The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book 'out of his own head,' he writes the preface for his own pleasure.
After reading over his book in print - to make sure that all the 'u's' are not printed as 'n's,' and all the 'n's' as 'u's' in the proper names - then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove - if he means it to prove anything - and why it is not a better book than it is. But, perhaps, nobody reads prefaces except other authors; and critics, who hope that they will find enough in the preface to enable them to do without reading any of the book.
This appears to be the philosophy of prefaces in general, and perhaps authors might be more daring and candid than they are with advantage, and write regular criticisms of their own books in their prefaces, for nobody can be so good a critic of himself as the author - if he has a sense of humour. If he has not, the less he says in his preface the better.
These Fairy Books, however, are not written by the Editor, as he has often explained, 'out of his own head.' The stories are taken from those told by grannies to grandchildren in many countries and in many languages - French, Italian, Spanish, Catalan, Gaelic, Icelandic, Cherokee, African, Indian, Australian, Slavonic, Eskimo, and what not. The stories are not literal, or word by word translations, but have been altered in many ways to make them suitable for children. Much has been left out in places, and the narrative has been broken up into conversations, the characters telling each other how matters stand, and speaking for themselves, as children, and some older people, prefer them to do. In many tales, fairly cruel and savage deeds are done, and these have been softened down as much as possible; though it is impossible, even if it were desirable, to conceal the circumstance that popular stories were never intended to be tracts and nothing else. Though they usually take the side of courage and kindness, and the virtues in general, the old story-tellers admire successful cunning as much as Homer does in the Odyssey. At least, if the cunning hero, human or animal, is the weaker, like Odysseus, Brer Rabbit, and many others, the story-teller sees little in intellect but superior cunning, by which tiny Jack gets the better of the giants. In the fairy tales of no country are 'improper' incidents common, which is to the credit of human nature, as they were obviously composed mainly for children. It is not difficult to get rid of this element when it does occur in popular tales.
The old puzzle remains a puzzle - why do the stories of the remotest people so closely resemble each other? Of course, in the immeasurable past, they have been carried about by conquering races, and learned by conquering races from vanquished peoples. Slaves carried far from home brought their stories with them into captivity. Wanderers, travellers, shipwrecked men, merchants, and wives stolen from alien tribes have diffused the stories; gipsies and Jews have passed them about; Roman soldiers of many different races, moved here and there about the Empire, have trafficked in them. From the remotest days men have been wanderers, and wherever they went their stories accompanied them. The slave trade might take a Greek to Persia, a Persian to Greece; an Egyptian woman to Phoenicia; a Babylonian to Egypt; a Scandinavian child might be carried with the amber from the Baltic to the Adriatic; or a Sidonian to Ophir, wherever Ophir may have been; while the Portuguese may have borne their tales to South Africa, or to Asia, and thence brought back other tales to Egypt. The stories wandered wherever the Buddhist missionaries went, and the earliest French voyageurs told them to the Red Indians. These facts help to account for the sameness of the stories everywhere; and the uniformity of human fancy in early societies must be the cause of many other resemblances.
In this volume there are stories from the natives of Rhodesia, collected by Mr. Fairbridge, who speaks the native language, and one is brought by Mr. Cripps from another part of Africa, Uganda. Three tales from the Punjaub were collected and translated by Major Campbell. Various savage tales, which needed a good deal of editing, are derived from the learned pages of the 'Journal of the Anthropological Institute.' With these exceptions, and 'The Magic Book,' translated by Mrs. Pedersen, from 'Eventyr fra Jylland,' by Mr. Ewald Tang Kristensen (Stories from Jutland), all the tales have been done, from various sources, by Mrs. Lang, who has modified, where it seemed desirable, all the narratives.
Many years ago my friend and publisher, Mr. Charles Longman, presented me with Le Cabinet des Fées (‘The Fairy Cabinet’). This work almost requires a swinging bookcase for its accommodation, like the Encyclop?dia Britannica, and in a revolving bookcase I bestowed the volumes.
I once read a book about a poor little lonely boy in a great house with a large library. This boy was pale, dull, and moping. Nobody knew what was the matter with him. But somebody tracked him into the library and saw him take a huge thick black book, half as tall as himself, out of a bookcase, and sit down and read it.
For three years, Deanna endured scorn in a one-sided marriage. When Connor forced her to choose between her career and a divorce, she didn't hesitate—she walked away. Determined to reclaim her birthright, Deanna returned as the brilliant heiress to a medical conglomerate. Her ex and his family begged for another chance, but it was too late. With a tycoon father, a legendary healer mother, a CEO brother who adored her, and a showbiz powerhouse sibling, Deanna's life overflowed with power. Even her arrogant rival, heir to billions, only ever had a soft spot for her.
Rejected by her mate, who had been her long-time crush, Jasmine felt utterly humiliated. Seeking solace, she headed to a party to drown her sorrows. But things took a turn for the worse when her friends issued a cruel dare: kiss a stranger or beg her mate for forgiveness. With no other choice, Jasmine approached a stranger and kissed him, thinking that would be the end of it. However, the stranger unexpectedly wrapped his arms around her waist and whispered in her ear, "You're mine!" He growled, his words sending shivers down her spine. And then, he offered her a solution that would change everything...
My husband Julian celebrated our five-year anniversary by sleeping with his mistress. He thought I was a clueless trophy wife, too dim to notice the vanilla and tuberose scent on his expensive suits. He was wrong. For years, I played Mrs. Vance, hiding my brilliance while Julian claimed my patents. An anonymous email confirmed his ultimate betrayal: photos of him and Scarlett Kensington in ecstasy. My heart didn't break; it solidified into ice at five years wasted. I activated "The Protocol" for a new identity and escape countdown. Playing the doting wife, I plotted his downfall, catching him with his mistress selling my work, and publicly snapping his credit card. His betrayals and stolen work ignited a cold, calculated fury. He had no idea the monster he'd created. I was dismantling his empire. I shredded his patent papers, stripping him of his ill-gotten gains. With a final tap, I initiated "Identity Erasure." Mrs. Vance was dead. Dr. Evelyn Thorne had just begun her counterattack.
For three years, I documented the slow death of my marriage in a black journal. It was my 100-point divorce plan: for every time my husband, Blake, chose his first love, Ariana, over me, I deducted points. When the score hit zero, I would leave. The final points vanished the night he left me bleeding out from a car crash. I was eight weeks pregnant with the child we had prayed for. In the ER, the nurses frantically called him-the star surgeon of the very hospital I was dying in. "Dr. Santos, we have a Jane Doe, O-negative, bleeding out. She's pregnant, and we're about to lose them both. We need you to authorize an emergency blood transfer." His voice came over the speaker, cold and impatient. "I can't. My priority is Miss Whitfield. Do what you can for the patient, but I can't divert anything right now." He hung up. He condemned his own child to death to ensure his ex-girlfriend had resources on standby after a minor procedure.
When her half-sister stole her fiancé, scarred her face, and threw her from a skyscraper, Amelia thought it was the end-until fate gave her a second chance. Reborn with bitter clarity, she vowed not to repeat the same mistakes. In her past life, she had been kind to a fault; now, she would wear a mask of innocence to outmaneuver every snake in the grass. One by one, she tore down their schemes-leaving her treacherous sister begging, her stepmother pleading, her worthless father groveling, and her ex-fiancé crawling back. Her response was a cold smirk and two words: "Get lost." But the one thing she never anticipated was crossing paths with Damien Taylor-the most powerful and untouchable man in the capital-on the very first day of her new life. They said he was ruthless, ice-cold, immune to any woman's charm. Amelia believed it. until she learned the truth: the man was dangerously cunning. "Miss Johnson, I saved you. How about dinner?" "Miss Johnson, I helped you. Don't you owe me a favor?" Backed against the wall, Amelia felt his low voice vibrate through her: "You owe me too much, Amelia. It's time to pay up-starting with you." Only much later would she realize. she'd been owing him all along.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
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