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Too late to beg, Mr Ex

Too late to beg, Mr Ex

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11 Chapters
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For five years, Becca Ethan was the perfect wife. She hosted his dinners, smoothed his tie, and never asked for anything in return. Then one night at the Ashford Ballroom, her husband reached past her hand to save another woman. Chris Ethan had already decided Becca was nothing without him. He had a lawyer looking for a clean way out, and a woman he trusted more than his wife. Becca walked out with her divorce papers, her wedding ring, and a secret he never bothered to ask about. Now she's back, standing at the head of the boardroom he needs to save his company. The woman he dismissed is the one holding every contract he has left. But Zoe Beckham is watching, and Aaron Peters has made it clear he's not going to let Chris near Becca again. Chris is finally begging. The question is whether Becca will let him say it.

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Too late to beg, Mr Ex Chapter 1 THE CHOICE

The shrimp was still on my plate when the ceiling came down.

I had been standing at the edge of the Ashford Ballroom for forty minutes, counting how many people checked their phones during Chris's speech. Eleven. Twelve, if you counted the man from the bank who was pretending to read the program. My left shoe was pinching. I remember thinking I would have to admit to Chris that I'd been wrong about the shoes, and he would enjoy that more than he should.

Then a crack like a gunshot, and the floor tilted.

I landed on one knee beside a table of place cards. Plaster dust hung in the light. Someone was shouting about the exits. Somewhere a glass kept rolling across the parquet, tap, tap, tap, until it stopped.

Chris was crouched beside a fallen beam about ten feet away. His jacket had split at the shoulder. One hand was under the wood. His face was turned toward the far side of the room, where Zoe Beckham lay half under a slab of ceiling, her silver dress gone gray with dust.

"Chris." I got one palm flat on the floor and pushed. "Chris, I'm here."

I lifted my other hand. It was dusty, and I knew how that looked.

He didn't look at me. He stepped over a chair, slid his arm under Zoe's shoulders, and lifted. She came out easily. "I've got you," he said, low and steady. It was the voice he used on the phone with his mother.

I kept my hand up longer than I want to admit. Then I put it back on the floor and used it to stand.

Zoe looked over his shoulder as he carried her toward the doors. Her lip was split. She wasn't crying. Her eyes went to my hand, then to my face, and she looked, if anything, a little bored.

The paramedics found me by the service door. One of them wrapped my knee and asked if there was someone I wanted to call. I said yes. I didn't call anyone. The ambulance that took Chris and Zoe left before I'd even got my shoe back on. His assistant, Priya, stood in the doorway talking into his phone and never once looked my way.

I took a cab home. The driver had the radio on low, a man talking about mortgage rates, and he didn't ask me anything. I was grateful for that.

The house on Harrow Lane was dark. I didn't switch on the hall lights. I could make out the staircase by the glow from the street, and the framed photo from the Kessler gala, where I was wearing blue and he was looking at somebody over my shoulder.

Three weeks earlier, I had come down for water at two in the morning. The study door was open a few inches. Chris was on speaker with Gerald Haines, and I stopped on the bottom step when I heard my own name.

"Find me the clause," Chris said. "Anything I built before the marriage stays mine. She can have the car. She can keep the clothes."

"Chris, she's your wife."

"She's a line item." Then he laughed, not unkindly, the way you'd laugh about a parking ticket.

I went back to bed. I didn't cry. I lay awake listening to the house settle, trying to remember the last time he'd said my name in a sentence that wasn't about a schedule.

Now the kitchen counter was cold under my hands. I put the envelope down and squared it against the edge. The divorce papers were inside, signed in my handwriting. I had signed them twice, because the first time my signature looked like someone else's. My wedding ring went next to them. It was thinner than I remembered.

Last, I laid down the notice. Two years ago, I had signed a licence letting Ethan Holdings use the designs I'd filed under my own name. Under that licence, the company paid me a royalty every quarter, and that money had been my only income since. The licence also let me withdraw permission in writing at any time. My lawyer had drafted the notice in March, and I had finished signing it at four that afternoon. It said the company no longer had permission to use any of my patents, and that copies would go to the patent office on Monday.

I didn't leave. I went to the hall and stood where the light from the street couldn't reach.

Headlights. A car door. His footsteps came fast, then slowed, the way he walked when he didn't want to look like he was rushing. Zoe had been kept overnight for observation. Priya had told me that much on the phone. So Chris had come home alone, still in the torn jacket. He stopped in the kitchen doorway. He didn't turn on the light either.

For a while he just looked at the counter.

Then he picked up the envelope. The ring slid out and clicked against the marble. He left it there. He read the first page, then the second, then the notice, and I heard him breathe in once through his nose.

"When did you sign this?"

"Four o'clock."

"Today."

"Yes."

He read the last paragraph again. His thumb moved along the edge of the page, back and forth, the way it did when he was waiting for a meeting to end.

"Priya said you were fine at the gala," he said. "She said you went home."

"I did."

"And then you sat down and wrote this."

"It took a while. My hand kept going wrong."

He set the notice down very carefully, as if it might tear. Then he looked up, past the counter, into the hallway where I was standing.

"Becca, since when do you have patents?"

"Since I was twenty-six. Every one of them has my name on it."

He shook his head slowly and turned the licence over. "Your name is on the filings. The company is the one that pays the fees, and it's the one that pays you." He put his finger under a line near the bottom. "Section four. Royalties stop the day the licence is revoked. Not the day the company stops using the designs. The day you send this."

I looked at the page. I had read that section two years ago, and I had thought only about the permission part.

"You didn't think about the money," he said. It wasn't a question, and he didn't sound angry. He sounded almost tired.

I didn't answer right away. I was counting the months of rent in my head, and the number that came back was smaller than I wanted.

He reached for the light switch on the wall, hesitated, and turned it on.

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