands in a glassy sea. Archie knew it was not made of glass really, but he chose to think that it was, for it had the qualities of a looking-glass in that it reflected his own bare-legged form above it, and the slipperiness of glass as exhibited in the window-panes of the nursery, and he chose also to think that it was to the hall-floor that the hymn alluded which was sung last Sunday morning in a dazzling and populous place to which his mother had taken him. The people who sang loudest were two rows of boys dressed in crinkly white night-shirts, in company with some grown-up men who were attired in the same curious manner. But none of them went to bed, and at a pause in the proceedings Archie had suddenly asked his mother, in a piercing voice, why they didn't go to bed. Evidently that had puzzled her too, for she had no reply to give him except "Hush, darling!" which wasn't an answer at all. Then another man had begun talking all by himself. He had a quantity of hair on his chin which wagged in so delightful a manner when he spoke that Archie watched him entranced for a little, and then, afraid that his mother was missing this lovely sight, said:
"O mummy, isn't that a funny man?"
Upon which Blessington, magically communicated with, appeared by his side and whispered that they were going for a walk, and towed him down the aisle, still rapturously looking back at the funny man. Archie had thought it all very entertaining, but he was told afterwards by his father that he had disgraced himself and should not go to church again for many Sundays to come.
Archie was frightened of his father, and always went warily by the door of the room at the dark corner of the hall where this tremendous person lived. There were other dangers about that corner, for on the floor were two tiger-skins which looked as if the animal in question had, with the exception of its head, been squashed out flat, like as when he and Blessington sometimes put a flower they had gathered on their walks between two sheets of blotting-paper, and piled books on the top, so that it ceased to be a flower, and became the map of a flower. Archie wished the tigers' heads had been pressed in the same way; as it was, they were disconcertingly solid and life-like, with long teeth and snarling mouths and glaring eyes. He had always made Blessington come right up to his father's door with him when he went in to say good-night, so that she should pilot him safely past the tigers on his entry and escort him by them again on his return. But one night his father had come out with him, and, finding Blessington waiting there, had divined, as by some awful black magic, why the nurse was waiting, and had decreed that Archie should in future make his way across the danger zone unattended. But, next evening, the trembling Archie, hurrying away in the dusk, had fallen down on the glassy sea between the awful Scylla and Charybdis, and, convinced that his last hour had come, when these two cruel heads beheld him prostrate on the floor, had cried himself to sleep from terror of that awful ending. But next day his mother, who understood about things in general better than anybody, had caused the tigers to make friends with him, and in token of their amity they had each of them presented him with a whisker-hair. That assured their friendship, and they wished it to be understood that their snarlings and glarings were directed, not at Archie, but at Archie's enemies. This naturally changed their whole aspect, and Archie, after he had wished his father good-night, kissed the hairy heads that had once been so terrifying, and thanked them for successfully keeping his enemies from molesting him.
But though now the presence of the tigers, ceasing to be a terror by night, had become a protection to Archie, their corner of the hall still constituted a danger zone to be gone by swiftly and silently, lest a raised voice or an incautious noise should cause him to be called from within the closed door of his father's room. There were risks in that room; you never quite knew whether you were not going to be blamed for doing something which you had no idea was blame-worthy. One day Archie had found a lovely wax match with a blue head to it on the floor, and had put it in his pocket, where he fingered it delightedly, for he knew it to be the sort which flamed when you rubbed it against your boot or the bricks of the house, as he had seen his father do. But then, when a little later he had come to sit on his father's knee and be shown pictures in a book of natural history, it was detected that his small fingers smelled of phosphorus, and when the reason was discovered, he was told by his father that he had stolen that match. To Archie's mind there was something inexplicably unfair and unjust about this; he knew quite well that the match was not his, but he had no idea that it was stealing if you appropriated something that was dropped on the floor. A thing dropped on the floor was nobody's, and anybody, so he supposed, might take it. It had been quite another affair when he had taken eight lumps of sugar out of the basin on the tea-table in the drawing-room and hidden them in his domino-box. He had been perfectly well aware that he was stealing them, and had no sense of injustice when his mother had promptly and soundly smacked him for it. But he intensely resented being told by his father that he had stolen (even though he was not smacked) when he had not the least idea that a match dropped on the floor was a stealable article at all, and he felt it far more bitter to be unjustly blamed than justly punished.
"But I didn't know it was stealing, daddy," said he.
"But didn't you know it wasn't yours?"
"Yes."
"And didn't you know that to take what isn't yours is stealing?"
Archie couldn't explain, but he was still quite sure he had not been stealing...
His father's room then, at least when that potentate was in it, was a place where extreme caution was necessary, and, however cautious you were (he had not felt guilty of the smallest temerity in picking up that match), you could never be quite sure that Fate, like some great concealed cat, would not pounce upon you from the most unexpected quarter. But, considered in itself, the room had a tremendous attraction for him. There was a delicious smell about it, subtly compounded of the leather backs of books and the aroma of tobacco, which to Archie's dawning perception had something virile and masculine about it. He could understand the manliness of the place, it answered to something that was shared by him, and not shared by his mother or Blessington or his sisters, and belonged to a man. The furniture and the appurtenances of the room conveyed the same message; they were strong and solid, without frillings or frippery, and had a decisive air and a purpose about them which somehow concerned that mysterious difference between boys and girls and between men and women. His mother's sitting-room, it is true, seemed to Archie a fairy-palace of loveliness, with its spindle-legged tables, its lace-edged curtains, its soft, silky cushions, its china, its glittering silver toys on a particular black lacquer table, its nameless feminine fragrance. But this room, with its solid leather chairs, which held small limbs as in a tender male embrace, its gun-case in the corner, its whip-rack, its few solid, sober pictures which hung above the book-shelves, struck a different and more intimate and more intelligible note. Archie felt that he knew what it was all about... it was about a man, to which genus he himself belonged. This particular specimen, his father, might be unjust to him, and severe to him, but in some secret inexplicable manner Archie understood him, though fearing him, better than he understood either his mother or Blessington, both of whom he loved. His two sisters, in the same way, had a quality of enigma about them.
These floating impressions, the untranslatable instincts of early childhood, began to thicken, when Archie was getting on for six years old, into thoughts capable of being solidified into language. He could not have solidified them himself, but if any one capable of presenting them to him in actual words had asked him, "Is it this you mean?" he would have assented. And his solidified thoughts would have taken the following mould:
There was something odd about females, and it was a mystery into which he did not at all want to enquire. They wore skirts, which perhaps concealed some abnormality, which would be fearful to contemplate. They had soft faces and soft bodies; when his mother took him on her knee-she already said that he was getting too big a boy to sit on her knee, which to Archie sounded very grand and delightful-she was soft to his shoulder, and her cheek was soft to his. But when he sat on his father's knee he felt a hard, firm substance behind him, and the contrast was similar to the contrast between his mother's soft cushions and his father's leather-clad chairs. And his father had a hard, bristly cheek on which to receive Archie's good-night kiss. Judged by the standards of pleasure and luxury, it was not nearly as nice as his mother's, but it gave him, however great need there was for caution, a sense of identity with himself. He was of that species... And this conception of abnormality in women was strongly confirmed when, one morning, he went as usual to his mother's bedroom to see her before she went down to breakfast. She had been late in getting up that day, and, not finding her in her bedroom, Archie's attention had been arrested by hearing sounds from her bathroom next door, and very naturally had turned the handle in order to enter. But a voice from inside had said:
"Is that you, darling? Wait just a minute."
"But I want to come in now," said Archie. "I'm coming in."
"Archie, I shall be very angry if you come in before I give you leave," said the voice. Then there were rustlings. "Come in now."
And there was his mother standing by her bath, which smelt deliciously fragrant, in a lovely blue bath-towel dressing-gown.
"Good-morning, darling," said she. "But you must never come into a lady's bathroom unless she gives you leave."
"Why not?" said Archie. "You come to see me in my bath without my saying
'Yes.'"
She gave that delicious bubble of laughter that reminded Archie of the sound of cool lemonade being poured out of the bottle.
"I shan't when you're as old as me," she said. "I shall always ask your leave. And probably you won't give it me."
"Why not? It's only me," said Archie.
"You'll know when you're older," said she.
Archie rather despised that argument: it seemed to apply to so many situations in life. But he had already formed the very excellent habit of crediting his mother with the gift of common sense, for was it not she who had discovered that the snarl of the tiger-heads was a snarl not at Archie, but at his enemies? But on this occasion it merely confirmed his conviction that women were somehow deformed. They wore skirts instead of breeches, and though, judging by his younger sister, they were normal up to about the level of the knee, it seemed likely that their legs extended no farther, but that they became like peg-tops, swelling out in one round piece till their bodies were reached. What confirmed this impression was that they seemed to run from their knees instead of striding with a swung leg. Blessington always ran like that: her feet twinkled in ridiculously short steps, and after a moment or two she said:
"Eh, I can't run any more. I've got a bone in my leg."
"And haven't I?" asked Archie.
"No, dear: you're just made of gristle and quicksilver," said Blessington, with a sudden lyrical spasm as she looked at the shining face of her most beloved.
"What's quicksilver?" asked Archie. "And why haven't I got a bone in my leg? O-o-oh!" and a sudden thought struck him. "Have women got bones in their legs and not boys? Is that why they can't run properly? Mummy can't run, nor can you; but William can, damn him."
"Master Archie!" said Blessington in her most severe voice.
"What for?" asked Archie.
"You must never say that, Master Archie," said Blessington, who only called him Master Archie on impressive occasions. "You must never say what you said after 'William can.'"
"But daddy said it to William this morning," said Archie.
Blessington still wore the iron mask on her face. It was lucky for her that Archie did not know how puzzled she was as to the correct answer.
"Your papa says what he thinks fit," she said, "and that is right for him. But young gentlemen never say it."
"How old shall I have to be-" began Archie.
"And look at your shoe-lace all untied," said Blessington with extreme promptitude. "Do it up at once, or you'll be treading on it. And then it will be time for you to go in, and you can write your letter to Miss Marjorie before your dinner."
Miss Marjorie was the elder of Archie's two sisters. She was ten years older than he, and at the present time was staying with her grandmother, whom Archie strongly suspected of being either a witch or a man. She was large and rustling, and had a bass voice and a small moustache and a small husband, who was an earl, to whom, when he came to stay with Archie's father, who appeared to be his son, every one paid a great deal of unnecessary attention. Both of them, Archie's father, and Archie's father's father, were lords, and Archie distinctly thought he ought to be a lord too, considering that both his father and his grandfather were. Blessington had hinted that he would be a lord too, some day, if he were good, but when pressed she couldn't say when. In fact, there was a ridiculous reticence about the whole matter, for when he had asked his mother, in the presence of his grandfather, when he was going to be a lord, his grandfather, quite inexplicably, had giggled with laughter, and said:
"I've got one foot in the grave already, Archie, and you want me to have both."
That was a very cryptic remark, and when Archie asked William the footman what grandpapa Tintagel had meant, William had said that he couldn't say, sir. On which Archie, looking hastily round, and feeling sure that Blessington was not present, had repeated "Damn you, William," as daddy said.
Then William, after endeavouring not to show two rows of jolly white teeth, had said:
"You must never say that to me, Master Archie."
In fact, there was clearly a league. Blessington and William, who didn't love each other, as Archie had ascertained by direct questions to each, were at one over the question of him not saying that. Under the stress of independent evidence, Archie decided not to say it any more, without further experiments as to the effect "it" would have on his mother. If William and Blessington were both agreed about it, it had clearly better not be done, any more than it was wise to walk about among the flowers of the big, herbaceous border. The gardener and the gardener's boy and his mother were all of one mind about that, and the gardener's boy had threatened to turn the hose on to him if he caught him at it. The gardener's boy was quite grown up, and so for Archie he had a weight of authority that befitted his years.
It was a lovely, disconnected life. There were all sorts of delightful and highly coloured strands that contributed to it, and others of a more sombre hue, and others again quite secret, which concerned Archie alone, and of which he never spoke to anybody. Of the delightful and highly coloured strands there were many. Waking in the morning, and knowing that there was going to be another day was one of them, and perhaps that was the most delightful of all except when, rarely, it was clouded with some trouble of the evening before, as when Archie had broken a window in his father's study in the laudable attempt to kill a wasp with a fire-shovel, and had been told by Blessington that his father wished to see him the moment he was dressed in the morning. But usually the wakings were ecstatic; and often he used to return to consciousness in those summer months long before Blessington came in to call him. The window was always open-all the windows in the night-nursery were opened as soon as he got into bed-and the blinds were up, and on the ceiling was the most delicious green light, for the early sun shone through the branches of the beeches outside, and painted Archie's ceiling with a pale, milky green which was adorable to contemplate. He would pull up his night-shirt, and with his bare arms clasp his bare knees, and, lying on his back, rather unsteadily anchored, would roll backwards and forwards looking at the green light, and rehearsing all the delightful probabilities of the day. Sometimes his mother had promised him that he should go out fishing on the lake when his lessons were done, and this implied the wonderful experience of seeing Walter or William come out on to the lawn, and pour out of a tin gardening can a mixture of mustard and water. When the footman did that it was certain that in a short time the grass would be covered with worms, which William put in a tin box lined with moss. Then Archie and William, sometimes with a sister, whose presence, Archie thought, was not wholly desirable, since she impeded the free flow of talk between him and William, would go down to the lake, and William, who could do everything, put worms on hooks (they did not seem to mind, for they said no word of protest), and sculled across to the sluice above which was deep water, where the fish fed, and away from the reeds, where the line got entangled, so that it was impossible to know whether you were engaged with a fish or a vegetable. The fishing-rod came out of his father's study-that was another delightful male attribute about the room-and when Archie went in to ask for it, William came too, not in his livery, but in ordinary clothes, and his father said, "Take good care of Master Archie, William. Good sport, Archie." Sometimes again, if he was not busy, Lord Davidstow came out with Archie instead of William. That was somehow an honour, but Archie did not like it so much.
Once there was a great happening. William produced a curious object that looked like the bowl of a spoon with hooks set all round it. He said there were going to be no worms this time, and, instead of drifting about, he rowed up and down, while Archie, with his rod over the stern, saw the spoon flashing through the water. Then a great shadow came over it, and Archie felt the rod bend in his hands. He was so excited that he stepped on to the seat of the boat, in order to see better, and promptly fell overboard.
He was not the least frightened, and rather enjoyed the splash and the sense of soda-water round him. With both hands he held on to the fishing-rod, which seemed an absolutely essential thing to do, and sank down, down in the deep water, seeing it green and yellow above his head. And then instantly he knew he was going to be drowned, and a feeling precisely identical to that which he had experienced one night when he woke, of a universal presence round about him, took complete possession of him. Then, even before he was conscious of the least sense of choking or discomfort, but was still only aware of coolness and depth and greenness, a great dark splaying object came right down upon him from above, and he found himself tucked underneath a human arm, coatless and in shirt-sleeves which he took to be William's. But still Archie did not let go of the fishing-rod, and mistakenly trying to speak, bidding William take care of it, his mouth and apparently his whole interior filled with water, and drowning suddenly seemed to be a disagreeable process. Next moment, however, his head emerged from the water again, and William caught hold of the boat.
"Let go the rod, Master Archie," said he, "and catch hold of the boat."
"But there's a fish on it," spluttered Archie.
"Do as I tell you, sir," said William quite crossly.
Archie had been told that, when he went out in the boat with William, he had to do precisely as William told him. He was not, it is true, in the boat at the moment, but the injunction probably applied. So he let go of the rod, and the moment afterwards found himself violently propelled over the side of the boat, and tumbled all abroad on the floor of it. They were but a dozen yards from land, and William having once got Archie into the boat, grabbed hold of the rod with his spare hand, and swam, shoving the boat in front of him.
"Oh, well done, William. Oh, William, I love you," screamed Archie when, having righted himself, he observed this brilliant manoeuvre. "Is the fish there still?"
William scrambled up the bank, still holding the rod.
"Run indoors at once, Master Archie," he said. "Don't wait a moment."
"But William, is the fish-" began Archie.
"Do as I tell you, sir," said William again. "I'll bring the fish for you, if I get him."
Archie ran with backward glances across the lawn, where he was met by Blessington who had observed the accident out of the window, and, before he could explain half the thrilling things that had happened, was undressed and rubbed down and put between blankets. And then, after a few minutes, in came William, having also changed his clothes, with a great pike, and his father followed and shook hands with William, and his mother did the same, saying things that made William blush and stand first on one foot and then on the other, murmuring: "It was nothing at all, my lady," and Archie asked if he and William might go out again that afternoon, and catch another pike. Then in came his younger sister, Jeannie, who was only two years his senior. She appeared to be on the point of crying, and she flung her arms round Archie's neck in an uncomfortable sort of way, and Archie told her she was messing him. After that, in reaction from those thrilling affairs, he felt suddenly tired, and, being encouraged to go to sleep, nestled down in the blankets and woke up to find that there was his fish stuffed for dinner, and for himself and William an era of unexampled popularity.
Archie did not understand at the time why he had suddenly blossomed into such favouritism, unless it was for having clung tight to his father's fishing-rod but he enjoyed it immensely. It was pleasant, too, not long afterwards, to be given a gold watch by his father, to present to William, with a gold chain provided by his mother. And William permitted him to put the gold watch into one waistcoat pocket, and the end of the gold chain into the other, and his father and mother and Jeannie all shook hands with William again (every one seemed to be spending their time in shaking hands with William). So Archie, since William was his friend more than anybody else's, kissed him, in order to mark the difference between himself and other people with regard to him. He was surprised to find that William had got a soft cheek like his mother's, and supposed that men's faces grew hard as they grew older. He instantly mentioned this surprising fact, and William appeared rather glad to leave the room. But in all Archie's life no event ever occurred which approached the splendour and public magnificence of this whole experience.
Every day the world widened, and, lying looking at the green light on the ceiling in the cool still mornings of that summer which seemed to last for years and years, Archie found himself not only speculating on what fresh joys the day would bring, but joining together in his mind the happenings that at the time seemed disconnected, but which proved to be part of a continuous thread of existence. Just as the nursery passage, and the steep stairs, and his father's room, and the lawn, and the lake passed from being isolated phenomena into pieces of a whole, so things that happened proved to be the experiences of the person who was known to others as Archie Morris, and to Archie as himself. Sometimes he so tingled with vigour when he woke that, contrary to orders, he stepped out of bed and leaned out of the window, to look at the bright dewy world, with one ear alert to hear Blessington's foot along the passage, in order to leap back into bed again, for now he had the night-nursery to himself, and Blessington slept next door. At that hour the lawn would be covered with a shimmering grey mantle, pearl-coloured, and here and there a few diamonds had got in by mistake which shone with just the brilliance of his mother's necklace. Perhaps these were the bed-clothes of the lawn, and when day came, they were covered over by the green bed-spread like that which lay on his own bed. The lake away to the right had different bed-clothes, thicker ones, but of the same colour. No doubt they were thicker because the lake was colder, for on some mornings he could not see through them at all. To the left, out of the window, rose the wood where the rabbits lived; sometimes one of them, an early riser like Archie, would have found a gap in the netting and was out on the lawn nibbling the grass. The gardener did not approve of that, for the lawn, it appeared, belonged to the people who lived in Archie's house, and not to the folk in the wood, and this was a trespass on the part of the rabbits, for which the punishment, rather a severe one, was death by shooting. This had added a new terror to the notice in another wood where he and Blessington sometimes walked, which announced that trespassers would be prosecuted. Blessington was foolhardy enough to disregard that notice altogether, saying that it was his daddy's notice, and didn't apply to them; but for some time Archie never chose that walk for fear that Blessington might be wrong about it, and that they would meet somebody in the wood who would instantly shoot them both for trespassing. But in childish fashion he kept those terrors to himself, sooner than enquire about them, till one day they actually did meet in that wood a man with a gun. Then in a sudden wild terror Archie clung to Blessington, crying out, "Oh, ask him not to shoot us this time!"
"Eh, darling," said Blessington. "Who's going to shoot us? It's only one of your daddy's keepers."
"No, but he will shoot us," screamed Archie. "We're trespassers, and he'll shoot us like the rabbits."
Matters being thereupon explained, and Archie convinced that he and Blessington were not going to be shot for trespassing, he found that he could make up for himself an entrancing story of how Master Rabbit and his nurse (who were good) never trespassed on the lawn, and that the rabbits he saw there corresponded to Grandmamma Tintagel, and so he did not care whether they were shot or not.
These stories which he told himself in the early morning, looking out on to the lawn, or lying curled up on his back in bed, looking at the green ceiling, were not vague, dream-like imaginings, but were endowed with a vividness that made Blessington's entry with his bath and his clothes seem less real than they. It became impossible indeed for him to disentangle reality (as judged by people like his father and the gardener) from imagination. He told himself so strongly that there was Grandmamma Tintagel sitting on the lawn, trespassing and nibbling grass for her breakfast, that her presence there, or her absence when there was no trespassing rabbit, became things as vivid as his subsequent dressing and breakfast. Had he been definitely asked if he believed it was Grandmamma Tintagel, he would have said "No"; but in his imaginative life, so hard for a child to dissociate from his real life, there was no question as to her identity. It happened also that at this time his mother was reading to him the realest of all books, namely, Alice in Wonderland. No imaginative boy of five could possibly doubt the actual existence of the White Rabbit in that convincing history, and Archie would not have been surprised if, one morning, there had proved to be a white rabbit sitting by the fence, who looked at his watch and put on his gloves. Yet he never spoke of this possibility even to Blessington or William; it did not belong to the sphere of things about which it was reasonable to converse to grown-up people, simply because they were stupid about certain matters and would not understand him. The fact that Grandmamma Tintagel sometimes sat on the lawn in the early morning was among the topics which he kept quite completely to himself.
There were other such topics. Sometimes, when he lay in bed, waiting for Blessington to call him, and did not choose to get up and look out of the window, it was because these other secret affairs engaged him. If he lay still, and stared at the green-hued ceiling, curious waves of shadow appeared to pass over it, and it seemed like that sunny floor of water that had closed above his head on the morning when he fell out of the boat. There was he lying in bed deep below some surface of liquid light that cut him off from the outer world, and he wondered if in a moment a splayed starfish of arms and legs which turned out to be William would dive down for him, and bring him up among the common things again. But William never made this impressive entry through the ceiling, and if he stared long enough, Archie only seemed to himself to slip down and down, gently and rapturously, through deep water, and another world, the world of hidden things that dwelt below the surface, came slowly into existence, like as when, on mounting a slope, fresh valleys and hillsides arise and unfurl themselves. Only, in this case, you had to go down somewhere inside yourself to become aware of them. And something, some inner consciousness, recognized and hailed them. It was not that he was getting sleepy, and sinking into the waters of dreams; rather the experience was the result of a more vivid life and awakened perceptions. But he never got further than that, and during the day he was far too busy with the affairs of normal life to trouble about those perceptions that dawned on him on still quiet mornings when he lay a-bed and stared at the ceiling with its flickering green lights and moving shadows.
Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. (Excerpt from Wikipedia)
A collection of essays about writing: "On some technical elements of style in literature", "The morality of the profession of letters", "Books which have influenced me", "A note on realism", "My first book: 'Treasure Island'", "The genesis of 'the master of Ballantrae'" & "Preface to 'the master of Ballantrae'".
Any reader who has spent some time with Robert Louis Stevenson's body of work won't be surprised to learn that the Scottish author was an inveterate traveler and world explorer from early adulthood. Later in life, the chronically ill author lived in locales around the globe in an attempt to find a home that was amenable to his ailing health. The collection Essays of Travel brings together some of Stevenson's finest essays, short memoirs, and other works that detail his thoughts on travel and foreign lands.
Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. "St. Ives: Being The Adventures of a French Prisoner in England" (1897) is an unfinished novel by Robert Louis Stevenson. It was completed in 1898 by Arthur Quiller-Couch. The plot concerns the adventures of the dashing Capitaine Jacques St. Ives, a Napoleonic soldier, after his capture by the British. (Excerpt from Wikipedia)
An unfinished novel. Archie Weir, is a young boy with a Romantic sensibility and sensitivity. The death of his mother exacerbates the contrast with the father who will banish him from his family and send to the family's property in the nearby Hermiston. Here the guy will meet and fall in love with Kirstie.
I received a pornographic video. "Do you like this?" The man speaking in the video is my husband, Mark, whom I haven't seen for several months. He is naked, his shirt and pants scattered on the ground, thrusting forcefully on a woman whose face I can't see, her plump and round breasts bouncing vigorously. I can clearly hear the slapping sounds in the video, mixed with lustful moans and grunts. "Yes, yes, fuck me hard, baby," the woman screams ecstatically in response. "You naughty girl!" Mark stands up and flips her over, slapping her buttocks as he speaks. "Stick your ass up!" The woman giggles, turns around, sways her buttocks, and kneels on the bed. I feel like someone has poured a bucket of ice water on my head. It's bad enough that my husband is having an affair, but what's worse is that the other woman is my own sister, Bella. ************************************************************************************************************************ “I want to get a divorce, Mark,” I repeated myself in case he didn't hear me the first time—even though I knew he'd heard me clearly. He stared at me with a frown before answering coldly, "It's not up to you! I'm very busy, don't waste my time with such boring topics, or try to attract my attention!" The last thing I was going to do was argue or bicker with him. "I will have the lawyer send you the divorce agreement," was all I said, as calmly as I could muster. He didn't even say another word after that and just went through the door he'd been standing in front of, slamming it harshly behind him. My eyes lingered on the knob of the door a bit absentmindedly before I pulled the wedding ring off my finger and placed it on the table. I grabbed my suitcase, which I'd already had my things packed in and headed out of the house.
"The entire wealthy circle in Seattle knew how much Stella Carlson loved Aaron Malone. People watched the childhood sweethearts grow from inexperience to maturity, finally getting married in a grand wedding ceremony. On the day of the wedding, despite the alliance between the Carlson and Malone families, the groom ran away. Stella knew that Aaron had rushed to L.A. to take care of his ex-girlfriend, who had attempted suicide. Unwilling to become the laughingstock of all Seattle, she gritted her teeth and dialed the number of her adversary, her tone almost commanding, "Ethan, come and marry me now. This is your only chance for revenge." On the other end, Ethan Powers raised an eyebrow as he gripped his phone, staring at the floor littered with cigarette butts. "Did the groom run away?" he asked. "My darling."
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
For seven years, Jillian pursued Bryan with unyielding passion, but he remained distant, his emotions tightly sealed. Disheartened, she left for overseas after graduating from college. Three years later, Jillian, now a successful attorney, sat provocatively on the lap of Bryan's competitor. She flashed Bryan a playful smile and taunted, "What's wrong, Bryan? Are you impotent?" Bryan's restraint shattered in an instant. In a swift motion, he scooped her up and tossed her onto the bed. The next morning, as Bryan woke up, Jillian flashed a mischievous smile. "Let's keep things casual, okay?"
This is a story about two damaged people who came together because of one's desire and the other's fear. Cassandra She was young, innocent, loving, and pretty with big eyes that showed her soul. She was stunningly beautiful but broken and alone, trapped in a world of monsters. Then he appeared. People say he is the worst monster of all, someone you pray never to meet. Will she escape him, or will he become her whole world? Dominic He was ruthless, aggressive, and merciless. Everyone feared him, and he was proud to be the king of his world. But he was also broken. Then she appeared. She was like a fragile doll, his doll. Will he take what he wants and move on, or will she become his life? "Let me go, please," she begged. He buried his face in her neck and tightened his grip around her arms. "Shhhh... breathe, love," he whispered. She cringed at his nickname for her, and he continued, "You are mine, and I am never letting you go. I will give you everything, my love, except your freedom from me."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."