Boris Lensky by Ossip Schubin
Boris Lensky by Ossip Schubin
"Whoever wishes to know how great is the power which the charm of music can exercise over humanity must visit one of Boris Lensky's concerts.
"Boris Lensky! The name in itself has a legendary sound--a magic fascination surrounds the man and his violin. For every one who has attended one of his concerts, the longing, listening expression on the faces of the women who hear him is something which remains forever interwoven in remembrance with the complaining sweetness of his art. The best and noblest of women, when they listen to his wonderful violin, fall into a feverish trance which makes them lose all power over themselves.
"In Russia they call Boris Lensky the devil's violinist, and in explanation of the godless charm which glows in his art, the following neat little tale is told:
"Almost fifty years ago, crept through the poorest quarter of Moscow a neglected, ugly child, who, in order to earn his scanty food, scraped his violin as best he might, and sometimes received a copeck, but never a caress. This child was Boris Lensky. His heart languished for tenderness, like that of all repulsed ones. Then the devil met him, and allured him with splendid temptations. He would lay the whole world at his feet, if the boy would give him his soul for his own in exchange. But the boy felt a terror at this hellish slavery and said: 'No.' Then the devil at first went his way, and gnashed his teeth that he had not succeeded in capturing a human soul. But suddenly he turned back and called to the boy: 'I desire nothing of you; keep your soul; but you shall accept a present from me--a gift. In your art shall dwell a charm which no one can resist.'
"Then the boy was astonished at the devil's generosity, and accepted the gift. But the devil rejoiced, for he said to himself: 'If I have lost one soul, I have taken ten thousand others for it.' But the violinist soon noticed what a curse had fallen to his share.
"Denying all nobility, and still feeling a horror of the degrading power within him, he now goes through the world, restless, joyless, and without power over his own demoniac art--a resisting tool in the devil's hand. And he longs despairingly to find a being who could resist the fiendish charm, but he finds none.
"Thus the Russian tale.
"Now Lensky has grown old and gray in the service of the devil. His friends with fright notice in him the evermore plainly noticeable signs of physical decay. In his art he stands greater than ever, and from his violin sounds out to the public a wild, triumphing, and despairing swan song!"
This somewhat exaggerated production an old lady read aloud with declamatory emphasis, in whom at the first glance one perceived the Englishwoman and the spinster. She sits in a pretty, charming room, furnished with all kinds of rarities, by the hearth, and refreshes herself by turns with the newspaper and with tea.
It is in Paris.
The newspaper in which the old Englishwoman revels is Figaro, and the windows of the pretty little room look out on the Parc Monceau.
Already dressed to go out, a second, much younger lady in the same room busies herself in hastily, and to all appearance disapprovingly, looking through a just-opened package of books.
Somewhat vexed that her reading has called forth no remark from her listener, the old Englishwoman now says:
"Well, what do you say to this legend?"
"What shall I say?" replies the young lady, without looking up from the package of books, with blameless English accent, but in a decidedly un-English deep, soft voice--"that the French write much nonsense, if it is to raise the price of concert tickets."
"Nita!" said the Englishwoman, angrily; "you surely will not assert that this article is a common advertisement?"
"Certainly I assert it, Miss Wilmot," is the calm answer. "I am firmly convinced that Lensky's impressario has had the article printed."
"Well, I say, Nita, a strange change has taken place in you!" says Miss Wilmot, astonished and discontented, while she at the same time let her wrinkled hands sink down on her cinnamon-colored dress. "But, advertisement or not, Nita, Lensky's results speak for themselves. The Parisians run like mad to his concerts; recently there was such a crowd before the doors of the Salle Erard that the police had to interfere!"
"Bah!" replied she addressed as Nita. "Reliable musicians have told me that Lensky has gone very far back in his art. The animation with which the French do him homage is only a new proof of their immoderate worship of all that is Russian. This tasteless idolatry makes me furious. Then, see here!" And Nita, for the first time in the course of the above conversation, turned her face to the old lady, while at the same time she drew a number of yellow books out from the package which she had been busy glancing over. Piling these up on each other, she said: "Three, five, seven books, translated from the Russian and mere trash, not a sensible line in the whole! What does that matter? The mere circumstance that 'from the Russian' stands upon it assures the worst Galimathias in Paris a publisher and a circle of readers. It is odious."
"Well, Nita, it seems to me that you least of all have the right to wonder over any Russian worship," remarks the old Englishwoman phlegmatically. "You yourself, in my recollection, have accomplished considerable in this respect."
"Who has not some youthful folly to reproach one's self for?" said Nita, shrugging her shoulders. "Fortunately, only in politics is one sentenced to never perceive one's errors. I also once had a violent passion for Russia leather, and I have gotten over that. Nothing in the world is now more unbearable than too much Russia leather, especially in a small room."
"A strange change has taken place in you, Nita," repeated the Englishwoman, who, as if petrified with astonishment, sat there motionless in the position of an Assyrian goddess, still with a hand on each knee. "You not only raved over the Russians, you raved over Boris Lensky; and how you raved!"
A dark blush rose in Nita's pale cheeks; at the same time her eyes darkened. "Good-by, Miss Wilmot," said she, without replying anything to the remarks of the old lady, and turned to the door.
"Will you not take a cup of tea before you go, Nita?" the Englishwoman calls after her.
"No, Miss Wilmot; I must hurry a great deal without that in order to reach the studio before twilight. I have promised Sonia to come; so once more adieu; and I beg of you, send all this plunder"--pointing to the books---"back to Calman Levy, and send him word he need no longer disturb me with his Russian stories." With that Nita vanished.
"A strange change, a very strange change," says Miss Wilmot to herself, while she still stares with the same abashed, astonished expression at the door which has just closed behind her young friend. Then she wishes to again take up Figaro in order to translate the article on the devil's violinist into German, for which language she has for twenty years had a love. In vain--the paper is nowhere to be found.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Erlach Court <authors> Ossip Schubin, Annis Lee Wister <publisher> J. B. Lippincott company, 1898 <subjects> History; General; History \/ General
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Felix Lanzberg's Expiation; Issue 13 Of The Rose Library <author> Ossip Schubin <translated by> Elise Lathrop <publisher> Worthington, 1892
For three years, Cathryn and her husband Liam lived in a sexless marriage. She believed Liam buried himself in work for their future. But on the day her mother died, she learned the truth: he had been cheating with her stepsister since their wedding night. She dropped every hope and filed for divorce. Sneers followed-she'd crawl back, they said. Instead, they saw Liam on his knees in the rain. When a reporter asked about a reunion, she shrugged. "He has no self-respect, just clings to people who don't love him." A powerful tycoon wrapped an arm around her. "Anyone coveting my wife answers to me."
The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
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