The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book 'out of his own head,' he writes the preface for his own pleasure.
After reading over his book in print - to make sure that all the 'u's' are not printed as 'n's,' and all the 'n's' as 'u's' in the proper names - then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove - if he means it to prove anything - and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.
This appears to be the philosophy of prefaces in general, and perhaps authors might be more daring and candid than they are with advantage, and write regular criticisms of their own books in their prefaces, for nobody can be so good a critic of himself as the author - if he has a sense of humour. If he has not, the less he says in his preface the better.
These Fairy Books, however, are not written by the Editor, as he has often explained, 'out of his own head.' The stories are taken from those told by grannies to grandchildren in many countries and in many languages - French, Italian, Spanish, Catalan, Gaelic, Icelandic, Cherokee, African, Indian, Australian, Slavonic, Eskimo, and what not. The stories are not literal, or word by word translations, but have been altered in many ways to make them suitable for children. Much has been left out in places, and the narrative has been broken up into conversations, the characters telling each other how matters stand, and speaking for themselves, as children, and some older people, prefer them to do. In many tales, fairly cruel and savage deeds are done, and these have been softened down as much as possible; though it is impossible, even if it were desirable, to conceal the circumstance that popular stories were never intended to be tracts and nothing else. Though they usually take the side of courage and kindness, and the virtues in general, the old story-tellers admire successful cunning as much as Homer does in the Odyssey. At least, if the cunning hero, human or animal, is the weaker, like Odysseus, Brer Rabbit, and many others, the story-teller sees little in intellect but superior cunning, by which tiny Jack gets the better of the giants. In the fairy tales of no country are 'improper' incidents common, which is to the credit of human nature, as they were obviously composed mainly for children. It is not difficult to get rid of this element when it does occur in popular tales.
The old puzzle remains a puzzle - why do the stories of the remotest people so closely resemble each other? Of course, in the immeasurable past, they have been carried about by conquering races, and learned by conquering races from vanquished peoples. Slaves carried far from home brought their stories with them into captivity. Wanderers, travellers, shipwrecked men, merchants, and wives stolen from alien tribes have diffused the stories; gipsies and Jews have passed them about; Roman soldiers of many different races, moved here and there about the Empire, have trafficked in them. From the remotest days men have been wanderers, and wherever they went their stories accompanied them. The slave trade might take a Greek to Persia, a Persian to Greece; an Egyptian woman to Phoenicia; a Babylonian to Egypt; a Scandinavian child might be carried with the amber from the Baltic to the Adriatic; or a Sidonian to Ophir, wherever Ophir may have been; while the Portuguese may have borne their tales to South Africa, or to Asia, and thence brought back other tales to Egypt. The stories wandered wherever the Buddhist missionaries went, and the earliest French voyageurs told them to the Red Indians. These facts help to account for the sameness of the stories everywhere; and the uniformity of human fancy in early societies must be the cause of many other resemblances.
In this volume there are stories from the natives of Rhodesia, collected by Mr. Fairbridge, who speaks the native language, and one is brought by Mr. Cripps from another part of Africa, Uganda. Three tales from the Punjaub were collected and translated by Major Campbell. Various savage tales, which needed a good deal of editing, are derived from the learned pages of the 'Journal of the Anthropological Institute.' With these exceptions, and 'The Magic Book,' translated by Mrs. Pedersen, from 'Eventyr fra Jylland,' by Mr. Ewald Tang Kristensen (Stories from Jutland), all the tales have been done, from various sources, by Mrs. Lang, who has modified, where it seemed desirable, all the narratives.
Many years ago my friend and publisher, Mr. Charles Longman, presented me with Le Cabinet des Fées (‘The Fairy Cabinet’). This work almost requires a swinging bookcase for its accommodation, like the Encyclop?dia Britannica, and in a revolving bookcase I bestowed the volumes.
I once read a book about a poor little lonely boy in a great house with a large library. This boy was pale, dull, and moping. Nobody knew what was the matter with him. But somebody tracked him into the library and saw him take a huge thick black book, half as tall as himself, out of a bookcase, and sit down and read it.
Kathryn was the true daughter, but Jolene stole her life and set her up for ruin. After a brutal kidnapping scheme, Kathryn's loyalty to her brothers and fiancé was met with cruel betrayal. Narrowly escaping, she chose to cut all ties and never forgive them. Then she shocked the world: the miracle doctor for the elite, a top-tier hacker, a financial mastermind, and now the untouchable star her family could only watch from afar. Her brothers begged, her parents pleaded, her ex wanted her back-Kathryn exposed them all. The world gasped as the richest man confessed his love for her.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
Omega Lyra, once betrothed to Alpha Kyle, is forced to sew his new Luna's wedding dress. On the wedding eve, an out-of-control Kyle violates her; the chaos that follows kills the bride, and Lyra is falsely branded a murderer. Kyle binds Lyra as his nominal Luna to torment her-for three years, she endures mockery and isolation, finding solace only in late-night piano playing. His coldness and closeness to the late Luna's sister Rhea shatter her hope. Humiliated at Kyle's birthday banquet, Lyra demands to end their bond. Fleeing, she awakens hidden Alpha powers but is attacked by rogues-Beta Darren, who secretly cares for her, saves her. Now, Lyra must evade Kyle's family, find her lost sister, and fight for a place in the wolf world, turning her painful escape into a journey of redemption.
For seventeen years, I was the pride of the Carlisle family, the perfect daughter destined to inherit an empire. But that life ended the moment a DNA report slid across my father’s mahogany desk. The paper proved I was a stranger. Vanessa, the girl sobbing in the corner, was the real biological daughter they had been searching for. "You need to leave. Tonight. Before the press gets wind of this. Before the stock prices dip." My father’s voice was as cold as flint. My mother wouldn't even look at me, staring out the window at the gardens as if I were already a ghost. Just like that, I was erased. I left behind the Birkin bags and the diamonds, throwing my Centurion Card into a crystal bowl with a clatter that echoed like a gunshot. I walked out into the cold night and climbed into a rusted Ford Taurus driven by a man I had never met—my biological father. I went from a mansion to a fourth-floor walk-up in Queens that smelled of laundry detergent and struggle. My new siblings looked at me with a mix of fear and disgust, waiting for the "fallen princess" to break. They expected me to beg for my old life back, to crumble without the luxury I’d known since birth. But they didn't know the truth. I had spent years training in a shark tank, honing survival skills they couldn't imagine. While Richard Carlisle froze my trust funds to starve me out, my net worth was climbing by millions on an encrypted trading app. They thought they were throwing me to the wolves. They didn't realize they were just letting me off my leash. As the Carlisles prepared to debut Vanessa at the Manhattan Arts Gala, I was already making my move. "Get dressed. We're going to a party."
"Please believe me. I didn't do anything!" Thalassa Thompson cried helplessly. "Take her away." Kris Miller, her husband, said coldly. He didn't care as she was humiliated for the whole world to see. What would you if the love of your life and the woman you considered your best friend betrayed you in the worse way possible? For Thalassa, the answer was only one; she's going to come back stronger and better and bring everyone who made her suffer to their knees. Let the games begin! ***** "I hate you." Kris gritted out, glaring into her eyes. Thalassa laughed. "Mr Miller, if you hate me so much, then why is your dick so hard?"
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