Darrell Standing, a university professor serving life imprisonment in San Quentin for murder, defies the will of prison officials who try to break his spirit with "the jacket," a canvas jacket which can be tightly laced so as to tortuously compress the whole body. To survive, Standing discovers how to enter a trance state in which he walks among the stars and experiences past lives.
All my life I have had an awareness of other times and places. I have been aware of other persons in me.-Oh, and trust me, so have you, my reader that is to be. Read back into your childhood, and this sense of awareness I speak of will be remembered as an experience of your childhood. You were then not fixed, not crystallized. You were plastic, a soul in flux, a consciousness and an identity in the process of forming-ay, of forming and forgetting.
You have forgotten much, my reader, and yet, as you read these lines, you remember dimly the hazy vistas of other times and places into which your child eyes peered. They seem dreams to you to-day. Yet, if they were dreams, dreamed then, whence the substance of them? Our dreams are grotesquely compounded of the things we know. The stuff of our sheerest dreams is the stuff of our experience. As a child, a wee child, you dreamed you fell great heights; you dreamed you flew through the air as things of the air fly; you were vexed by crawling spiders and many-legged creatures of the slime; you heard other voices, saw other faces nightmarishly familiar, and gazed upon sunrises and sunsets other than you know now, looking back, you ever looked upon.
Very well. These child glimpses are of other-worldness, of other-lifeness, of things that you had never seen in this particular world of your particular life. Then whence? Other lives? Other worlds? Perhaps, when you have read all that I shall write, you will have received answers to the perplexities I have propounded to you, and that you yourself, ere you came to read me, propounded to yourself.
* * * * *
Wordsworth knew. He was neither seer nor prophet, but just ordinary man like you or any man. What he knew, you know, any man knows. But he most aptly stated it in his passage that begins "Not in utter nakedness, not in entire forgetfulness. . ."
Ah, truly, shades of the prison-house close about us, the new-born things, and all too soon do we forget. And yet, when we were new-born we did remember other times and places. We, helpless infants in arms or creeping quadruped-like on the floor, dreamed our dreams of air-flight. Yes; and we endured the torment and torture of nightmare fears of dim and monstrous things. We new-born infants, without experience, were born with fear, with memory of fear; and memory is experience.
As for myself, at the beginnings of my vocabulary, at so tender a period that I still made hunger noises and sleep noises, yet even then did I know that I had been a star-rover. Yes, I, whose lips had never lisped the word "king," remembered that I had once been the son of a king. More-I remembered that once I had been a slave and a son of a slave, and worn an iron collar round my neck.
Still more. When I was three, and four, and five years of age, I was not yet I. I was a mere becoming, a flux of spirit not yet cooled solid in the mould of my particular flesh and time and place. In that period all that I had ever been in ten thousand lives before strove in me, and troubled the flux of me, in the effort to incorporate itself in me and become me.
Silly, isn't it? But remember, my reader, whom I hope to have travel far with me through time and space-remember, please, my reader, that I have thought much on these matters, that through bloody nights and sweats of dark that lasted years-long, I have been alone with my many selves to consult and contemplate my many selves. I have gone through the hells of all existences to bring you news which you will share with me in a casual comfortable hour over my printed page.
So, to return, I say, during the ages of three and four and five, I was not yet I. I was merely becoming as I took form in the mould of my body, and all the mighty, indestructible past wrought in the mixture of me to determine what the form of that becoming would be. It was not my voice that cried out in the night in fear of things known, which I, forsooth, did not and could not know. The same with my childish angers, my loves, and my laughters. Other voices screamed through my voice, the voices of men and women aforetime, of all shadowy hosts of progenitors. And the snarl of my anger was blended with the snarls of beasts more ancient than the mountains, and the vocal madness of my child hysteria, with all the red of its wrath, was chorded with the insensate, stupid cries of beasts pre-Adamic and progeologic in time.
And there the secret is out. The red wrath! It has undone me in this, my present life. Because of it, a few short weeks hence, I shall be led from this cell to a high place with unstable flooring, graced above by a well-stretched rope; and there they will hang me by the neck until I am dead. The red wrath always has undone me in all my lives; for the red wrath is my disastrous catastrophic heritage from the time of the slimy things ere the world was prime.
* * * * *
It is time that I introduce myself. I am neither fool nor lunatic. I want you to know that, in order that you will believe the things I shall tell you. I am Darrell Standing. Some few of you who read this will know me immediately. But to the majority, who are bound to be strangers, let me exposit myself. Eight years ago I was Professor of Agronomics in the College of Agriculture of the University of California. Eight years ago the sleepy little university town of Berkeley was shocked by the murder of Professor Haskell in one of the laboratories of the Mining Building. Darrell Standing was the murderer.
I am Darrell Standing. I was caught red-handed. Now the right and the wrong of this affair with Professor Haskell I shall not discuss. It was purely a private matter. The point is, that in a surge of anger, obsessed by that catastrophic red wrath that has cursed me down the ages, I killed my fellow professor. The court records show that I did; and, for once, I agree with the court records.
No; I am not to be hanged for his murder. I received a life-sentence for my punishment. I was thirty-six years of age at the time. I am now forty-four years old. I have spent the eight intervening years in the California State Prison of San Quentin. Five of these years I spent in the dark. Solitary confinement, they call it. Men who endure it, call it living death. But through these five years of death-in-life I managed to attain freedom such as few men have ever known. Closest-confined of prisoners, not only did I range the world, but I ranged time. They who immured me for petty years gave to me, all unwittingly, the largess of centuries. Truly, thanks to Ed Morrell, I have had five years of star-roving. But Ed Morrell is another story. I shall tell you about him a little later. I have so much to tell I scarce know how to begin.
Well, a beginning. I was born on a quarter-section in Minnesota. My mother was the daughter of an immigrant Swede. Her name was Hilda Tonnesson. My father was Chauncey Standing, of old American stock. He traced back to Alfred Standing, an indentured servant, or slave if you please, who was transported from England to the Virginia plantations in the days that were even old when the youthful Washington went a-surveying in the Pennsylvania wilderness.
A son of Alfred Standing fought in the War of the Revolution; a grandson, in the War of 1812. There have been no wars since in which the Standings have not been represented. I, the last of the Standings, dying soon without issue, fought as a common soldier in the Philippines, in our latest war, and to do so I resigned, in the full early ripeness of career, my professorship in the University of Nebraska. Good heavens, when I so resigned I was headed for the Deanship of the College of Agriculture in that university-I, the star-rover, the red-blooded adventurer, the vagabondish Cain of the centuries, the militant priest of remotest times, the moon-dreaming poet of ages forgotten and to-day unrecorded in man's history of man!
And here I am, my hands dyed red in Murderers' Row, in the State Prison of Folsom, awaiting the day decreed by the machinery of state when the servants of the state will lead me away into what they fondly believe is the dark-the dark they fear; the dark that gives them fearsome and superstitious fancies; the dark that drives them, drivelling and yammering, to the altars of their fear-created, anthropomorphic gods.
No; I shall never be Dean of any college of agriculture. And yet I knew agriculture. It was my profession. I was born to it, reared to it, trained to it; and I was a master of it. It was my genius. I can pick the high-percentage butter-fat cow with my eye and let the Babcock Tester prove the wisdom of my eye. I can look, not at land, but at landscape, and pronounce the virtues and the shortcomings of the soil. Litmus paper is not necessary when I determine a soil to be acid or alkali. I repeat, farm-husbandry, in its highest scientific terms, was my genius, and is my genius. And yet the state, which includes all the citizens of the state, believes that it can blot out this wisdom of mine in the final dark by means of a rope about my neck and the abruptive jerk of gravitation-this wisdom of mine that was incubated through the millenniums, and that was well-hatched ere the farmed fields of Troy were ever pastured by the flocks of nomad shepherds!
Corn? Who else knows corn? There is my demonstration at Wistar, whereby I increased the annual corn-yield of every county in Iowa by half a million dollars. This is history. Many a farmer, riding in his motor-car to-day, knows who made possible that motor-car. Many a sweet-bosomed girl and bright-browed boy, poring over high-school text-books, little dreams that I made that higher education possible by my corn demonstration at Wistar.
And farm management! I know the waste of superfluous motion without studying a moving picture record of it, whether it be farm or farm-hand, the layout of buildings or the layout of the farm-hands' labour. There is my handbook and tables on the subject. Beyond the shadow of any doubt, at this present moment, a hundred thousand farmers are knotting their brows over its spread pages ere they tap out their final pipe and go to bed. And yet, so far was I beyond my tables, that all I needed was a mere look at a man to know his predispositions, his co-ordinations, and the index fraction of his motion-wastage.
And here I must close this first chapter of my narrative. It is nine o'clock, and in Murderers' Row that means lights out. Even now, I hear the soft tread of the gum-shoed guard as he comes to censure me for my coal-oil lamp still burning. As if the mere living could censure the doomed to die!
A road novel fifty years before Kerouac, The Valley of the Moon traces the odyssey of Billy and Saxon Roberts from the labor strife of Oakland at the turn of the century through Central and Northern California in search of land they can farm independently—a journey that echoes Jack London's own escape from urban poverty. As London lost hope in the prospects of the socialist party and organized labor, he began researching a scientific and environmentally sound approach to farming. In his novel, it is Saxon, London's most fully realized heroine, who embodies these concerns. The Valley of the Moon is London's paean to his second wife Charmian and to the pastoral life and his ranch in Glen Ellen, the Valley of the Moon.
In 1902, Jack London purchased some secondhand clothes, rented a room in the East End, and set out to discover how the London poor lived. His research makes shocking reading. Moving through the slums as one of the poor; eating, drinking, and socializing with the underclass; lining up to get into a flophouse, London was scandalized and brutalized by the experience of living rough in Britain's capital. His clear-eyed reflections on the iniquities of class are a shaming testament to the persistence of social inequality in modern times.
The Iron Heel is a dystopian novel by American writer Jack London, first published in 1908. Anthony Meredith, a scholar in about the year 2600 AD (or 419 B.O.M. - the Brotherhood of Man), annotates the "Everhard Manuscript", an account that chronicles the years from 1912 to 1932 when the great "Iron Heel" oligarchy rose to power in the United States.
The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period in which strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara Valley of California as the story opens. Stolen from his home and sold into service as sled dog in Alaska, he reverts to a wild state. Buck is forced to fight in order to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and learned experience to emerge as a leader in the wild.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden.
Jack London made a specialty of books about marvelous dogs. Jerry of the Islands tells the story of an Irish Terrier, a dog from the Southern seas, rather than the cold North. Jerry's life is colored by his experiences in the rough -- and sadly, racist -- land of Melanesia. First published in 1915, "Jerry of the Islands" tells the story of Jerry's narrow world, in which the dog has been born and raised to carry out the racist aims of his master, and his travels after that time...
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
RIEKA She was a naive, chubby, wolfless werewolf, maltreated by her mate to the point where she loses her sanity and womb, her crime was being chubby and less attractive than her peers. GABRIEL He was a handsome, strong willed womanizer, who happens to a hybrid ALPHA prince, the person he loves the most is his kid brother RALPH. He has searched high and low for a mate he could never find. What will happen when he finds out that his beloved brother's ex wife, happens to be his long awaited mate, who was maltreated and is currently mentally unstable? Will he forgive his brother for hurting his mate? or will blood flow?
“You need a bride, I need a groom. Why don’t we get married?” Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. “She keeps asking for a divorce, but I don’t want that! What should I do?”
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."