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Chapter 34 GERMAN OPERA; WEBER, MEYERBEER AND
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Released on: 06/12/2017
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istics being an extremely full and dramatically conceived treatment of the orchestra, and a mode of deliveri
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Contents
Chapter 1 MUSIC AMONG THE ANCIENT EGYPTIANS.
Chapter 2 MUSIC AMONG THE HEBREWS AND ASSYRIANS.
Chapter 3 MUSIC AMONG THE ANCIENT GREEKS.
Chapter 4 MUSIC IN INDIA, CHINA AND JAPAN.
Chapter 5 THE NATURE OF THE TRANSFORMATION, AND
Chapter 6 THE MINSTRELS OF THE NORTH.
Chapter 7 THE ARABS OR SARACENS.
Chapter 8 ORIGIN OF THE GREAT FRENCH EPICS.
Chapter 9 THE TROUBADOURS, TROUVèRES AND
Chapter 10 THE INFLUENCE OF THE CHRISTIAN CHURCH.
Chapter 11 THE DIDACTIC OF MUSIC FROM THE FIFTH CENTURY
Chapter 12 THE RISE OF POLYPHONY. OLD FRENCH AND
Chapter 13 THE SCHOOLS OF THE NETHERLANDS.
Chapter 14 POLYPHONIC SCHOOLS OF ITALY.
Chapter 15 THE CHANGES IN MUSICAL NOTATION.
Chapter 16 MUSICAL INSTRUMENTS. THE VIOLIN,
Chapter 17 CONDITION OF MUSIC AT THE BEGINNING
Chapter 18 FIRST CENTURY OF ITALIAN OPERA AND
Chapter 19 BEGINNINGS OF OPERA IN FRANCE AND
Chapter 20 THE PROGRESS OF ORATORIO.
Chapter 21 BEGINNINGS OF INSTRUMENTAL MUSIC.
Chapter 22 GENERAL VIEW OF MUSIC IN THE EIGHTEENTH
Chapter 23 JOHN SEBASTIAN BACH.
Chapter 24 GEO. FREDERICK H NDEL.
Chapter 25 EMANUEL BACH; HAYDN; THE SONATA.
Chapter 26 MOZART AND HIS GENIUS.
Chapter 27 BEETHOVEN AND HIS WORKS.
Chapter 28 HAYDN, MOZART AND BEETHOVEN COMPARED.
Chapter 29 OPERA IN THE EIGHTEENTH CENTURY.
Chapter 30 PIANO PLAYING AND VIRTUOSI; THE VIOLIN;
Chapter 31 THE NINETEENTH CENTURY, THE ROMANTIC;
Chapter 32 SCHUBERT AND THE ROMANTIC.
Chapter 33 THE STORY OF THE PIANOFORTE.
Chapter 34 GERMAN OPERA; WEBER, MEYERBEER AND
Chapter 35 VIRTUOSITY IN THE NINETEENTH CENTURY;
Chapter 36 MENDELSSOHN AND SCHUMANN.
Chapter 37 ITALIAN OPERA DURING THE NINETEENTH
Chapter 38 FRENCH OPERATIC COMPOSERS OF THE
Chapter 39 LATER COMPOSERS AND PERFORMERS.
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