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This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
This is the third day of sirocco, heavy-clouded, sunless. All the colour has gone out of Naples; the streets are dusty and stifling. I long for the mountains and the sea.
To-morrow I shall leave by the Messina boat, which calls at Paola. It is now more than a twelvemonth since I began to think of Paola, and an image of the place has grown in my mind. I picture a little marina; a yellowish little town just above; and behind, rising grandly, the long range of mountains which guard the shore of Calabria. Paola has no special interest that I know of, but it is the nearest point on the coast to Cosenza, which has interest in abundance; by landing here I make a modestly adventurous beginning of my ramble in the South. At Paola foreigners are rare; one may count upon new impressions, and the journey over the hills will be delightful.
Were I to lend ear to the people with whom I am staying, here in the Chiatamone, I should either abandon my project altogether or set forth with dire misgivings. They are Neapolitans of the better class; that is to say, they have known losses, and talk of their former happiness, when they lived on the Chiaia and had everything handsome about them. The head of the family strikes me as a typical figure; he is an elderly man, with a fine head, a dignified presence, and a coldly courteous demeanour. By preference he speaks French, and his favourite subject is Paris. One observes in him something like disdain for his own country, which in his mind is associated only with falling fortunes and loss of self-respect. The cordial Italian note never sounds in his talk. The signora (also a little ashamed of her own language) excites herself about taxation-as well she may-and dwells with doleful vivacity on family troubles. Both are astonished at my eccentricity and hardiness in undertaking a solitary journey through the wild South. Their geographical notions are vague; they have barely heard of Cosenza or of Cotrone, and of Paola not at all; it would as soon occur to them to set out for Morocco as for Calabria. How shall I get along with people whose language is a barbarous dialect? Am I aware that the country is in great part pestilential?-la febbre! Has no one informed me that in autumn snows descend, and bury everything for months? It is useless to explain that I only intend to visit places easily accessible, that I shall travel mostly by railway, and that if disagreeable weather sets in I shall quickly return northwards. They look at me dubiously, and ask themselves (I am sure) whether I have not some more tangible motive than a lover of classical antiquity. It ends with a compliment to the enterprising spirit of the English race.
I have purchases to make, business to settle, and I must go hither and thither about the town. Sirocco, of course, dusks everything to cheerless grey, but under any sky it is dispiriting to note the changes in Naples. Lo sventramento (the disembowelling) goes on, and regions are transformed. It is a good thing, I suppose, that the broad Corso Umberto I. should cut a way through the old Pendino; but what a contrast between that native picturesqueness and the cosmopolitan vulgarity which has usurped its place! "Napoli se ne va!" I pass the Santa Lucia with downcast eyes, my memories of ten years ago striving against the dulness of to-day. The harbour, whence one used to start for Capri, is filled up; the sea has been driven to a hopeless distance beyond a wilderness of dust-heaps. They are going to make a long, straight embankment from the Castel dell'Ovo to the Great Port, and before long the Santa Lucia will be an ordinary street, shut in among huge houses, with no view at all. Ah, the nights that one lingered here, watching the crimson glow upon Vesuvius, tracing the dark line of the Sorrento promontory, or waiting for moonlight to cast its magic upon floating Capri! The odours remain; the stalls of sea-fruit are as yet undisturbed, and the jars of the water-sellers; women still comb and bind each other's hair by the wayside, and meals are cooked and eaten al fresco as of old. But one can see these things elsewhere, and Santa Lucia was unique. It has become squalid. In the grey light of this sad billowy sky, only its ancient foulness is manifest; there needs the golden sunlight to bring out a suggestion of its ancient charm.
Has Naples grown less noisy, or does it only seem so to me? The men with bullock carts are strangely quiet; their shouts have nothing like the frequency and spirit of former days. In the narrow and thronged Strada di Chiaia I find little tumult; it used to be deafening. Ten years ago a foreigner could not walk here without being assailed by the clamour of cocchieri; nay, he was pursued from street to street, until the driver had spent every phrase of importunate invitation; now, one may saunter as one will, with little disturbance. Down on the Piliero, whither I have been to take my passage for Paola, I catch but an echo of the jubilant uproar which used to amaze me. Is Naples really so much quieter? If I had time I would go out to Fuorigrotta, once, it seemed to me, the noisiest village on earth, and see if there also I observed a change. It would not be surprising if the modernization of the city, together with the state of things throughout Italy, had a subduing effect upon Neapolitan manners. In one respect the streets are assuredly less gay. When I first knew Naples one was never, literally never, out of hearing of a hand-organ; and these organs, which in general had a peculiarly dulcet note, played the brightest of melodies; trivial, vulgar if you will, but none the less melodious, and dear to Naples. Now the sound of street music is rare, and I understand that some police provision long since interfered with the soft-tongued instruments. I miss them; for, in the matter of music, it is with me as with Sir Thomas Browne. For Italy the change is significant enough; in a few more years spontaneous melody will be as rare at Naples or Venice as on the banks of the Thames.
Happily, the musicians errant still strum their mandoline as you dine. The old trattoria in the Toledo is as good as ever, as bright, as comfortable. I have found my old corner in one of the little rooms, and something of the old gusto for zuppa di vongole. The homely wine of Posillipo smacks as in days gone by, and is commended to one's lips by a song of the South. . . .
Last night the wind changed and the sky began to clear; this morning I awoke in sunshine, and with a feeling of eagerness for my journey. I shall look upon the Ionian Sea, not merely from a train or a steamboat as before, but at long leisure: I shall see the shores where once were Tarentum and Sybaris, Croton and Locri. Every man has his intellectual desire; mine is to escape life as I know it and dream myself into that old world which was the imaginative delight of my boyhood. The names of Greece and Italy draw me as no others; they make me young again, and restore the keen impressions of that time when every new page of Greek or Latin was a new perception of things beautiful. The world of the Greeks and Romans is my land of romance; a quotation in either language thrills me strangely, and there are passages of Greek and Latin verse which I cannot read without a dimming of the eyes, which I cannot repeat aloud because my voice fails me. In Magna Graecia the waters of two fountains mingle and flow together; how exquisite will be the draught!
I drove with my luggage to the Immacolatella, and a boatman put me aboard the steamer. Luggage, I say advisedly; it is a rather heavy portmanteau, and I know it will be a nuisance. But the length of my wanderings is so uncertain, its conditions are so vaguely anticipated. I must have books if only for rainy days; I must have clothing against a change of season. At one time I thought of taking a mere wallet, and now I am half sorry that I altered my mind. But--
We were not more than an hour after time in starting. Perfect weather. I sang to myself with joy upon the sunny deck as we steamed along the Bay, past Portici, and Torre del Greco, and into the harbour of Torre Annunziata, where we had to take on cargo. I was the only cabin passenger, and solitude suits me. All through the warm and cloudless afternoon I sat looking at the mountains, trying not to see that cluster of factory chimneys which rolled black fumes above the many-coloured houses. They reminded me of the same abomination on a shore more sacred; from the harbour of Piraeus one looks to Athens through trails of coal-smoke. By a contrast pleasant enough, Vesuvius to-day sent forth vapours of a delicate rose-tint, floating far and breaking seaward into soft little fleeces of cirrus. The cone, covered with sulphur, gleamed bright yellow against cloudless blue.
The voyage was resumed at dinner-time; when I came upon deck again, night had fallen. We were somewhere near Sorrento; behind us lay the long curve of faint-glimmering lights on the Naples shore; ahead was Capri. In profound gloom, though under a sky all set with stars, we passed between the island and Cape Minerva; the haven of Capri showed but a faint glimmer; over it towered mighty crags, an awful blackness, a void amid constellations. From my seat near the stern of the vessel I could discern no human form; it was as though I voyaged quite alone in the silence of this magic sea. Silence so all-possessing that the sound of the ship's engine could not reach my ear, but was blended with the water-splash into a lulling murmur. The stillness of a dead world laid its spell on all that lived. To-day seemed an unreality, an idle impertinence; the real was that long-buried past which gave its meaning to all around me, touching the night with infinite pathos. Best of all, one's own being became lost to consciousness; the mind knew only the phantasmal forms it shaped, and was at peace in vision.
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.
Heiress to a crime syndicate, Avery had hunted her father's killer for years. Disguised as a boy, she slipped into the Hudson household as their youngest "son," expecting a den of wolves, yet finding open arms. An eldest brother who ruled boardrooms, a second who breathed textbooks, and a third who commanded the cameras. She juggled lies, outsmarting them all-until her mask was tore away. "Avery's a girl?" "She owns a thousand cars and billions?" "She's not even family?" As love closed around her, she realized the murderer was her supposed "best bud." Her brothers bristled. "Back off, punk. Not our Avery!"
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
"There will be no falling in love, we will only act as a loving couple when we are in public, we will share a room to make it believable, but no intimacy, touching is off-limits. We'll only have sex once a month, and that's solely to produce an heir. You won't interfere in my business, and I won't interfere in yours. You will be my wife in every sense and you will not be involved with any other man," he said, arrogance seeping from every word. I watch his mouth move, I'm not ready to fall in love with any man, especially not one as arrogant and egoistic as him. I can handle acting as a loving couple, and as for intimacy once a month. I can agree to that just to satisfy my sexual cravings with no strings attached. "Where can I sign?" I asked since I had nothing to lose. *** Nadine's wedding dreams turned to nightmares when she caught her sister and fiancé cheating! With a secret recording, she's ready for revenge. But then mysterious billionaire Logan West offers a deal: A Contract Marriage to take down her ex's empire. But what Nadine doesn't know is her life is getting complicated as she takes her chance to get revenge or risks everything for a chance at love?"
At her graduation ceremony, Claire White eagerly awaited Adrian to finally make their relationship public. But to her horror, she watched as he got down on one knee and proposed to Nicole, the esteemed daughter of a powerful Alpha. Heartbroken, Claire drowned her sorrows at a bar, where she met a dangerously alluring man, Theo. Sparks flew between them, but just before they crossed the line, fate intervened-a desperate phone call about her father's sudden illness pulled her back to reality. With her father's life on the line and medical bills piling up, Adrian offered financial help on the condition that she became his mistress. Furious, Claire refused, only to find herself blacklisted and unable to secure a job. Just when she was at her lowest, an unexpected opportunity arose-a high-paying position as the secretary to the CEO of a prestigious company. But upon stepping into her new workplace, she discovered a shocking truth-her new boss was Theo. And worse still, he was Adrian's father.
Everyone was shocked to the bones when the news of Rupert Benton's engagement broke out. It was surprising because the lucky girl was said to be a plain Jane, who grew up in the countryside and had nothing to her name. One evening, she showed up at a banquet, stunning everyone present. "Wow, she's so beautiful!" All the men drooled, and the women got so jealous. What they didn't know was that this so-called country girl was actually an heiress to a billion-dollar empire. It wasn't long before her secrets came to light one after the other. The elites couldn't stop talking about her. "Holy smokes! So, her father is the richest man in the world?" "She's also that excellent, but mysterious designer who many people adore! Who would have guessed?" Nonetheless, people thought that Rupert didn't love her. But they were in for another surprise. Rupert released a statement, silencing all the naysayers. "I'm very much in love with my beautiful fiancee. We will be getting married soon." Two questions were on everyone's minds: "Why did she hide her identity? And why was Rupert in love with her all of a sudden?"
"Please believe me. I didn't do anything!" Thalassa Thompson cried helplessly. "Take her away." Kris Miller, her husband, said coldly. He didn't care as she was humiliated for the whole world to see. What would you if the love of your life and the woman you considered your best friend betrayed you in the worse way possible? For Thalassa, the answer was only one; she's going to come back stronger and better and bring everyone who made her suffer to their knees. Let the games begin! ***** "I hate you." Kris gritted out, glaring into her eyes. Thalassa laughed. "Mr Miller, if you hate me so much, then why is your dick so hard?"
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