hat follows the winding river, which has quays and boats, renders the town very pretty and the big H?tel de la Pré

ndissements, with their large, medium, and small parishes, its committee of primary instruction, its saving banks, its t

rth other more respected ones. You will not, it is true, find the charms and riotous wealth of colouring possessed by Quimperlé; still, I know of few things that can equal the char

now their most intimate recesses, and sometimes one stumbles acro

t keep this illusion! There are more draughts in such apartments than in a

ambles, sometimes along a wall, which are filled in turn with daisies, pebbles and thistles, a path made for light thoughts and bantering conversation

tried to discover a likeness to human agonies in those bleating and sobbing voices. I thought of groups of slaves brought there with ropes around their necks, to be tied to iron rings, and killed in ord

hrough one side of the town and came back throu

d pull a leaf off a tree and clap it over his mouth to cool his lips. His business consists in going from one place to another, attending to letters and errands. He goes to Douarnenez, Quimperlé, Brest and even to Rennes, which is forty miles away (a journey which he accomplished in four days, including going and coming). His whole ambition, he said, was to return to Rennes once more during his lifetime. And only for the purpose, mind you, of going back

e may not be much of it, one experiences neither disgust nor rebellion. In that little chapel, of a rather severe Romance style, the only curious thing is a large granite holy-water basin which stands on the floor and is almost black. It is wide and deep and represents to perfection the real Catholic holy-water basin, made to receive the entire body of an infant, and not in

lly, we walked to the river, crossed it

f leaves was greenish, and as dim as on a winter evening. But farther away, it was brilliant, and played around the edges of the leaves and accentuated their delicate pinking. Later we reached the top of a barren slope, which was flat and smooth, and without a blade of grass to relieve the monotony of its colour. Sometimes, however, we came upon a long avenue of beech-trees with moss growing around the foot of their thick, shining trunks. There were wagon-tracks in these avenues, as if to indicate the pr

to foster their bitterness beneath its weeping sky, to the low rustling of the trees and the heather. On winter nights, when the fox creeps stealthily over the dry leaves, when the tiles fall from the pigeon-house and the reeds bend in the marshes, when the beech

he breeze. In the courtyard the ground is covered with heather, violets, and pebbles; you walk in, look around and go o

a ditch and caught a glimpse of a few of dwellings: the village of Pomelin. A rough road constitutes the main street and the village cons

ft the village to lie in wait behind the furze-bushes to catch

up the roof, the blue paint of which has been freshened recently. The bright light of the fields, filtering through the green foliage which covers the roof of the church, shines through the white window-panes. The door, a little wooden door that closes with a latch, was op

y all gather in the church, but as soon as the sun pierces the clouds and the rain-spouts dry up, they repair to the trees again. So that during the storm two frail creatures

us cry of an appetite, and, like the shepherd's bed of dried leaves, it is the retreat the soul has built for itself where it comes to rest when it is tired. These village churches represent better than their city sisters the distinctive features of the places where they are built, and they seem to participate more directly in the life of the people who, from father to son, come to kneel at the same place and on the same stone slab. Every day, every Sunday, when they enter and when they leave, do they not see the graves of their parents, a

y Trinity. Jacob forms the trunk, and the top is figured by the Cross surmounted by the Eternal Father with a tiara on His head. On each side, the square steeple represents a quadrilateral pierced by a long straight window. This steep

ccompanied us with his little niece, who stopped along the road to pick flowers. The young man walked in front of us. His slender and flexible figure was encased in a j

h appears to be of the thirteenth century, but which, in reality, is of the sixteenth), the church reminds one of the discreet chapels mentioned in old novels and old melodies, where they knighted the page st

It clung a moment to the coarse cloth of his jacket, and then, little by little, it separated and spread like the hair of a woman. It was parted

cks and the fascination they may have for bare and playful arms. A strange progress, indeed, is that which consists in curtailing everywhere th