/0/9520/coverbig.jpg?v=20210813191939)
Peterkin by Mrs. Molesworth
Peterkin by Mrs. Molesworth
We were all at tea in the nursery. All except him. The door burst open and James put his head in.
'If you please, Mrs. Brough,' he began,-'Mrs. Brough' is the servants' name for nurse. Mamma calls her 'Brough' sometimes, but we always call her 'nurse,' of course,-'If you please, Mrs. Brough, is Master Peterkin here?'
Nurse looked up, rather vexed. She doesn't like burstings in.
'Of course not, James,' she said. 'He is out driving with his mamma. You must have seen them start.'
'It's just that,' said James, in his silly way. 'It's his mamma that wants to know.'
And then we noticed that James's face was much redder than usual. It may have been partly that he had run upstairs very fast, for he is really very good-natured, but it looked as if he was rather in a fuss, too.
Nurse sat very bolt up in her chair, and her face began to get queer, and her voice to get vexeder. Lots of people get cross when they are startled or frightened. I have noticed it.
'What do you mean, James? Please to explain,' she said.
'I can't stop,' he said, 'and I don't rightly understand, myself. His mamma sent Master Peterkin home before her, half-an-hour ago or more, but he hasn't come in, not as I've seen, nor nobody else, I'm afraid. So where he's got to, who can say?'
And James turned to go.
Nurse stopped him, getting up from her place as she spoke.
'Was he in the carriage?' she asked.
'Of course not. Beckett would have seen him in, all right, if he had been,' said James, in a very superior tone. 'He was to run home by himself a bit of a way, as I take it,' he added, as he hurried off at last.
'I must go downstairs to your mamma,' said nurse. 'Miss Blanchie, my dear, will you look after Miss Elvira, and see that she doesn't spill her tea?'
'Nursie,' said Elvira, in a very offended tone, 'you know I never spill my tea now.'
'Not since the day before yesterday,' I was beginning to say, but I didn't. For I thought to myself, if there was any real trouble about Peterkin, it wouldn't be at all a good time to tease each other. I don't think Elf-that's Elvira's pet name-had understood about him being lost. Indeed, I don't think I had quite taken it in myself, till I saw how grave the two eldest ones were looking.
'Clem,' I said, 'do you think there can really be anything the matter?'
Clement is the eldest of us all, and he is always the one we go to first if we are in any trouble. But he is sometimes rather slow; he is not as quick and clever as Blanche, and she often puts him down at first, though she generally comes round to his way in the end. She answered for him now, though I hadn't spoken to her.
'How can there not be something the matter?' she said sharply. 'If Peterkin has been half-an-hour or an hour, perhaps, wandering about the streets, it shows he has at least lost his way, and who knows where he's got to. I wish you wouldn't ask such silly questions, Giles.'
Then, all of a sudden, Elf burst out crying. It may have been partly Blanche's sharp tone, which had startled her, and made her take more notice of it all.
'Oh, Clem, Clem,' she wailed, 'could he have been stolened?'
'No, no, darling,' said Clement, dabbing her face with his pocket-handkerchief. 'There are kind policemen in the streets, you know. They wouldn't let a little boy like Peterkin be stolen.'
'But they does take little boys to pison,' said Elf. 'I've see'd them. It's 'cos of that I'm frightened of them for Peterkin.'
That was not quite true. She had never thought of policemen till, unluckily, Clem spoke of them in his wish to comfort her. She did not mean to say what was not true, of course, but there never was such a child as Elf for arguing, even then when she was only four years old. Indeed, she's not half as bad now that she is eight, twice as old, and I often tell her so. Perhaps that evening it wasn't a bad thing, for the talking about policemen stopped her crying, which was even worse than her arguing, once she started a good roar.
'It's just because of that, that I'm so frightened about dear sweet little Peterkin,' she repeated.
'Rubbish, Elf,' I began, but Clem looked at me and I stopped.
'You needn't be frightened that Peterkin will be taken to prison, Elfie,' he said in his kind, rather slow way. 'It's only naughty little boys that the policemen take to prison, and Peterkin isn't naughty,' and then he wiped Elf's eyes again, and she forgot to go on crying, for just then nurse came upstairs. She was not actually crying, of course, but she did look very worried, so Clem and Blanche's faces did not clear up at all. Nor did mine, I suppose. I really did not know what to think, I was waiting to see what the others thought, for we three younger ones looked up to Clement and Blanche a good deal, and we still do. They are twins, and they seem to mix together so well. Blanche is quick and clever, and Clement is awfully sensible, and they are both very kind, though Clem is the gentlest. They are nearly sixteen now, and I am thirteen past, so at the time I am writing about they were twelve and I was going to be ten my next birthday, and Peterkin was eight and Elvira five. I won't say much about what sort of a boy Peterkin was, for as my story is mostly about him and the funny things he did and thought, it will show of itself.
He was a funny child; a queer child in some ways, I mean, and he still is. Mamma says it is stupid to say 'funny' when we mean queer or odd, but I think it says it better than any other word, and I am sure other children will think so too.
Blanche was the first to speak to nurse.
'Is mamma really frightened about Peterkin, nurse?' she asked. 'Tell us what it is.'
But nurse had caught sight of her darling pet baby's red eyes.
'Miss Blanchie,' she said, 'I asked you to look after Miss Elvira, and she's been crying.'
'You asked me to see that she didn't spill her tea, and she hasn't spilt it. It's some nonsense she has got in her head about policemen taking strayed children to prison that she has been crying about,' replied Blanche, rather crossly.
'I only wish,' began nurse, but the rest of her sentence she mumbled to herself, though I heard part of it. It was wishing that the policemen had got Peterkin safely.
'Of course, your poor mamma is upset about it,' she went on, though I could see she did not want to say very much for fear of Elf's beginning to cry again. 'It was this way. Your mamma had to go round by Belton Street, and she did not want to keep Master Peterkin out so late to miss his tea, so she dropped him at the corner of Lindsay Square, and told him to run home. It's as straight as straight can be, and he's often run that far alone. So where he's got to or gone to, there's no guessing.'
'And what is mamma doing?' asked Blanche.
'She has sent Mr. Drew and James off in different directions,' said nurse, 'and she has gone herself again in the carriage to the station, as it's just time for your papa's train, and he will know what more to do.'
We did not live in London then; papa went up and down every day from the big town by the sea where our home was. Clement thinks perhaps I had better not say what town it is, as some people might remember about us, and I might say things that would vex them; so I won't call it anything, though I must explain that it is not at all a little place, but quite big enough for any one to lose their way in, if they were strangers. But Peterkin wasn't a stranger; and the way he had to come was, as nurse said, as straight as straight.
We all listened with grave faces to what nurse told us. Suddenly Clement got up-I can't say 'jumped up,' for he was always rather slow.
'Nurse,' he said, 'mamma's out, so I can't ask her leave. But I've got an idea about Peterkin. Will you give me leave to go out for half-an-hour or so? I promise you I won't go far, but I would rather not tell you where I want to go, as it may be all nonsense.'
Nurse looked at him doubtfully. She trusted Clem the most of us all, I know, and she had good reason to do so, for he was and is very trustworthy. And it was nice of him to ask her leave, considering he was twelve years old and quite out of the nursery, except that he still liked having tea there when he came in from school every evening.
'Well, Master Clement,' said nurse, 'I don't quite know. Supposing you go out and don't get back as soon as you expect? It would be just a double fright for your poor mamma.'
'Let me go too!' I exclaimed, and I jumped up so suddenly that I made all the cups rattle and nearly threw over the table altogether. 'Then if anything stops Clem getting back quickly, I can run home and explain. Anyway you'd be more comfortable if you knew the two of us were on the hunt together. You don't mind my coming, do you, Clem?'
'No,' said Clem, 'but do let's go.'
'And you won't be long?' pleaded nurse.
Clem shook his head.
'I don't think we can be-not if there's anything in my idea', he called out, as we ran off.
We didn't take a minute to pull on our coats, which were hanging in the hall. I daresay I should never have thought of mine at all, if Clem hadn't reminded me, even though it was late in November and a cold evening. And as soon as we were outside and had set off at a good pace, I begged Clem to tell me what his idea was, and where we were going to look for Peterkin.
'It's the parrot,' he replied; 'the parrot in Rock Terrace.'
'I don't know what you mean,' I said. 'I never heard of a parrot, and I don't know where Rock Terrace is.'
'Nonsense,' said Clem, stopping for a moment. 'You must have forgotten.'
'I haven't indeed,' I said.
'Not about the parrot that Peterkin has been dreaming of ever since we passed it on Saturday, when we were out with mamma-next door to old Mrs. Wylie's?' Clem exclaimed.
'No,' I repeated. 'I wasn't with you that day, and--'
'No more you were,' said Clem.
'And,' I went on, 'I don't know where Mrs. Wylie lives, though I've often seen her herself at our house. And you know, Clement, that's just like Peterkin. If he's got anything very much in his head, he often doesn't speak of it, except to any one who knows about it already.'
'He hasn't said very much about it, even to me,' said Clement. 'But, all the same, I know he has got it tremendously in his head.'
'How do you mean? Is he making up fairy stories about it?'
'Perhaps! You see he had never heard a parrot speaking. I'm not sure if he knew they ever did. But he wanted very much to see it again, and it just came into my mind all at once, that if he had a chance he might have run round there and lost his way. I don't suppose he meant to when mamma told him to go home. It may just have struck him when he got to the corner of Lindsay Square.'
I did not answer. We were walking so fast that it was not easy to go on speaking. But I did think it was very clever of Clement to have thought of it. It was so like Peterkin.
Clement hurried on. It was quite dark by now, but the lamps were lighted, and Clem seemed quite sure of his way. In spite of feeling rather unhappy about Peterkin, I was enjoying myself a little. I did not think it possible that he was really badly lost, and it was very exciting to rush along the streets after dark like this, and then I could not help fancying how triumphant we should feel if we actually found him.
It was not very surprising that I did not know where Rock Terrace was, or that I had never even heard of it. It was such a tiny little row of such tiny houses, opening out of one corner of Lindsay Square. The houses were rather pretty; at least, very neat-looking and old-fashioned, with a little bit of garden in front, and small iron gates. They looked as if old maids lived in them, and I daresay there were a good many.
Clement hurried along till he was close to the farther off end. Then he stopped short, and for the first time seemed at a loss.
'I don't know the number,' he said, 'but I'm sure it was almost the end house. And-yes-isn't that a big cage on the little balcony, Giles? Look well.'
I peeped up. The light of the lamps was not very good in Rock Terrace.
'Yes,' I said. 'It is a big cage, but I can't see if there's a bird in it.'
'Perhaps they take him in at night,' said Clement. Then he looked up again at the balconies.
'Let me see,' he went on, 'which side is Mrs. Wylie's? Mamma went in at the-' but before he had time to finish his sentence his doubts were set at rest-his doubts and all our fears about Peterkin. For the door on the left of the parrot's home opened slowly, letting out what seemed, in contrast with the darkness outside, a flood of light, just within which, in the small hall or lobby of the miniature house, stood two figures-the one, that of a short thin old lady with white hair, dressed all in black; the other, a short fat little boy in a thick coat-our missing Peterkin!
OUR MISSING PETERKIN.-p. 13.
They were speaking to each other most politely.
'So pleased to have seen you, my dear,' said Mrs. Wylie. 'Give my love to your dear mamma. I will not forget about the parrot, you may be sure. He shall have a proper invitation. And-you are quite certain you can find your way home? Oh, dear!-that poor child must have been bemoaning herself again! Polly always knows.'
And as we stood there, our minds scarcely made up as to what we should do, we heard a queer croaking voice, from inside the house on the right of Mrs. Wylie-the parrot's voice, of course, calling out-
'I'm so tired, Nana; I'm so tired. I won't be good; no, I won't.'
Mrs. Wylie and Peterkin both stood silent for a moment, listening. So did we. Then Clement opened the gate and ran up the two or three steps, I following him.
'Peterkin!' he exclaimed, 'mamma has been so frightened about you.'
And Peterkin turned round and looked up in his face with his big blue eyes, apparently quite astonished.
'Has mamma come back?' he said. 'I've only been here for a minute or two. I just wanted to look at the parrot.'
Mrs. Wylie was a quick-witted old lady. She took it all in, in a moment.
'Dear, dear!' she said. 'I am afraid it is my fault. I saw the dear boy looking up at the parrot next door when I came in from my stroll round to the pillar-box with a letter, and he told me he was one of Mrs. Lesley's little sons, and then we got talking. But I had no idea his mamma would be alarmed. I am afraid it has been much more than a few minutes. I am sorry.'
It was impossible to say anything to trouble the poor old lady: she looked as if she were going to cry.
'It will be all right now,' said Clement. 'Mamma will be so delighted to see him safe and sound. But we had better hurry home. Come along, Peterkin.'
But nothing would make Peterkin forget his good manners. He tugged off his sailor cap again, which he had just put on, and held out his hand, for the second or third time, I daresay, as he and his old lady had evidently been hobnobbing over their leave-takings for some minutes before we made our appearance.
'Good-bye!' he said; 'and thank you very much. And I'll ask mamma to let me come whenever you fix the day for the parrot. And please tell me all he tells you about the little girl. And-thank you very much.'
They were the funniest pair. She so tiny and thin and white, with bright dark eyes, like some bird's, and Peterkin so short and sturdy and rosy, with his big dreamy ones looking up at her. She was just a little taller than he. And suddenly I saw his rosy face grow still rosier; crimson or scarlet, really. For Mrs. Wylie made a dash at him and kissed him, and unluckily Peterkin did not like being kissed, except by mamma and Elf. His politeness, however, stood him in good stead. He did not pull away, or show that he hated it, as lots of fellows would have done. He stood quite still, and then, with another tug at his cap, ran down the steps after Clem and me.
Clement waited a moment or two before he spoke. It was his way; but just now it was a good thing, as Mrs. Wylie did not shut the door quite at once, and everything was so quiet in that little side street, in the evening especially, that very likely our voices would have carried back to her. I, for my part, was longing to shake Peterkin, though I felt very inclined to burst out laughing, too. But I knew it was best to leave the 'rowing' to Clem.
'Peterkin,' he began at last, 'I don't know what to say to you.'
Peterkin had got hold of Clem's hand and was holding it tight, and he was already rather out of breath, as Clem was walking fast-very fast for him-and he has always been a long-legged chap for his age, thin and wiry, too; whereas, in those days-though, thank goodness, he is growing like a house on fire now-Peterkin was as broad as he was long. So to keep up with Clement's strides he had to trot, and that sort of pace soon makes a kid breathless, of course.
'I-I never thought mamma'd be flightened,' he managed to get out at last. He had been a long time of saying his 'r's' clearly, and now they still all got into 'l's' if he was bothered or startled. 'I never thought she'd be flightened.'
'Then you were a donkey,' I burst out, and Clement interrupted me.
'How could she not have been frightened?' he went on. 'She told you to run straight home, which wouldn't have taken you five minutes, and you have been at least an hour.'
'I thought it wouldn't be no farther to come this way,' replied Peterkin, 'and I only meant to look at the pallot one minute. And it would have been very lu-rude not to speak to the old lady, and go into her house for a minute when she asked me. Mamma always says we mustn't be rude,' said Peterkin, plucking up some spirit.
'Mamma always says we must be obedient' replied Clement, severely.
Then he relapsed into silence, and his quick footsteps and Peterkin's short trotty ones were the only sounds.
'I believe,' I couldn't help murmuring, half to myself, half to Peterkin-'I believe you've got some rubbish in your head about the parrot being a fairy. If I were mamma I'd stop your--' but at that I stopped myself. If Clement had heard me he would have been down upon me for disrespectfulness in saying to a baby like Pete what I thought mamma should or should not do; and I didn't care to be pulled up by Clement before the little ones.
Peterkin was as sharp as needles in some ways. He guessed the end of my unfinished sentence.
'No,' he half whispered, 'mamma'd never stop me reading faily stolies-you know she wouldn't, Gilly, and it's velly unkind of you to say so.'
'I didn't say so,' I replied.
'Be quiet, both of you,' said Clem, 'and hurry on,' for we had slackened a little.
But in spite of the breathlessness of the pace, I heard another gasp from Peterkin-
'It is velly like the blue-bird,' were the words I distinguished.
And 'I knew I was right,' I thought to myself triumphantly.
* * *
"Hast thou seen that lordly castle, That castle by the sea? Golden and red above it The clouds float gorgeously." Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much? The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story.About Author:Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham.She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879.Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green:Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction.The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice.Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction.In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story."A new edition of The Cuckoo Clock was published in 1914.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
Livia Shelby, 19, is forced into marriage with Damian Alexander - a ruthless CEO with a cold heart. Hate simmers beneath the surface, and sometimes it blurs the line between resentment and desire. But what happens when the love that grows between them is bound by a contract... and forbidden to be spoken? Author's Note: This book has been previously published on several platforms. This version is a revised and improved edition.
Sold off for billions, Emilee was forced to wed Eric, a comatose tycoon, becoming the city's punch-line. While bolting from the sham, she caught her sleazy boyfriend tangled with her adoptive sister. Fury blazing, she slipped into the silk gown anyway, vowing to marry money and avenge herself. Following the wedding, gossip soared: the "useless bride" strode onstage to claim the global medical prize her impostor sister had stolen, then got back at her parents for all the wrongs they had done to her. When Eric awoke, he didn't discard her-he adored her, unveiling the dazzling secrets she'd kept hidden.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP