This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
This is the third day of sirocco, heavy-clouded, sunless. All the colour has gone out of Naples; the streets are dusty and stifling. I long for the mountains and the sea.
To-morrow I shall leave by the Messina boat, which calls at Paola. It is now more than a twelvemonth since I began to think of Paola, and an image of the place has grown in my mind. I picture a little marina; a yellowish little town just above; and behind, rising grandly, the long range of mountains which guard the shore of Calabria. Paola has no special interest that I know of, but it is the nearest point on the coast to Cosenza, which has interest in abundance; by landing here I make a modestly adventurous beginning of my ramble in the South. At Paola foreigners are rare; one may count upon new impressions, and the journey over the hills will be delightful.
Were I to lend ear to the people with whom I am staying, here in the Chiatamone, I should either abandon my project altogether or set forth with dire misgivings. They are Neapolitans of the better class; that is to say, they have known losses, and talk of their former happiness, when they lived on the Chiaia and had everything handsome about them. The head of the family strikes me as a typical figure; he is an elderly man, with a fine head, a dignified presence, and a coldly courteous demeanour. By preference he speaks French, and his favourite subject is Paris. One observes in him something like disdain for his own country, which in his mind is associated only with falling fortunes and loss of self-respect. The cordial Italian note never sounds in his talk. The signora (also a little ashamed of her own language) excites herself about taxation-as well she may-and dwells with doleful vivacity on family troubles. Both are astonished at my eccentricity and hardiness in undertaking a solitary journey through the wild South. Their geographical notions are vague; they have barely heard of Cosenza or of Cotrone, and of Paola not at all; it would as soon occur to them to set out for Morocco as for Calabria. How shall I get along with people whose language is a barbarous dialect? Am I aware that the country is in great part pestilential?-la febbre! Has no one informed me that in autumn snows descend, and bury everything for months? It is useless to explain that I only intend to visit places easily accessible, that I shall travel mostly by railway, and that if disagreeable weather sets in I shall quickly return northwards. They look at me dubiously, and ask themselves (I am sure) whether I have not some more tangible motive than a lover of classical antiquity. It ends with a compliment to the enterprising spirit of the English race.
I have purchases to make, business to settle, and I must go hither and thither about the town. Sirocco, of course, dusks everything to cheerless grey, but under any sky it is dispiriting to note the changes in Naples. Lo sventramento (the disembowelling) goes on, and regions are transformed. It is a good thing, I suppose, that the broad Corso Umberto I. should cut a way through the old Pendino; but what a contrast between that native picturesqueness and the cosmopolitan vulgarity which has usurped its place! "Napoli se ne va!" I pass the Santa Lucia with downcast eyes, my memories of ten years ago striving against the dulness of to-day. The harbour, whence one used to start for Capri, is filled up; the sea has been driven to a hopeless distance beyond a wilderness of dust-heaps. They are going to make a long, straight embankment from the Castel dell'Ovo to the Great Port, and before long the Santa Lucia will be an ordinary street, shut in among huge houses, with no view at all. Ah, the nights that one lingered here, watching the crimson glow upon Vesuvius, tracing the dark line of the Sorrento promontory, or waiting for moonlight to cast its magic upon floating Capri! The odours remain; the stalls of sea-fruit are as yet undisturbed, and the jars of the water-sellers; women still comb and bind each other's hair by the wayside, and meals are cooked and eaten al fresco as of old. But one can see these things elsewhere, and Santa Lucia was unique. It has become squalid. In the grey light of this sad billowy sky, only its ancient foulness is manifest; there needs the golden sunlight to bring out a suggestion of its ancient charm.
Has Naples grown less noisy, or does it only seem so to me? The men with bullock carts are strangely quiet; their shouts have nothing like the frequency and spirit of former days. In the narrow and thronged Strada di Chiaia I find little tumult; it used to be deafening. Ten years ago a foreigner could not walk here without being assailed by the clamour of cocchieri; nay, he was pursued from street to street, until the driver had spent every phrase of importunate invitation; now, one may saunter as one will, with little disturbance. Down on the Piliero, whither I have been to take my passage for Paola, I catch but an echo of the jubilant uproar which used to amaze me. Is Naples really so much quieter? If I had time I would go out to Fuorigrotta, once, it seemed to me, the noisiest village on earth, and see if there also I observed a change. It would not be surprising if the modernization of the city, together with the state of things throughout Italy, had a subduing effect upon Neapolitan manners. In one respect the streets are assuredly less gay. When I first knew Naples one was never, literally never, out of hearing of a hand-organ; and these organs, which in general had a peculiarly dulcet note, played the brightest of melodies; trivial, vulgar if you will, but none the less melodious, and dear to Naples. Now the sound of street music is rare, and I understand that some police provision long since interfered with the soft-tongued instruments. I miss them; for, in the matter of music, it is with me as with Sir Thomas Browne. For Italy the change is significant enough; in a few more years spontaneous melody will be as rare at Naples or Venice as on the banks of the Thames.
Happily, the musicians errant still strum their mandoline as you dine. The old trattoria in the Toledo is as good as ever, as bright, as comfortable. I have found my old corner in one of the little rooms, and something of the old gusto for zuppa di vongole. The homely wine of Posillipo smacks as in days gone by, and is commended to one's lips by a song of the South. . . .
Last night the wind changed and the sky began to clear; this morning I awoke in sunshine, and with a feeling of eagerness for my journey. I shall look upon the Ionian Sea, not merely from a train or a steamboat as before, but at long leisure: I shall see the shores where once were Tarentum and Sybaris, Croton and Locri. Every man has his intellectual desire; mine is to escape life as I know it and dream myself into that old world which was the imaginative delight of my boyhood. The names of Greece and Italy draw me as no others; they make me young again, and restore the keen impressions of that time when every new page of Greek or Latin was a new perception of things beautiful. The world of the Greeks and Romans is my land of romance; a quotation in either language thrills me strangely, and there are passages of Greek and Latin verse which I cannot read without a dimming of the eyes, which I cannot repeat aloud because my voice fails me. In Magna Graecia the waters of two fountains mingle and flow together; how exquisite will be the draught!
I drove with my luggage to the Immacolatella, and a boatman put me aboard the steamer. Luggage, I say advisedly; it is a rather heavy portmanteau, and I know it will be a nuisance. But the length of my wanderings is so uncertain, its conditions are so vaguely anticipated. I must have books if only for rainy days; I must have clothing against a change of season. At one time I thought of taking a mere wallet, and now I am half sorry that I altered my mind. But--
We were not more than an hour after time in starting. Perfect weather. I sang to myself with joy upon the sunny deck as we steamed along the Bay, past Portici, and Torre del Greco, and into the harbour of Torre Annunziata, where we had to take on cargo. I was the only cabin passenger, and solitude suits me. All through the warm and cloudless afternoon I sat looking at the mountains, trying not to see that cluster of factory chimneys which rolled black fumes above the many-coloured houses. They reminded me of the same abomination on a shore more sacred; from the harbour of Piraeus one looks to Athens through trails of coal-smoke. By a contrast pleasant enough, Vesuvius to-day sent forth vapours of a delicate rose-tint, floating far and breaking seaward into soft little fleeces of cirrus. The cone, covered with sulphur, gleamed bright yellow against cloudless blue.
The voyage was resumed at dinner-time; when I came upon deck again, night had fallen. We were somewhere near Sorrento; behind us lay the long curve of faint-glimmering lights on the Naples shore; ahead was Capri. In profound gloom, though under a sky all set with stars, we passed between the island and Cape Minerva; the haven of Capri showed but a faint glimmer; over it towered mighty crags, an awful blackness, a void amid constellations. From my seat near the stern of the vessel I could discern no human form; it was as though I voyaged quite alone in the silence of this magic sea. Silence so all-possessing that the sound of the ship's engine could not reach my ear, but was blended with the water-splash into a lulling murmur. The stillness of a dead world laid its spell on all that lived. To-day seemed an unreality, an idle impertinence; the real was that long-buried past which gave its meaning to all around me, touching the night with infinite pathos. Best of all, one's own being became lost to consciousness; the mind knew only the phantasmal forms it shaped, and was at peace in vision.
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
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Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Caitlin married Shawn, a man rumored to be both violent and terminally ill, just to reclaim her late mother's belongings. Their union was the talk of the town-everyone mocked the "ugly woman" and the "dying madman," convinced the marriage was doomed from the start. But after their wedding, Caitlin shocked the elite: she was a brilliant architect, legendary healer, and even secretly ruled the underworld. As the world watched, Shawn's brutal image softened. During a global live-streamed wedding, he knelt and declared, "Caitlin, you are the light in my life!"
Rejected by her mate, who had been her long-time crush, Jasmine felt utterly humiliated. Seeking solace, she headed to a party to drown her sorrows. But things took a turn for the worse when her friends issued a cruel dare: kiss a stranger or beg her mate for forgiveness. With no other choice, Jasmine approached a stranger and kissed him, thinking that would be the end of it. However, the stranger unexpectedly wrapped his arms around her waist and whispered in her ear, "You're mine!" He growled, his words sending shivers down her spine. And then, he offered her a solution that would change everything...
Gabriela learned her boyfriend had been two-timing her and writing her off as a brainless bimbo, so she drowned her heartache in reckless adventure. One sultry blackout night she tumbled into bed with a stranger, then slunk away at dawn, convinced she'd succumbed to a notorious playboy. She prayed she'd never see him again. Yet the man beneath those sheets was actually Wesley, the decisive, ice-cool, unshakeable CEO who signed her paychecks. Assuming her heart was elsewhere, Wesley returned to the office cloaked in calm, but every polite smile masked a dark surge of possessive jealousy.
Gianna Benton, a woman who came from a great family, a family with ancient history, had always lived a life that's overshadowed by her younger sister, Quinn. After her unfair death with her unborn baby at the hands of the man she loved, Gianna got reborn. Now with the opportunity to live again, Gianna rejects her mate and gives herself to alpha Axel, falling into an unexpected contract marriage. Both plans to use each other, and falling in love isn't part of the deal for them. Gianna plans to get her revenge on her former lover, alpha Nathan, who killed her in the past because of her younger sister, but surprisingly to her, alpha Nathan wants his mate back, and Gianna is determined not to let the past repeat itself. ------------------------------------------------- "Is this hell?" "Gianna, what's wrong with you? I know that you are excited, but you need to stop acting weird." Mom said. I reach out my hands to touch her face, but she slaps my hands away. This is real, I thought. Somehow, I have gone back in time to the day I got married to Alpha Nathan. "I need to take a picture of you, but I can't do it without your sister. Wait here for me while I go get your sister." Mom left the room, leaving me alone with my thoughts. My hands formed a fist in anger as I thought of Quinn and Alpha Nathan. I don't know how I have traveled back to the past, but I'm not going to let myself make the same mistake I did in my past life; I'm not getting married to alpha Nathan. No matter what, I need to put a stop to this wedding.
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