Life's Little Ironies by Thomas Hardy
Life's Little Ironies by Thomas Hardy
To the eyes of a man viewing it from behind, the nut-brown hair was a wonder and a mystery. Under the black beaver hat, surmounted by its tuft of black feathers, the long locks, braided and twisted and coiled like the rushes of a basket, composed a rare, if somewhat barbaric, example of ingenious art. One could understand such weavings and coilings being wrought to last intact for a year, or even a calendar month; but that they should be all demolished regularly at bedtime, after a single day of permanence, seemed a reckless waste of successful fabrication.
And she had done it all herself, poor thing. She had no maid, and it was almost the only accomplishment she could boast of. Hence the unstinted pains.
She was a young invalid lady-not so very much of an invalid-sitting in a wheeled chair, which had been pulled up in the front part of a green enclosure, close to a bandstand, where a concert was going on, during a warm June afternoon. It had place in one of the minor parks or private gardens that are to be found in the suburbs of London, and was the effort of a local association to raise money for some charity. There are worlds within worlds in the great city, and though nobody outside the immediate district had ever heard of the charity, or the band, or the garden, the enclosure was filled with an interested audience sufficiently informed on all these.
As the strains proceeded many of the listeners observed the chaired lady, whose back hair, by reason of her prominent position, so challenged inspection. Her face was not easily discernible, but the aforesaid cunning tress-weavings, the white ear and poll, and the curve of a cheek which was neither flaccid nor sallow, were signals that led to the expectation of good beauty in front. Such expectations are not infrequently disappointed as soon as the disclosure comes; and in the present case, when the lady, by a turn of the head, at length revealed herself, she was not so handsome as the people behind her had supposed, and even hoped-they did not know why.
For one thing (alas! the commonness of this complaint), she was less young than they had fancied her to be. Yet attractive her face unquestionably was, and not at all sickly. The revelation of its details came each time she turned to talk to a boy of twelve or thirteen who stood beside her, and the shape of whose hat and jacket implied that he belonged to a well-known public school. The immediate bystanders could hear that he called her 'Mother.'
When the end of the recital was reached, and the audience withdrew, many chose to find their way out by passing at her elbow. Almost all turned their heads to take a full and near look at the interesting woman, who remained stationary in the chair till the way should be clear enough for her to be wheeled out without obstruction. As if she expected their glances, and did not mind gratifying their curiosity, she met the eyes of several of her observers by lifting her own, showing these to be soft, brown, and affectionate orbs, a little plaintive in their regard.
She was conducted out of the gardens, and passed along the pavement till she disappeared from view, the schoolboy walking beside her. To inquiries made by some persons who watched her away, the answer came that she was the second wife of the incumbent of a neighbouring parish, and that she was lame. She was generally believed to be a woman with a story-an innocent one, but a story of some sort or other.
In conversing with her on their way home the boy who walked at her elbow said that he hoped his father had not missed them.
'He have been so comfortable these last few hours that I am sure he cannot have missed us,' she replied.
'Has, dear mother-not have!' exclaimed the public-school boy, with an impatient fastidiousness that was almost harsh. 'Surely you know that by this time!'
His mother hastily adopted the correction, and did not resent his making it, or retaliate, as she might well have done, by bidding him to wipe that crumby mouth of his, whose condition had been caused by surreptitious attempts to eat a piece of cake without taking it out of the pocket wherein it lay concealed. After this the pretty woman and the boy went onward in silence.
That question of grammar bore upon her history, and she fell into reverie, of a somewhat sad kind to all appearance. It might have been assumed that she was wondering if she had done wisely in shaping her life as she had shaped it, to bring out such a result as this.
In a remote nook in North Wessex, forty miles from London, near the thriving county-town of Aldbrickham, there stood a pretty village with its church and parsonage, which she knew well enough, but her son had never seen. It was her native village, Gaymead, and the first event bearing upon her present situation had occurred at that place when she was only a girl of nineteen.
How well she remembered it, that first act in her little tragi-comedy, the death of her reverend husband's first wife. It happened on a spring evening, and she who now and for many years had filled that first wife's place was then parlour-maid in the parson's house.
When everything had been done that could be done, and the death was announced, she had gone out in the dusk to visit her parents, who were living in the same village, to tell them the sad news. As she opened the white swing-gate and looked towards the trees which rose westward, shutting out the pale light of the evening sky, she discerned, without much surprise, the figure of a man standing in the hedge, though she roguishly exclaimed as a matter of form, 'Oh, Sam, how you frightened me!'
He was a young gardener of her acquaintance. She told him the particulars of the late event, and they stood silent, these two young people, in that elevated, calmly philosophic mind which is engendered when a tragedy has happened close at hand, and has not happened to the philosophers themselves. But it had its bearing upon their relations.
'And will you stay on now at the Vicarage, just the same?' asked he.
She had hardly thought of that. 'Oh, yes-I suppose!' she said. 'Everything will be just as usual, I imagine?'
He walked beside her towards her mother's. Presently his arm stole round her waist. She gently removed it; but he placed it there again, and she yielded the point. 'You see, dear Sophy, you don't know that you'll stay on; you may want a home; and I shall be ready to offer one some day, though I may not be ready just yet.
'Why, Sam, how can you be so fast! I've never even said I liked 'ee; and it is all your own doing, coming after me!'
'Still, it is nonsense to say I am not to have a try at you like the rest.' He stooped to kiss her a farewell, for they had reached her mother's door.
'No, Sam; you sha'n't!' she cried, putting her hand over his mouth. 'You ought to be more serious on such a night as this.' And she bade him adieu without allowing him to kiss her or to come indoors.
The vicar just left a widower was at this time a man about forty years of age, of good family, and childless. He had led a secluded existence in this college living, partly because there were no resident landowners; and his loss now intensified his habit of withdrawal from outward observation. He was still less seen than heretofore, kept himself still less in time with the rhythm and racket of the movements called progress in the world without. For many months after his wife's decease the economy of his household remained as before; the cook, the housemaid, the parlour-maid, and the man out-of-doors performed their duties or left them undone, just as Nature prompted them-the vicar knew not which. It was then represented to him that his servants seemed to have nothing to do in his small family of one. He was struck with the truth of this representation, and decided to cut down his establishment. But he was forestalled by Sophy, the parlour-maid, who said one evening that she wished to leave him.
'And why?' said the parson.
'Sam Hobson has asked me to marry him, sir.'
'Well-do you want to marry?'
'Not much. But it would be a home for me. And we have heard that one of us will have to leave.'
A day or two after she said: 'I don't want to leave just yet, sir, if you don't wish it. Sam and I have quarrelled.'
He looked up at her. He had hardly ever observed her before, though he had been frequently conscious of her soft presence in the room. What a kitten-like, flexuous, tender creature she was! She was the only one of the servants with whom he came into immediate and continuous relation. What should he do if Sophy were gone?
Sophy did not go, but one of the others did, and things went on quietly again.
When Mr. Twycott, the vicar, was ill, Sophy brought up his meals to him, and she had no sooner left the room one day than he heard a noise on the stairs. She had slipped down with the tray, and so twisted her foot that she could not stand. The village surgeon was called in; the vicar got better, but Sophy was incapacitated for a long time; and she was informed that she must never again walk much or engage in any occupation which required her to stand long on her feet. As soon as she was comparatively well she spoke to him alone. Since she was forbidden to walk and bustle about, and, indeed, could not do so, it became her duty to leave. She could very well work at something sitting down, and she had an aunt a seamstress.
The parson had been very greatly moved by what she had suffered on his account, and he exclaimed, 'No, Sophy; lame or not lame, I cannot let you go. You must never leave me again!'
He came close to her, and, though she could never exactly tell how it happened, she became conscious of his lips upon her cheek. He then asked her to marry him. Sophy did not exactly love him, but she had a respect for him which almost amounted to veneration. Even if she had wished to get away from him she hardly dared refuse a personage so reverend and august in her eyes, and she assented forthwith to be his wife.
Thus it happened that one fine morning, when the doors of the church were naturally open for ventilation, and the singing birds fluttered in and alighted on the tie-beams of the roof, there was a marriage-service at the communion-rails, which hardly a soul knew of. The parson and a neighbouring curate had entered at one door, and Sophy at another, followed by two necessary persons, whereupon in a short time there emerged a newly-made husband and wife.
Mr. Twycott knew perfectly well that he had committed social suicide by this step, despite Sophy's spotless character, and he had taken his measures accordingly. An exchange of livings had been arranged with an acquaintance who was incumbent of a church in the south of London, and as soon as possible the couple removed thither, abandoning their pretty country home, with trees and shrubs and glebe, for a narrow, dusty house in a long, straight street, and their fine peal of bells for the wretchedest one-tongued clangour that ever tortured mortal ears. It was all on her account. They were, however, away from every one who had known her former position; and also under less observation from without than they would have had to put up with in any country parish.
Sophy the woman was as charming a partner as a man could possess, though Sophy the lady had her deficiencies. She showed a natural aptitude for little domestic refinements, so far as related to things and manners; but in what is called culture she was less intuitive. She had now been married more than fourteen years, and her husband had taken much trouble with her education; but she still held confused ideas on the use of 'was' and 'were,' which did not beget a respect for her among the few acquaintances she made. Her great grief in this relation was that her only child, on whose education no expense had been and would be spared, was now old enough to perceive these deficiencies in his mother, and not only to see them but to feel irritated at their existence.
Thus she lived on in the city, and wasted hours in braiding her beautiful hair, till her once apple cheeks waned to pink of the very faintest. Her foot had never regained its natural strength after the accident, and she was mostly obliged to avoid walking altogether. Her husband had grown to like London for its freedom and its domestic privacy; but he was twenty years his Sophy's senior, and had latterly been seized with a serious illness. On this day, however, he had seemed to be well enough to justify her accompanying her son Randolph to the concert.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
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Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
A dozen minor novels that have been published in the periodical press collected together.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
For three years, Natalie gave everything to be the perfect wife and mother, believing her love and effort could finally earn her a place in their hearts. Yet her sacrifices were met with betrayal from her husband and cold rejection from her son. In their eyes, she was nothing but a manipulator, using vulnerability to get her way. Her husband turned his back, her son misunderstood her, and she never truly belonged. Heartbroken yet determined, Natalie left her old life behind. When her family finally begged for a second chance, she looked at them and said, "It's too late."
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"
Narine never expected to survive. Not after what was done to her body, mind, and soul. But fate had other plans. Rescued by Supreme Alpha Sargis, the kingdom's most feared ruler, she finds herself under the protection of a man she doesn't know... and a bond she doesn't understand. Sargis is no stranger to sacrifice. Ruthless, ambitious, and loyal to the sacred matebond, he's spent years searching for the soul fate promised him, never imagining she would come to him broken, on the brink of death, and afraid of her own shadow. He never meant to fall for her... but he does. Hard and fast. And he'll burn the world before letting anyone hurt her again. What begins in silence between two fractured souls slowly grows into something intimate and real. But healing is never linear. With the court whispering, the past clawing at their heels, and the future hanging by a thread, their bond is tested again and again. Because falling in love is one thing. Surviving it? That's a war of its own. Narine must decide, can she survive being loved by a man who burns like fire, when all she's ever known is how not to feel? Will she shrink for the sake of peace, or rise as Queen for the sake of his soul? For readers who believe even the most fractured souls can be whole again, and that true love doesn't save you. It stands beside you while you save yourself.
Kristine planned to surprise her husband with a helicopter for their fifth anniversary, then learned the marriage had been a setup from day one. The man she called a husband never loved her-it was all one hell of a lie. She dropped the act, shed a lot of weight, and rebuilt herself, ready to make every bastard eat their words. After an impulsive remarriage, she accidentally exposed who she really was: a star designer and heir to a billion-dollar empire. And the bodyguard she'd hired was him all along! Who would've known, the "college student" she married turned out to be a feared underworld kingpin.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
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