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Chapter 10 -Of Truth of Tone.
Word Count: 206
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Released on: 06/12/2017
rst, the right relation of objects i
which it is felt to owe part of its bri
one in its first sense an
masters perfect in relation
lly false in relation of m
alsehood of su
le of Turner in
of N. Poussin'
er's "Mercury
the "Datur Ho
d sense of the
this respect between the painti
want of power ove
t qualities of light
Titian attains the appeara
will not use
essential truth b
cond quality
in this respect interfered wi
perfect in parts-far mo
Turner of uniting a
capitula
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Contents
Chapter 1 -Definition of Greatness in Art.
Chapter 2 -General Principles respecting Ideas of Power.
Chapter 3 -Of Ideas of Power, as they are dependent upon Execution.
Chapter 4 -Of Ideas of Truth in their connection with those of Beauty and Relation.
Chapter 5 -That the Truth of Nature is not to be discerned by the Uneducated Senses.
Chapter 6 -Of the Relative Importance of Truths -First, that Particular Truths are more important than General Ones.
Chapter 7 -Of the Relative Importance of Truths -Secondly, that Rare Truths are more important than Frequent Ones.
Chapter 8 -Of the Relative Importance of Truths -Thirdly, that Truths of Color are the least important of all Truths.
Chapter 9 -Recapitulation.
Chapter 10 -Of Truth of Tone.
Chapter 11 -Of Truth of Color.
Chapter 12 -Of Truth of Chiaroscuro.
Chapter 13 -Of Truth of Space -First, as Dependent on the Focus of the Eye.
Chapter 14 -Of the Open Sky.
Chapter 15 -Of Truth of Clouds -First, of the Region of the Cirrus.
Chapter 16 -Of Truth of Clouds -Secondly, of the Central Cloud Region.
Chapter 17 -Of Truth of Clouds -Thirdly, of the Region of the Rain-Cloud.
Chapter 18 -Of General Structure.
Chapter 19 -Of the Central Mountains.
Chapter 20 -Of the Inferior Mountains.
Chapter 21 -Of Water, as Painted by the Ancients.
Chapter 22 -Of Water, as Painted by the Moderns.
Chapter 23 -Of Truth of Vegetation.
Chapter 24 -General remarks respecting the Truth of Turner.
Chapter 25 INTRODUCTORY.
Chapter 26 DEFINITION OF GREATNESS IN ART.
Chapter 27 OF IDEAS OF POWER.
Chapter 28 OF IDEAS OF IMITATION.
Chapter 29 OF IDEAS OF TRUTH.
Chapter 30 OF IDEAS OF BEAUTY.
Chapter 31 GENERAL PRINCIPLES RESPECTING IDEAS OF POWER.
Chapter 32 OF IDEAS OF POWER, AS THEY ARE DEPENDENT UPON EXECUTION.
Chapter 33 OF IDEAS OF TRUTH IN THEIR CONNECTION WITH THOSE OF
Chapter 34 THAT THE TRUTH OF NATURE IS NOT TO BE DISCERNED BY
Chapter 35 OF THE RELATIVE IMPORTANCE OF TRUTHS -FIRST, THAT
Chapter 36 OF THE RELATIVE IMPORTANCE OF TRUTHS -SECONDLY, THAT
Chapter 37 OF THE RELATIVE IMPORTANCE OF TRUTHS -THIRDLY, THAT
Chapter 38 RECAPITULATION.
Chapter 39 OF TRUTH OF TONE.
Chapter 40 OF TRUTH OF COLOR.
Chapter 41 OF TRUTH OF CHIAROSCURO.
Chapter 42 OF TRUTH OF SPACE -FIRST AS DEPENDENT ON THE FOCUS
Chapter 43 OF THE OPEN SKY.
Chapter 44 OF TRUTH OF CLOUDS -FIRST, OF THE REGION OF THE CIRRUS.
Chapter 45 OF TRUTH OF CLOUDS -SECONDLY, OF THE CENTRAL CLOUD
Chapter 46 OF TRUTH OF CLOUDS THIRDLY, OF THE REGION OF THE
Chapter 47 OF GENERAL STRUCTURE.
Chapter 48 OF THE CENTRAL MOUNTAINS.
Chapter 49 OF THE INFERIOR MOUNTAINS.
Chapter 50 OF WATER, AS PAINTED BY THE ANCIENTS.
Chapter 51 OF WATER, AS PAINTED BY THE MODERNS.
Chapter 52 OF TRUTH OF VEGETATION.
Chapter 53 GENERAL REMARKS RESPECTING THE TRUTH OF TURNER.
Chapter 54 CONCLUSION.-MODERN ART AND MODERN CRITICISM.
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