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On a summer afternoon two surly men sat together in a London lodging. One of them occupied an easy-chair, smoked a cigarette, and read the newspaper; the other was seated at the table, with a mass of papers before him, on which he laboured as though correcting exercises. They were much of an age, and that about thirty, but whereas the idler was well dressed, his companion had a seedy appearance and looked altogether like a man who neglected himself. For half an hour they had not spoken.
Of a sudden the man in the chair jumped up.
'Well, I have to go into town,' he said gruffly, 'and it's uncertain when I shall be back. Get that stuff cleared off, and reply to the urgent letters-mind you write in the proper tone to Dixon-as soapy as you can make it. Tell Miss Brewer we can't reduce the fees, but that we'll give her credit for a month. Guarantee the Leicestershire fellow a pass if he begins at once.'
The other, who listened, bit the end of his wooden penholder to splinters.
'All right,' he replied. 'But, look here, I want a little money.'
'So do I.'
'Yes, but you're not like me, without a coin in your pocket. Look here, give me half-a-crown. I have absolute need of it. Why, I can't even get my hair cut. I'm sick of this slavery.'
'Then go and do better,' cried the well-dressed man insolently. 'You were glad enough of the job when I offered it to you. It's no good your looking to me for money. I can do no more myself than just live; and as soon as I see a chance, you may be sure I shall clear out of this rotten business.'
He moved towards the door, but before opening it stood hesitating.
'Want to get your hair cut, do you? Well, there's sixpence, and it's all I can spare.'
The door closed. And the man at the table, leaning back, stared gloomily at the sixpenny piece on the table before him.
His name was Topham; he had a university degree and a damaged reputation. Six months ago, when his choice seemed to be between staying in the streets and turning sandwich-man, luck had made him acquainted with Mr. Rudolph Starkey, who wrote himself M.A. of Dublin University and advertised a system of tuition by correspondence. In return for mere board and lodging Topham became Mr. Starkey's assistant; that is to say, he did by far the greater part of Mr. Starkey's work. The tutorial business was but moderately successful; still, it kept its proprietor in cigarettes, and enabled him to pass some hours a day at a club, where he was convinced that before long some better chance in life would offer itself to him. Having always been a lazy dog, Starkey regarded himself as an example of industry unrewarded; being as selfish a fellow as one could meet, he reproached himself with the unworldliness of his nature, which had so hindered him in a basely material age. One of his ventures was a half-moral, half-practical little volume entitled Success in Life. Had it been either more moral or more practical, this book would probably have yielded him a modest income, for such works are dear to the British public; but Rudolph Starkey, M.A., was one of those men who do everything by halves and snarl over the ineffectual results.
Topham's fault was that of a man who had followed his instincts but too thoroughly. They brought him to an end of everything, and, as Starkey said, he had been glad enough to take the employment which was offered without any inconvenient inquiries. The work which he undertook he did competently and honestly for some time without a grumble. Beginning with a certain gratitude to his employer, though without any liking, he soon grew to detest the man, and had much ado to keep up a show of decent civility in their intercourse. Of better birth and breeding than Starkey, he burned with resentment at the scant ceremony with which he was treated, and loathed the meanness which could exact so much toil for such poor remuneration. When offering his terms Starkey had talked in that bland way characteristic of him with strangers.
'I'm really ashamed to propose nothing better to a man of your standing. But-well, I'm making a start, you see, and the fact of the matter is that, just at present, I could very well manage to do all the work myself. Still, if you think it worth your while, there's no doubt we shall get on capitally together, and, of course, I need not say, as soon as our progress justifies it, we must come to new arrangements. A matter of six or seven hours a day will be all I shall ask of you at present. For my own part, I work chiefly at night.'
This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing
The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
George Gissing was a British novelist, most famous for his novels The Nether World, New Grub Street, and The Odd Women. He is said to have been primarily influenced by Emile Zola.
Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.
One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.
Sheila had her back against the wall when her family tried to force her to marry an awful old man. In a fit of rage, she hired a gigolo to act as her husband. She thought the gigolo needed money and did this for a living. Little did she know that he was nothing like that. One day, he pulled off his mask and revealed himself to be the world's top magnate. This marked the beginning of their love. He showered her with everything she could ever want. They were happy. However, unexpected circumstances soon posed a threat to their love. Would Sheila and her husband make it through the storm? Find out!
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
Amy didn't expect that her husband whom she had loved and trusted earnestly for many years would be cheating on her by having sex with his secretary. When she confronted him, he and his secretary mocked and ridiculed her, they called her barren to her face, afterall, she had not conceived for the past three years that she had been married to her husband, Callan. Terribly Heartbroken, she filed for divorce and left to the club, she picked a random gigolo, had a hot one night stand with him, paid him and dissapeared to a small city. She came back to the country six years later with three identical cute boys and three identical cute girls of the same age. She settled and got a job but soon find out that her CEO was the gigolo she had sex with six years back at the club. Will she be able to hide her six little cuties from her CEO, who happens to be the most powerful man in NorthHill and beleived to be infertile? Can Amy and the most powerful man in NorthHill get along considering the social gap between them.
Kara Martin was known as Miss Perfect. She was a beauty with good personality and successful career. Unfortunately, her life changed at one night. She was accused of adultery, losing her job, and abandoned by her fiance. The arrogant man who slept with her did not want to take responsibility. He even threatened to kill her if they met again. What's worse, Kara was pregnant with twins and she chose to give birth to them. Four and a half years later, Kara returned to work at a large company. As the secretary, she would frequently face their notorious CEO. Kara thought it wouldn't be a problem, but as it turned out ... the CEO was the father of the twins!