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In a Glass Darkly, v. 2/3 by Joseph Sheridan Le Fanu
In a Glass Darkly, v. 2/3 by Joseph Sheridan Le Fanu
In the eventful year, 1815, I was exactly three-and-twenty, and had just succeeded to a very large sum in consols, and other securities. The first fall of Napoleon had thrown the continent open to English excursionists, anxious, let us suppose, to improve their minds by foreign travel; and I-the slight check of the 'hundred days' removed, by the genius of Wellington, on the field of Waterloo-was now added to the philosophic throng.
I was posting up to Paris from Bruxelles, following, I presume, the route that the allied army had pursued but a few weeks before-more carriages than you could believe were pursuing the same line. You could not look back or forward, without seeing into far perspective the clouds of dust which marked the line of the long series of vehicles. We were, perpetually, passing relays of return-horses, on their way, jaded and dusty, to the inns from which they had been taken. They were arduous times for those patient public servants. The whole world seemed posting up to Paris.
I ought to have noted it more particularly, but my head was so full of Paris and the future, that I passed the intervening scenery with little patience and less attention; I think, however, that it was about four miles to the frontier side of a rather picturesque little town, the name of which, as of many more important places through which I posted in my hurried journey, I forget, and about two hours before sunset, that we came up with a carriage in distress.
It was not quite an upset. But the two leaders were lying flat. The booted postillions had got down, and two servants who seemed very much at sea in such matters, were by way of assisting them. A pretty little bonnet and head were popped out of the window of the carriage in distress. Its tournure, and that of the shoulders that also appeared for a moment, was captivating: I resolved to play the part of a good Samaritan; stopped my chaise, jumped out, and with my servant lent a very willing hand in the emergency. Alas! the lady with the pretty bonnet, wore a very thick, black veil. I could see nothing but the pattern of the Bruxelles lace, as she drew back.
A lean old gentleman, almost at the same time, stuck his head out of the window. An invalid he seemed, for although the day was hot, he wore a black muffler which came up to his ears and nose, quite covering the lower part of his face, an arrangement which he disturbed by pulling it down for a moment, and poured forth a torrent of French thanks, as he uncovered his black wig, and gesticulated with grateful animation.
One of my very few accomplishments besides boxing, which was cultivated by all Englishmen at that time, was French; and I replied, I hope and believe, grammatically. Many bows being exchanged, the old gentleman's head went in again, and the demure, pretty little bonnet once more appeared.
The lady must have heard me speak to my servant, for she framed her little speech in such pretty, broken English, and in a voice so sweet, that I more than ever cursed the black veil that baulked my romantic curiosity.
The arms that were emblazoned on the panel were peculiar; I remember especially, one device, it was the figure of a stork, painted in carmine, upon what the heralds call a 'field or.' The bird was standing upon one leg, and in the other claw held a stone. This is, I believe, the emblem of vigilance. Its oddity struck me, and remained impressed upon my memory. There were supporters besides, but I forget what they were.
The courtly manners of these people, the style of their servants, the elegance of their travelling carriage, and the supporters to their arms, satisfied me that they were noble.
The lady, you may be sure, was not the less interesting on that account. What a fascination a title exercises upon the imagination! I do not mean on that of snobs or moral flunkies. Superiority of rank is a powerful and genuine influence in love. The idea of superior refinement is associated with it. The careless notice of the squire tells more upon the heart of the pretty milkmaid, than years of honest Dobbin's manly devotion, and so on and up. It is an unjust world!
But in this case there was something more. I was conscious of being good-looking. I really believe I was; and there could be no mistake about my being nearly six feet high. Why need this lady have thanked me? Had not her husband, for such I assumed him to be, thanked me quite enough, and for both? I was instinctively aware that the lady was looking on me with no unwilling eyes; and, through her veil, I felt the power of her gaze.
She was now rolling away, with a train of dust behind her wheels, in the golden sunlight, and a wise young gentleman followed her with ardent eyes, and sighed profoundly as the distance increased.
I told the postillions on no account to pass the carriage, but to keep it steadily in view, and to pull up at whatever posting-house it should stop at. We were soon in the little town, and the carriage we followed drew up at the Belle Etoile, a comfortable old inn. They got out of the carriage and entered the house.
At a leisurely pace we followed. I got down, and mounted the steps listlessly, like a man quite apathetic and careless.
Audacious as I was, I did not care to inquire in what room I should find them. I peeped into the apartment to my right, and then into that on my left. My people were not there.
I ascended the stairs. A drawing-room door stood open. I entered with the most innocent air in the world. It was a spacious room, and, beside myself, contained but one living figure-a very pretty and lady-like one. There was the very bonnet with which I had fallen in love. The lady stood with her back toward me. I could not tell whether the envious veil was raised; she was reading a letter.
I stood for a minute in fixed attention, gazing upon her, in the vague hope that she might turn about, and give me an opportunity of seeing her features. She did not; but with a step or two she placed herself before a little cabriole-table, which stood against the wall, from which rose a tall mirror, in a tarnished frame.
I might, indeed, have mistaken it for a picture; for it now reflected a half-length portrait of a singularly beautiful woman.
She was looking down upon a letter which she held in her slender fingers, and in which she seemed absorbed.
The face was oval, melancholy, sweet. It had in it, nevertheless, a faint and undefinably sensual quality also. Nothing could exceed the delicacy of its features, or the brilliancy of its tints. The eyes, indeed, were lowered, so that I could not see their colour; nothing but their long lashes, and delicate eyebrows. She continued reading. She must have been deeply interested; I never saw a living form so motionless-I gazed on a tinted statue.
Being at that time blessed with long and keen vision, I saw this beautiful face with perfect distinctness. I saw even the blue veins that traced their wanderings on the whiteness of her full throat.
I ought to have retreated as noiselessly as I came in, before my presence was detected. But I was too much interested to move from the spot, for a few moments longer; and while they were passing, she raised her eyes. Those eyes were large, and of that hue which modern poets term "violet."
These splendid melancholy eyes were turned upon me from the glass, with a haughty stare, and hastily the lady lowered her black veil, and turned about.
I fancied that she hoped I had not seen her. I was watching every look and movement, the minutest, with an attention as intense as if an ordeal involving my life depended on them.
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J. S. Le Fanu's Ghostly Tales, Volume 3 by Joseph Sheridan Le Fanu
It was late in the autumn, and I was skimming along, through a rich English county, in a postchaise, among tall hedgerows gilded, like all the landscape, with the slanting beams of sunset. The road makes a long and easy descent into the little town of Gylingden, and down this we were going at an exhilarating pace, and the jingle of the vehicle sounded like sledge-bells in my ears, and its swaying and jerking were pleasant and life-like. I fancy I was in one of those moods which, under similar circumstances, I sometimes experience still — a semi-narcotic excitement, silent but delightful.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins-a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. "It's time to reveal your true identity, darling."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
She was a world-renowned divine doctor, the CEO of a publicly traded company, the most formidable female mercenary, and a top-tier tech genius. Marissa, a titan with a plethora of secret identities, had hidden her true stature to marry a seemingly impoverished young man. However, on the eve of their wedding, her fiance, who was actually the lost heir to a wealthy dynasty, called off the engagement and subjected her to degradation and mockery. Upon the revelation of her concealed identities, her ex-fiance was left stunned and desperately pleaded for her forgiveness. Standing protectively before Marissa, an incredibly influential and fearsome magnate declared, "This is my wife. Who would dare try to claim her?"
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
"Dad, I can break up with Lucas and marry into the most powerful mafia family, the Vittorine family, and wed that brutal heir." Eve's robe hung loosely, and there were kiss marks all over her neck. "But I have one condition. If you agree to it, I'll marry him." Eve's father, Robert Costa, asked her excitedly on the other end of the phone, but Eve abruptly hung up. Lucas got out of the bathroom, wiping droplets from his wet hair. Then he pulled Eve into his arms, and they fell into bed together. Eve buried her face in his chest, but her eyes were cold. She was the daughter of the Costa family and had been secretly in love with Lucas Smith, a district leader in the family, for five years. Three days ago, she was kidnapped. The kidnappers targeted a batch of goods belonging to Lucas. They used Eve as leverage to threaten Lucas. Her phone died after repeatedly trying to call him all night, but Lucas never answered. Eve was pushed off a cliff and was badly injured. She was then saved by the head of her family, so she narrowly escaped death. Lucas was flirting with her father's illegitimate daughter, Alina. Eve utterly realized Lucas's true face and stopped loving him. Lucas proposed to her today, and Eve had prepared a big gift for him. She would give him freedom.
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