e quivered, or if moths and porchlight through the willows ruffled her skin like funeral satin in a gale. Either way, dawn showed a puddle between her feet. It tells you normal times just ran ho
kind of fucken
Feels like a Friday at school or somethin
ere today. You'd remember Clarence Somebody, that ole black guy who was on the news last winter. He was the psycho who dozed in this same wooden hall, right on camera. The news said that's how little he cared about the effects of his crimes. By 'effects' I think they meant axe-woun
but it seems kind of pointless when I'm naked. Anyway, my fingers are sticky. This
hew Barn box in her arms, along with a bag of my clothes, and a phone that she tries to speak into. She's slow, she's sweaty, her features hu
to a squeak. 'Gh-hrrr, I am not calling you a moron, I'm explaining that, stuss-tistically, Special Weapons And Tactics can limit the toll.' She sq
dn't. I knew she wouldn't, that's how smart I am. I still wa
he clothes in my la
n tight we are, instead of all laughably fucked up. If my ole lady came with a user's guide it'd tell you to fuck her off in the end, I guarantee it. Everybody knows Jesus is ultimately to bl
the door. I get the stained chair. Pulling on my clothes, I try to imagine it's last weekend; just regular, rusty moments drippi
offers half-heartedly, though, and frankly you'd feel sorry to ev
herself. 'Gh-rr, let's start at the beginning. Your h
ma'
e reside
, just
to her name badge. Deputy Vaine Curie it says unde
ew Jacks rub together for moral sup
squint. 'Vernon - we're talking accessory to
but
oy. Don't tell me you weren't just about his onl
must be plenty of witnesse
e here - do you?' Like an asshole I look around. Duh. She catches my eye
, I g
a hard thing to do, I'll remind you that, stuss-tistically, only two major forces gov
alth and
lth and
and
to name the two categories of people that inhabit our w
and eff
s. Are you with me, Mist
s,' but I don't. For all I know she doesn't even have daughters. Now I'l
take it you know what a liar is? A liar is a psychopath - someone who paints gray areas between black and
ma'
ount for yourself at a quarte
in sc
what p
- ma
t important facts have I only now finished
ay I was in
ng. A wooden hairdo pokes into the room. 'Ve
hat says 'Don't relax' and points her bone at t
en noise she makes just gives it a turn. It cuts even deeper now that my daddy ain't around to share the pain. My shoulders round up when I see the phone,
okay?' Feel the b
tupid. It's a subliminal plea for her not to be p
e the bathr
, Mom
you get that -
anyway. Never mind the slimy details, my ole lady just added the whole affair to my knife, so she could give it a turn every now and then. Once she even wrote about it to my teacher, who had her own sta
s morning,' she says, 'so I wo
fore she plants the whole fucken Ginz
re you
g to Depu
her I know her sister Re
't LuDe
now Pam sees him eve
arry. I hav
ng an ovenful of joy cakes for the Lechugas, s
U
the car - town's cra
e. I ain't saying I'm to blame, don't get me wrong. I'm calm about that, see? Under my grief glows a serenity that comes from knowing the truth alwa
means loosen up some facts, young man. Sheriff Porkorney has firm notions about Tuesday, you should be tha
d the gym, I didn't
you were
was our m
eways. 'You take ma
N
ren't you
Mr Nuckles, and got
Nuck
ysics t
aches
N
ooking real gray, Mist
st look at me: clump of lawless brown hair, the eyelashes of a camel. Big ole puppy-dog features like God made me through a fucke
I have w
hat r
ckles
he prods the dry
ch of
And where are th
esn't come to my brain, it comes to my eye as a tear tha
re they? So Vernon - let me ask you two simple
-
ss the wall, then herds them back to
N
a key, eyeing me all the while. Then she jabs the key. The theme from Mission: Impossible chi
e dismay of no more meat made her seek other comforts, t
the room, tacked around the soul of Sheriff Porkorney. 'This the boy?' h
say he
ith him.' He closes
urning to the corner like it makes her absent.
outside. Bothered fol
there, sir - I
rner. One of her eyes flicks back,
ture on the door, and traces a line around Jesus' face, his bangs of blood, h
out thi
se, though, y
he was going to
Gurie. 'Examine Littl
er did,'
rgarm
ar Y-f
the back of 'em, did you, Vaine? You know certa
med clean
right out and say it. I try to muster some control. 'Sir, I ain't gay, if that's w
stache. 'Regular boy then, are you, son? You l
ur
ue. How many offices does a girl have t
fic
ies -
-
fs up like he just disco
memories of the Mini-Mart loading-bay after a storm; tangs of soggy cardboard and curdled milk. Somehow I don'
box, nodding to Gurie. 'Get it on record,
officer through
d the sheriff. I'll be back with ano
earmint breath. But all I whiff, over the sweat and the barbecue sauce, is school - the kind of pulse bullyboys