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In Jack London's 1910 story Before Adam a young boy dreams that he is living the life of an early hominid, giving human evolution an early and entertaining portrayal. The hominid he dreams through is one of the Cave People and the story tells us also of the Fire People, the Tree People, the hominid's love interest and a sabre-cat.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
In my days only did I attain any measure of happiness. My nights marked the reign of fear-and such fear! I make bold to state that no man of all the men who walk the earth with me ever suffer fear of like kind and degree. For my fear is the fear of long ago, the fear that was rampant in the Younger World, and in the youth of the Younger World. In short, the fear that reigned supreme in that period known as the Mid-Pleistocene.
What do I mean? I see explanation is necessary before I can tell you of the substance of my dreams. Otherwise, little could you know of the meaning of the things I know so well. As I write this, all the beings and happenings of that other world rise up before me in vast phantasmagoria, and I know that to you they would be rhymeless and reasonless.
What to you the friendship of Lop-Ear, the warm lure of the Swift One, the lust and the atavism of Red-Eye? A screaming incoherence and no more. And a screaming incoherence, likewise, the doings of the Fire People and the Tree People, and the gibbering councils of the horde. For you know not the peace of the cool caves in the cliffs, the circus of the drinking-places at the end of the day. You have never felt the bite of the morning wind in the tree-tops, nor is the taste of young bark sweet in your mouth.
It would be better, I dare say, for you to make your approach, as I made mine, through my childhood. As a boy I was very like other boys-in my waking hours. It was in my sleep that I was different. From my earliest recollection my sleep was a period of terror. Rarely were my dreams tinctured with happiness. As a rule, they were stuffed with fear-and with a fear so strange and alien that it had no ponderable quality. No fear that I experienced in my waking life resembled the fear that possessed me in my sleep. It was of a quality and kind that transcended all my experiences.
For instance, I was a city boy, a city child, rather, to whom the country was an unexplored domain. Yet I never dreamed of cities; nor did a house ever occur in any of my dreams. Nor, for that matter, did any of my human kind ever break through the wall of my sleep. I, who had seen trees only in parks and illustrated books, wandered in my sleep through interminable forests. And further, these dream trees were not a mere blur on my vision. They were sharp and distinct. I was on terms of practised intimacy with them. I saw every branch and twig; I saw and knew every different leaf.
Well do I remember the first time in my waking life that I saw an oak tree. As I looked at the leaves and branches and gnarls, it came to me with distressing vividness that I had seen that same kind of tree many and countless times in my sleep. So I was not surprised, still later on in my life, to recognize instantly, the first time I saw them, trees such as the spruce, the yew, the birch, and the laurel. I had seen them all before, and was seeing them even then, every night, in my sleep.
This, as you have already discerned, violates the first law of dreaming, namely, that in one's dreams one sees only what he has seen in his waking life, or combinations of the things he has seen in his waking life. But all my dreams violated this law. In my dreams I never saw ANYTHING of which I had knowledge in my waking life. My dream life and my waking life were lives apart, with not one thing in common save myself. I was the connecting link that somehow lived both lives.
Early in my childhood I learned that nuts came from the grocer, berries from the fruit man; but before ever that knowledge was mine, in my dreams I picked nuts from trees, or gathered them and ate them from the ground underneath trees, and in the same way I ate berries from vines and bushes. This was beyond any experience of mine.
I shall never forget the first time I saw blueberries served on the table. I had never seen blueberries before, and yet, at the sight of them, there leaped up in my mind memories of dreams wherein I had wandered through swampy land eating my fill of them. My mother set before me a dish of the berries. I filled my spoon, but before I raised it to my mouth I knew just how they would taste. Nor was I disappointed. It was the same tang that I had tasted a thousand times in my sleep.
Snakes? Long before I had heard of the existence of snakes, I was tormented by them in my sleep. They lurked for me in the forest glades; leaped up, striking, under my feet; squirmed off through the dry grass or across naked patches of rock; or pursued me into the tree-tops, encircling the trunks with their great shining bodies, driving me higher and higher or farther and farther out on swaying and crackling branches, the ground a dizzy distance beneath me. Snakes!-with their forked tongues, their beady eyes and glittering scales, their hissing and their rattling-did I not already know them far too well on that day of my first circus when I saw the snake-charmer lift them up?
They were old friends of mine, enemies rather, that peopled my nights with fear.
Ah, those endless forests, and their horror-haunted gloom! For what eternities have I wandered through them, a timid, hunted creature, starting at the least sound, frightened of my own shadow, keyed-up, ever alert and vigilant, ready on the instant to dash away in mad flight for my life. For I was the prey of all manner of fierce life that dwelt in the forest, and it was in ecstasies of fear that I fled before the hunting monsters.
When I was five years old I went to my first circus. I came home from it sick-but not from peanuts and pink lemonade. Let me tell you. As we entered the animal tent, a hoarse roaring shook the air. I tore my hand loose from my father's and dashed wildly back through the entrance. I collided with people, fell down; and all the time I was screaming with terror. My father caught me and soothed me. He pointed to the crowd of people, all careless of the roaring, and cheered me with assurances of safety.
Nevertheless, it was in fear and trembling, and with much encouragement on his part, that I at last approached the lion's cage. Ah, I knew him on the instant. The beast! The terrible one! And on my inner vision flashed the memories of my dreams,-the midday sun shining on tall grass, the wild bull grazing quietly, the sudden parting of the grass before the swift rush of the tawny one, his leap to the bull's back, the crashing and the bellowing, and the crunch crunch of bones; or again, the cool quiet of the water-hole, the wild horse up to his knees and drinking softly, and then the tawny one-always the tawny one!-the leap, the screaming and the splashing of the horse, and the crunch crunch of bones; and yet again, the sombre twilight and the sad silence of the end of day, and then the great full-throated roar, sudden, like a trump of doom, and swift upon it the insane shrieking and chattering among the trees, and I, too, am trembling with fear and am one of the many shrieking and chattering among the trees.
At the sight of him, helpless, within the bars of his cage, I became enraged. I gritted my teeth at him, danced up and down, screaming an incoherent mockery and making antic faces. He responded, rushing against the bars and roaring back at me his impotent wrath. Ah, he knew me, too, and the sounds I made were the sounds of old time and intelligible to him.
My parents were frightened. "The child is ill," said my mother. "He is hysterical," said my father. I never told them, and they never knew. Already had I developed reticence concerning this quality of mine, this semi-disassociation of personality as I think I am justified in calling it.
I saw the snake-charmer, and no more of the circus did I see that night. I was taken home, nervous and overwrought, sick with the invasion of my real life by that other life of my dreams.
I have mentioned my reticence. Only once did I confide the strangeness of it all to another. He was a boy-my chum; and we were eight years old. From my dreams I reconstructed for him pictures of that vanished world in which I do believe I once lived. I told him of the terrors of that early time, of Lop-Ear and the pranks we played, of the gibbering councils, and of the Fire People and their squatting places.
He laughed at me, and jeered, and told me tales of ghosts and of the dead that walk at night. But mostly did he laugh at my feeble fancy. I told him more, and he laughed the harder. I swore in all earnestness that these things were so, and he began to look upon me queerly. Also, he gave amazing garblings of my tales to our playmates, until all began to look upon me queerly.
It was a bitter experience, but I learned my lesson. I was different from my kind. I was abnormal with something they could not understand, and the telling of which would cause only misunderstanding. When the stories of ghosts and goblins went around, I kept quiet. I smiled grimly to myself. I thought of my nights of fear, and knew that mine were the real things-real as life itself, not attenuated vapors and surmised shadows.
For me no terrors resided in the thought of bugaboos and wicked ogres. The fall through leafy branches and the dizzy heights; the snakes that struck at me as I dodged and leaped away in chattering flight; the wild dogs that hunted me across the open spaces to the timber-these were terrors concrete and actual, happenings and not imaginings, things of the living flesh and of sweat and blood. Ogres and bugaboos and I had been happy bed-fellows, compared with these terrors that made their bed with me throughout my childhood, and that still bed with me, now, as I write this, full of years.
A road novel fifty years before Kerouac, The Valley of the Moon traces the odyssey of Billy and Saxon Roberts from the labor strife of Oakland at the turn of the century through Central and Northern California in search of land they can farm independently—a journey that echoes Jack London's own escape from urban poverty. As London lost hope in the prospects of the socialist party and organized labor, he began researching a scientific and environmentally sound approach to farming. In his novel, it is Saxon, London's most fully realized heroine, who embodies these concerns. The Valley of the Moon is London's paean to his second wife Charmian and to the pastoral life and his ranch in Glen Ellen, the Valley of the Moon.
In 1902, Jack London purchased some secondhand clothes, rented a room in the East End, and set out to discover how the London poor lived. His research makes shocking reading. Moving through the slums as one of the poor; eating, drinking, and socializing with the underclass; lining up to get into a flophouse, London was scandalized and brutalized by the experience of living rough in Britain's capital. His clear-eyed reflections on the iniquities of class are a shaming testament to the persistence of social inequality in modern times.
The Iron Heel is a dystopian novel by American writer Jack London, first published in 1908. Anthony Meredith, a scholar in about the year 2600 AD (or 419 B.O.M. - the Brotherhood of Man), annotates the "Everhard Manuscript", an account that chronicles the years from 1912 to 1932 when the great "Iron Heel" oligarchy rose to power in the United States.
Darrell Standing, a university professor serving life imprisonment in San Quentin for murder, defies the will of prison officials who try to break his spirit with "the jacket," a canvas jacket which can be tightly laced so as to tortuously compress the whole body. To survive, Standing discovers how to enter a trance state in which he walks among the stars and experiences past lives.
The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period in which strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara Valley of California as the story opens. Stolen from his home and sold into service as sled dog in Alaska, he reverts to a wild state. Buck is forced to fight in order to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and learned experience to emerge as a leader in the wild.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.
After three secretive years of marriage, Eliana never met her enigmatic husband until she was served with divorce papers and learned of his extravagant pursuit of another. She snapped back to reality and secured a divorce. Thereafter, Eliana unveiled her various personas: an esteemed doctor, legendary secret agent, master hacker, celebrated designer, adept race car driver, and distinguished scientist. As her diverse talents became known, her ex-husband was consumed by remorse. Desperately, he pleaded, "Eliana, give me another chance! All my properties, even my life, are yours."
A sudden twist of fate connected Helena to a prominent and influential person. To onlookers, she appeared as a naive bimbo. In truth, she was a top-tier specialist, shrouded in layers of hidden identities. Charlie declared, “She’s quite delicate and easily hurt. Cross her, and you’re crossing me.” The elite families, outwitted by Helena's prowess, kept these truths from him. Helena eventually broke free from Charlie, sending him on a frenzied worldwide hunt. To him, she was a bird with dazzling wings, and his goal was to help her reach new heights.
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
For the whole 17 years of her existence, Alana did not know the word freedom and happiness having been confined in the basement of her family's house accused of killing her own mother. She's beaten, cursed at, and barely survived from crumbs of food thrown at her. She thought this is her final destiny and has accepted the bitter fate of her life not until the night of her 18th birthday, a mysterious alpha appeared at her door telling her that she is the long-lost daughter of the alpha king and claiming her as his mate he's been looking for several years now.