/0/1186/coverbig.jpg?v=20171115143033)
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.
The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror.
Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage.
'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.'
Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered.
'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.'
The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broadarrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore.
Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.
The girl pulled the hood of a cloak she wore, over her head and over her face, and, looking backward so that the front folds of this hood were turned down the river, kept the boat in that direction going before the tide. Until now, the boat had barely held her own, and had hovered about one spot; but now, the banks changed swiftly, and the deepening shadows and the kindling lights of London Bridge were passed, and the tiers of shipping lay on either hand.
It was not until now that the upper half of the man came back into the boat. His arms were wet and dirty, and he washed them over the side. In his right hand he held something, and he washed that in the river too. It was money. He chinked it once, and he blew upon it once, and he spat upon it once - 'for luck,' he hoarsely said - before he put it in his pocket.
'Lizzie!'
The girl turned her face towards him with a start, and rowed in silence. Her face was very pale. He was a hook-nosed man, and with that and his bright eyes and his ruffled head, bore a certain likeness to a roused bird of prey.
'Take that thing off your face.'
She put it back.
'Here! and give me hold of the sculls. I'll take the rest of the spell.'
'No, no, father! No! I can't indeed. Father! - I cannot sit so near it!'
He was moving towards her to change places, but her terrified expostulation stopped him and he resumed his seat.
'What hurt can it do you?'
'None, none. But I cannot bear it.'
'It's my belief you hate the sight of the very river.'
'I- I do not like it, father.'
'As if it wasn't your living! As if it wasn't meat and drink to you!'
At these latter words the girl shivered again, and for a moment paused in her rowing, seeming to turn deadly faint. It escaped his attention, for he was glancing over the stern at something the boat had in tow.
'How can you be so thankless to your best friend, Lizzie? The very fire that warmed you when you were a babby, was picked out of the river alongside the coal barges. The very basket that you slept in, the tide washed ashore. The very rockers that I put it upon to make a cradle of it, I cut out of a piece of wood that drifted from some ship or another.'
Lizzie took her right hand from the scull it held, and touched her lips with it, and for a moment held it out lovingly towards him: then, without speaking, she resumed her rowing, as another boat of similar appearance, though in rather better trim, came out from a dark place and dropped softly alongside.
'In luck again, Gaffer?' said a man with a squinting leer, who sculled her and who was alone, 'I know'd you was in luck again, by your wake as you come down.'
'Ah!' replied the other, drily. 'So you're out, are you?'
'Yes, pardner.'
There was now a tender yellow moonlight on the river, and the new comer, keeping half his boat's length astern of the other boat looked hard at its track.
'I says to myself,' he went on, 'directly you hove in view, yonder's Gaffer, and in luck again, by George if he ain't! Scull it is, pardner - don't fret yourself - I didn't touch him.' This was in answer to a quick impatient movement on the part of Gaffer: the speaker at the same time unshipping his scull on that side, and laying his hand on the gunwale of Gaffer's boat and holding to it.
'He's had touches enough not to want no more, as well as I make him out, Gaffer! Been a knocking about with a pretty many tides, ain't he pardner? Such is my out-of-luck ways, you see! He must have passed me when he went up last time, for I was on the lookout below bridge here. I a'most think you're like the wulturs, pardner, and scent 'em out.'
He spoke in a dropped voice, and with more than one glance at Lizzie who had pulled on her hood again. Both men then looked with a weird unholy interest in the wake of Gaffer's boat.
'Easy does it, betwixt us. Shall I take him aboard, pardner?'
'No,' said the other. In so surly a tone that the man, after a blank stare, acknowledged it with the retort:
'- Arn't been eating nothing as has disagreed with you, have you, pardner?'
'Why, yes, I have,' said Gaffer. 'I have been swallowing too much of that word, Pardner. I am no pardner of yours.'
'Since when was you no pardner of mine, Gaffer Hexam Esquire?'
'Since you was accused of robbing a man. Accused of robbing a live man!' said Gaffer, with great indignation.
'And what if I had been accused of robbing a dead man, Gaffer?'
'You COULDN'T do it.'
'Couldn't you, Gaffer?'
'No. Has a dead man any use for money? Is it possible for a dead man to have money? What world does a dead man belong to? 'Tother world. What world does money belong to? This world. How can money be a corpse's? Can a corpse own it, want it, spend it, claim it, miss it? Don't try to go confounding the rights and wrongs of things in that way. But it's worthy of the sneaking spirit that robs a live man.'
'I'll tell you what it is -.'
'No you won't. I'll tell you what it is. You got off with a short time of it for putting you're hand in the pocket of a sailor, a live sailor. Make the most of it and think yourself lucky, but don't think after that to come over ME with your pardners. We have worked together in time past, but we work together no more in time present nor yet future. Let go. Cast off!'
'Gaffer! If you think to get rid of me this way -.'
'If I don't get rid of you this way, I'll try another, and chop you over the fingers with the stretcher, or take a pick at your head with the boat-hook. Cast off! Pull you, Lizzie. Pull home, since you won't let your father pull.'
Lizzie shot ahead, and the other boat fell astern. Lizzie's father, composing himself into the easy attitude of one who had asserted the high moralities and taken an unassailable position, slowly lighted a pipe, and smoked, and took a survey of what he had in tow. What he had in tow, lunged itself at him sometimes in an awful manner when the boat was checked, and sometimes seemed to try to wrench itself away, though for the most part it followed submissively. A neophyte might have fancied that the ripples passing over it were dreadfully like faint changes of expression on a sightless face; but Gaffer was no neophyte and had no fancies.
The Mystery of Edwin Drood is the final novel by Charles Dickens. The novel was left unfinished at the time of Dickens' death, and his intended ending for it remains unknown. Though the novel is named after the character Edwin Drood, the story focuses on Drood's uncle, choirmaster John Jasper, who is in love with his pupil, Rosa Bud. Miss Bud is Drood's fiancée who has also caught the eye of the high-spirited and hot-tempered Neville Landless, who comes from Ceylon with his twin sister, Helena. Landless and Drood take an instant dislike to one another. Drood later disappears under mysterious circumstances. Dickens died before he could finish the mystery. The story is set in Cloisterham, a lightly fictionalised Rochester, and feelingly evokes the atmosphere of the town as much as its streets and buildings...
On a blustery winter afternoon in 1840, crowds flooded the docks of the New York and Boston harbors. For months, Victorian audiences had followed the orphan Little Nell's adventures in Charles Dickens' The Old Curiosity Shop as she and her beloved grandfather fled the moral and material ravages of London and the machinations of the villainous dwarf, Quilp. Calling wildly to the English ship carrying the next installment of The Old Curiosity Shop, the devoted readers breathlessly demanded the fate of the novel's heroine. For today's reader, The Old Curiosity Shop not only illustrates a poverty that looks uncannily familiar, but forges a heroism from the small acts of caring that make modern life meaningful. The most popular of Dickens' novels in his lifetime, it remains both a page-turner and a masterpiece.
Curl up with this heartwarming tale of redemption from the master of the happy ending, Charles Dickens. A great read at Christmas-time or whenever you could use some uplifting lighter fare, The Battle of Life is a fast-paced tale that you'll finish with a smile on your face and renewed faith in the inherent goodness of humanity.
Nicholas Nickleby is a novel by Charles Dickens. The novel centres on the life and adventures of Nicholas Nickleby, a young man who must support his mother and sister after his father dies. Nicholas Nickleby is Charles Dickens' third published novel. He returned to his favourite publishers and to the format that was considered so successful with The Pickwick Papers. The story first appeared in monthly parts, after which it was issued in one volume. The style is considered to be episodic and humorous, though the second half of the novel becomes more serious and tightly plotted. Dickens began writing 'Nickleby' while still working on Oliver Twist and while the mood is considerably lighter, his depiction of the Yorkshire school run by Wackford Squeers is as moving and influential as those of the workhouse and criminal underclass in Twist. 'Nickleby' marks a new development in a further sense as it is the first of Dickens' romances. When it was published the book was an immediate and complete success and established Dickens's lasting reputation. The cruelty of a real Yorkshire schoolmaster named William Shaw became the basis for Dickens's brutal character of Wackford Squeers. Dickens visited his school and based the school section of Nicholas Nickleby on his visit. Like most of Dickens' early works, the novel has a contemporary setting. Much of the action takes place in London, with several chapters taking place in Dickens' birthplace of Portsmouth, as well as settings in Yorkshire and Devon. The tone of the work is that of ironic social satire, with Dickens taking aim at what he perceives to be social injustices. Many memorable characters are introduced, including Nicholas' malevolent Uncle Ralph, and the villainous Wackford Squeers, who operates an abusive all-boys boarding school at which Nicholas temporarily serves as a tutor.
The last of Dickens' picaresque novels which exposes selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel was written after taking a year off during which Charles Dickens visited America. Similarly, young Martin Chuzzlewit, the old man's grandson, goes off to America to live through events which Dickens himself perhaps experienced or observed during his own travels.
Longman's new Cultural Editions Series, Hard Times, by Charles Dickens, edited by Jeff Nunokawa, includes Books 1-3 of Hard Times and contextual materials on the age of Dickens.
Rumors had it that Dennis didn't do relationships because of a woman. Rumors also had it that Dennis was a merciless and indifferent man. Not knowing what kind of person Dennis is, Emmie signed her name beside his and received a marriage certificate with both their names on it. It was not until Emmie flash-married Dennis that she knew rumors cannot always be trusted. The man who clutched her in his arms was nothing like a ruthless CEO. On the first day of their marriage, Dennis warned Emmie, "I will provide you with anything but love." Three years later, when Emmie wants a divorce, the man tears the divorce agreement into pieces and begs, "Don't go. I can't live without you."
"No, Alpha, please stop. You won't fit," Selena gasped, her eyes wide with fear as she stared at Alpha Zander's enormous member. "I don't have that much patience. Be a good Luna and give me an heir," Zander growled, his eyes dark with menacing intensity. He gripped her thighs-rough and hard-spreading her legs wide. With a single, forceful thrust, he breached her innocent barrier and slid deep into her slick heat. * They say marrying the Alpha King is a death sentence. They were right. No she-wolf in her right mind would volunteer to be his bride. Rumor has it, none of his brides lived long enough to even try. They say he's cursed. They say he's impotent. A monster who kills to keep his secret buried. But refusing him means your entire pack dies with you. So when the alliance reached Selena's pack, her father didn't hesitate. She was the useless daughter-the wolf-less one. The perfect offering to a king who only wanted a womb and silence. But Selena soon uncovers secrets far more terrifying than she ever could have imagined. And when the truth threatens everything, there's only one thing left to do: run. But can you ever run from the Alpha King? Especially when he's willing to cross hell and burn the world down just to claim what's his.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
The day Lilah found out that she was pregnant, she caught her fiancé cheating on her. Her remorseless fiancé and his mistress almost killed her. Lilah fled for her dear life. When she returned to her hometown five years later, she happened to save a little boy's life. The boy's father turned out to be the world's richest man. Everything changed for Lilah from that moment. The man didn't let her experience any inconvenience. When her ex-fiancé bullied her, he crushed the scumbag's family and also rented out an entire island just to give Lilah a break from all the drama. He also taught Lilah's hateful father a lesson. He crushed all her enemies before she even asked. When Lilah's vile sister threw herself at him, he showed her a marriage certificate and said, "I'm happily married and my wife is much more beautiful than you are!" Lilah was shocked. "When did we ever get married? Last I checked, I was still single." With a wicked smile, he said, "Honey, we've been married for five years. Isn't it about time we had another child together?" Lilah's jaw dropped to the floor. What the hell was he talking about?
"Where do you think you're going, huh? You're mine now, Little Mouse. Get back in the house!" Vincenzo's voice boomed, sending chills down Victoria's spine as her world seemed to crumble. Victoria Washington was shattered-betrayed by her boyfriend who dumped her the day before his wedding, to her sister. She was left humiliated, mocked by everyone. But fate had other plans for her. She's broken, he's lost. She's full of fear, and he's the monster. Yet, somehow, he's her light while he remains in darkness. Vincenzo Dante will stop at nothing to tarnish his family's name for forcing him into a marriage he never wanted. But what he doesn't realize is that his new wife is stronger than she seems-too broken to bend under his cruelty. But when love begins to bloom, and secrets start to unfold, what will happen next?
On the night of her birthday, Anastasia's world is turned upside down. Her father's brutal attack sets off a chain reaction that shatters her dreams and changes her life forever. In a shocking twist, her father is forced to reveal a dark secret. Anastasia is to marry into the infamous Greyson family, the most powerful and feared dynasty in the world. And her husband to be is none other than Dante Greyson, the enigmatic, ruthless billionaire with a reputation for getting what he wants, no matter the cost. As Anastasia is dragged into the Greyson's treacherous world, she's confronted with a toxic web of family dynamics, including an ex-girlfriend with a hidden agenda, a mother-in-law who despises her, and sisters-in-law who'll stop at nothing to destroy her. But Dante, the man she's bound to, is a puzzle she's desperate to solve. With a heart frozen by past betrayal, can he ever love again? And what happens when the sparks between them ignite a fire that threatens to consume them both? But just as Anastasia begins to navigate this treacherous new world, a sinister message arrives, shattering her fragile sense of security: "Leave Dante or get caught up in the storm"
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP