rm on her face. She didn't call a car. The crisp air felt good in her
y to a quieter, older part of the city. The walk was long, about fifteen minutes,
, followed by the low, ug
a narrow alle
ing, was to keep walking. Not her problem. But the scream echoed, laced with
ond chance. She wouldn't
ght, she turned and
school uniform. Her blazer had been torn from her shoulders, and the top buttons of her white shirt were ripped open. She was clutching the shredded fabric to her ch
ul of her hair and yanked her head back against the brick. "Just give
h the tense air, cold a
a black dress, her figure slender, almost delicate
took a step toward Faye, his eyes roaming over her body. "Another pr
s dirty fingers ai
r touch
not entirely hers took over, fluid and instinctive. She caught his wrist, twiste
mal sound of pure agony. He crumpled
ith angry shouts, momenta
of his ribs. He gasped, the air leaving his lungs in a pained whoosh as he crumpled. Simultaneously, she delivered
cy. Her movements had not been frantic. They had been economical, precise, and utterly lethal. She had not swu
shadows, a black Bentley had rolled to
tical, were fixed on the woman in black. But it was not just the violence that held his attention. It was the way she moved. Not like a brawler. Not like someone who
was gaping. "Holy crap. Uncle Chaz,
n from the main road and w
ic beat against his knee. She had just done in ten seconds what would have take
Faye Barnes ha
voice, now gentle, was a stark contrast to the violence she had just unleash
oftly. "It is oka
eyes were wide, darting between Faye and the groaning men on th
he black dress jacket she was wearing and held
dy eyes. At the white bandage peeking out from under the jacket sleeve. Somethin
crum
ll body shook violently, her sobs muffled against Faye's shoulder. "Thank you," she
l, holding her steady. "I know. I know. But
d the Bentley. Dylan's face had gone pale. "Jesus. Thos
then turn around and comfort a child like a mother. The two sides of
voice was hesit
, his voice low.
ack just enough to look at the
wiping her eyes with the ba
too big, but it covered the ripped buttons, and that was what mattered. "Lis
ed, still
mbled in his pocket. He pulled out a switchblade. The blade snapped open with a menac
ng Chloe. She coul
Chaz
e man's twisted face, the trajectory of the blade aimed directly at Fay
e passenger seat, his voice cutt

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