I once read a book about a poor little lonely boy in a great house with a large library. This boy was pale, dull, and moping. Nobody knew what was the matter with him. But somebody tracked him into the library and saw him take a huge thick black book, half as tall as himself, out of a bookcase, and sit down and read it.
What Romances Are
(To Children and Others)
I once read a book about a poor little lonely boy in a great house with a large library. This boy was pale, dull, and moping. Nobody knew what was the matter with him. But somebody tracked him into the library and saw him take a huge thick black book, half as tall as himself, out of a bookcase, and sit down and read it. The name of the book was Polexander. So he sat and sobbed over Polexander, because it was so very dull and so very long. There were 800 pages, and he had only read sixty-seven. But some very stupid grown-up person had told him that he must always begin a book at the beginning, and, if he once began, he must read every word of it, and read nothing else till he had finished every word of it.
The boy saw that he would die of weariness long before he reached the end of Polexander, but he stuck to it like the other boy who stood by the burning deck long after it was 'time for him to go.' So Polexander was taken away from him and locked up, and so his life was saved.
Now, in the first place Polexander was a romance, but it was not like the romances in this book, for it was dreadfully long, and mainly about the sorrows of lovers who cannot get married. That could not amuse a small boy. In the second place, every boy should stop reading a book as soon as he finds that he does not like it, just as you are not expected to eat more mutton than you want to eat. Lesson books are another thing; you have to read them, and if you do not you will get into trouble. They are not meant to be amusing, but to teach Latin grammar, or geography, or arithmetic, which are not gay. As to this book of Romances, if you do not like one story, give it up and try another. If you do not like any of them, read something else that you do like.
Now what are romances? They are grown-up people's fairy tales or story-books, but they are the kind of story-books that grown-up people read long ago, when there were castles and knights, and tournaments, and the chief business of gentlemen was to ride about in full armour, fighting, while ladies sat at home doing embroidery work, or going to see the men tilt at tournaments, just as they go to see cricket matches now. But they liked tournaments better, because they understood the rules of the game. Anybody could see when one knight knocked another down, horse and all, but many ladies do not understand leg before wicket, or stumping.
The stories that they read were called 'romances,' but were in prose. Before people could read they were not in prose but in poetry, and were recited by minstrels. Mrs. Lang, who did the stories in this book, says: 'Many hundreds of years ago, when most of these stories were told in the halls of great castles, the lives of children were very different from what they are now. The little girls were taught by their mothers' maidens to spin and embroider, or make simple medicines from the common herbs, and the boys learnt to ride and tilt, and shoot with bows and arrows; but their tasks done, no one paid any further heed to them. They had very few games, and in the long winter evenings the man who went from house to house, telling or singing the tales of brave deeds, must have been welcome indeed. From him the children, who early became men and women, heard of the evil fate that awaited cowardice and treachery, and grew to understand that it was their duty through life to help those that were weaker than themselves.' That was long, long ago, when nobody but priests and a very few gentlemen could read and write. They just listened to stories in rhyme, which the minstrels sang, striking their harps at the end of each verse.
The stories were really fairy tales, dressed up and spun out, and instead of 'a boy' or 'a king' or 'a princess' with no name, the old fairy adventures were said to have happened to people with names: King Arthur, or Charlemagne, or Bertha Broadfoot. A little real history came in, but altered, and mixed up with fairy tales, and done into rhyme.
Later, more and more people learned to read, and now the long poems were done into prose, and written in books, not printed but written books; and these were the Romances, very long indeed, all about fighting, and love-making, and giants, and dwarfs, and magicians, and enchanted castles, and dragons and flying horses. These romances were the novels of the people of the Middle Ages, about whom you can read in the History Books of Mrs. Markham. They were not much like the novels which come from the library for your dear mothers and aunts. There is not much fighting in them, though there is any amount of love-making, and there are no giants; and if there is a knight, he is usually a grocer or a doctor, quite the wrong sort of knight.
Here is the beginning of a celebrated novel: 'Comedy is a game played to throw reflections upon social life, and it deals with human nature in the drawing-rooms of civilised men and women.' You do not want to read any more of that novel. It is not at all like a good old romance of knights and dragons and enchanted princesses and strong wars. The knights and ladies would not have looked at such a book, all about drawing-rooms.
Now, in this book, we have made the old romances much shorter, keeping the liveliest parts, in which curious things happen. Some of the tales were first told in Iceland eight hundred years ago, and are mostly true and about real people. Some are from the ancient French romances of the adventures of Charlemagne, and his peers and paladins. Some are from later Italian poems of the same kind. 'Cupid and Psyche' is older, and so is the story of the man who was changed into a donkey. These are from an old Latin romance, written when people were still heathens, most of them. Some are about the Danes in England (of whom you may have heard), but there is not much history in them.
Mrs. Lang says: 'In this book you will read of men who, like Don Quixote, were often mistaken but never mean, and of women, such as Una and Bradamante, who kept patient and true, in spite of fierce trials and temptations. I have only related a few of their adventures, but when you grow older you can read them for yourselves, in the languages in which they were written.'
'Don Quixote' was written by a Spaniard, Cervantes, in the time of James I. of England, to show what would happen if a man tried to behave like a knight of old, after people had become more civilised and less interesting. Don Quixote was laughed at, because he came too late into too old a world. But he was as brave and good a knight as the best paladin of them all. So about the knights and ladies and dwarfs and giants, I hope you will think like Sir Walter Scott, when he was a boy, and read the old romances. He says: 'Heaven only knows how glad I was to find myself in such company.'
If you like the kind of company, then read 'Ivanhoe,' by Sir Walter Scott, for that is the best romance in the world.
All the stories in this book were done by Mrs. Lang, out of the old romances.
Andrew Lang.
Many years ago my friend and publisher, Mr. Charles Longman, presented me with Le Cabinet des Fées (‘The Fairy Cabinet’). This work almost requires a swinging bookcase for its accommodation, like the Encyclop?dia Britannica, and in a revolving bookcase I bestowed the volumes.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousines, leave prefaces unread.
"I stood at the edge of my heart and watched him choose her. In the end, I was not the one he needed. I was simply the one he settled for." - Noelle ~~~~~~~ I thought I was the one he loved. But a few days before our wedding, I saw him in a way I never had before. His eyes softened as he spoke to her. His first love, and the very woman who had left him in pieces. Heartbreak was something I knew too well. And as I watched the love he still held for her in his eyes, I realized what I had to do. I couldn't marry a man who wasn't truly mine. With no means to cancel the wedding and lacking the courage to confront him, I made a desperate choice to leave. I painfully gave his first love my treasured engagement ring thinking it was for the best and the only way to free myself. But when he saw that ring on her finger, the fragile world I had tried to escape began to shatter. His obsession to find me and bring me back ignited a dangerous game of cat and mouse.
COALESCENCE OF THE FIVE SERIES BOOK ONE: THE 5-TIME REJECTED GAMMA & THE LYCAN KING BOOK TWO: THE ROGUES WHO WENT ROGUE BOOK THREE: THE INDOMITABLE HUNTRESS & THE HARDENED DUKE *** BOOK ONE: After being rejected by 5 mates, Gamma Lucianne pleaded with the Moon Goddess to spare her from any further mate-bonds. To her dismay, she is being bonded for the sixth time. What’s worse is that her sixth-chance mate is the most powerful creature ruling over all werewolves and Lycans - the Lycan King himself. She is certain, dead certain, that a rejection would come sooner or later, though she hopes for it to be sooner. King Alexandar was ecstatic to meet his bonded mate, and couldn’t thank their Goddess enough for gifting him someone so perfect. However, he soon realizes that this gift is reluctant to accept him, and more than willing to sever their bond. He tries to connect with her but she seems so far away. He is desperate to get intimate with her but she seems reluctant to open up to him. He tries to tell her that he is willing to commit to her for the rest of his life but she doesn’t seem to believe him. He is pleading for a chance: a chance to get to know her; a chance to show her that he’s different; and a chance to love her. But when not-so-subtle crushes, jealous suitors, self-entitled Queen-wannabes, an old flame, a silent protector and a past wedding engagement threaten to jeopardize their relationship, will Lucianne and Xandar still choose to be together? Is their love strong enough to overcome everything and everyone? Or will Lucianne resort to enduring a sixth rejection from the one person she thought she could entrust her heart with?
When Corynn mustered up the courage to tell Elliot about her pregnancy, she unexpectedly found him gallantly helping another woman from his car. Her heart sank as three years of effort to secure his love crumbled before her eyes, compelling her to leave him behind. Three years later, life had taken Corynn down a new path with someone else, while Elliot was left grappling with regret. Seizing a moment of vulnerability, he pleaded, "Corynn, let's get married." Shaking her head with a faint smile, Corynn gently replied, "Sorry, I'm already engaged."
"Mr. Evans, please maintain some dignity. Don't forget I'm your brother's wife!" Having caught her husband and best friend together in the bed, Elena wanted nothing more than to exact revenge on the people she once called family. She refused to be a pitiful divorcee and vowed to make everyone who had once looked down on her beg for forgiveness. And to start with her newfound freedom, Elena indulges in a one-night stand with a stranger. However, what was meant to be a fleeting escape turns into a nightmare when she learns that the stranger is none other than her husband's older brother! Would Elena be free from the shackles of her marriage? Or would the mysterious stranger make her life a living hell since he seemed to have a personal vendetta against his family? [The story is 18+ and involves mature content.]
Veronica is an eighteen-year-old omega who falls into an emotional breakdown when her Mate, who was soon to be the Alpha of the Sun crest pack, turns against her, hurls hurtful words at her, and rejects her on the night of the full moon festival because he and everyone in the pack, including her, thinks she is an omega. As if the pain of rejection, helplessness, and worthlessness wasn't enough, she lost her best and only friend to the cold hands of death when rogue wolves attacked their pack. Right in the presence of her mate, she was tagged as someone who always attracted problems and calamities anywhere she went and he turned a blind eye and watched as she was banished from the pack. With hatred for her life, she runs deep into the woods that were off-limits and jumps off to end her life, but in a turn of events, something else happens. What would her mate do when he finds out that Veronica is not who he thinks she is? Will she be able to forgive him? What fate lies ahead for them?
"I've warned you from the beginning. Don't marry him, but you won't listen." Darcy stood close to me and smiled with concern. "You're not a woman worthy of a man as handsome, rich, smart, and virile as Blaze." My whole body trembled at her words. "Have you no shame?" I asked. "Take a good look at yourself, Heather." She stared at me in the mirror. "You can't even glance at your ugly face. Do you think Blaze can endure a lifetime of gazing at that scar?" Heather Bailey got a surprise from her husband: a divorce agreement. After a year of marriage and facing ups and downs, she couldn't believe Blaze intended to divorce her. She was devastated when she saw him gazing lovingly at another woman. After signing the divorce papers, shockwaves caught her up. Her flower shop was burned to the ground. Her father's company collapsed, and her parents blamed her. She struggled to rebuild her life from the ground up and became more successful than ever. Having many customers from influential families, she started her revenge on Blaze. She won the very thing he wanted, but that was just the beginning.