An anchor is a forged piece of iron, admirably adapted to its end, and technical language is an instrument wrought into perfection by ages of experience, a flawless thing for its purpose. An anchor of yesterday (because nowadays there are contrivances like mushrooms and things like claws, of no particular expression or shape - just hooks) - an anchor of yesterday is in its way a most efficient instrument.
"And shippes by the brinke comen and gon,
And in swich forme endure a day or two."
The Frankeleyn's Tale.
Landfall and Departure mark the rhythmical swing of a seaman's life and of a ship's career. From land to land is the most concise definition of a ship's earthly fate.
A "Departure" is not what a vain people of landsmen may think. The term "Landfall" is more easily understood; you fall in with the land, and it is a matter of a quick eye and of a clear atmosphere. The Departure is not the ship's going away from her port any more than the Landfall can be looked upon as the synonym of arrival. But there is this difference in the Departure: that the term does not imply so much a sea event as a definite act entailing a process - the precise observation of certain landmarks by means of the compass card.
Your Landfall, be it a peculiarly-shaped mountain, a rocky headland, or a stretch of sand-dunes, you meet at first with a single glance. Further recognition will follow in due course; but essentially a Landfall, good or bad, is made and done with at the first cry of "Land ho!" The Departure is distinctly a ceremony of navigation. A ship may have left her port some time before; she may have been at sea, in the fullest sense of the phrase, for days; but, for all that, as long as the coast she was about to leave remained in sight, a southern-going ship of yesterday had not in the sailor's sense begun the enterprise of a passage.
The taking of Departure, if not the last sight of the land, is, perhaps, the last professional recognition of the land on the part of a sailor. It is the technical, as distinguished from the sentimental, "good-bye." Henceforth he has done with the coast astern of his ship. It is a matter personal to the man. It is not the ship that takes her departure; the seaman takes his Departure by means of cross-bearings which fix the place of the first tiny pencil-cross on the white expanse of the track-chart, where the ship's position at noon shall be marked by just such another tiny pencil cross for every day of her passage. And there may be sixty, eighty, any number of these crosses on the ship's track from land to land. The greatest number in my experience was a hundred and thirty of such crosses from the pilot station at the Sand Heads in the Bay of Bengal to the Scilly's light. A bad passage. . .
A Departure, the last professional sight of land, is always good, or at least good enough. For, even if the weather be thick, it does not matter much to a ship having all the open sea before her bows. A Landfall may be good or bad. You encompass the earth with one particular spot of it in your eye. In all the devious tracings the course of a sailing-ship leaves upon the white paper of a chart she is always aiming for that one little spot - maybe a small island in the ocean, a single headland upon the long coast of a continent, a lighthouse on a bluff, or simply the peaked form of a mountain like an ant-heap afloat upon the waters. But if you have sighted it on the expected bearing, then that Landfall is good. Fogs, snowstorms, gales thick with clouds and rain - those are the enemies of good Landfalls.
Joseph Conrad was a British author who is generally regarded as one of the greatest writers in English literature. Conrad's style influenced many of the great authors that followed him. This edition of Victory: An Island Tale includes a table of contents.
P>'It is a mighty force that of mere chance, absolutely irresistible yet manifesting itself often in delicate forms such for instance as the charm, true or illusory, of a human being' In Flora de Barral, the slender, dreamy, morbidly charming daughter of a parvenu financier, Conrad creates his most complex heroine and one of his most unrelenting, but not unhopeful, novels of emotional isolation. Neglected by her bankrupt father and rejected by her governess, drifting into abstraction and despair, Flora takes refuge at sea on Captain Anthony's ship, where tragedy and her transformation begin. When published in 1913, Chance was an immediate success. Arnold Bennett wrote that 'this is a discouraging book for a writer because he damn well knows he can't write as well as this'; while an anonymous reviewer in Punch declared that 'the whole thing is much nearer wizardry than workmanship'.
According to Wikipedia: "Joseph Conrad (1857 – 1924) was a Polish-born English novelist. Many critics regard him as one of the greatest novelists in the English language—a fact that is remarkable, as he did not learn to speak English fluently until he was in his twenties (and always with a strong Polish accent). He became a naturalized British subject in 1886. Conrad is recognized as a master prose stylist. Some of his works have a strain of romanticism, but more importantly he is recognized as an important forerunner of modernist literature. His narrative style and anti-heroic characters have influenced many writers, including Ernest Hemingway, D. H. Lawrence, F. Scott Fitzgerald, Graham Greene, William S. Burroughs, Joseph Heller, V.S. Naipaul, Italo Calvino and J. M. Coetzee."
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
Almayer's Folly was Conrad's first novel, set in a remote Bornean outpost at the end of the 19th century. Conrad draws on his own experience to present the strains of life at a cultural crossroads. The Dutch trader, Almayer, is stranded in Sambir, thirty miles up a virtually unknown equatorial river. He lives among of and new cultures; his wife is Sulu (Philippino), behind him live his Arab rivals, across the river is the Malay rajah's campong, inland are the primitive Dyak headhunters, and decisions taken in London and Amsterdam affect every household in the settlement.
As a general rule we do not want much encouragement to talk about ourselves; yet this little book is the result of a friendly suggestion, and even of a little friendly pressure. I defended myself with some spirit; but, with characteristic tenacity, the friendly voice insisted, “You know, you really must.”
After three secretive years of marriage, Eliana never met her enigmatic husband until she was served with divorce papers and learned of his extravagant pursuit of another. She snapped back to reality and secured a divorce. Thereafter, Eliana unveiled her various personas: an esteemed doctor, legendary secret agent, master hacker, celebrated designer, adept race car driver, and distinguished scientist. As her diverse talents became known, her ex-husband was consumed by remorse. Desperately, he pleaded, "Eliana, give me another chance! All my properties, even my life, are yours."
"Mother said you agreed to marry me," I stared at her deeply in the eyes, as I took in her beautiful features. "Yes, I did," Her sultry voice replied. "Good. We will get married, but only for a year," Her face wore a confused look as she blinked. Taking her wrist, I allowed my thumb to gently sweep up and down. "Make me fall in love with you within a year, and we will live forever," I let the words in my heart out "What if I fail?" Her gaze met mine. "Then we will end the marriage and part ways. Worse still,you will lose everything you have,"I replied icyly, as her wrist slipped off. She looked at me with disdain. ******** Ariel Peterson, a young twenty five year old lady was thrown out of her so-called home, by her step mother. She decided to end it all, but found herself in a hospital. A marriage proposal in front of her, giving her a second chance, one she jumped at without a second thought.' Marriage will be lovely,'she thought. The cold Billionaire she was to get married to gave her a difficult task. 'To make him fall in love with her within a year' Will she be able to work her way into the heart of her husband? When a lady from the past finds her way Into their life, what misfortune will it bring to them? Will their love become happily ever after?
Five years ago, he upped and left his wife without informing her. He had always felt unworthy. As a result, he decided to go and become a better man. It took him five whole years of daily hard work. When he was satisfied, he returned as a powerful and honorable man. He intended to start a family with his wife. But he got back to meet the greatest shocker of his life. He actually had a daughter!
Katie was forced to marry Dillan, a notorious ruffian. Her younger sister mocked her, "You're just an adopted daughter. Count your blessings for marrying him!" The world anticipated Katie's tribulations, but her married life unfurled with unexpected serenity. She even snagged a lavish mansion in a raffle! Katie jumped into Dillan's arms, credited him as her lucky charm. "No, Katie, it's you who brings me all this luck," Dillan replied. Then, one fateful day, Dillan's childhood friend came to her. "You're not worthy of him. Take this 50 million and leave him!" Katie finally grasped Dillan's true stature—the wealthiest man on the planet. That night, trembling with trepidation, she broached the subject of divorce with Dillan. However, with a domineering embrace, he told her, "I'd give you everything I have. Divorce is off the table!"
Scarlett was left betrayed and broken beyond repair when her best friend Megan set her up with the male escort who stole her virginity...Or at least, that's what she thought he was. There was something odd about the strong and strikingly beautiful man that she spent a night with. Despite the pure hatred she felt for him, the deals he ended up offering wasn't one she could refuse. Scarlett always thought she'd marry her soulmate but turns out, that won't be the case for her. But could her mysterious husband make his way through her broken heart and fix it? It's hard to imagine but love has funny ways to manifest in places where it's least expected....
Three years ago, Cecilia was left battered and alone by the man she loved most, Alston, yet she bravely completed the wedding ceremony while pregnant. Three years later, although they were married, they grew apart over time. Cecilia focused on her career, no longer foolishly believing in love. But her transformation instantly threw Alston into a panic... And what is the secret from 11 years ago that Cecilia has always been reluctant to reveal? *** "She went to a law firm, met with a lawyer..." A lawyer? Is Cecilia suing someone? Who? Is there any recent litigation against the company? Alston suddenly chuckled coldly, "Who could she sue? I'm the CEO of this company. How come such a matter doesn't come to me first?" The assistant swallowed nervously, speaking softly, "Sir, there's no litigation against the company. She met with... a divorce lawyer."