Kenelm Chillingly, Book 3. by Edward Bulwer-Lytton
Kenelm Chillingly, Book 3. by Edward Bulwer-Lytton
IF there were a woman in the world who might be formed and fitted to reconcile Kenelm Chillingly to the sweet troubles of love and the pleasant bickerings of wedded life, one might reasonably suppose that that woman could be found in Cecilia Travers.
An only daughter and losing her mother in childhood, she had been raised to the mistress-ship of a household at an age in which most girls are still putting their dolls to bed; and thus had early acquired that sense of responsibility, accompanied with the habits of self-reliance, which seldom fails to give a certain nobility to character; though almost as often, in the case of women, it steals away the tender gentleness which constitutes the charm of their sex.
It had not done so in the instance of Cecilia Travers, because she was so womanlike that even the exercise of power could not make her manlike. There was in the depth of her nature such an instinct of sweetness that wherever her mind toiled and wandered it gathered and hoarded honey.
She had one advantage over most girls in the same rank of life,-she had not been taught to fritter away such capacities for culture as Providence gave her in the sterile nothingnesses which are called feminine accomplishments. She did not paint figures out of drawing in meagre water-colours; she had not devoted years of her life to the inflicting on polite audiences the boredom of Italian bravuras, which they could hear better sung by a third-rate professional singer in a metropolitan music-hall. I am afraid she had no other female accomplishments than those by which the sempstress or embroideress earns her daily bread. That sort of work she loved, and she did it deftly.
But if she had not been profitlessly plagued by masters, Cecilia Travers had been singularly favoured by her father's choice of a teacher: no great merit in him either. He had a prejudice against professional governesses, and it chanced that among his own family connections was a certain Mrs. Campion, a lady of some literary distinction, whose husband had held a high situation in one of our public offices, and living, much to his satisfaction, up to a very handsome income, had died, much to the astonishment of others, without leaving a farthing behind him.
Fortunately, there were no children to provide for. A small government pension was allotted to the widow; and as her husband's house had been made by her one of the pleasantest in London, she was popular enough to be invited by numerous friends to their country seats; among others, by Mr. Travers. She came intending to stay a fortnight. At the end of that time she had grown so attached to Cecilia, and Cecilia to her, and her presence had become so pleasant and so useful to her host, that the Squire entreated her to stay and undertake the education of his daughter. Mrs. Campion, after some hesitation, gratefully consented; and thus Cecilia, from the age of eight to her present age of nineteen, had the inestimable advantage of living in constant companionship with a woman of richly cultivated mind, accustomed to hear the best criticisms on the best books, and adding to no small accomplishment in literature the refinement of manners and that sort of prudent judgment which result from habitual intercourse with an intellectual and gracefully world-wise circle of society: so that Cecilia herself, without being at all blue or pedantic, became one of those rare young women with whom a well-educated man can converse on equal terms; from whom he gains as much as he can impart to her; while a man who, not caring much about books, is still gentleman enough to value good breeding, felt a relief in exchanging the forms of his native language without the shock of hearing that a bishop was "a swell" or a croquet-party "awfully jolly."
In a word, Cecilia was one of those women whom Heaven forms for man's helpmate; who, if he were born to rank and wealth, would, as his partner, reflect on them a new dignity, and add to their enjoyment by bringing forth their duties; who, not less if the husband she chose were poor and struggling, would encourage, sustain, and soothe him, take her own share of his burdens, and temper the bitterness of life with the all-recompensing sweetness of her smile.
Little, indeed, as yet had she ever thought of love or of lovers. She had not even formed to herself any of those ideals which float before the eyes of most girls when they enter their teens. But of two things she felt inly convinced: first, that she could never wed where she did not love; and secondly, that where she did love it would be for life.
And now I close this sketch with a picture of the girl herself. She has just come into her room from inspecting the preparations for the evening entertainment which her father is to give to his tenants and rural neighbours.
She has thrown aside her straw hat, and put down the large basket which she has emptied of flowers. She pauses before the glass, smoothing back the ruffled bands of her hair,-hair of a dark, soft chestnut, silky and luxuriant,-never polluted, and never, so long as she lives, to be polluted by auricomous cosmetics, far from that delicate darkness, every tint of the colours traditionally dedicated to the locks of Judas.
Her complexion, usually of that soft bloom which inclines to paleness, is now heightened into glow by exercise and sunlight. The features are small and feminine; the eyes dark with long lashes; the mouth singularly beautiful, with a dimple on either side, and parted now in a half-smile at some pleasant recollection, giving a glimpse of small teeth glistening as pearls. But the peculiar charm of her face is in an expression of serene happiness, that sort of happiness which seems as if it had never been interrupted by a sorrow, had never been troubled by a sin,-that holy kind of happiness which belongs to innocence, the light reflected from a heart and conscience alike at peace.
You must often have felt, gentlemen, -- each and all of you, -- especially when sitting alone at night, a strange and unaccountable sensation of coldness and awe creep over you; your blood curdles, and the heart stands still; the limbs shiver, the hair bristles; you are afraid to look up, to turn your eyes to the darker corners of the room; you have a horrible fancy that something unearthly is at hand. Presently the whole spell, if I may so call it, passes away and you are ready to laugh at your own weakness.
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
Edward Bulwer-Lytton was a well known English novelist in the 19th century, and he's been immortalized for coining famous phrases like "pursuit of the almighty dollar" and "the pen is mightier than the sword".
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
Clara had to die once to see who truly surrounded her-traitors and opportunists everywhere. After her rebirth, she swore to make her enemies pay. Her fiancé mocked, "You think you deserve me?" She punched him and ended the engagement. Her stepsister played innocent, but Clara shut her down with a cold retort. "Stop pretending! I'm tired of your little act!" They called her a loser, but Clara didn't bother defending herself. Instead, she revealed her real power: superstar, racing champion, and secret mogul. When her masks fell, chaos erupted. Her ex begged, and the crime lord claimed her, but Clara had already conquered them all.
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
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